Mail Art Periodicals - MoMA

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Stars & Types: International Comics-Fanzine. Jo Klaffki (aka, Mona Catbird and Joki Mail Art). Edition Kunst-Bahnhausen, Minden, Germany. (1988)-1991. No. 1 ([1988]). Offset. 8 1/4"x5 3/4". 47 pages. "This should be the No. 1 - and in defiance al all speculations, it's also the 'number one' in Germany-a small-press-zine (total print run 500) destined for an international comic-fancommunity./First, we love our creators (The STARS), because they are (still!) non-profit-jobers by this subject. Then we enjoy theirs unspent creations (the TYPES), which also make a bright impression." Comic strip art by artists drawn mainly from the international Mail Art network. Contributors include Stephen Jacob (East Germany), Brian Salzberg (USA), David Cole (USA), Reima Mäkinen (Finland), Arturo G. Fallico (USA), Mogens Otto Nielsen (Denmark), Antonio Tregnaghi (Italy), John Held, Jr. (USA), A.1 Waste Paper Co. Ltd. (England), Gerard Barbot (USA), E. Seifried (West Germany), Pedro Juan Guitierrez (Cuba), Heino Otte (West Germany), Mark Rose, USA), et al. No. 2 ([1989]). Offset. 8 1/4"x5 3/4". 48 pages. Comic art. Contributions by Julie Doucet (Canada), H. R. Fricker (Switzerland), W. W. Neumann (East Germany), Stefen Jacob (East Germany), Rea Nikonova (USSR), Ruggero Maggi (Italy), Serge Segay (USSR), Yoshiaki Kobayashi (Japan), Antonio Gomez (Spain), G. Lerici (Italy), Ace Backwards (USA), Mike Duquette (Canada), Vittore Baroni (Italy), Charles François (Belgium), Baudhuin Simon (Belgium), Bill Whorrall (USA), Brian Salzberg (USA), A.1. Waste Paper Co. Ltd. (England), Hazel Jones (England), Gerard Barbot (USA), Dobrica Kamperelic (Yugoslavia), G. Lipinsky (West Germany), et al. No. 3 (1989). Offset. 8 1/4"x5 3/4". 48 pages. Comic art. Contributions by Reima Mäkinen (Finland), A.1. Waste Paper Co. Ltd. (England), Vittore Baroni (Italy), Kimmo Framelius (Finland), Julie Doucet (Canada), G. Lerici (Italy), Jeff Hoagart (USA), W. W. Neumann (East Germany), Mike Duquette (Canada), Ace Backwords (USA), et al. No. 4 (1990). Offset. 8 1/4"x5 3/4". 48 pages. "...dear comic-lover, meanwhile the art-strike-shadows were overwhelming the Kunst-Bahnhausenacademy and it was to fear getting stopped this successful STARS & TYPESedition." Comic Art. contributions by Rea Nikonova (USSR), Gian Luca Lerici (Italy), Yoshiake Kobayashi (Japan), Baudhuin Simon (Belgium), Arturo G. Fallico (USA), Mike Duquette (Canada), Ruggero Maggi (Italy), W. W. Neumann (East Germany), Vittore Baroni (Italy), Renee Boows (Holland), Gerard Barbot (USA), Ace Backwords (USA), Reima Mäkinen (Finland), Julie Doucet (Canada), Lucien Suel (France), Stephen Jacob (East Germany), Walter Askin (USA), et al. No. 5 ([1990]). Offset. 8 1/4"x5 3/4". 48 pages. Cover by David Cole (USA). Comic art. Contributions by Wemöwe (aka Achim Weigelt, West
Germany), Salvatore de Rosa (Italy), A1 Waste Paper (England), Walter Askin (USA), Maria Chr. Menezes (Brazil), Baudhuim Simon (Belgium), Günther Ruch (Switzerland), Vittore Baroni (Italy), Gerard Barbot (USA), Julie Doucet (Canada), Jaroslav Supek (Yugoslavia), Serge Segay (USSR), Gian Luca Lerici (Italy), Marco Pasian (Italy), E. Seifried (East Germany), Daniel Daligand (France), Pedro Juan Gutierrez (Cuba), Crackerjack Kid (USA), et al. No. 6 (1991). Offset. 8 1/4"x5 3/4". 48 pages. "Just we are back again, after a 4-month long break collecting materials, in o(r)der to present this issue. Purely the sixth but not a sexed. If you consider why the imagination of STARS & TYPES is poorly sexminded, even though we never select or censor contributions. A good answer may be this: all of our cheerful creating coworkers haven't problems with their sexual conditions. That's the result of a splendid mental inspiration into our network, which needs neither selection nor censorship./If we look backwards we find published more than 60 honorable comic creators till yet. ...It may wonder the devil, when we combine ART- STRIKE-project with comics' affairs, but we insist on saying 'comic isn't art'. its only a cheerful play, isn't that enough?" Contributions by W. W. Neumann (Germany), Robin Crozier (England), Ace Backwords (USA), Ruggero Maggi (Italy), Giovanni Strada (Italy), Crackerjack Kid (USA), Vittore Baroni (Italy), Heino Otto (Germany), A.1. Waste paper (England), Julie Doucet (Canada), E. Seifried (Germany), David Cole (USA), Arturo G. Fallico (USA), et al. "Comic- Stamp-Project. Cracker Jack Kid from Lebanon/USA has crated & sent us the left shown stamp-frame for collaboration with-in the ART-STRIKE-project. Please take part & draw in your self-portrait and send to:..." Art Strike postage stamp completed by John Held, Jr. (USA). State University of New York at Buffalo Reporter. Robert T. Marlett, Executive Editor. Division of University Relations, Buffalo, New York. 1988. Vol. 19, No. 20 (March 10, 1988). Newsprint. 16 3/4"x11 1/4". 16 pages. "Mail Art," by Chris Vidal (USA). "Examples of the many faces of mail art are now on display in Lockwood Memorial Library, compiled by Gregory Puchalski, a 1972 graduate of UB with a B.A. in Fine Arts, who is now a billboard painter in Pittsburgh. The exhibit is a collection of some of the pieces he has received since the early '70s." Contributions by H. R. Fricker (Switzerland), et al. Stirnnetz Mit Der Spinne. Dirk Fröhlich, Editor. Buchlabor, Dresden, Germany. 1993. No. 30 (1993). Photocopy, Rubber Stamps and Mixed Media. 11 1/2"x8 1/4". 39 pages. Also called "Spinne." Collaboration by participants through the post. contributors include Guillermo Deisler (Germany), Hartmut Graf (Germany), Rea Nikonova (Russia), David Cole (USA), Crackerjack Kid (USA),
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Mail Art Periodicals: An Annotated
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is a harbinger of the future tenden
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Alice's Zine of Dreams. Alice Borea
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No. 17 (March 1998). Photocopy. 8 1
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Anti-Isolation. Miekal And and Liz
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No. 6 (October 1994). Photocopy. 8
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displaying one-f-a-kind books, but
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Art Brigade. Ben Davis, Editor. Ama
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Vol. 2, No. 2/3 (1977). Newsprint.
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(October 19, 1980). Photocopy. 8 1/
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No. 11 (August 1980). Photocopy wit
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No. 34 (October 1982). Photocopy an
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No. 59 (January/June 1989). Photoco
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Artist Call. Michael Schwartz, Edit
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Congress. Michael Hernandez de Luna
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connected with others across the co
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Atalaya. Christer Brunström, Edito
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No. 22 (March 10, 1978?). Offset. 1
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No. 59 (October 20, 1983). Offset.
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project and exhibition notices. "Wh
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No. 98 (February 10, 1989). Photoco
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No. 116 (July 24, 1992). Offset. 23
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No. 141 (January 31, 1997). Offset.
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April 10, 1987. Mixed media. 6 1/2"
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No. 9 (June 1973). Photocopy. 14"x8
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comprehensive catalog and album of
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Bibliography." This issue: "Artist
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No. 26 (November 1994). Photocopy.
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Birdada. Bird (aka Chis Burnett), E
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people who make gather this kind of
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Vol. 1, No. 2 (1986). Photocopy. 8
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network are at all alike. Neuron in
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No. 63 (June 22, 1987). Gocco Print
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No. 114 (December 30, 1988). Gocco
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No. 203 (January 27, 1991). Gocco P
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No. 281 (July 20, 1993). Gocco Prin
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No. 350 (November 20, 1995). Gocco
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No. 511 (September 10, 2001). Gocco
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Cage: Anti-Embargo Magazine. Alexan
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No. 14 (1996). Photocopy. 8 1/2"x5
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No. 6 (February 1991). Photocopy. 1
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No. 116 (February 1990). Offset. 5
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No. 9 (February 20, 1989). Mixed Me
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R. Fricker (Switzerland). "Postal-A
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(n.d.). Photocopy. 8 1/4"x5 3/4". (
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Vol. 1 (June 1999). Photocopy. 8 1/
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participants. "Each contributor, or
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Vol. 1, No. 5 (September 1989). Pho
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(September 1992). Photocopy. 8 1/2"
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CVS (Copyright Violation Squad) Bul
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(May 22, 1995). Photocopy with Rubb
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(January 1987). Photocopy, Rubber S
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Contributors Issue (Summer 1988). P
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No. 45 (February 1983). Offset. 8 1
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(USA), Bugpost (USA), Mike Dyar (US
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No. 030 (November 19, 1989). Photoc
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(Poland), Géza Perneczky (Germany)
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No. 14 (March 1982). Photocopy. 5 1
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No. 2 (March 1986). Newsprint. 16 1
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No. 1 (April 1989). Offset. 8 1/2"x
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11x30: A Publication of the Toledo
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Eraser Carver's Quarterly. Mick Mat
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No. 0 (1999). Offset. 8 1/4"x4". 53
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Decentralized Networker Congress Po
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No. 32 (October 1989). Newsprint. 1
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No. 54 (December 1994). Newsprint.
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No. 21 (July/August 1994). Photocop
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TV Issue (April 1982). Newsprint. 9
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Bride./It too has piquant personali
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Fluxus Bucks. Ex-Posto-Facto (Julie
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No. 4 ([1985]). Photocopy. 5 1/2"x4
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E. M. Plunkett (USA), Carol Law (US
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Vol. 1, No. 2 (Full Moon in May 199
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events." Websites section added. "L
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No. 1 (March 1990). Photocopy. 8 1/
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It is a collection of original work
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Issue a (1971). Offset and Mixed Me
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No. 4 (Summer 1997). Photocopy. 11"
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Humboldt Da-Jest, The. Indian Ralph
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No. 6 (August 1990). Photocopy. 11"
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(March 1992). Photocopy and Rubber
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Inquirer: A Folio of Art and Ideas.
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No. 52 (1991). Offset. 13 1/2"x8 3/
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No. 74 (1999). Offset. 13 1/2"x8 3/
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No. 6 (1993). Photocopy. 11"x8 1/2"
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(USA), Minoy (USA), Tyler Hoare (US
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Vol. 16, No. 2 (December 1997). Pho
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No. 1 (May 2000). Photocopy and Mix
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KFR-(Kentucky Fried Royalty) Indiba
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Kryptogame. Hanna Bremer and Jack M
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No. 3 (1981). Photocopy. 11"x8 1/2"
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Nouvelle Série, No. 6 (April 1988)
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No. 3 (December 1989). Photocopy. 8
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No. 7 ([1985]). Mixed media. 11 3/4
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György Galantai (Hungary), David J
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in news section include Pips (Germa
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Pat Tavenner (USA), Musicmaster (US
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No. 18 (Winter 1986/1987). Offset a
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No. 7 (February 1994). Photocopy. 1
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Live from the Stagger Cafe. Luke Mc
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"Seventh Stranger's Exhibition in O
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No. 7 (1994). Photocopy. 11 3/4"x8
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Love Letters. Sheba, Editor. Exotic
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Mail Art exhibition, "No Nukes in M
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No. 14 (n.d.). Photocopy. 5 1/2"x3
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TAM Publication 950076 (1995). Phot
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of, "The Light of the He-Art," from
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TAM Publication 960147 (March 1997)
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(Belgium) conducted by Ruud Janssen
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No. 109 (February 12, 1991). Photoc
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No. 22-24 (1989). Photocopy and Mix
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No. 25 (April, 14, 1986). Photocopy
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No. 0 (June 1981). Photocopy and Mi
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No. 58 (August 1992). Photocopy and
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No. 80 (October 1994). Photocopy an
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No. 93 (February 1996). Photocopy a
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(Italy), buZ blurr (USA), Guy Bleus
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Kid (USA), Eberhard Janke (Germany)
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No. 132 (January 2001). Photocopy a
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Musicmaster (USA), Mark Bloch (USA)
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submissions will be clear and conci
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Banquet (The Beasts at the Feast)."
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No. 7 ([1989]). Offset. 9 1/2"x8 1/
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including Géza Perneczky (Germany)
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(May 4 thru 10, 1988). Photocopy. 8
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(Germany). "Dreamtime Village" even
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Vol. 9, No. 2/3 (March/April 1996).
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RUBBER STAMP ALBUM and had been ord
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Vol. 2, No. 2 (January 1984). Offse
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Vol. 8, No. 4 (Summer 1990). Offset
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that is wide in its acceptance of m
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is the need for mail-Art shows. At
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listings compiled by Honoria (USA).
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No. 1 (July 1993). Photocopy. 16 1/
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Netshaker. Crackerjack Kid (aka Chu
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Vol. 1, No. 3 (August 16, 1994). Co
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Hamann (West Germany), Graciela Mar
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display and disseminate the product
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Gerlovans (USA). Carlo Pittore (USA
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do some research about what the oth
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TAM-970158 (January 1997). Photocop
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(October 1993). Photocopy. 8 1/2"x5
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Tisma (Yugoslavia), Toward the New
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Breeder" we say goodbye to Stu Horn
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O. Ghislain Belmans, Johan Sanctoru
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Occasional, Tuesday-Art News. Georg
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Vol. 27, No. 3 (Issue 37) (Summer 1
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Todorovic (Yugoslavia); Shozo Shima
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No. 24 ([1987]). Photocopy. 8 1/4"x
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(USA), Shozo Shimamoto (Japan), Ryo
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Ruth and Marvin Sackner (USA), Seie
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Strada (Italy), Peter W. Kaufmann (
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No. 72 (1992). Photocopy. 8 1/4"x5
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very dear guest here last days of O
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No. 93 (1997). Photocopy. 8 1/4"x5
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years!...then Austro-Ungarian (empi
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about extraordinary TIME of CHANGE
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Network: A Mail Art Anthology." "I
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No. 38.2 (May 1998). Photocopy. 8 1
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No. 44.1B (January 2000). Photocopy
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"Shadowland and Rubberwork," by Don
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force things. Zen, y'know. & beside
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Other Times: An Alternative Mail Ar
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No. 12 1/2 (September 1995). Photoc
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No. 21 (July 1996). Photocopy. 8 1/
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No. 29 (May/June 1997). Photocopy.
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No. 6 ([1984]). Photocopy. 8 1/2"x5
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No. 21 (November 14, 1987). Photoco
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Parallelogramme. Tanya Mars, Editor
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Pelo+Pelo-. Emilio Morandi, Editor.
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"'PhotoStatic Magazine' is a bimont
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No. 20 (October 1986). Photocopy. 8
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others doing the same thing. It's c
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and continuing mail Art. "Mail Revi
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No. 40 (December 1989). Photocopy.
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correspondence. After writing close
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and political awareness (and a cook
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PMTTD's Standard Catalogue Update.
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Vol. 1, No. 2 (July 1993). Photocop
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No. 1-A (January 1992). Photocopy a
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Hora") text from Montevideo, Urugua
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(October 1995). Color Photocopy. 8
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Princess Debbie (USA), John Held, J
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No. 17 (June 1991). Photocopy. 5 3/
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No. 33 (September-October 1994). Ph
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No. 5 (April [1995]). Photocopy and
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No. 19 (August 1996). Photocopy. 8
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proud history of pranks, games, fal
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No. 16 ([July] 1987). Photocopy. 11
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Germany), Louise Krasniewicz (USA),
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No. 13 (September 1998). Photocopy,
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Joel Rossman, Bill Gaglione, Carlo
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Joyce Glasner (Canada), Luc Fierens
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Ram Art Review. L. Zjawin Francke,
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"SPECIAL DOUBLE ISSUE! Music Mail A
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participants of the Congress includ
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profiteering..." Letters from Rudi
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No. 1 (Winter Solstice 1994). Offse
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overnight in the underground channe
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No. 4 (December 1991). Photocopy. 3
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No. 0," by Florian Cramer (Germany)
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designs on rollers, postage cancell
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Vol. 2, No. 7 (July 1979). Offset a
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so if you haven't had a go yet then
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Vol. 4, No. 1 (November 1988). Phot
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Issue 0 (February 1989). Color Offs
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Vol. 2, Issue 8 (June 1982). Newspr
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Vol. 5, Issue 21 (October 1985). Ne
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(USA). "'Book as Art' was a famous
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Vol. 10, Issue 46 (July/August 1989
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numerous Europeans. Serendipitous o
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Vol. 15, Issue 75 (May/June 1994).
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Vol. 17, Issue 88 (July/August 1996
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and Angela Netmail, Germany). "Thei
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Schmidt (West Germany), Rolf Staeck
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No. 6 ([1989]). Photocopy and Mixed
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Cohen (USA), Fluxlist (Internet) an
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mail-art, news-letters, leaflets an
Page 437 and 438: drawings, paintings and so on as (w
Page 439 and 440: No. 61 (1995). Photocopy. 17"x11".
Page 441 and 442: Sick Roof: A Journal of Humorous, P
Page 443 and 444: was international, planetary art. n
Page 445 and 446: Slugfest, Ltd. Michael T. Nowak, Ed
Page 447 and 448: R. Fricker (Switzerland), Emilio Mo
Page 449 and 450: (August 1992). Photocopy. 11"x8 1/2
Page 451 and 452: No. 5 ([1990]. Offset. 11"x8 1/2".
Page 453 and 454: No. 7 ([1985]). Offset. 11 3/4"x8 1
Page 455 and 456: of a reasonable price. once this ha
Page 457 and 458: Espinosa (Mexico), Shozo Shimamoto
Page 459 and 460: called MAIL-ART like today, but the
Page 461 and 462: is Not Fine Art It's the Artist Who
Page 463 and 464: No. 2 (1989). Photocopy. 8 1/2"x5 1
Page 465 and 466: statements about mail art. Not only
Page 467 and 468: compute-file. Now I decided to prin
Page 469 and 470: Soppalco, Il (The Balcony): Home Ar
Page 471 and 472: Exhibition," by Ken Friedman. "'Int
Page 473 and 474: documented participation in 1,068 M
Page 475 and 476: No. 1 (1982). Mixed Media. (9 pages
Page 477 and 478: Musicmaster (USA), Donna Nassar (US
Page 479 and 480: Germany), John Jacobs (aka H.Y.P.E.
Page 481 and 482: Vol. 2, No. 3 (November 1982). News
Page 483 and 484: No. 12466 (1995). Photocopy and Rub
Page 485 and 486: No. 16568 (1997). Computer Print an
Page 487: Schizophreniatrics, Morealism, Sarc
Page 491 and 492: Vol. 4, No. 42 (December 20, 1987).
Page 493 and 494: Subtle Journal of Raw Coinage, The.
Page 495 and 496: I am also looking forward to sharin
Page 497 and 498: No. 11 (nod.). Color and Black & Wh
Page 499 and 500: No. 1984.7 (1984). Photocopy. 11 3/
Page 501 and 502: communication could be the transfer
Page 503 and 504: ulletin. After that, the rubberstam
Page 505 and 506: No. 96-06 (June 1996). Computer Pri
Page 507 and 508: No. 6 (Fall 1996). Photocopy and Ru
Page 509 and 510: (July 11, 1992). Photocopy and Rubb
Page 511 and 512: No. 6 (June 1993). Photocopy and Mi
Page 513 and 514: Macadam (Argentina), Svjetlana Mimi
Page 515 and 516: (Uruguay), A. d. Eker (Holland), Ru
Page 517 and 518: Vol. 3, No. 3 (January 1983). Photo
Page 519 and 520: Vol. 2, No. 3 (Fall-Winter 1981). P
Page 521 and 522: Tourism Review. Hans Rudi Fricker,
Page 523 and 524: No. 38 (December 1993). Photocopy.
Page 525 and 526: No. 48 (January 1995). Photocopy. 8
Page 527 and 528: Dr. Surearts (USA), Dan Landrum (US
Page 529 and 530: TV. Terence McMahon, Editor. The Fa
Page 531 and 532: No. 9 (August-September). Newsprint
Page 533 and 534: Vol. 2, No. 6 (November 1979). Offs
Page 535 and 536: Vol. 5, No. 4 (September 1982). Off
Page 537 and 538: sense of direction. the occasion of
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stamp production services provided
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(Belgium), Shozo Shimamoto (Japan),
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Washington, D. C.; Mark Bloch (USA)
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(No. 23) (Winter 1996-1997). Offset
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own ad on the front or back cover t
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changing some time this year but I
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with Utopian leanings or concerns.
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Version 90. Alexandra Fisher, David
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Cosey Fanni Tutti (England), Opal L
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to the Editors," in which Ken Fried
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is so much bigger and looser now-th
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Menghi, Ivana Martínez Vollaró, N
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No. 2 ([1986]). Offset. 111/4"x8 1/
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"Ladies & Gentleman: I don't have t
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anarchists, so they don't act very
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Workarea Art Ambient. Ponte Romano,
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mind to new frontiers, when it does
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Xero-Post. Sheldon Polsky, Editor.
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No. 3 (September 29, 1989). Compute
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through, and their opinions about t
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letters, essays, commentaries, cart
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strike and then sit on their hands!
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No. 0 (December 31, 1992). Computer
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