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Mail Art Periodicals - MoMA

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strike and then sit on their hands! Doing nothing is in fact 'obviated' by the <strong>Art</strong><br />

Strike, which 'is' a really bad idea. But it is important that it be as bad as it is. it<br />

forces a clarification of one's personal views on culture in part by being very<br />

difficult to ignore." Edition 500.<br />

No. 27 (May 9, 1991). Computer Print. 11"x8 1/2". (2 pages). "<strong>Art</strong><br />

Strike Interview: Tony Lowes Interviewed by Gerry Ryan, Irish Radio, November<br />

19, 1989." "I think one of the misconceptions is when people day, o.k. you're<br />

going on an art strike for three years. What are you going to do? Where's this<br />

creative stuff going to go? The answer is that life during the art strike is going to<br />

be more creative, not less." Edition 500.<br />

No. 28 (May 23, 1991). Computer Print. 11"x8 1/2". (2 pages). "It's<br />

Inevitable...1990-1993 the years without art...One Step Beyond Commodity<br />

Culture...The War is Everywhere. Detourned commercial advertisement and<br />

group photo. Edition 500.<br />

No. 29 (June 5, 1991). Computer Print. 11"x8 1/2". (6 pages).<br />

"FROWN," by the <strong>Art</strong> Abolition Committee. "Poetic Terrorism," by Hakim Bey<br />

(USA). Letter from T. Marvin Lowes (aka Tony Lowes, Ireland), Irish <strong>Art</strong> Strike<br />

Committee. "Please join us and support the Irish branch of this global <strong>Art</strong> Strike.<br />

While many, if not all, of you could not give up art even if convinced to do so, I<br />

know that if you study the arguments carefully, you'll understand why an <strong>Art</strong><br />

Strike is necessary to assess accurately the position of art in our society today."<br />

"YAWN" address changed to Iowa City, Iowa. "Several people have<br />

independently sent YAWN their 'comments' on its output in the form of<br />

envelopes which look completely normal on the outside, but upon inspection,<br />

reveal themselves to be completely empty. such 'creative' responses to the <strong>Art</strong><br />

Strike, although terse and perhaps even apt do little to encourage the dialog and<br />

debate which YAWN holds is so necessary to help clarify our current<br />

predicament. We will not berate these senders in print, because they are, if fact,<br />

doing 'something.' but if they feel that there is something 'wrong' with the <strong>Art</strong><br />

Strike (in)action-and there is much that is 'wrong' with it-perhaps they could tell<br />

us what they feel it is. On the other hand, we at YAWN do tend to prefer these<br />

kinds of pseudo-responses to the small packet of animal dung we received the<br />

other week!" <strong>Art</strong> Dump. Edition 500.<br />

No. 30 (December 1, 1991). Computer Print. 11"x8 1/2". (2 pages).<br />

"A Day Without <strong>Art</strong>ists."<br />

No. 31 (December 15, 1991). Computer Print. 11"x8 1/2". (2 pages).<br />

"Action for A DAY WITHOUT ART without Absence," by ASCW-IA. "Notes<br />

Toward Implementing a Discussion Over the Merits of Graffiti," by Grudgefuck<br />

(USA). Edition 500.

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