Mail Art Periodicals - MoMA

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Vol. 6, No. 4 (September 1983). Offset. 11"x8 1/2". Pages numbered 101-136. Bill Gaglione (USA) and Lon Spiegelman (USA) listed as "Contributing Editors, Mail Art' on the masthead. "Letters to Umbrella," includes correspondence from Carol Stetser (USA) and Carlo Pittore (USA). "Artists' Publications" reviews "Artist Postage Stamps 83," by Patrick Beilman (aka Cowtown Art, USA) and "About Vile," by Anna Banana (Canada). "Mail Art is 'Not' Correspondence Art," by Robert C. Morgan (USA). Mail Art "News" mentions On Spiegelman (USA), Wally Darnell (Saudi Arabia), Mark Wamaling (USA). Steve Random (USA), Carol Pittore (USA), Rockola (USA), Fomt (aka Daniel Johnson, North Ireland), et al. Mail Art exhibition, project and publication opportunities. "Rubber Stamp News" mentions Betty Ruth Curtiss (USA), Dadaland (aka Bill Gaglione, USA), Leavenworth Jackson (USA), Darlene Altschul (USA), et al. Vol. 6, No. 5 (November 1983). Offset. 11"x8 1/2". Pages numbered 138-172. "Letters to Umbrella," prints a rebuttal by Vittore Baroni (Italy) to a previous article by Robert C. Morgan (USA). "Although mail Art is alive and well and expanding, there is a general tendency in many shows and projects to call for an 'end to Mail Art,' of to make a show 'about' mail Art rather than 'of' Mail Art. While longtime mail artists are beginning to meet in person and think of taking steps further on the path opened by the network activities, this may be a sign that something is changing." "PROFILE: Maurizio Nannucci and Zona, Florence." "Art People in the News" mentions G. X. Jupitter-Larsen (Canada), c. Mehrl Bennett (USA), Karl Kempton (USA), Scott Helmes (USA), E. F. Higgins III (USA), K. S. Ernst (USA), John Furnival (USA), Rimma and Valery Gerlovin (USA), Byron Black (USA), et al. Mail Art "News" mentions Artpool (Hungary), Ray Johnson (USA), Mark Bloch (USA), Bill Whorrall (USA), et al. Mail Art exhibition, project and publication opportunities. Vol. 7, No. 1 (January 1984). Color Photocopy and Offset. 11"x8 1/2". 35 pages. Bill Gaglione (USA) and Lon Spiegelman (USA) listed as "Contributing Editors, Mail Art." Mail Art "News" mentions Guy Bleus (Belgium), Artpool (Hungary), Dr. Ronny Cohen (USA), Mike Bidner (Canada), Géza Perneczky (West Germany), et al. "Mail Art Periodicals." Mail Art exhibition, project and publication opportunities. Vol. 7, No. 2 (March 1984). Offset. 11"x8 1/2". Pages numbered 37- 52. "Special Exclusive Mailart Edition," edited by Lon Spiegelman (USA). Later retracted after a dispute with regular editor, Judith A. Hoffberg. Issue mainly devoted to the Franklin Furnace/Dr. Ronny Cohen controversy over the curators' (Cohen) neglect in displaying all contributions to a Mail Art show at Franklin Furnace, New York City. Letter by Matthew Hogan , Curator of Collections, Franklin Furnace. "Statement by The panel read by Cracker Jack Kid, to the February 24th Artists Talk on Art Gathering, 22 Wooster Street, New York City 1984." "Mail Art may have appeared formless, perhaps without leadership or a
sense of direction. the occasion of this panel discussion marks an important turning pint in the history of the International Mail Art Network./international mail Art is the most important, most significant art movement in the world today, drawing is strength form the free exchange of artists communication./Because you, Dr. Ronny Cohen, have been insensitive to the fundamentals of the global network, and because you failed to exhibit all materials sent to your exhibition, as stated in your invitation, WE, Members of this panel, on behalf of our colleagues throughout the world, remove you as moderator f this panel./We welcome you to remain as a member of this panel, however, you have lost your credibility as a spokesperson for mail art." "Review of postal Art panel," by Faith Heisler (USA). Contributions throughout the issue by Carlo Pittore (USA)., Dr. Ronny Cohen (USA), Gene Laughter (USA), Michael Mollett (USA), Crackerjack Kid (USA), John P. Jacob (USA), Ling (aka Al Ackerman, USA), R. Saunders (USA), Ray Johnson (USA), et al. "A Brief Note on Mail Art," by Epistolary Stud Farm (aka John Pyros, USA). "It Ain't Necessarily So, Mr. Morgan," by Crackerjack Kid (USA). "On Mail Art and Mail Artists," by Joachim Frank (USA). Mail Art exhibition, project and publication opportunities. "News and Notes." ""Publications." Cover by Harry Bates (aka Al Ackerman). Contribution by H. R. Fricker (Switzerland), Michael Mollett, Victor Perez (USA), et al. Edition 8/200. Vol. 7, No. 2-5 (Autumn 1984). Offset. 11"x8 1/2". Pages numbered 37-60. "Special Mail Art Edition Retraction," by Lon Spiegelman (USA). "It Ain't (Necessarily) So, Mr. Morgan: A Mail Art Rebuttal by Cracker Jack Kid." Mail Art "News" mentions Guglielmo Achille Cavellini (Italy), David Hunter (USA), Carlo Pittore (USA), Piotr Rypson (Poland), Jaroslav Supek (Yugoslavia), Epistolary Stud Farm (USA), Ruud Janssen (Holland), Guy Bleus (Belgium), Clemente Padin (Uruguay), et al. Mail Art exhibition, project and publications listed in "Mail Art Exhibitions & Competitions." "Artists' Periodicals." Front and back covers by Karl Kempton (USA). Vol. 8, No. 2 (November 1985). Offset. 11"x8 1/2". Pages numbered 18-31. "A Bookman's Holiday: on the road with jah," mentions a visit with Robert Rehfield (East Germany). No Mail Art listings, as previous. Vol. 9, No. 2 (October 1986). Offset. 11"x8 1/2". Pages numbered 23-43. Cover by Bill Gaglione (USA). "Mail Art: News & Reviews," mentions John Hudak (USA); Johan van Geluwe (Belgium); "The International Mail-Art Symposium (Calgary, Canada);" "Networking Currents," by Chuck Welch (aka Crackerjack Kid, USA); etc. Mail Art exhibition, project and publication opportunities. Vol. 12, No. 1 (July 1989). Offset. 11"x8 1/2". 27 pages. "Mail Art Competitions & Exhibitions." "Classified" listings include a notice for information by Jas. W. Felter (Canada), "Wanted: Information leading to the identification and location of living artists anywhere in the world currently and actively
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Mail Art Periodicals: An Annotated
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is a harbinger of the future tenden
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Alice's Zine of Dreams. Alice Borea
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No. 17 (March 1998). Photocopy. 8 1
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Anti-Isolation. Miekal And and Liz
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No. 6 (October 1994). Photocopy. 8
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displaying one-f-a-kind books, but
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Art Brigade. Ben Davis, Editor. Ama
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Vol. 2, No. 2/3 (1977). Newsprint.
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(October 19, 1980). Photocopy. 8 1/
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No. 11 (August 1980). Photocopy wit
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No. 34 (October 1982). Photocopy an
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No. 59 (January/June 1989). Photoco
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Artist Call. Michael Schwartz, Edit
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Congress. Michael Hernandez de Luna
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connected with others across the co
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Atalaya. Christer Brunström, Edito
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No. 22 (March 10, 1978?). Offset. 1
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No. 59 (October 20, 1983). Offset.
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project and exhibition notices. "Wh
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No. 98 (February 10, 1989). Photoco
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No. 116 (July 24, 1992). Offset. 23
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No. 141 (January 31, 1997). Offset.
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April 10, 1987. Mixed media. 6 1/2"
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No. 9 (June 1973). Photocopy. 14"x8
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comprehensive catalog and album of
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Bibliography." This issue: "Artist
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No. 26 (November 1994). Photocopy.
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Birdada. Bird (aka Chis Burnett), E
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people who make gather this kind of
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Vol. 1, No. 2 (1986). Photocopy. 8
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network are at all alike. Neuron in
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No. 63 (June 22, 1987). Gocco Print
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No. 114 (December 30, 1988). Gocco
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No. 203 (January 27, 1991). Gocco P
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No. 281 (July 20, 1993). Gocco Prin
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No. 350 (November 20, 1995). Gocco
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No. 511 (September 10, 2001). Gocco
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Cage: Anti-Embargo Magazine. Alexan
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No. 14 (1996). Photocopy. 8 1/2"x5
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No. 6 (February 1991). Photocopy. 1
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No. 116 (February 1990). Offset. 5
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No. 9 (February 20, 1989). Mixed Me
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R. Fricker (Switzerland). "Postal-A
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(n.d.). Photocopy. 8 1/4"x5 3/4". (
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Vol. 1 (June 1999). Photocopy. 8 1/
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participants. "Each contributor, or
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Vol. 1, No. 5 (September 1989). Pho
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(September 1992). Photocopy. 8 1/2"
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CVS (Copyright Violation Squad) Bul
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(May 22, 1995). Photocopy with Rubb
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(January 1987). Photocopy, Rubber S
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Contributors Issue (Summer 1988). P
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No. 45 (February 1983). Offset. 8 1
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(USA), Bugpost (USA), Mike Dyar (US
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No. 030 (November 19, 1989). Photoc
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(Poland), Géza Perneczky (Germany)
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No. 14 (March 1982). Photocopy. 5 1
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No. 2 (March 1986). Newsprint. 16 1
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No. 1 (April 1989). Offset. 8 1/2"x
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11x30: A Publication of the Toledo
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Eraser Carver's Quarterly. Mick Mat
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No. 0 (1999). Offset. 8 1/4"x4". 53
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Decentralized Networker Congress Po
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No. 32 (October 1989). Newsprint. 1
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No. 54 (December 1994). Newsprint.
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No. 21 (July/August 1994). Photocop
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TV Issue (April 1982). Newsprint. 9
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Bride./It too has piquant personali
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Fluxus Bucks. Ex-Posto-Facto (Julie
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No. 4 ([1985]). Photocopy. 5 1/2"x4
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E. M. Plunkett (USA), Carol Law (US
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Vol. 1, No. 2 (Full Moon in May 199
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events." Websites section added. "L
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No. 1 (March 1990). Photocopy. 8 1/
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It is a collection of original work
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Issue a (1971). Offset and Mixed Me
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No. 4 (Summer 1997). Photocopy. 11"
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Humboldt Da-Jest, The. Indian Ralph
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No. 6 (August 1990). Photocopy. 11"
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(March 1992). Photocopy and Rubber
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Inquirer: A Folio of Art and Ideas.
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No. 52 (1991). Offset. 13 1/2"x8 3/
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No. 74 (1999). Offset. 13 1/2"x8 3/
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No. 6 (1993). Photocopy. 11"x8 1/2"
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(USA), Minoy (USA), Tyler Hoare (US
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Vol. 16, No. 2 (December 1997). Pho
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No. 1 (May 2000). Photocopy and Mix
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KFR-(Kentucky Fried Royalty) Indiba
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Kryptogame. Hanna Bremer and Jack M
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No. 3 (1981). Photocopy. 11"x8 1/2"
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Nouvelle Série, No. 6 (April 1988)
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No. 3 (December 1989). Photocopy. 8
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No. 7 ([1985]). Mixed media. 11 3/4
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György Galantai (Hungary), David J
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in news section include Pips (Germa
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Pat Tavenner (USA), Musicmaster (US
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No. 18 (Winter 1986/1987). Offset a
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No. 7 (February 1994). Photocopy. 1
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Live from the Stagger Cafe. Luke Mc
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"Seventh Stranger's Exhibition in O
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No. 7 (1994). Photocopy. 11 3/4"x8
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Love Letters. Sheba, Editor. Exotic
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Mail Art exhibition, "No Nukes in M
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No. 14 (n.d.). Photocopy. 5 1/2"x3
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TAM Publication 950076 (1995). Phot
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of, "The Light of the He-Art," from
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TAM Publication 960147 (March 1997)
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(Belgium) conducted by Ruud Janssen
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No. 109 (February 12, 1991). Photoc
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No. 22-24 (1989). Photocopy and Mix
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No. 25 (April, 14, 1986). Photocopy
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No. 0 (June 1981). Photocopy and Mi
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No. 58 (August 1992). Photocopy and
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No. 80 (October 1994). Photocopy an
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No. 93 (February 1996). Photocopy a
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(Italy), buZ blurr (USA), Guy Bleus
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Kid (USA), Eberhard Janke (Germany)
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No. 132 (January 2001). Photocopy a
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Musicmaster (USA), Mark Bloch (USA)
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submissions will be clear and conci
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Banquet (The Beasts at the Feast)."
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No. 7 ([1989]). Offset. 9 1/2"x8 1/
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including Géza Perneczky (Germany)
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(May 4 thru 10, 1988). Photocopy. 8
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(Germany). "Dreamtime Village" even
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Vol. 9, No. 2/3 (March/April 1996).
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RUBBER STAMP ALBUM and had been ord
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Vol. 2, No. 2 (January 1984). Offse
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Vol. 8, No. 4 (Summer 1990). Offset
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that is wide in its acceptance of m
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is the need for mail-Art shows. At
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listings compiled by Honoria (USA).
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No. 1 (July 1993). Photocopy. 16 1/
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Netshaker. Crackerjack Kid (aka Chu
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Vol. 1, No. 3 (August 16, 1994). Co
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Hamann (West Germany), Graciela Mar
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display and disseminate the product
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Gerlovans (USA). Carlo Pittore (USA
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do some research about what the oth
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TAM-970158 (January 1997). Photocop
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(October 1993). Photocopy. 8 1/2"x5
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Tisma (Yugoslavia), Toward the New
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Breeder" we say goodbye to Stu Horn
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O. Ghislain Belmans, Johan Sanctoru
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Occasional, Tuesday-Art News. Georg
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Vol. 27, No. 3 (Issue 37) (Summer 1
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Todorovic (Yugoslavia); Shozo Shima
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No. 24 ([1987]). Photocopy. 8 1/4"x
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(USA), Shozo Shimamoto (Japan), Ryo
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Ruth and Marvin Sackner (USA), Seie
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Strada (Italy), Peter W. Kaufmann (
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No. 72 (1992). Photocopy. 8 1/4"x5
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very dear guest here last days of O
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No. 93 (1997). Photocopy. 8 1/4"x5
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years!...then Austro-Ungarian (empi
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about extraordinary TIME of CHANGE
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Network: A Mail Art Anthology." "I
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No. 38.2 (May 1998). Photocopy. 8 1
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No. 44.1B (January 2000). Photocopy
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"Shadowland and Rubberwork," by Don
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force things. Zen, y'know. & beside
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Other Times: An Alternative Mail Ar
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No. 12 1/2 (September 1995). Photoc
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No. 21 (July 1996). Photocopy. 8 1/
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No. 29 (May/June 1997). Photocopy.
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No. 6 ([1984]). Photocopy. 8 1/2"x5
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No. 21 (November 14, 1987). Photoco
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Parallelogramme. Tanya Mars, Editor
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Pelo+Pelo-. Emilio Morandi, Editor.
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"'PhotoStatic Magazine' is a bimont
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No. 20 (October 1986). Photocopy. 8
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others doing the same thing. It's c
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and continuing mail Art. "Mail Revi
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No. 40 (December 1989). Photocopy.
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correspondence. After writing close
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and political awareness (and a cook
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PMTTD's Standard Catalogue Update.
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Vol. 1, No. 2 (July 1993). Photocop
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No. 1-A (January 1992). Photocopy a
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Hora") text from Montevideo, Urugua
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(October 1995). Color Photocopy. 8
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Princess Debbie (USA), John Held, J
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No. 17 (June 1991). Photocopy. 5 3/
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No. 33 (September-October 1994). Ph
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No. 5 (April [1995]). Photocopy and
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No. 19 (August 1996). Photocopy. 8
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proud history of pranks, games, fal
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No. 16 ([July] 1987). Photocopy. 11
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Germany), Louise Krasniewicz (USA),
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No. 13 (September 1998). Photocopy,
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Joel Rossman, Bill Gaglione, Carlo
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Joyce Glasner (Canada), Luc Fierens
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Ram Art Review. L. Zjawin Francke,
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"SPECIAL DOUBLE ISSUE! Music Mail A
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participants of the Congress includ
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profiteering..." Letters from Rudi
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No. 1 (Winter Solstice 1994). Offse
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overnight in the underground channe
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No. 4 (December 1991). Photocopy. 3
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No. 0," by Florian Cramer (Germany)
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designs on rollers, postage cancell
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Vol. 2, No. 7 (July 1979). Offset a
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so if you haven't had a go yet then
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Vol. 4, No. 1 (November 1988). Phot
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Issue 0 (February 1989). Color Offs
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Vol. 2, Issue 8 (June 1982). Newspr
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Vol. 5, Issue 21 (October 1985). Ne
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(USA). "'Book as Art' was a famous
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Vol. 10, Issue 46 (July/August 1989
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numerous Europeans. Serendipitous o
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Vol. 15, Issue 75 (May/June 1994).
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Vol. 17, Issue 88 (July/August 1996
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and Angela Netmail, Germany). "Thei
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Schmidt (West Germany), Rolf Staeck
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No. 6 ([1989]). Photocopy and Mixed
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Cohen (USA), Fluxlist (Internet) an
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mail-art, news-letters, leaflets an
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drawings, paintings and so on as (w
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No. 61 (1995). Photocopy. 17"x11".
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Sick Roof: A Journal of Humorous, P
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was international, planetary art. n
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Slugfest, Ltd. Michael T. Nowak, Ed
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R. Fricker (Switzerland), Emilio Mo
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(August 1992). Photocopy. 11"x8 1/2
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No. 5 ([1990]. Offset. 11"x8 1/2".
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No. 7 ([1985]). Offset. 11 3/4"x8 1
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of a reasonable price. once this ha
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Espinosa (Mexico), Shozo Shimamoto
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called MAIL-ART like today, but the
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is Not Fine Art It's the Artist Who
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No. 2 (1989). Photocopy. 8 1/2"x5 1
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statements about mail art. Not only
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compute-file. Now I decided to prin
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Soppalco, Il (The Balcony): Home Ar
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Exhibition," by Ken Friedman. "'Int
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documented participation in 1,068 M
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No. 1 (1982). Mixed Media. (9 pages
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Musicmaster (USA), Donna Nassar (US
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Germany), John Jacobs (aka H.Y.P.E.
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Vol. 2, No. 3 (November 1982). News
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No. 12466 (1995). Photocopy and Rub
Page 485 and 486: No. 16568 (1997). Computer Print an
Page 487 and 488: Schizophreniatrics, Morealism, Sarc
Page 489 and 490: Germany), Salvatore de Rosa (Italy)
Page 491 and 492: Vol. 4, No. 42 (December 20, 1987).
Page 493 and 494: Subtle Journal of Raw Coinage, The.
Page 495 and 496: I am also looking forward to sharin
Page 497 and 498: No. 11 (nod.). Color and Black & Wh
Page 499 and 500: No. 1984.7 (1984). Photocopy. 11 3/
Page 501 and 502: communication could be the transfer
Page 503 and 504: ulletin. After that, the rubberstam
Page 505 and 506: No. 96-06 (June 1996). Computer Pri
Page 507 and 508: No. 6 (Fall 1996). Photocopy and Ru
Page 509 and 510: (July 11, 1992). Photocopy and Rubb
Page 511 and 512: No. 6 (June 1993). Photocopy and Mi
Page 513 and 514: Macadam (Argentina), Svjetlana Mimi
Page 515 and 516: (Uruguay), A. d. Eker (Holland), Ru
Page 517 and 518: Vol. 3, No. 3 (January 1983). Photo
Page 519 and 520: Vol. 2, No. 3 (Fall-Winter 1981). P
Page 521 and 522: Tourism Review. Hans Rudi Fricker,
Page 523 and 524: No. 38 (December 1993). Photocopy.
Page 525 and 526: No. 48 (January 1995). Photocopy. 8
Page 527 and 528: Dr. Surearts (USA), Dan Landrum (US
Page 529 and 530: TV. Terence McMahon, Editor. The Fa
Page 531 and 532: No. 9 (August-September). Newsprint
Page 533 and 534: Vol. 2, No. 6 (November 1979). Offs
Page 535: Vol. 5, No. 4 (September 1982). Off
Page 539 and 540: stamp production services provided
Page 541 and 542: (Belgium), Shozo Shimamoto (Japan),
Page 543 and 544: Washington, D. C.; Mark Bloch (USA)
Page 545 and 546: (No. 23) (Winter 1996-1997). Offset
Page 547 and 548: own ad on the front or back cover t
Page 549 and 550: changing some time this year but I
Page 551 and 552: with Utopian leanings or concerns.
Page 553 and 554: Version 90. Alexandra Fisher, David
Page 555 and 556: Cosey Fanni Tutti (England), Opal L
Page 557 and 558: to the Editors," in which Ken Fried
Page 559 and 560: is so much bigger and looser now-th
Page 561 and 562: Menghi, Ivana Martínez Vollaró, N
Page 563 and 564: No. 2 ([1986]). Offset. 111/4"x8 1/
Page 565 and 566: "Ladies & Gentleman: I don't have t
Page 567 and 568: anarchists, so they don't act very
Page 569 and 570: Workarea Art Ambient. Ponte Romano,
Page 571 and 572: mind to new frontiers, when it does
Page 573 and 574: Xero-Post. Sheldon Polsky, Editor.
Page 575 and 576: No. 3 (September 29, 1989). Compute
Page 577 and 578: through, and their opinions about t
Page 579 and 580: letters, essays, commentaries, cart
Page 581 and 582: strike and then sit on their hands!
Page 583 and 584: No. 0 (December 31, 1992). Computer
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