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Mail Art Periodicals - MoMA

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Soppalco, Il (The Balcony): Home <strong>Art</strong> Gallery. Vittore Baroni,<br />

Editor. EON (Eternal Open Network) Archives, Viareggio, Italy.<br />

1989-1991.<br />

(1989). Photocopy. 8 1/4"x5 3/4". (4 pages). "In the best tradition of<br />

underground samizat art and neoist apartment Festivals, I have built in the entry<br />

and living-room of my new house a small gallery composed of ten framed<br />

panels, size cm. 50x70. I will exhibit temporarily selections of works by single<br />

authors or collective projects, a drawing the materials from the EON Archives,<br />

now situated in two small rooms under the roof. the opening party with a score of<br />

local friends, was on April 1st, 1989, for a due tribute to the genius of Guglielmo<br />

Achille Cavellini (the man who introduced me to <strong>Mail</strong> <strong>Art</strong>). the Maestro himself<br />

visited the show in early July, leaving a trace in the log-book. IL SOPPALCO is<br />

not a traditional gallery, nothing is sold or bought, visits are only by appointment<br />

or, less formally, the audience is make up by friends, relatives, acquaintances,<br />

neighbors and any person that happens to pass through my home (thieves<br />

included). the other two shows of '89 are by Japanese noise-master and<br />

exquisite prono-cop-artist Masami Akita & junkyard poet/copy-art graffiti maniac<br />

Gustav S. Hagglund from NY City. Sole Curator: Vittore Baroni." Contributions by<br />

Cavellini (Italy), Masami Akita (Japan) and Gustav S. Hägglund (USA).<br />

(1990). Photocopy. 8 1/4"x5 3/4". (8 pages). After the first three test-show<br />

of 1989, my little home-gallery IL SOPPALCO will present in 1990 six bi-monthly<br />

exhibitions, with a selection of original pieces and editions culled from the E. O.<br />

N. archives, belonging to six 'heroes' of the postal network: LON SPIEGELMAN,<br />

whose dedication, generosity and colorful alien doodlings are still in our hearts<br />

(will he ever rejoin the madness? can such wounds be healed in a lifetime?);<br />

GUY BLEUS, reclusive archivist and untiring organizer of collective projects,<br />

always accompanied by exciting catalogues; PAWEL PETASZ, genuine genius<br />

of self-publishing, combining wit and poetry on little handmade bits of paper;<br />

EDGARDO ANTONIO VIGO, for almost thirty years a one-man factory<br />

distributing visual poems and his own brand of humanistic (marginal) philately;<br />

RUGGERO MAGGI, indefatigable correspondent, shadow-maker, jungle lover<br />

and now curator of the first mail art gallery in Milan; ANNA BANANA, publisher of<br />

the seminal magazine Vile in the early seventies, still in the mail with her Banana<br />

Rag newsletter, fruity graphics and collective stamps editions..." contributions by<br />

Lon Spiegelman (USA), Guy Bleus (Belgium), Pawel Petasz (Poland), Edgardo<br />

Antonio Vigo (Argentina),Ruggero Maggi (Italy), and Anna Banana (Canada).<br />

(1991). Photocopy. 8 1/4"x5 3/4". (8 pages). "& We Remember G. A. C.<br />

It took some time to realize that the master of Self-Historification, GUGLIELMO<br />

ACHILLE CAVELLINI (1914-2014), is now residing in a different corner of the<br />

cosmos, without a mailing address. In 1991 my little HOME GALLERY will<br />

present bi-monthly exhibitions of SIX other ABSENT FRIENDS. Next year, 1992,<br />

IL SOPPALCO will be used as part of THE STICKERMAN MUSEUM, a one-year<br />

project devoted to the promotion of ADHESIVE ART." Exhibitions in 1991 by

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