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Mail Art Periodicals - MoMA

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"Negative Aspects of Assembling magazines." (Four statements including,<br />

"Because some networkers want to have all the assembling zines that are out<br />

there, they send in the amount of required works to any editor. The quality<br />

comes secondly, and if a large part of the assembling zine is filled like that, this<br />

triggers others to do the same."). "Positive Sides to Assembling Magazines."<br />

(Three statements including, "Some see the collection of assembling zines as a<br />

nice thing to do. If you like collecting, it sure gives you a nice overview of the<br />

different styles and techniques that are used in the network. Some earlier<br />

assembling zines are already collected by archives. That happens when an artist<br />

gets noticed by institutes. But art-dealers sometimes want to get their money<br />

back, and sell assembling zines where 'big names' appear in. I('m) not sure what<br />

to think of that.").<br />

Part 8 (April 1996). Computer Print and Rubber Stamp. 11 3/4"x8<br />

1/4". 5 pages. "This 8th article deals partly with the publishing of all the texts at<br />

TAM-Publications & the problem of mail art & money." "What is Tam-<br />

Publications?" (Seven statements including, "All texts that I produce and print get<br />

a number. Because I don't use the official institutes to print my publications, I<br />

sometimes use the term ISSM (opposed) to the regular ISSN numbers that the<br />

'real' printing-houses use."). "Money and <strong>Mail</strong> <strong>Art</strong>?" (Eleven statements including,<br />

"But do mail art & money mix? Every mail artists I know is only spending money<br />

on this mail art. I have never met someone that is making a profit on the mail art.<br />

That is, the active mail artists. Of course it is possible to sell mail art. Some<br />

people oppose to this, others just do it to get rid of 'their collections'. There are<br />

examples of 'archives' that have been sold. Normally then the collection gets<br />

destroyed because the buyer mostly is looking for mail from artists know(n) in the<br />

'traditional art-world.' I heard from Crackerjack Kid that some early Ray Johnson<br />

letters are being offered for big money."<br />

Part 9 (May 1996). Computer Print. 11 3/4"x8 1/4". 3 pages. "This 9th<br />

article is especially written for the <strong>Mail</strong>-<strong>Art</strong> project 'Future Communication'<br />

organised at the Denmark's Post Headquarters in Copenhagen-Denmark,<br />

August 1996...It is not the first time that the postal office is arranging a mailart<br />

exhibition. I have been and/or participated in similar exhibition in The Hague<br />

(Netherlands), Paris (France), Bern (Switzerland), Brussels (Belgium). It seems<br />

that the postal services here in Europe are getting very much interested in this<br />

mail art thing."<br />

Part 10 (May 1996). Computer Print. 11 3/4"x8 1/4". 6 pages. "This<br />

10th article actually is a collection of older statements I sent into the network of<br />

colored papers...Older <strong>Mail</strong>-<strong>Art</strong> Statements from Ruud Janssen. Over the years I<br />

have written several short statements. This list contains most of them as far as I<br />

could find them back. The date I wrote the statement is also mentioned. On<br />

22/05/1994 I started with putting all the statements I once wrote into one big file.<br />

I printed them out on colored paper now and then and scattered them into the<br />

network. End of 1995 my old computer broke down and I lost a big part of this

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