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Mail Art Periodicals - MoMA

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Vol. 8, No. 4 (Summer 1990). Offset. 11"x8 1/2". 39 pages. "From the<br />

Stamp Pad," mentions Mark Bloch's "The Last Word: <strong>Art</strong> Strike, Word Strike,<br />

Plagiarism and Originality," which will give the reader "an adult perspective on<br />

many things relating to alternative non-gallery, non-monetary art movement<br />

concerns. (Be advised that at times there is some strong language)." <strong>Mail</strong> <strong>Art</strong><br />

exhibition, publication and project listings in "<strong>Mail</strong> <strong>Art</strong> Events."<br />

Vol. 9, No. 1 (Fall 1990). Offset. 11"x8 1/2". 39 pages. "<strong>Mail</strong> <strong>Art</strong><br />

Events" lists exhibition, publication and project opportunities.<br />

Vol. 9, No. 4 (Summer 1991). Offset. 11"x8 1/2". 39 pages. "The First<br />

Rubber Stamp Frenzy and <strong>Mail</strong> <strong>Art</strong> Show." "<strong>Mail</strong> <strong>Art</strong> Events."<br />

Vol. 9, No. 3 (Spring 1991). Offset. 11"x8 1/2". 39 pages. "Recycle<br />

Your <strong>Mail</strong>," by Melody Hope Stein. "<strong>Mail</strong> artist Ed Plunkett has set up his own<br />

redistribution system. For many years, he gas gathered unwanted mail,<br />

combined it with other papers, and given it away as an artwork. I was delighted<br />

to receive what Ed calls the 'Surrealist Digest' from 'Hypnogogic City.'" "<strong>Mail</strong> <strong>Art</strong><br />

Events."<br />

Vol. 10, No. 2 (Winter 1992). Offset. 11"x8 1/2". 43 pages. "<strong>Mail</strong> <strong>Art</strong><br />

Events."<br />

Vol. 10, No. 4 (Summer 1992). Offset. 11"x8 1/2". 43 pages. "The<br />

Year of the Networker Congress," by John Held, Jr. (USA). "Why should this<br />

discussion of networker congresses be on interest to the rubber enthusiast?<br />

Because it should be remembered that rubber stamp usage is just one part of an<br />

Eternal Network as envisioned by Fluxus artists George Brecht and the late<br />

Robert Filliou in the sixties. ...If you enjoy the comradery (sic) of your fellow<br />

rubber stamp artists, think how much your pleasure can be expanded by learning<br />

about other artist-driven networks." "<strong>Mail</strong> <strong>Art</strong> Events."<br />

Vol. 11, No 2 (Winter 1993). Offset. 11"x8 1/2". 43 pages. "National<br />

Stampagraphic Goes to a Networker Congress," by Franklinsten, in which the<br />

writer attends a meeting of <strong>Mail</strong> <strong>Art</strong>ists at the Museum of Modern <strong>Art</strong>, New York,<br />

New York, and meets Peter Küstermann (Germany) and Angela Pähler<br />

(Germany) during their "Personal Delivery" project. Others present included Clive<br />

Phillpot (USA), The Barbot Family (Claudine, Fernand and Gerard) (USA), John<br />

Evans (USA), Matty Jankowski (USA), Delford Brown (USA), Buster<br />

Cleveland(USA), et al. "Angela set up the mail sign announcing: 'Official Netmail<br />

Postal Station-Pick Up/Delivery'. One by one people came and collected their<br />

mail. Each piece of mail was entered into the log, signed for and delivered. In<br />

some cases, there was mail to be delivered to people in Europe on Peter and<br />

Angela's return trip."

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