Mail Art Periodicals - MoMA

No. 18 (Winter 1986/1987). Offset and Mixed Media. 11"x8 1/2". 56
pages. "Art in a Flash: Canadian & German Photocopy," includes work by
Albrecht D. (Germany), Jürgen Kierspel (Germany), Klaus Urbons (Germany), et
al. "A Free Surprise in Every Package: The Adventures of the Cracker Jack Kid,"
discusses the work of mail Artist Chuck Welch (USA). "PoeMvelope," by Joel
Lipman (USA). "Either/Or: Telecommunications Art w/a Contemporaneous
Glance @ Mail Art," by Gary S. Vasilash. "Networking Beyond the Horizon," by
Mit Mitropoulos (Greece). "Glimmerings," notes such alternative publications as
"Box of Water," Factsheet Five," "Assembling," "Clinch," "Our International
Stamps," and a special section on "Smile," magazine. Listing of "serial
publications that have come our way on a continuing basis." "Postscript" features
the work of Guy Bleus (Belgium), Giovanni Strada (Italy), Aloys Ohlmann (West
Germany), Eerie Billie Haddock (USA), Achim Schnyder (West Germany)Thierry
Tilier (Belgium), et al. Stampsheet by Crackerjack Kid (USA) on back cover. Coeditor,
Gary S. Vasilash.
No. 19 (Winter 1988/1989). Offset and Mixed Media. 11"x8 1/2". 56
pages. "Maintaining a Lotus in a Snakepit: the Life and Art of A. M. Fine."
Photography by Czech Mail Artist Ivan Sládek. "Her Weaving, Weaving Ways:
Miscellanea from the Missives of Fran Cutrell Rutkovsky," in which the Mail Artist
takes to weaving paper. "To Tell the Truth," by Stewart Home (England), which
includes an explanation of "Smile" magazine. "The Way We Were: Robin
Crozier's Gathering and Exchange of Memories," illustrated with
"MEMO(RANDOM)s' by Clemente Padin (Uruguay), John M. Bennett (USA), Lon
Spiegelman (USA), et al. A Window on Gaines Street gallery project by Stephen
Bradley (USA). "Glimmerings," focuses on "SMS," compiled by William Copley.
Other publications cited include "AMOK," "Banana Rag," "Photobooth Portraits,"
"Photostatic," Rubberstampmadness," "Get," "ISCA Quarterly," "Stamp Axe," etc.
Special section on the publications of Miekal And (USA) and Liz Was (USA).
"This is (Not) a Recording," by Daniel Plunkett, editor of "ND." Listing of artists
involved in the "cassette underground," includes Klaus Groh (Germany), Minoy
(USA), Peter R. Meyer (Sweden), et al. "Postscript" includes Mail Art by Pat
Larter (Australia), Madam X (USA), Fumiko Tatematsu (Japan), Carl Camu
(Germany), A1 Waste Paper Co. Ltd. (England), Carol Stetser (USA), Damaso
Ogasz (Venezuela), et al. Special section on the Mail Art of Marcello Diotallevi
(Italy). Co-edited with Gary S. Vasilash.
No. 20/21 (1990). Offset. 11"x8 1/2". 72 pages. "Actions on the Outskirts:
An issue of Troublesome Art & Bothersome Ideas (sic)." "Modern Leftovers,"
features notices on the work of E. M. Plunkett (USA) and Brendt Lobach-
Hinweiser (Germany). Artistamps by Jürgen Olbrich (Germany). "Ubiquitous
Absence: The Self-Creating/Self-Sustaining Acts of Richard Kostelanetz.," an
interview conducted by Gary S. Vailash. "Strike Out on Your Own: A Reader's
Guide to Simulated Reality in the Years Without Art." "Mind the Gap: Bridging Art
and Life During a One-Week Mail Art Performance Party in London," by John
Held, Jr., includes information on London Mail Artists Stewart home, Mark