Mail Art Periodicals - MoMA

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artistamps. Issue dedicated to the Baroness Von Freytag-Loringhoven (1874- 1927). Edition 3/30. Vol. 2, No. 3 ([2001]). Photocopy and Artistamps. 11 1/2"x9 1/4". Unpaged portfolio. Featuring artistamp sheets by 14 persons, including Dadaland (USA), Vittore Baroni (Italy), Dogfish (USA), Michael Thompson (USA), Michael Hernandez de Luna (USA), Ed Varney (Canada), et al. "Working Permit: A Canadian Travel Diary (April 19-23, 2001)," by John Held, Jr. (USA) Edition 2/30. Artists Internat'l Newsposter. Ruth Howard, Editor. Santa Cruz, California. (1983). ([1983]). Photocopy. 19"x11". (2 pages). Mail Art questionnaire response. Collage of images by contributing artists including Vittore Baroni (Italy), Ryosuke Cohen (Japan), Robert Rehfield (East Germany). Original art by Rockola enclosed. Artpaper: Art/Community/Cultural Activism. Lane Relyea; Jan Zita Grover, Editor. Visual Arts Information Service, Minneapolis, Minnesota. 1989-1993. Vol. 9, No. 2 (October 1989). Newsprint. 17 1/2"x11 1/2". 32 pages. Alternative magazine featuring article on Art Strike, 1990-1993. Includes insert advertisement with rubber stamp reading, "It's terrific! Yes! mail art changed my life!" Vol. 9, No. 4 (December 1989). Newsprint. 17 1/2"x11 1/2". 32 pages. "The Activist Librarians," by Chris Dodge (USA), which tracks his discovery of Mail Art and zines. Vol. 9, No. 5 ( January 1990). Newsprint. 17 1/2"x11 1/2". 32 pages. "The Eternal Mail Art Network," by John Held, Jr. (USA). Front cover features images from the Mail Art network. Back cover features reprint of "Yawn: Sporadic Critique of Culture," edited by Lloyd Dunn (USA). Vol. 11, No. 2 (October 1991). Newsprint. 17"x11" (oversize). 26 pages. "Networking: The Decentralized Assault," by The Aggressive School of Cultural Workers-Iowa City (aka Lloyd Dunn and Stephen Perkins, et al., USA). "...a new breed of cultural worker has developed who takes these geographic and psychic disturbances as the context from which much of their work springs. We are speaking here of the concept of the networker and the network./the networker is someone who respects no borders, brooks no artificial barriers in his or her quest to celebrate the most basic of human acts: communication.
connected with others across the country and around the globe, networkers generate dialogues of many kinds, from play to collaboration to propagandizing. It's a defiant and subversive culture constantly slipping its message through the postal system n the form of xeroxes, underground zines, audio cassettes, videotapes, and computer discs. More recently, the fax, modem, and computer bulletin board have been added to the networker's repertoire. Indeed, all the duplicative technologies and any other available means of transmitting information are potential tools for the networker..." Edited by Jan Zita Grover. Vol. 11, No. 6 (February 1992). Newsprint. 17"x11" (oversize). 26 pages. "Received by Mail," includes contributions by Jeffrey Vallance (USA), Sister Serpents (USA), et al. Vol. 12, No. 2 (October 1992). Newsprint. 17"x11" (oversize). 31 pages. "Prison Envelope Art: Imagery in Motion." Selections from an exhibition in Long Beach, California. Vol. 12, No. 4 (December 1992). Newsprint. 17"x11" (oversize). 27 pages. Cover art by Joel Lipman (USA). Vol. 12, No. 8 (April 1993). Newsprint. 17"x11" (oversize). 27 pages. Guest edited by Vince Leo (USA). "...while this issue is not expressly about art or community or cultural activism, to my mind is 'is' art, community, and cultural activism. It's a testimonial to the differences we call our own, to all the cultures that every who loves 'Artpaper' holds dear." Contributors asked to recommend an item of current interest. Contributions by Hakim Bey (USA), Chris Dodge (USA) and Stephen Perkins (USA), who writes about "'SMILE' Classified Review," edited by Simon Ford (England). "Smile is everybody's magazine because anybody can produce it! All you have to do is call your magazine 'SMILE.' the English writer Stewart home proposed the SMILE concept in 1984 after plagiarizing and refining ideas that had been developed by the Neoist conspiracy in the late '70s and then reapplying them to the field of publishing. the concept found fertile ground as it weaved its way through the international network of neoists, cultural refuseniks, correspondence artists, xerox zinesters, and others in underground networks. this catalog documents approximately 11 'SMILE's produced throughout Europe,, North America, and Australia during the years 1984-1988. Editor Simon Ford also provides succinct overviews of a string of related concepts that intersect with the 'SMILE' project: Neoism, Multiple Names, Plagiarism, and the Art Strike..." Ask Ling. Al Ackerman, Editor. San Antonio, Texas. 1984-1986. Christmas Issue ([December 27, 1984]). Photocopy. 8 1/2"x5 1/2". (4 pages). Mail Art lit-zine by the master of the TLP (Tacky Little Pamphlet).
Page 1 and 2: Mail Art Periodicals: An Annotated
Page 3 and 4: is a harbinger of the future tenden
Page 5 and 6: Alice's Zine of Dreams. Alice Borea
Page 7 and 8: No. 17 (March 1998). Photocopy. 8 1
Page 9 and 10: Anti-Isolation. Miekal And and Liz
Page 11 and 12: No. 6 (October 1994). Photocopy. 8
Page 13 and 14: displaying one-f-a-kind books, but
Page 15 and 16: Art Brigade. Ben Davis, Editor. Ama
Page 17 and 18: Vol. 2, No. 2/3 (1977). Newsprint.
Page 19 and 20: (October 19, 1980). Photocopy. 8 1/
Page 21 and 22: No. 11 (August 1980). Photocopy wit
Page 23 and 24: No. 34 (October 1982). Photocopy an
Page 25 and 26: No. 59 (January/June 1989). Photoco
Page 27 and 28: Artist Call. Michael Schwartz, Edit
Page 29: Congress. Michael Hernandez de Luna
Page 33 and 34: Atalaya. Christer Brunström, Edito
Page 35 and 36: No. 22 (March 10, 1978?). Offset. 1
Page 37 and 38: No. 59 (October 20, 1983). Offset.
Page 39 and 40: project and exhibition notices. "Wh
Page 41 and 42: No. 98 (February 10, 1989). Photoco
Page 43 and 44: No. 116 (July 24, 1992). Offset. 23
Page 45 and 46: No. 141 (January 31, 1997). Offset.
Page 47 and 48: April 10, 1987. Mixed media. 6 1/2"
Page 49 and 50: No. 9 (June 1973). Photocopy. 14"x8
Page 51 and 52: comprehensive catalog and album of
Page 53 and 54: Bibliography." This issue: "Artist
Page 55 and 56: No. 26 (November 1994). Photocopy.
Page 57 and 58: Birdada. Bird (aka Chis Burnett), E
Page 59 and 60: people who make gather this kind of
Page 61 and 62: Vol. 1, No. 2 (1986). Photocopy. 8
Page 63 and 64: network are at all alike. Neuron in
Page 65 and 66: No. 63 (June 22, 1987). Gocco Print
Page 67 and 68: No. 114 (December 30, 1988). Gocco
Page 69 and 70: No. 203 (January 27, 1991). Gocco P
Page 71 and 72: No. 281 (July 20, 1993). Gocco Prin
Page 73 and 74: No. 350 (November 20, 1995). Gocco
Page 75 and 76: No. 511 (September 10, 2001). Gocco
Page 77 and 78: Cage: Anti-Embargo Magazine. Alexan
Page 79 and 80: No. 14 (1996). Photocopy. 8 1/2"x5
Page 81 and 82:
No. 6 (February 1991). Photocopy. 1
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No. 116 (February 1990). Offset. 5
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No. 9 (February 20, 1989). Mixed Me
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R. Fricker (Switzerland). "Postal-A
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(n.d.). Photocopy. 8 1/4"x5 3/4". (
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Vol. 1 (June 1999). Photocopy. 8 1/
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participants. "Each contributor, or
Page 95 and 96:
Vol. 1, No. 5 (September 1989). Pho
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(September 1992). Photocopy. 8 1/2"
Page 99 and 100:
CVS (Copyright Violation Squad) Bul
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(May 22, 1995). Photocopy with Rubb
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(January 1987). Photocopy, Rubber S
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Contributors Issue (Summer 1988). P
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No. 45 (February 1983). Offset. 8 1
Page 109 and 110:
(USA), Bugpost (USA), Mike Dyar (US
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No. 030 (November 19, 1989). Photoc
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(Poland), Géza Perneczky (Germany)
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No. 14 (March 1982). Photocopy. 5 1
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No. 2 (March 1986). Newsprint. 16 1
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No. 1 (April 1989). Offset. 8 1/2"x
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11x30: A Publication of the Toledo
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Eraser Carver's Quarterly. Mick Mat
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No. 0 (1999). Offset. 8 1/4"x4". 53
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Decentralized Networker Congress Po
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No. 32 (October 1989). Newsprint. 1
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No. 54 (December 1994). Newsprint.
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No. 21 (July/August 1994). Photocop
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TV Issue (April 1982). Newsprint. 9
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Bride./It too has piquant personali
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Fluxus Bucks. Ex-Posto-Facto (Julie
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No. 4 ([1985]). Photocopy. 5 1/2"x4
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E. M. Plunkett (USA), Carol Law (US
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Vol. 1, No. 2 (Full Moon in May 199
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events." Websites section added. "L
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No. 1 (March 1990). Photocopy. 8 1/
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It is a collection of original work
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Issue a (1971). Offset and Mixed Me
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No. 4 (Summer 1997). Photocopy. 11"
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Humboldt Da-Jest, The. Indian Ralph
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No. 6 (August 1990). Photocopy. 11"
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(March 1992). Photocopy and Rubber
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Inquirer: A Folio of Art and Ideas.
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No. 52 (1991). Offset. 13 1/2"x8 3/
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No. 74 (1999). Offset. 13 1/2"x8 3/
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No. 6 (1993). Photocopy. 11"x8 1/2"
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(USA), Minoy (USA), Tyler Hoare (US
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Vol. 16, No. 2 (December 1997). Pho
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No. 1 (May 2000). Photocopy and Mix
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KFR-(Kentucky Fried Royalty) Indiba
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Kryptogame. Hanna Bremer and Jack M
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No. 3 (1981). Photocopy. 11"x8 1/2"
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Nouvelle Série, No. 6 (April 1988)
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No. 3 (December 1989). Photocopy. 8
Page 187 and 188:
No. 7 ([1985]). Mixed media. 11 3/4
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György Galantai (Hungary), David J
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in news section include Pips (Germa
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Pat Tavenner (USA), Musicmaster (US
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No. 18 (Winter 1986/1987). Offset a
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No. 7 (February 1994). Photocopy. 1
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Live from the Stagger Cafe. Luke Mc
Page 201 and 202:
"Seventh Stranger's Exhibition in O
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No. 7 (1994). Photocopy. 11 3/4"x8
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Love Letters. Sheba, Editor. Exotic
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Mail Art exhibition, "No Nukes in M
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No. 14 (n.d.). Photocopy. 5 1/2"x3
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TAM Publication 950076 (1995). Phot
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of, "The Light of the He-Art," from
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TAM Publication 960147 (March 1997)
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(Belgium) conducted by Ruud Janssen
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No. 109 (February 12, 1991). Photoc
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No. 22-24 (1989). Photocopy and Mix
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No. 25 (April, 14, 1986). Photocopy
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No. 0 (June 1981). Photocopy and Mi
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No. 58 (August 1992). Photocopy and
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No. 80 (October 1994). Photocopy an
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No. 93 (February 1996). Photocopy a
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(Italy), buZ blurr (USA), Guy Bleus
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Kid (USA), Eberhard Janke (Germany)
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No. 132 (January 2001). Photocopy a
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Musicmaster (USA), Mark Bloch (USA)
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submissions will be clear and conci
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Banquet (The Beasts at the Feast)."
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No. 7 ([1989]). Offset. 9 1/2"x8 1/
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including Géza Perneczky (Germany)
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(May 4 thru 10, 1988). Photocopy. 8
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(Germany). "Dreamtime Village" even
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Vol. 9, No. 2/3 (March/April 1996).
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RUBBER STAMP ALBUM and had been ord
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Vol. 2, No. 2 (January 1984). Offse
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Vol. 8, No. 4 (Summer 1990). Offset
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that is wide in its acceptance of m
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is the need for mail-Art shows. At
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listings compiled by Honoria (USA).
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No. 1 (July 1993). Photocopy. 16 1/
Page 269 and 270:
Netshaker. Crackerjack Kid (aka Chu
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Vol. 1, No. 3 (August 16, 1994). Co
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Hamann (West Germany), Graciela Mar
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display and disseminate the product
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Gerlovans (USA). Carlo Pittore (USA
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do some research about what the oth
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TAM-970158 (January 1997). Photocop
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(October 1993). Photocopy. 8 1/2"x5
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Tisma (Yugoslavia), Toward the New
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Breeder" we say goodbye to Stu Horn
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O. Ghislain Belmans, Johan Sanctoru
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Occasional, Tuesday-Art News. Georg
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Vol. 27, No. 3 (Issue 37) (Summer 1
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Todorovic (Yugoslavia); Shozo Shima
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No. 24 ([1987]). Photocopy. 8 1/4"x
Page 299 and 300:
(USA), Shozo Shimamoto (Japan), Ryo
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Ruth and Marvin Sackner (USA), Seie
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Strada (Italy), Peter W. Kaufmann (
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No. 72 (1992). Photocopy. 8 1/4"x5
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very dear guest here last days of O
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No. 93 (1997). Photocopy. 8 1/4"x5
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years!...then Austro-Ungarian (empi
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about extraordinary TIME of CHANGE
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Network: A Mail Art Anthology." "I
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No. 38.2 (May 1998). Photocopy. 8 1
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No. 44.1B (January 2000). Photocopy
Page 321 and 322:
"Shadowland and Rubberwork," by Don
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force things. Zen, y'know. & beside
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Other Times: An Alternative Mail Ar
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No. 12 1/2 (September 1995). Photoc
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No. 21 (July 1996). Photocopy. 8 1/
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No. 29 (May/June 1997). Photocopy.
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No. 6 ([1984]). Photocopy. 8 1/2"x5
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No. 21 (November 14, 1987). Photoco
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Parallelogramme. Tanya Mars, Editor
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Pelo+Pelo-. Emilio Morandi, Editor.
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"'PhotoStatic Magazine' is a bimont
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No. 20 (October 1986). Photocopy. 8
Page 345 and 346:
others doing the same thing. It's c
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and continuing mail Art. "Mail Revi
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No. 40 (December 1989). Photocopy.
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correspondence. After writing close
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and political awareness (and a cook
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PMTTD's Standard Catalogue Update.
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Vol. 1, No. 2 (July 1993). Photocop
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No. 1-A (January 1992). Photocopy a
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Hora") text from Montevideo, Urugua
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(October 1995). Color Photocopy. 8
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Princess Debbie (USA), John Held, J
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No. 17 (June 1991). Photocopy. 5 3/
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No. 33 (September-October 1994). Ph
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No. 5 (April [1995]). Photocopy and
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No. 19 (August 1996). Photocopy. 8
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proud history of pranks, games, fal
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No. 16 ([July] 1987). Photocopy. 11
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Germany), Louise Krasniewicz (USA),
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No. 13 (September 1998). Photocopy,
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Joel Rossman, Bill Gaglione, Carlo
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Joyce Glasner (Canada), Luc Fierens
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Ram Art Review. L. Zjawin Francke,
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"SPECIAL DOUBLE ISSUE! Music Mail A
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participants of the Congress includ
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profiteering..." Letters from Rudi
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No. 1 (Winter Solstice 1994). Offse
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overnight in the underground channe
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No. 4 (December 1991). Photocopy. 3
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No. 0," by Florian Cramer (Germany)
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designs on rollers, postage cancell
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Vol. 2, No. 7 (July 1979). Offset a
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so if you haven't had a go yet then
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Vol. 4, No. 1 (November 1988). Phot
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Issue 0 (February 1989). Color Offs
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Vol. 2, Issue 8 (June 1982). Newspr
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Vol. 5, Issue 21 (October 1985). Ne
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(USA). "'Book as Art' was a famous
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Vol. 10, Issue 46 (July/August 1989
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numerous Europeans. Serendipitous o
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Vol. 15, Issue 75 (May/June 1994).
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Vol. 17, Issue 88 (July/August 1996
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and Angela Netmail, Germany). "Thei
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Schmidt (West Germany), Rolf Staeck
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No. 6 ([1989]). Photocopy and Mixed
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Cohen (USA), Fluxlist (Internet) an
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mail-art, news-letters, leaflets an
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drawings, paintings and so on as (w
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No. 61 (1995). Photocopy. 17"x11".
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Sick Roof: A Journal of Humorous, P
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was international, planetary art. n
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Slugfest, Ltd. Michael T. Nowak, Ed
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R. Fricker (Switzerland), Emilio Mo
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(August 1992). Photocopy. 11"x8 1/2
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No. 5 ([1990]. Offset. 11"x8 1/2".
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No. 7 ([1985]). Offset. 11 3/4"x8 1
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of a reasonable price. once this ha
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Espinosa (Mexico), Shozo Shimamoto
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called MAIL-ART like today, but the
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is Not Fine Art It's the Artist Who
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No. 2 (1989). Photocopy. 8 1/2"x5 1
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statements about mail art. Not only
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compute-file. Now I decided to prin
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Soppalco, Il (The Balcony): Home Ar
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Exhibition," by Ken Friedman. "'Int
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documented participation in 1,068 M
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No. 1 (1982). Mixed Media. (9 pages
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Musicmaster (USA), Donna Nassar (US
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Germany), John Jacobs (aka H.Y.P.E.
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Vol. 2, No. 3 (November 1982). News
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No. 12466 (1995). Photocopy and Rub
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No. 16568 (1997). Computer Print an
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Schizophreniatrics, Morealism, Sarc
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Germany), Salvatore de Rosa (Italy)
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Vol. 4, No. 42 (December 20, 1987).
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Subtle Journal of Raw Coinage, The.
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I am also looking forward to sharin
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No. 11 (nod.). Color and Black & Wh
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No. 1984.7 (1984). Photocopy. 11 3/
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communication could be the transfer
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ulletin. After that, the rubberstam
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No. 96-06 (June 1996). Computer Pri
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No. 6 (Fall 1996). Photocopy and Ru
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(July 11, 1992). Photocopy and Rubb
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No. 6 (June 1993). Photocopy and Mi
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Macadam (Argentina), Svjetlana Mimi
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(Uruguay), A. d. Eker (Holland), Ru
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Vol. 3, No. 3 (January 1983). Photo
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Vol. 2, No. 3 (Fall-Winter 1981). P
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Tourism Review. Hans Rudi Fricker,
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No. 38 (December 1993). Photocopy.
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No. 48 (January 1995). Photocopy. 8
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Dr. Surearts (USA), Dan Landrum (US
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TV. Terence McMahon, Editor. The Fa
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No. 9 (August-September). Newsprint
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Vol. 2, No. 6 (November 1979). Offs
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Vol. 5, No. 4 (September 1982). Off
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sense of direction. the occasion of
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stamp production services provided
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(Belgium), Shozo Shimamoto (Japan),
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Washington, D. C.; Mark Bloch (USA)
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(No. 23) (Winter 1996-1997). Offset
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own ad on the front or back cover t
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changing some time this year but I
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with Utopian leanings or concerns.
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Version 90. Alexandra Fisher, David
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Cosey Fanni Tutti (England), Opal L
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to the Editors," in which Ken Fried
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is so much bigger and looser now-th
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Menghi, Ivana Martínez Vollaró, N
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No. 2 ([1986]). Offset. 111/4"x8 1/
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"Ladies & Gentleman: I don't have t
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anarchists, so they don't act very
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Workarea Art Ambient. Ponte Romano,
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mind to new frontiers, when it does
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Xero-Post. Sheldon Polsky, Editor.
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No. 3 (September 29, 1989). Compute
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through, and their opinions about t
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letters, essays, commentaries, cart
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strike and then sit on their hands!
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No. 0 (December 31, 1992). Computer
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