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Mail Art Periodicals - MoMA

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is the need for mail-<strong>Art</strong> shows. At the least, they are a vehicle for networking<br />

various bodies together. As long as mail-art shows continue to sprout up and<br />

mail out their lists, then the most visible part of mail-art will continue to live, be<br />

thought about, and of course, be argued about." Activities of the Canadian<br />

Correspondence <strong>Art</strong> Gallery, Calgary, Canada, under the direction of Chuck<br />

Stake (Canada). :Reviews" lists audio work. "Information" lists publications,<br />

exhibition opportunities and events.<br />

No. 8 (1987). Offset. 8 1/2"x7". 41 pages. Inside cover by Lon<br />

Spiegelman (USA). Back cover by Ivan Sladek (Czechoslovakia).<br />

"Spiegelmisim." Contributions by Serse Luigetti (Italy), Shozo Shimamoto<br />

(Japan), Andrzej Georgiew Plocka (Poland), Dogfish (USA), The Avant Garde<br />

Museum of Temporary <strong>Art</strong> (aka Miekel And and Liz Was) (USA), et al. "<strong>Mail</strong> <strong>Art</strong><br />

Congress," profiles the events surrounding the "Southwest USA Decentralized<br />

Worldwide <strong>Mail</strong> <strong>Art</strong> Congress," organized by John Held, Jr. at the Dallas Public<br />

Library. "Open Letter," by Günther Ruch (Switzerland). "Andre Stitt/Kurt Kren<br />

Texas Tour." "Information" lists publications.<br />

No. 9 (1987). Offset. 8 1/2"x7". 39 pages. "Comment" by the editor.<br />

Interview with Lon Spiegelman (USA). "Tara Babel," by Andre Stitt (North<br />

Ireland), profiles the North Ireland <strong>Mail</strong> and Performance <strong>Art</strong>ist. Contributions by<br />

Clemente Padin (Uruguay), Janet Janet (aka Stephen Perkins) (USA), et al.<br />

Interview with Andrej Tisma (Yugoslavia). Interview with Ivan Sladek<br />

(Czechoslovakia). Interview with Shozo Shimamoto conducted by the editor and<br />

john Held, Jr. (USA). Exhibition opportunities. "Reviews" lists audio works.<br />

"Information" lists <strong>Mail</strong> <strong>Art</strong> exhibitions, publications and projects.<br />

No. 10 (1988). Offset. 8 1/2"x7". 44 pages. "Contact-Exchange-<br />

Document. A dialog that continues where trust can be exchanged and an honest<br />

effort realized through constant cause. A circuit of reason and sanity which peers<br />

back through the glass and laughs." Interview with Ruggero Maggi (Italy).<br />

Interview with John Held, Jr. (USA). "Modern Realism History" lists events (1982-<br />

1987) at the Dallas, Texas, gallery, curated by John Held, Jr. Interview with<br />

Shaun Caton (England). <strong>Mail</strong> <strong>Art</strong> exhibition opportunities. Publication reviews.<br />

No. 11 (1991). Video Cassette. 8"x4 3/4". Includes Photocopy<br />

Booklet. 7 1/4"x4 1/2". (4 pages). "A compilation of 30 individual works from<br />

mailartists, audio artists, film and video artists, performance artists and others."<br />

Contributors include Byron Black (Indonesia), Andre Stitt (Northern Ireland), buZ<br />

blurr (USA), Hapunkt fix (Germany), James Chefchis (USA), John Held, Jr.<br />

(USA), Lloyd Dunn (USA), Ruggero Maggi (Italy), Luc Fierens (USA), Lon<br />

Spiegelman (USA), Malok (USA)...Stan Brakhage (USA), et al.<br />

No. 12 (1989). Offset. 8 1/2"x7". 45 pages. "<strong>Mail</strong> <strong>Art</strong> Shows." "Hiroshima<br />

Shadow Project," by Ruggero Maggi (Italy). "Publications." "Dr. <strong>Mail</strong>," by<br />

Musicmaster (USA).

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