Mail Art Periodicals - MoMA

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new art medium. Thompson is listed as Publisher, and Miller as Contributing Editor, for this "Premiere Issue." Lead story is a proposed boycott of Patrick & Co., San Francisco, for firing Bob Grimes, who was in charge of the stationers' rubber stamp department. "Postcards," features the work of Ken Brown (USA), Bruce Velick (USA), and Bruce Wood (USA). Vol. 1, Issue 2 (December 1980). Newsprint. 17"x11 1/2". 27 pages. Joni K. Miller leaves the magazine, and Lowry S. Thompson becomes Publisher and Editor. "What's Doin' with the Stamp Companies???" "Mail Art Shows." "Roselea's Hotel." "What's Doin," features news of Anna Banana (USA), Bill Gaglione (USA), Joel Rossman (USA) and Tim Mancusi (USA). "Leavenworth Who???," profiles the San Francisco Mail Artist. Vol. 1, Issue 3 (June 1981). Newsprint. 17"x11 1/2". 19 pages. "What's Do'In." "The Wonders of Bruce Velick." Contributions by Carlo Pittore (USA), Kihm Winship (USA), et al. Vol. 1, Issue 4 (August 1981). Newsprint. 17"x11 1/2". 23 pages. "Whats Do'In." Contributions by Carol Zatoupil (USA), Ken Brown (USA), et al. Vol. 1, Issue 5 (October 1981). Newsprint. 17"x11 1/2". 31 pages. "Librarians Say Index Cards are the Perfect Size for Stamping!," features John Held (USA). Contributions by Bruce Velick (USA), Ken Brown (USA), Gene Laughter (USA), et al. "What's Do'In," mentions "Vile," no. 7, Bill Gaglione (USA), Joel Rossman (USA), Tim Mancusi (USA), and Anna Banana (USA). Vol. 2, Issue 1 (December 1981). Newsprint. 17"x11 1/2". 31 pages. Eraser Carving. Contributions by Steve Durland (USA), Sue Douglas (USA), et al. Feature on George Brett (USA) of the Orworks group, reproducing his eraser carved stamps commemorating Ray Johnson (USA), Pawel Petasz (Poland), Bill Gaglione (USA), Pat Fish (USA), Robin Crozier (England), et al. Each stamp is accompanied by a brief commentary by Brett. Vol. 2, Issue 7 (Spring 1982). Newsprint. 17"x11 1/2". 31 pages. "What's Do'In," Contributions by Gene Laughter (USA), Joseph Venker (USA), Leavenworth Jackson (USA), et al. "Heavy Pieces," a Mail Art project by Dave Lovell (Canada). "RSVP," a Mail Art project by John Kupersmith (USA), with contributions by Bill Gaglione (USA), buZ blurr (USA), Ray Di Palma (USA), Davi Det Hompson (USA), the editor, et al. "I imagine that Ray Johnson, 'the father of mail-art,' could be called the originator of this project. I have participated in several of these before, but the perpetrator is not always so organized about letting the participants see the results. John Kupersmith sent out a nicely xeroxed book of participants contributions, and I present it here in an abbreviated form. May this spur you on to greater heights in mail art experimentation!" "Mail Art Listings."
Vol. 2, Issue 8 (June 1982). Newsprint. 17"x11 1/2". 19 pages. Cover art by Carlo Pittore (USA). "Pittore Euforico," by the editor, features Carlo Pittore. " Carlo Pittore means Charles Painter in Italian, and Carlo was christened 12 years ago while painting in Rome. The most notable thing about Carlo is that he blows his own horn! This image appears throughout his work and on the back of all his postcards...He is an ever present figure in his own bold, black and white collage art./When I asked Carlo if he was intending the image to signify blowing his own horn, he modestly but comfortably answered, "Yes, but I am also blowing a horn for all artists and for art." Mail Art Listings." Vol. 2, Issue 9 (Fall 1982). Newsprint. 17"x11 1/2". 19 pages. Editor Lowry Thompson's final issue. "It is with great sadness in my heart that I sit down to write this letter. Rubberstampmadness is bankrupt, and my health problems seem to be continual. Being as unhealthy as I am, I do not think I can turn RSM into an income-producing company. As you know, I have never been able to draw a salary from it, and I'm finding that I can't do RSM and also freelance, because of my MS." Vol. 2, Issue 10 (Mid-June 1983). Newsprint. 17"x11 1/2". 19 pages. Roberta Sperling assumes editorship, with offices in Newfield, New York. "I used to think, as I read 'Rubberstampmadness,' that Lowry was so amazingly positive all the time-how could she do it? Now I know. The people who are into rubber stamps bring out positive feelings. I can't say enough about how friendly, supportive and wonderful everyone has been while we've been getting this -our first- issue of 'Rubberstampmadness' to press." Letter from Lowry Thompson (USA). "Envelope of the Month." Bill Gaglione (USA) opens "The World's First Rubber Stamp Store," in San Francisco. "'It's more a conceptual gallery than a store,' Bill went on." "Putting the Art Where the Mail Is." "Catalogues in Review," becomes a regular feature in the magazine." Vol. 3, Issue 11 (August/September 1983). Newsprint. 17"x11 1/2". 19 pages. "Mail Art Listings." "Special thanks to Bill Gaglione in Dadaland, who passed on most of the mail art listings to us." Vol. 3, No. 12 (October/November 1983). Newsprint. 17"x11 1/2". 23 pages. "Envelope of the Month." "Mail Art Listings," reproduces a stamp sheet by Carlo Pittore (USA), and an invitation for "Mail Art About Mail Art," curated by John Held, Jr. (USA). Vol., 3, Issue 14 (March/April 1984). Newsprint. 17"x11 1/2". 23 pages. Cover by Bill Gaglione (USA) and Rockola (USA). "Stamp Art in the Making and Rubberta in Dadaland," by the editor, chronicles a trip to San Francisco and a meeting with Gaglione and Rockola. Contributions by George Brett (USA), Buster Cleveland (USA), Dadaland(USA), Polly Ester Nations
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Mail Art Periodicals: An Annotated
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is a harbinger of the future tenden
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Alice's Zine of Dreams. Alice Borea
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No. 17 (March 1998). Photocopy. 8 1
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Anti-Isolation. Miekal And and Liz
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No. 6 (October 1994). Photocopy. 8
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displaying one-f-a-kind books, but
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Art Brigade. Ben Davis, Editor. Ama
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Vol. 2, No. 2/3 (1977). Newsprint.
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(October 19, 1980). Photocopy. 8 1/
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No. 11 (August 1980). Photocopy wit
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No. 34 (October 1982). Photocopy an
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No. 59 (January/June 1989). Photoco
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Artist Call. Michael Schwartz, Edit
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Congress. Michael Hernandez de Luna
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connected with others across the co
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Atalaya. Christer Brunström, Edito
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No. 22 (March 10, 1978?). Offset. 1
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No. 59 (October 20, 1983). Offset.
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project and exhibition notices. "Wh
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No. 98 (February 10, 1989). Photoco
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No. 116 (July 24, 1992). Offset. 23
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No. 141 (January 31, 1997). Offset.
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April 10, 1987. Mixed media. 6 1/2"
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No. 9 (June 1973). Photocopy. 14"x8
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comprehensive catalog and album of
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Bibliography." This issue: "Artist
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No. 26 (November 1994). Photocopy.
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Birdada. Bird (aka Chis Burnett), E
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people who make gather this kind of
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Vol. 1, No. 2 (1986). Photocopy. 8
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network are at all alike. Neuron in
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No. 63 (June 22, 1987). Gocco Print
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No. 114 (December 30, 1988). Gocco
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No. 203 (January 27, 1991). Gocco P
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No. 281 (July 20, 1993). Gocco Prin
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No. 350 (November 20, 1995). Gocco
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No. 511 (September 10, 2001). Gocco
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Cage: Anti-Embargo Magazine. Alexan
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No. 14 (1996). Photocopy. 8 1/2"x5
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No. 6 (February 1991). Photocopy. 1
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No. 116 (February 1990). Offset. 5
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No. 9 (February 20, 1989). Mixed Me
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R. Fricker (Switzerland). "Postal-A
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(n.d.). Photocopy. 8 1/4"x5 3/4". (
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Vol. 1 (June 1999). Photocopy. 8 1/
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participants. "Each contributor, or
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Vol. 1, No. 5 (September 1989). Pho
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(September 1992). Photocopy. 8 1/2"
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CVS (Copyright Violation Squad) Bul
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(May 22, 1995). Photocopy with Rubb
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(January 1987). Photocopy, Rubber S
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Contributors Issue (Summer 1988). P
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No. 45 (February 1983). Offset. 8 1
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(USA), Bugpost (USA), Mike Dyar (US
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No. 030 (November 19, 1989). Photoc
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(Poland), Géza Perneczky (Germany)
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No. 14 (March 1982). Photocopy. 5 1
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No. 2 (March 1986). Newsprint. 16 1
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No. 1 (April 1989). Offset. 8 1/2"x
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11x30: A Publication of the Toledo
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Eraser Carver's Quarterly. Mick Mat
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No. 0 (1999). Offset. 8 1/4"x4". 53
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Decentralized Networker Congress Po
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No. 32 (October 1989). Newsprint. 1
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No. 54 (December 1994). Newsprint.
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No. 21 (July/August 1994). Photocop
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TV Issue (April 1982). Newsprint. 9
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Bride./It too has piquant personali
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Fluxus Bucks. Ex-Posto-Facto (Julie
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No. 4 ([1985]). Photocopy. 5 1/2"x4
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E. M. Plunkett (USA), Carol Law (US
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Vol. 1, No. 2 (Full Moon in May 199
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events." Websites section added. "L
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No. 1 (March 1990). Photocopy. 8 1/
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It is a collection of original work
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Issue a (1971). Offset and Mixed Me
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No. 4 (Summer 1997). Photocopy. 11"
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Humboldt Da-Jest, The. Indian Ralph
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No. 6 (August 1990). Photocopy. 11"
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(March 1992). Photocopy and Rubber
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Inquirer: A Folio of Art and Ideas.
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No. 52 (1991). Offset. 13 1/2"x8 3/
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No. 74 (1999). Offset. 13 1/2"x8 3/
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No. 6 (1993). Photocopy. 11"x8 1/2"
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(USA), Minoy (USA), Tyler Hoare (US
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Vol. 16, No. 2 (December 1997). Pho
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No. 1 (May 2000). Photocopy and Mix
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KFR-(Kentucky Fried Royalty) Indiba
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Kryptogame. Hanna Bremer and Jack M
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No. 3 (1981). Photocopy. 11"x8 1/2"
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Nouvelle Série, No. 6 (April 1988)
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No. 3 (December 1989). Photocopy. 8
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No. 7 ([1985]). Mixed media. 11 3/4
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György Galantai (Hungary), David J
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in news section include Pips (Germa
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Pat Tavenner (USA), Musicmaster (US
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No. 18 (Winter 1986/1987). Offset a
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No. 7 (February 1994). Photocopy. 1
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Live from the Stagger Cafe. Luke Mc
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"Seventh Stranger's Exhibition in O
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No. 7 (1994). Photocopy. 11 3/4"x8
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Love Letters. Sheba, Editor. Exotic
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Mail Art exhibition, "No Nukes in M
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No. 14 (n.d.). Photocopy. 5 1/2"x3
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TAM Publication 950076 (1995). Phot
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of, "The Light of the He-Art," from
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TAM Publication 960147 (March 1997)
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(Belgium) conducted by Ruud Janssen
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No. 109 (February 12, 1991). Photoc
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No. 22-24 (1989). Photocopy and Mix
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No. 25 (April, 14, 1986). Photocopy
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No. 0 (June 1981). Photocopy and Mi
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No. 58 (August 1992). Photocopy and
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No. 80 (October 1994). Photocopy an
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No. 93 (February 1996). Photocopy a
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(Italy), buZ blurr (USA), Guy Bleus
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Kid (USA), Eberhard Janke (Germany)
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No. 132 (January 2001). Photocopy a
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Musicmaster (USA), Mark Bloch (USA)
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submissions will be clear and conci
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Banquet (The Beasts at the Feast)."
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No. 7 ([1989]). Offset. 9 1/2"x8 1/
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including Géza Perneczky (Germany)
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(May 4 thru 10, 1988). Photocopy. 8
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(Germany). "Dreamtime Village" even
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Vol. 9, No. 2/3 (March/April 1996).
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RUBBER STAMP ALBUM and had been ord
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Vol. 2, No. 2 (January 1984). Offse
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Vol. 8, No. 4 (Summer 1990). Offset
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that is wide in its acceptance of m
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is the need for mail-Art shows. At
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listings compiled by Honoria (USA).
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No. 1 (July 1993). Photocopy. 16 1/
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Netshaker. Crackerjack Kid (aka Chu
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Vol. 1, No. 3 (August 16, 1994). Co
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Hamann (West Germany), Graciela Mar
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display and disseminate the product
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Gerlovans (USA). Carlo Pittore (USA
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do some research about what the oth
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TAM-970158 (January 1997). Photocop
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(October 1993). Photocopy. 8 1/2"x5
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Tisma (Yugoslavia), Toward the New
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Breeder" we say goodbye to Stu Horn
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O. Ghislain Belmans, Johan Sanctoru
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Occasional, Tuesday-Art News. Georg
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Vol. 27, No. 3 (Issue 37) (Summer 1
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Todorovic (Yugoslavia); Shozo Shima
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No. 24 ([1987]). Photocopy. 8 1/4"x
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(USA), Shozo Shimamoto (Japan), Ryo
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Ruth and Marvin Sackner (USA), Seie
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Strada (Italy), Peter W. Kaufmann (
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No. 72 (1992). Photocopy. 8 1/4"x5
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very dear guest here last days of O
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No. 93 (1997). Photocopy. 8 1/4"x5
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years!...then Austro-Ungarian (empi
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about extraordinary TIME of CHANGE
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Network: A Mail Art Anthology." "I
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No. 38.2 (May 1998). Photocopy. 8 1
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No. 44.1B (January 2000). Photocopy
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"Shadowland and Rubberwork," by Don
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force things. Zen, y'know. & beside
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Other Times: An Alternative Mail Ar
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No. 12 1/2 (September 1995). Photoc
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No. 21 (July 1996). Photocopy. 8 1/
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No. 29 (May/June 1997). Photocopy.
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No. 6 ([1984]). Photocopy. 8 1/2"x5
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No. 21 (November 14, 1987). Photoco
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Parallelogramme. Tanya Mars, Editor
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Pelo+Pelo-. Emilio Morandi, Editor.
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"'PhotoStatic Magazine' is a bimont
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No. 20 (October 1986). Photocopy. 8
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others doing the same thing. It's c
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and continuing mail Art. "Mail Revi
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No. 40 (December 1989). Photocopy.
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correspondence. After writing close
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and political awareness (and a cook
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PMTTD's Standard Catalogue Update.
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Vol. 1, No. 2 (July 1993). Photocop
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No. 1-A (January 1992). Photocopy a
Page 361 and 362: Hora") text from Montevideo, Urugua
Page 363 and 364: (October 1995). Color Photocopy. 8
Page 365 and 366: Princess Debbie (USA), John Held, J
Page 367 and 368: No. 17 (June 1991). Photocopy. 5 3/
Page 369 and 370: No. 33 (September-October 1994). Ph
Page 371 and 372: No. 5 (April [1995]). Photocopy and
Page 373 and 374: No. 19 (August 1996). Photocopy. 8
Page 375 and 376: proud history of pranks, games, fal
Page 377 and 378: No. 16 ([July] 1987). Photocopy. 11
Page 379 and 380: Germany), Louise Krasniewicz (USA),
Page 381 and 382: No. 13 (September 1998). Photocopy,
Page 383 and 384: Joel Rossman, Bill Gaglione, Carlo
Page 385 and 386: Joyce Glasner (Canada), Luc Fierens
Page 387 and 388: Ram Art Review. L. Zjawin Francke,
Page 389 and 390: "SPECIAL DOUBLE ISSUE! Music Mail A
Page 391 and 392: participants of the Congress includ
Page 393 and 394: profiteering..." Letters from Rudi
Page 395 and 396: No. 1 (Winter Solstice 1994). Offse
Page 397 and 398: overnight in the underground channe
Page 399 and 400: No. 4 (December 1991). Photocopy. 3
Page 401 and 402: No. 0," by Florian Cramer (Germany)
Page 403 and 404: designs on rollers, postage cancell
Page 405 and 406: Vol. 2, No. 7 (July 1979). Offset a
Page 407 and 408: so if you haven't had a go yet then
Page 409 and 410: Vol. 4, No. 1 (November 1988). Phot
Page 411: Issue 0 (February 1989). Color Offs
Page 415 and 416: Vol. 5, Issue 21 (October 1985). Ne
Page 417 and 418: (USA). "'Book as Art' was a famous
Page 419 and 420: Vol. 10, Issue 46 (July/August 1989
Page 421 and 422: numerous Europeans. Serendipitous o
Page 423 and 424: Vol. 15, Issue 75 (May/June 1994).
Page 425 and 426: Vol. 17, Issue 88 (July/August 1996
Page 427 and 428: and Angela Netmail, Germany). "Thei
Page 429 and 430: Schmidt (West Germany), Rolf Staeck
Page 431 and 432: No. 6 ([1989]). Photocopy and Mixed
Page 433 and 434: Cohen (USA), Fluxlist (Internet) an
Page 435 and 436: mail-art, news-letters, leaflets an
Page 437 and 438: drawings, paintings and so on as (w
Page 439 and 440: No. 61 (1995). Photocopy. 17"x11".
Page 441 and 442: Sick Roof: A Journal of Humorous, P
Page 443 and 444: was international, planetary art. n
Page 445 and 446: Slugfest, Ltd. Michael T. Nowak, Ed
Page 447 and 448: R. Fricker (Switzerland), Emilio Mo
Page 449 and 450: (August 1992). Photocopy. 11"x8 1/2
Page 451 and 452: No. 5 ([1990]. Offset. 11"x8 1/2".
Page 453 and 454: No. 7 ([1985]). Offset. 11 3/4"x8 1
Page 455 and 456: of a reasonable price. once this ha
Page 457 and 458: Espinosa (Mexico), Shozo Shimamoto
Page 459 and 460: called MAIL-ART like today, but the
Page 461 and 462: is Not Fine Art It's the Artist Who
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No. 2 (1989). Photocopy. 8 1/2"x5 1
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statements about mail art. Not only
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compute-file. Now I decided to prin
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Soppalco, Il (The Balcony): Home Ar
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Exhibition," by Ken Friedman. "'Int
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documented participation in 1,068 M
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No. 1 (1982). Mixed Media. (9 pages
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Musicmaster (USA), Donna Nassar (US
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Germany), John Jacobs (aka H.Y.P.E.
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Vol. 2, No. 3 (November 1982). News
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No. 12466 (1995). Photocopy and Rub
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No. 16568 (1997). Computer Print an
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Schizophreniatrics, Morealism, Sarc
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Germany), Salvatore de Rosa (Italy)
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Vol. 4, No. 42 (December 20, 1987).
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Subtle Journal of Raw Coinage, The.
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I am also looking forward to sharin
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No. 11 (nod.). Color and Black & Wh
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No. 1984.7 (1984). Photocopy. 11 3/
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communication could be the transfer
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ulletin. After that, the rubberstam
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No. 96-06 (June 1996). Computer Pri
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No. 6 (Fall 1996). Photocopy and Ru
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(July 11, 1992). Photocopy and Rubb
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No. 6 (June 1993). Photocopy and Mi
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Macadam (Argentina), Svjetlana Mimi
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(Uruguay), A. d. Eker (Holland), Ru
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Vol. 3, No. 3 (January 1983). Photo
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Vol. 2, No. 3 (Fall-Winter 1981). P
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Tourism Review. Hans Rudi Fricker,
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No. 38 (December 1993). Photocopy.
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No. 48 (January 1995). Photocopy. 8
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Dr. Surearts (USA), Dan Landrum (US
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TV. Terence McMahon, Editor. The Fa
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No. 9 (August-September). Newsprint
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Vol. 2, No. 6 (November 1979). Offs
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Vol. 5, No. 4 (September 1982). Off
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sense of direction. the occasion of
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stamp production services provided
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(Belgium), Shozo Shimamoto (Japan),
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Washington, D. C.; Mark Bloch (USA)
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(No. 23) (Winter 1996-1997). Offset
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own ad on the front or back cover t
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changing some time this year but I
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with Utopian leanings or concerns.
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Version 90. Alexandra Fisher, David
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Cosey Fanni Tutti (England), Opal L
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to the Editors," in which Ken Fried
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is so much bigger and looser now-th
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Menghi, Ivana Martínez Vollaró, N
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No. 2 ([1986]). Offset. 111/4"x8 1/
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"Ladies & Gentleman: I don't have t
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anarchists, so they don't act very
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Workarea Art Ambient. Ponte Romano,
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mind to new frontiers, when it does
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Xero-Post. Sheldon Polsky, Editor.
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No. 3 (September 29, 1989). Compute
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through, and their opinions about t
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letters, essays, commentaries, cart
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strike and then sit on their hands!
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No. 0 (December 31, 1992). Computer
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