Mail Art Periodicals - MoMA

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No. 431 (October 31, 1998). Gocco Printing and Photocopy. 11 1/2"x16 1/2". (3 pages). Contributions by 43 artists from 12 countries. "Mail Art-Brain Cell-Fractal" essay on verso of contributors list. No. 437 (January 10, 1999). Gocco Printing and Photocopy. 11 1/2"x16 1/2". (3 pages). Contributions by 45 artists from 15 countries. "Mail Art-Brain Cell-Fractal" essay on verso of contributors list. No. 445 (March 31, 1999). Gocco Printing and Photocopy. 11 1/2"x16 1/2". (3 pages). Contributions by 48 artists from 14 countries. "Mail Art-Brain Cell-Fractal" essay in Japanese on separate sheet of paper. No. 447 (April 20, 1999). Gocco Printing and Photocopy. 11 1/2"x16 1/2". (3 pages). Contributions by 41 artists from 12 countries. "Mail Art-Brain Cell-Fractal" essay in Japanese on separate sheet of paper. No. 449 (May 10, 1999). Gocco Printing and Photocopy. 11 1/2"x16 1/2". (2 pages). Contributions by 42 artists from 14 countries. No. 451 (May 31, 1999). Gocco Printing and Photocopy. 11 1/2"x16 1/2". (2 pages). Contributions by 45 artists from 15 countries. No. 476 (May 31, 2000). Gocco Printing and Photocopy. 11 1/2"x16 1/2". (2 pages). Contributions by 50 artists from 15 countries. No. 484 (September 10, 2000). Gocco Printing and Photocopy. 11 1/2"x16 1/2". (2 pages). Contributions by 47 artists from 18 countries. No. 493 (December 31, 2000). Gocco Printing and Photocopy. 11 1/2"x16 1/2". (2 pages). Contributions by 49 artists from 14 countries. No. 500 (April 10, 2001). Gocco Printing and Photocopy. 11 1/2"x16 1/2". (2 pages). Contributions by 54 artists from 14 countries. No. 501 (April 20, 2001). Gocco Printing and Photocopy. 11 1/2"x16 1/2". (2 pages). Contributions by 51 artists from 13 countries. No. 509 (July 31, 2001). Gocco Printing and Photocopy. 11 1/2"x16 1/2". (2 pages). Contributions by 45 artists from 19 countries.
No. 511 (September 10, 2001). Gocco Printing and Photocopy. 11 1/2"x16 1/2". (2 pages). Contributions by 56 artists from 13 countries. No. 513 (October 10, 2001). Gocco Printing and Photocopy. 11 1/2"x16 1/2". (2 pages). Contributions by 58 artists from 18 countries. No. 514 (October 20, 2001). Gocco Printing and Photocopy. 11 1/2"x16 1/2". (2 pages). Contributions by 55 artists from 16 countries. No. 515 (October 31, 2001). Gocco Printing and Photocopy. 11 1/2"x16 1/2". (2 pages). Contributions by 48 artists from 14 countries. No. 516 (November 10, 2001). Gocco Printing and Photocopy. 11 1/2"x16 1/2". (2 pages). Contributions by 54 artists from 16 countries. Bread Doll Fancier: A Magazine for Devotees. (Al Ackerman, Editor). (San Antonio, Texas). (August 1984). Vol. 9, No. 2 (Summer Edition [August 27, 1984]). Photocopy. 8 1/2"x5 1/2". (4 pages). Lit-zine from Mail Artist Al Ackerman. It is highly unlikely that the given volume and number are correctly stated. Bric-a-Brac: A Mail Art Magazine. Joe Decie, Editor. Nottingham, England. (1997). Vol. 2, No. 1 ([1997]). Photocopy and mixed media. 6"x4 1/4". (28 pages). Mail Art assembling magazine. Contributors include the artists' mother and father (also Mail Artists) Jilly Jargon and Roger Radio (England), A1 Waste paper Co. (England), Patricia Collins (England), Pascal Lenoir (France), et al. Edition of 20. Brulot, Le. Gustave Arthur Dassonville, Editor. Bagnolet, France. 1988-1990. No. 266 (July 1988). Photocopy. 5 1/4"x3 3/4". (8 pages). Magazine reviews. Notice of a Mail Art exhibition in Dallas, Texas, organized by John Held, Jr. No. 288 (July 31, 1990). Photocopy. 5 1/4"x3 3/4". (8 pages). Review of a book on contemporary postcards by Enrico Sturani.
Page 1 and 2:
Mail Art Periodicals: An Annotated
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is a harbinger of the future tenden
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Alice's Zine of Dreams. Alice Borea
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No. 17 (March 1998). Photocopy. 8 1
Page 9 and 10:
Anti-Isolation. Miekal And and Liz
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No. 6 (October 1994). Photocopy. 8
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displaying one-f-a-kind books, but
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Art Brigade. Ben Davis, Editor. Ama
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Vol. 2, No. 2/3 (1977). Newsprint.
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(October 19, 1980). Photocopy. 8 1/
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No. 11 (August 1980). Photocopy wit
Page 23 and 24: No. 34 (October 1982). Photocopy an
Page 25 and 26: No. 59 (January/June 1989). Photoco
Page 27 and 28: Artist Call. Michael Schwartz, Edit
Page 29 and 30: Congress. Michael Hernandez de Luna
Page 31 and 32: connected with others across the co
Page 33 and 34: Atalaya. Christer Brunström, Edito
Page 35 and 36: No. 22 (March 10, 1978?). Offset. 1
Page 37 and 38: No. 59 (October 20, 1983). Offset.
Page 39 and 40: project and exhibition notices. "Wh
Page 41 and 42: No. 98 (February 10, 1989). Photoco
Page 43 and 44: No. 116 (July 24, 1992). Offset. 23
Page 45 and 46: No. 141 (January 31, 1997). Offset.
Page 47 and 48: April 10, 1987. Mixed media. 6 1/2"
Page 49 and 50: No. 9 (June 1973). Photocopy. 14"x8
Page 51 and 52: comprehensive catalog and album of
Page 53 and 54: Bibliography." This issue: "Artist
Page 55 and 56: No. 26 (November 1994). Photocopy.
Page 57 and 58: Birdada. Bird (aka Chis Burnett), E
Page 59 and 60: people who make gather this kind of
Page 61 and 62: Vol. 1, No. 2 (1986). Photocopy. 8
Page 63 and 64: network are at all alike. Neuron in
Page 65 and 66: No. 63 (June 22, 1987). Gocco Print
Page 67 and 68: No. 114 (December 30, 1988). Gocco
Page 69 and 70: No. 203 (January 27, 1991). Gocco P
Page 71 and 72: No. 281 (July 20, 1993). Gocco Prin
Page 73: No. 350 (November 20, 1995). Gocco
Page 77 and 78: Cage: Anti-Embargo Magazine. Alexan
Page 79 and 80: No. 14 (1996). Photocopy. 8 1/2"x5
Page 81 and 82: No. 6 (February 1991). Photocopy. 1
Page 83 and 84: No. 116 (February 1990). Offset. 5
Page 85 and 86: No. 9 (February 20, 1989). Mixed Me
Page 87 and 88: R. Fricker (Switzerland). "Postal-A
Page 89 and 90: (n.d.). Photocopy. 8 1/4"x5 3/4". (
Page 91 and 92: Vol. 1 (June 1999). Photocopy. 8 1/
Page 93 and 94: participants. "Each contributor, or
Page 95 and 96: Vol. 1, No. 5 (September 1989). Pho
Page 97 and 98: (September 1992). Photocopy. 8 1/2"
Page 99 and 100: CVS (Copyright Violation Squad) Bul
Page 101 and 102: (May 22, 1995). Photocopy with Rubb
Page 103 and 104: (January 1987). Photocopy, Rubber S
Page 105 and 106: Contributors Issue (Summer 1988). P
Page 107 and 108: No. 45 (February 1983). Offset. 8 1
Page 109 and 110: (USA), Bugpost (USA), Mike Dyar (US
Page 111 and 112: No. 030 (November 19, 1989). Photoc
Page 113 and 114: (Poland), Géza Perneczky (Germany)
Page 115 and 116: No. 14 (March 1982). Photocopy. 5 1
Page 117 and 118: No. 2 (March 1986). Newsprint. 16 1
Page 119 and 120: No. 1 (April 1989). Offset. 8 1/2"x
Page 121 and 122: 11x30: A Publication of the Toledo
Page 123 and 124: Eraser Carver's Quarterly. Mick Mat
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No. 0 (1999). Offset. 8 1/4"x4". 53
Page 127 and 128:
Decentralized Networker Congress Po
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No. 32 (October 1989). Newsprint. 1
Page 131 and 132:
No. 54 (December 1994). Newsprint.
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No. 21 (July/August 1994). Photocop
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TV Issue (April 1982). Newsprint. 9
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Bride./It too has piquant personali
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Fluxus Bucks. Ex-Posto-Facto (Julie
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No. 4 ([1985]). Photocopy. 5 1/2"x4
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E. M. Plunkett (USA), Carol Law (US
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Vol. 1, No. 2 (Full Moon in May 199
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events." Websites section added. "L
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No. 1 (March 1990). Photocopy. 8 1/
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It is a collection of original work
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Issue a (1971). Offset and Mixed Me
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No. 4 (Summer 1997). Photocopy. 11"
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Humboldt Da-Jest, The. Indian Ralph
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No. 6 (August 1990). Photocopy. 11"
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(March 1992). Photocopy and Rubber
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Inquirer: A Folio of Art and Ideas.
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No. 52 (1991). Offset. 13 1/2"x8 3/
Page 167 and 168:
No. 74 (1999). Offset. 13 1/2"x8 3/
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No. 6 (1993). Photocopy. 11"x8 1/2"
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(USA), Minoy (USA), Tyler Hoare (US
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Vol. 16, No. 2 (December 1997). Pho
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No. 1 (May 2000). Photocopy and Mix
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KFR-(Kentucky Fried Royalty) Indiba
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Kryptogame. Hanna Bremer and Jack M
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No. 3 (1981). Photocopy. 11"x8 1/2"
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Nouvelle Série, No. 6 (April 1988)
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No. 3 (December 1989). Photocopy. 8
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No. 7 ([1985]). Mixed media. 11 3/4
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György Galantai (Hungary), David J
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in news section include Pips (Germa
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Pat Tavenner (USA), Musicmaster (US
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No. 18 (Winter 1986/1987). Offset a
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No. 7 (February 1994). Photocopy. 1
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Live from the Stagger Cafe. Luke Mc
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"Seventh Stranger's Exhibition in O
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No. 7 (1994). Photocopy. 11 3/4"x8
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Love Letters. Sheba, Editor. Exotic
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Mail Art exhibition, "No Nukes in M
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No. 14 (n.d.). Photocopy. 5 1/2"x3
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TAM Publication 950076 (1995). Phot
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of, "The Light of the He-Art," from
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TAM Publication 960147 (March 1997)
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(Belgium) conducted by Ruud Janssen
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No. 109 (February 12, 1991). Photoc
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No. 22-24 (1989). Photocopy and Mix
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No. 25 (April, 14, 1986). Photocopy
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No. 0 (June 1981). Photocopy and Mi
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No. 58 (August 1992). Photocopy and
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No. 80 (October 1994). Photocopy an
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No. 93 (February 1996). Photocopy a
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(Italy), buZ blurr (USA), Guy Bleus
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Kid (USA), Eberhard Janke (Germany)
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No. 132 (January 2001). Photocopy a
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Musicmaster (USA), Mark Bloch (USA)
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submissions will be clear and conci
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Banquet (The Beasts at the Feast)."
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No. 7 ([1989]). Offset. 9 1/2"x8 1/
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including Géza Perneczky (Germany)
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(May 4 thru 10, 1988). Photocopy. 8
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(Germany). "Dreamtime Village" even
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Vol. 9, No. 2/3 (March/April 1996).
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RUBBER STAMP ALBUM and had been ord
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Vol. 2, No. 2 (January 1984). Offse
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Vol. 8, No. 4 (Summer 1990). Offset
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that is wide in its acceptance of m
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is the need for mail-Art shows. At
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listings compiled by Honoria (USA).
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No. 1 (July 1993). Photocopy. 16 1/
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Netshaker. Crackerjack Kid (aka Chu
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Vol. 1, No. 3 (August 16, 1994). Co
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Hamann (West Germany), Graciela Mar
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display and disseminate the product
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Gerlovans (USA). Carlo Pittore (USA
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do some research about what the oth
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TAM-970158 (January 1997). Photocop
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(October 1993). Photocopy. 8 1/2"x5
Page 285 and 286:
Tisma (Yugoslavia), Toward the New
Page 287 and 288:
Breeder" we say goodbye to Stu Horn
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O. Ghislain Belmans, Johan Sanctoru
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Occasional, Tuesday-Art News. Georg
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Vol. 27, No. 3 (Issue 37) (Summer 1
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Todorovic (Yugoslavia); Shozo Shima
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No. 24 ([1987]). Photocopy. 8 1/4"x
Page 299 and 300:
(USA), Shozo Shimamoto (Japan), Ryo
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Ruth and Marvin Sackner (USA), Seie
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Strada (Italy), Peter W. Kaufmann (
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No. 72 (1992). Photocopy. 8 1/4"x5
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very dear guest here last days of O
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No. 93 (1997). Photocopy. 8 1/4"x5
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years!...then Austro-Ungarian (empi
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about extraordinary TIME of CHANGE
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Network: A Mail Art Anthology." "I
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No. 38.2 (May 1998). Photocopy. 8 1
Page 319 and 320:
No. 44.1B (January 2000). Photocopy
Page 321 and 322:
"Shadowland and Rubberwork," by Don
Page 323 and 324:
force things. Zen, y'know. & beside
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Other Times: An Alternative Mail Ar
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No. 12 1/2 (September 1995). Photoc
Page 329 and 330:
No. 21 (July 1996). Photocopy. 8 1/
Page 331 and 332:
No. 29 (May/June 1997). Photocopy.
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No. 6 ([1984]). Photocopy. 8 1/2"x5
Page 335 and 336:
No. 21 (November 14, 1987). Photoco
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Parallelogramme. Tanya Mars, Editor
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Pelo+Pelo-. Emilio Morandi, Editor.
Page 341 and 342:
"'PhotoStatic Magazine' is a bimont
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No. 20 (October 1986). Photocopy. 8
Page 345 and 346:
others doing the same thing. It's c
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and continuing mail Art. "Mail Revi
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No. 40 (December 1989). Photocopy.
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correspondence. After writing close
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and political awareness (and a cook
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PMTTD's Standard Catalogue Update.
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Vol. 1, No. 2 (July 1993). Photocop
Page 359 and 360:
No. 1-A (January 1992). Photocopy a
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Hora") text from Montevideo, Urugua
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(October 1995). Color Photocopy. 8
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Princess Debbie (USA), John Held, J
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No. 17 (June 1991). Photocopy. 5 3/
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No. 33 (September-October 1994). Ph
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No. 5 (April [1995]). Photocopy and
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No. 19 (August 1996). Photocopy. 8
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proud history of pranks, games, fal
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No. 16 ([July] 1987). Photocopy. 11
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Germany), Louise Krasniewicz (USA),
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No. 13 (September 1998). Photocopy,
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Joel Rossman, Bill Gaglione, Carlo
Page 385 and 386:
Joyce Glasner (Canada), Luc Fierens
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Ram Art Review. L. Zjawin Francke,
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"SPECIAL DOUBLE ISSUE! Music Mail A
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participants of the Congress includ
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profiteering..." Letters from Rudi
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No. 1 (Winter Solstice 1994). Offse
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overnight in the underground channe
Page 399 and 400:
No. 4 (December 1991). Photocopy. 3
Page 401 and 402:
No. 0," by Florian Cramer (Germany)
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designs on rollers, postage cancell
Page 405 and 406:
Vol. 2, No. 7 (July 1979). Offset a
Page 407 and 408:
so if you haven't had a go yet then
Page 409 and 410:
Vol. 4, No. 1 (November 1988). Phot
Page 411 and 412:
Issue 0 (February 1989). Color Offs
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Vol. 2, Issue 8 (June 1982). Newspr
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Vol. 5, Issue 21 (October 1985). Ne
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(USA). "'Book as Art' was a famous
Page 419 and 420:
Vol. 10, Issue 46 (July/August 1989
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numerous Europeans. Serendipitous o
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Vol. 15, Issue 75 (May/June 1994).
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Vol. 17, Issue 88 (July/August 1996
Page 427 and 428:
and Angela Netmail, Germany). "Thei
Page 429 and 430:
Schmidt (West Germany), Rolf Staeck
Page 431 and 432:
No. 6 ([1989]). Photocopy and Mixed
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Cohen (USA), Fluxlist (Internet) an
Page 435 and 436:
mail-art, news-letters, leaflets an
Page 437 and 438:
drawings, paintings and so on as (w
Page 439 and 440:
No. 61 (1995). Photocopy. 17"x11".
Page 441 and 442:
Sick Roof: A Journal of Humorous, P
Page 443 and 444:
was international, planetary art. n
Page 445 and 446:
Slugfest, Ltd. Michael T. Nowak, Ed
Page 447 and 448:
R. Fricker (Switzerland), Emilio Mo
Page 449 and 450:
(August 1992). Photocopy. 11"x8 1/2
Page 451 and 452:
No. 5 ([1990]. Offset. 11"x8 1/2".
Page 453 and 454:
No. 7 ([1985]). Offset. 11 3/4"x8 1
Page 455 and 456:
of a reasonable price. once this ha
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Espinosa (Mexico), Shozo Shimamoto
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called MAIL-ART like today, but the
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is Not Fine Art It's the Artist Who
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No. 2 (1989). Photocopy. 8 1/2"x5 1
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statements about mail art. Not only
Page 467 and 468:
compute-file. Now I decided to prin
Page 469 and 470:
Soppalco, Il (The Balcony): Home Ar
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Exhibition," by Ken Friedman. "'Int
Page 473 and 474:
documented participation in 1,068 M
Page 475 and 476:
No. 1 (1982). Mixed Media. (9 pages
Page 477 and 478:
Musicmaster (USA), Donna Nassar (US
Page 479 and 480:
Germany), John Jacobs (aka H.Y.P.E.
Page 481 and 482:
Vol. 2, No. 3 (November 1982). News
Page 483 and 484:
No. 12466 (1995). Photocopy and Rub
Page 485 and 486:
No. 16568 (1997). Computer Print an
Page 487 and 488:
Schizophreniatrics, Morealism, Sarc
Page 489 and 490:
Germany), Salvatore de Rosa (Italy)
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Vol. 4, No. 42 (December 20, 1987).
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Subtle Journal of Raw Coinage, The.
Page 495 and 496:
I am also looking forward to sharin
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No. 11 (nod.). Color and Black & Wh
Page 499 and 500:
No. 1984.7 (1984). Photocopy. 11 3/
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communication could be the transfer
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ulletin. After that, the rubberstam
Page 505 and 506:
No. 96-06 (June 1996). Computer Pri
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No. 6 (Fall 1996). Photocopy and Ru
Page 509 and 510:
(July 11, 1992). Photocopy and Rubb
Page 511 and 512:
No. 6 (June 1993). Photocopy and Mi
Page 513 and 514:
Macadam (Argentina), Svjetlana Mimi
Page 515 and 516:
(Uruguay), A. d. Eker (Holland), Ru
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Vol. 3, No. 3 (January 1983). Photo
Page 519 and 520:
Vol. 2, No. 3 (Fall-Winter 1981). P
Page 521 and 522:
Tourism Review. Hans Rudi Fricker,
Page 523 and 524:
No. 38 (December 1993). Photocopy.
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No. 48 (January 1995). Photocopy. 8
Page 527 and 528:
Dr. Surearts (USA), Dan Landrum (US
Page 529 and 530:
TV. Terence McMahon, Editor. The Fa
Page 531 and 532:
No. 9 (August-September). Newsprint
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Vol. 2, No. 6 (November 1979). Offs
Page 535 and 536:
Vol. 5, No. 4 (September 1982). Off
Page 537 and 538:
sense of direction. the occasion of
Page 539 and 540:
stamp production services provided
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(Belgium), Shozo Shimamoto (Japan),
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Washington, D. C.; Mark Bloch (USA)
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(No. 23) (Winter 1996-1997). Offset
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own ad on the front or back cover t
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changing some time this year but I
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with Utopian leanings or concerns.
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Version 90. Alexandra Fisher, David
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Cosey Fanni Tutti (England), Opal L
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to the Editors," in which Ken Fried
Page 559 and 560:
is so much bigger and looser now-th
Page 561 and 562:
Menghi, Ivana Martínez Vollaró, N
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No. 2 ([1986]). Offset. 111/4"x8 1/
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"Ladies & Gentleman: I don't have t
Page 567 and 568:
anarchists, so they don't act very
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Workarea Art Ambient. Ponte Romano,
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mind to new frontiers, when it does
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Xero-Post. Sheldon Polsky, Editor.
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No. 3 (September 29, 1989). Compute
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through, and their opinions about t
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letters, essays, commentaries, cart
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strike and then sit on their hands!
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No. 0 (December 31, 1992). Computer
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