Mail Art Periodicals - MoMA

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Archives Around the World" lists 21 institutions and individuals. Graphics by Guy Bleus. "Mail Art Listings." Vol. 13, Issue 66 (November/December 1992). Color Offset. 14"x11". 95 pages. "Mail Art Listings." Vol. 14, Issue 67 (January/February 1993). Color Offset. 14"x11". 83 pages. Cover by Julie Hagan Bloch (USA). "The Reluctant Mail Artist," by Rick Banning (USA). "Poet in Rubber," by Art Snyder (USA), profiles Joel Lipman (USA). "A poemvelope-an envelope with poetry rubber-stamped on any of its several surfaces-is a Lipman signature piece he devised after visits to envelope factories in Toledo and nearby Detroit." First "Stempel Mekka" rubber stamp convention held in Hagan, Germany, reported on in "What's Doin'." Those present included Ruud Janssen (Holland), Ferd Von Schlafke (USA), and Diana Arseneau (Germany). "Mail Art Listings," include graphics by Crackerjack Kid (USA). Vol. 14, Issue 68 (March/April 1993). Color Offset. 14"x11". 91 pages. Report of John Held, Jr. lecture at the V&A Museum, London, in "What's Doin'." Mail Art Listings," features a graphic by M. B. Corbett (aka Tensetendoned, USA). Vol. 14, Issue 69 (May/June 1993). Color Offset. 14"x11". 91 pages. A visit to Stamp Francisco and a meeting with owners Gaglione and Domel (USA) in, "What's Doin'." "Mail Art Listings." Vol. 14, Issue 70 (July/August 1993). Color Offset. 14"x11". 99 pages. "Mail Art Listings." Vol. 14, Issue 71 (September/October 1993). Color Offset. 14"x11". 107 pages. Picasso Gaglione (USA) and John Held, Jr.'s (USA) Dallas, Texas, Fluxus street performance, "Guitar Piece," reported in "What's Doin'." Graphic by John Held, Jr. in "Mail Art Listings." Vol. 14, Issue 72 (November/December 1993). Color Offset. 14"x11". 119 pages. Peter Brandt (Germany) mentioned in "What's Doin'." Jean-Claude Gagnon (Canada) graphic in "Mail Art Listings." Vol. 15, Issue 74 (March/April 1994). Color Offset. 14"x11". 115 pages. "MailArtMadness," by Freya Zabitsky (USA). "For me, the mail art network has proved to be a safety net of the very finest order, and I will be eternally grateful." "Mail Art Listings."
Vol. 15, Issue 75 (May/June 1994). Color Offset. 14"x11". 127 pages. "MailArtMadaness: Profile of a Network," by Debra Petkevicius (USA). Who are these nebulous souls that frolic among postmarks and postage due fees? How did they get started in mail art?" To find out, the author questions Teesha Moore (USA), bonnie Lewis (USA), Stacy Carter (USA), Larry Cotter (USA), Lisa Bias (USA), Wendi Watson (USA), Deborah Smith (USA), Carolyn Cline (USA), and Melva Becraft (USA). "Mail Art Listings." Vol. 15, Issue 76 (July/August 1994). Color Offset. 14"x11". 132 pages. Serge Segay (Russia) featured in Stamp Art Gallery (San Francisco, California) advertisement. "Brushing Up on Mail Art," by Diana Arseneau (Germany), profiles German Mail Artist Peter Brandt. "Mail Art Listings." Vol. 15, Issue 77 (September/October 1994). Color Offset. 14"x11". 136 pages. Picasso Gaglione mentioned as being featured in an article in "ND" magazine in "What's Doin'." "Move Over Mail Art," by Donna Nasser, profiles a "private" network called RAPS (Rubber Amateur Press Society). Stamp Art Gallery advertisement announces "Early Mail Art," with a Joseph Beuy's (Germany) postcard to Dadaland (aka, Bill Gaglione, USA) reproduced. "Mail Art Listings." Vol. 15, Issue 78 (November/December 1994). Color Offset. 14"x11". 152 pages. "Artistamps: Oh Yes, They're the postal Pretenders," by Ricë Freeman-Zachery (USA) features artistamps by Teesha Moore (USA), Debra Petkevicius (USA), Toast Postes (USA), Beth Jacobson (USA), Joki Mail Art (aka Jo Klaffki, Germany), et al. "Artist Postage Stamps: A Selected Annotated Bibliography," by John Held, Jr. (USA). "Passport to Pleasure," a review of "The World of Donald Evans (Abbeville Press, 1994), by Ricë Freeman-Zachery (USA). "Wild About Artistamps," by D(ebra). P(etkevicius). (USA), profiles Dogfish (USA). "Mail Art Listings." Vol. 16, Issue 79 (January/February 1995). Color Offset. 14"x11". 144 pages. "Mail Art Listings," now includes "Mail Art Exchange" and "Contests" sections in addition to exhibition, project and publication activities. Vol. 16, Issue 80 (March/April 1995). Color Offset. 14"x11". 144 pages. The adventures of Peter and Angela Netmail (aka Peter Küstermann and Angela Pähler, Germany) are reported in "What's Doin'." "Mail Art Listings." Vol. 16, Issue 81 (May/June 1995). Color Offset. 14"x11". 152 pages. "Ray Johnson," by the editor, reflects on the passing of "the father of the modern mail art movement." Johnson images by Gene laughter (USA). "mail Art Listings."
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Mail Art Periodicals: An Annotated
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is a harbinger of the future tenden
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Alice's Zine of Dreams. Alice Borea
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No. 17 (March 1998). Photocopy. 8 1
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Anti-Isolation. Miekal And and Liz
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No. 6 (October 1994). Photocopy. 8
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displaying one-f-a-kind books, but
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Art Brigade. Ben Davis, Editor. Ama
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Vol. 2, No. 2/3 (1977). Newsprint.
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(October 19, 1980). Photocopy. 8 1/
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No. 11 (August 1980). Photocopy wit
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No. 34 (October 1982). Photocopy an
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No. 59 (January/June 1989). Photoco
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Artist Call. Michael Schwartz, Edit
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Congress. Michael Hernandez de Luna
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connected with others across the co
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Atalaya. Christer Brunström, Edito
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No. 22 (March 10, 1978?). Offset. 1
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No. 59 (October 20, 1983). Offset.
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project and exhibition notices. "Wh
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No. 98 (February 10, 1989). Photoco
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No. 116 (July 24, 1992). Offset. 23
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No. 141 (January 31, 1997). Offset.
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April 10, 1987. Mixed media. 6 1/2"
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No. 9 (June 1973). Photocopy. 14"x8
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comprehensive catalog and album of
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Bibliography." This issue: "Artist
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No. 26 (November 1994). Photocopy.
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Birdada. Bird (aka Chis Burnett), E
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people who make gather this kind of
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Vol. 1, No. 2 (1986). Photocopy. 8
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network are at all alike. Neuron in
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No. 63 (June 22, 1987). Gocco Print
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No. 114 (December 30, 1988). Gocco
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No. 203 (January 27, 1991). Gocco P
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No. 281 (July 20, 1993). Gocco Prin
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No. 350 (November 20, 1995). Gocco
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No. 511 (September 10, 2001). Gocco
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Cage: Anti-Embargo Magazine. Alexan
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No. 14 (1996). Photocopy. 8 1/2"x5
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No. 6 (February 1991). Photocopy. 1
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No. 116 (February 1990). Offset. 5
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No. 9 (February 20, 1989). Mixed Me
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R. Fricker (Switzerland). "Postal-A
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(n.d.). Photocopy. 8 1/4"x5 3/4". (
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Vol. 1 (June 1999). Photocopy. 8 1/
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participants. "Each contributor, or
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Vol. 1, No. 5 (September 1989). Pho
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(September 1992). Photocopy. 8 1/2"
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CVS (Copyright Violation Squad) Bul
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(May 22, 1995). Photocopy with Rubb
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(January 1987). Photocopy, Rubber S
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Contributors Issue (Summer 1988). P
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No. 45 (February 1983). Offset. 8 1
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(USA), Bugpost (USA), Mike Dyar (US
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No. 030 (November 19, 1989). Photoc
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(Poland), Géza Perneczky (Germany)
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No. 14 (March 1982). Photocopy. 5 1
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No. 2 (March 1986). Newsprint. 16 1
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No. 1 (April 1989). Offset. 8 1/2"x
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11x30: A Publication of the Toledo
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Eraser Carver's Quarterly. Mick Mat
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No. 0 (1999). Offset. 8 1/4"x4". 53
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Decentralized Networker Congress Po
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No. 32 (October 1989). Newsprint. 1
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No. 54 (December 1994). Newsprint.
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No. 21 (July/August 1994). Photocop
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TV Issue (April 1982). Newsprint. 9
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Bride./It too has piquant personali
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Fluxus Bucks. Ex-Posto-Facto (Julie
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No. 4 ([1985]). Photocopy. 5 1/2"x4
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E. M. Plunkett (USA), Carol Law (US
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Vol. 1, No. 2 (Full Moon in May 199
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events." Websites section added. "L
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No. 1 (March 1990). Photocopy. 8 1/
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It is a collection of original work
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Issue a (1971). Offset and Mixed Me
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No. 4 (Summer 1997). Photocopy. 11"
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Humboldt Da-Jest, The. Indian Ralph
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No. 6 (August 1990). Photocopy. 11"
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(March 1992). Photocopy and Rubber
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Inquirer: A Folio of Art and Ideas.
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No. 52 (1991). Offset. 13 1/2"x8 3/
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No. 74 (1999). Offset. 13 1/2"x8 3/
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No. 6 (1993). Photocopy. 11"x8 1/2"
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(USA), Minoy (USA), Tyler Hoare (US
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Vol. 16, No. 2 (December 1997). Pho
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No. 1 (May 2000). Photocopy and Mix
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KFR-(Kentucky Fried Royalty) Indiba
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Kryptogame. Hanna Bremer and Jack M
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No. 3 (1981). Photocopy. 11"x8 1/2"
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Nouvelle Série, No. 6 (April 1988)
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No. 3 (December 1989). Photocopy. 8
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No. 7 ([1985]). Mixed media. 11 3/4
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György Galantai (Hungary), David J
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in news section include Pips (Germa
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Pat Tavenner (USA), Musicmaster (US
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No. 18 (Winter 1986/1987). Offset a
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No. 7 (February 1994). Photocopy. 1
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Live from the Stagger Cafe. Luke Mc
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"Seventh Stranger's Exhibition in O
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No. 7 (1994). Photocopy. 11 3/4"x8
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Love Letters. Sheba, Editor. Exotic
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Mail Art exhibition, "No Nukes in M
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No. 14 (n.d.). Photocopy. 5 1/2"x3
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TAM Publication 950076 (1995). Phot
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of, "The Light of the He-Art," from
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TAM Publication 960147 (March 1997)
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(Belgium) conducted by Ruud Janssen
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No. 109 (February 12, 1991). Photoc
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No. 22-24 (1989). Photocopy and Mix
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No. 25 (April, 14, 1986). Photocopy
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No. 0 (June 1981). Photocopy and Mi
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No. 58 (August 1992). Photocopy and
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No. 80 (October 1994). Photocopy an
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No. 93 (February 1996). Photocopy a
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(Italy), buZ blurr (USA), Guy Bleus
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Kid (USA), Eberhard Janke (Germany)
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No. 132 (January 2001). Photocopy a
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Musicmaster (USA), Mark Bloch (USA)
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submissions will be clear and conci
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Banquet (The Beasts at the Feast)."
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No. 7 ([1989]). Offset. 9 1/2"x8 1/
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including Géza Perneczky (Germany)
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(May 4 thru 10, 1988). Photocopy. 8
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(Germany). "Dreamtime Village" even
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Vol. 9, No. 2/3 (March/April 1996).
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RUBBER STAMP ALBUM and had been ord
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Vol. 2, No. 2 (January 1984). Offse
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Vol. 8, No. 4 (Summer 1990). Offset
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that is wide in its acceptance of m
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is the need for mail-Art shows. At
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listings compiled by Honoria (USA).
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No. 1 (July 1993). Photocopy. 16 1/
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Netshaker. Crackerjack Kid (aka Chu
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Vol. 1, No. 3 (August 16, 1994). Co
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Hamann (West Germany), Graciela Mar
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display and disseminate the product
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Gerlovans (USA). Carlo Pittore (USA
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do some research about what the oth
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TAM-970158 (January 1997). Photocop
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(October 1993). Photocopy. 8 1/2"x5
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Tisma (Yugoslavia), Toward the New
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Breeder" we say goodbye to Stu Horn
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O. Ghislain Belmans, Johan Sanctoru
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Occasional, Tuesday-Art News. Georg
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Vol. 27, No. 3 (Issue 37) (Summer 1
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Todorovic (Yugoslavia); Shozo Shima
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No. 24 ([1987]). Photocopy. 8 1/4"x
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(USA), Shozo Shimamoto (Japan), Ryo
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Ruth and Marvin Sackner (USA), Seie
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Strada (Italy), Peter W. Kaufmann (
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No. 72 (1992). Photocopy. 8 1/4"x5
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very dear guest here last days of O
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No. 93 (1997). Photocopy. 8 1/4"x5
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years!...then Austro-Ungarian (empi
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about extraordinary TIME of CHANGE
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Network: A Mail Art Anthology." "I
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No. 38.2 (May 1998). Photocopy. 8 1
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No. 44.1B (January 2000). Photocopy
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"Shadowland and Rubberwork," by Don
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force things. Zen, y'know. & beside
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Other Times: An Alternative Mail Ar
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No. 12 1/2 (September 1995). Photoc
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No. 21 (July 1996). Photocopy. 8 1/
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No. 29 (May/June 1997). Photocopy.
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No. 6 ([1984]). Photocopy. 8 1/2"x5
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No. 21 (November 14, 1987). Photoco
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Parallelogramme. Tanya Mars, Editor
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Pelo+Pelo-. Emilio Morandi, Editor.
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"'PhotoStatic Magazine' is a bimont
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No. 20 (October 1986). Photocopy. 8
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others doing the same thing. It's c
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and continuing mail Art. "Mail Revi
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No. 40 (December 1989). Photocopy.
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correspondence. After writing close
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and political awareness (and a cook
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PMTTD's Standard Catalogue Update.
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Vol. 1, No. 2 (July 1993). Photocop
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No. 1-A (January 1992). Photocopy a
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Hora") text from Montevideo, Urugua
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(October 1995). Color Photocopy. 8
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Princess Debbie (USA), John Held, J
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No. 17 (June 1991). Photocopy. 5 3/
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No. 33 (September-October 1994). Ph
Page 371 and 372: No. 5 (April [1995]). Photocopy and
Page 373 and 374: No. 19 (August 1996). Photocopy. 8
Page 375 and 376: proud history of pranks, games, fal
Page 377 and 378: No. 16 ([July] 1987). Photocopy. 11
Page 379 and 380: Germany), Louise Krasniewicz (USA),
Page 381 and 382: No. 13 (September 1998). Photocopy,
Page 383 and 384: Joel Rossman, Bill Gaglione, Carlo
Page 385 and 386: Joyce Glasner (Canada), Luc Fierens
Page 387 and 388: Ram Art Review. L. Zjawin Francke,
Page 389 and 390: "SPECIAL DOUBLE ISSUE! Music Mail A
Page 391 and 392: participants of the Congress includ
Page 393 and 394: profiteering..." Letters from Rudi
Page 395 and 396: No. 1 (Winter Solstice 1994). Offse
Page 397 and 398: overnight in the underground channe
Page 399 and 400: No. 4 (December 1991). Photocopy. 3
Page 401 and 402: No. 0," by Florian Cramer (Germany)
Page 403 and 404: designs on rollers, postage cancell
Page 405 and 406: Vol. 2, No. 7 (July 1979). Offset a
Page 407 and 408: so if you haven't had a go yet then
Page 409 and 410: Vol. 4, No. 1 (November 1988). Phot
Page 411 and 412: Issue 0 (February 1989). Color Offs
Page 413 and 414: Vol. 2, Issue 8 (June 1982). Newspr
Page 415 and 416: Vol. 5, Issue 21 (October 1985). Ne
Page 417 and 418: (USA). "'Book as Art' was a famous
Page 419 and 420: Vol. 10, Issue 46 (July/August 1989
Page 421: numerous Europeans. Serendipitous o
Page 425 and 426: Vol. 17, Issue 88 (July/August 1996
Page 427 and 428: and Angela Netmail, Germany). "Thei
Page 429 and 430: Schmidt (West Germany), Rolf Staeck
Page 431 and 432: No. 6 ([1989]). Photocopy and Mixed
Page 433 and 434: Cohen (USA), Fluxlist (Internet) an
Page 435 and 436: mail-art, news-letters, leaflets an
Page 437 and 438: drawings, paintings and so on as (w
Page 439 and 440: No. 61 (1995). Photocopy. 17"x11".
Page 441 and 442: Sick Roof: A Journal of Humorous, P
Page 443 and 444: was international, planetary art. n
Page 445 and 446: Slugfest, Ltd. Michael T. Nowak, Ed
Page 447 and 448: R. Fricker (Switzerland), Emilio Mo
Page 449 and 450: (August 1992). Photocopy. 11"x8 1/2
Page 451 and 452: No. 5 ([1990]. Offset. 11"x8 1/2".
Page 453 and 454: No. 7 ([1985]). Offset. 11 3/4"x8 1
Page 455 and 456: of a reasonable price. once this ha
Page 457 and 458: Espinosa (Mexico), Shozo Shimamoto
Page 459 and 460: called MAIL-ART like today, but the
Page 461 and 462: is Not Fine Art It's the Artist Who
Page 463 and 464: No. 2 (1989). Photocopy. 8 1/2"x5 1
Page 465 and 466: statements about mail art. Not only
Page 467 and 468: compute-file. Now I decided to prin
Page 469 and 470: Soppalco, Il (The Balcony): Home Ar
Page 471 and 472: Exhibition," by Ken Friedman. "'Int
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documented participation in 1,068 M
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No. 1 (1982). Mixed Media. (9 pages
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Musicmaster (USA), Donna Nassar (US
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Germany), John Jacobs (aka H.Y.P.E.
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Vol. 2, No. 3 (November 1982). News
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No. 12466 (1995). Photocopy and Rub
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No. 16568 (1997). Computer Print an
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Schizophreniatrics, Morealism, Sarc
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Germany), Salvatore de Rosa (Italy)
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Vol. 4, No. 42 (December 20, 1987).
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Subtle Journal of Raw Coinage, The.
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I am also looking forward to sharin
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No. 11 (nod.). Color and Black & Wh
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No. 1984.7 (1984). Photocopy. 11 3/
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communication could be the transfer
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ulletin. After that, the rubberstam
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No. 96-06 (June 1996). Computer Pri
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No. 6 (Fall 1996). Photocopy and Ru
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(July 11, 1992). Photocopy and Rubb
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No. 6 (June 1993). Photocopy and Mi
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Macadam (Argentina), Svjetlana Mimi
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(Uruguay), A. d. Eker (Holland), Ru
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Vol. 3, No. 3 (January 1983). Photo
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Vol. 2, No. 3 (Fall-Winter 1981). P
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Tourism Review. Hans Rudi Fricker,
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No. 38 (December 1993). Photocopy.
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No. 48 (January 1995). Photocopy. 8
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Dr. Surearts (USA), Dan Landrum (US
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TV. Terence McMahon, Editor. The Fa
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No. 9 (August-September). Newsprint
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Vol. 2, No. 6 (November 1979). Offs
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Vol. 5, No. 4 (September 1982). Off
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sense of direction. the occasion of
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stamp production services provided
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(Belgium), Shozo Shimamoto (Japan),
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Washington, D. C.; Mark Bloch (USA)
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(No. 23) (Winter 1996-1997). Offset
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own ad on the front or back cover t
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changing some time this year but I
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with Utopian leanings or concerns.
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Version 90. Alexandra Fisher, David
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Cosey Fanni Tutti (England), Opal L
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to the Editors," in which Ken Fried
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is so much bigger and looser now-th
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Menghi, Ivana Martínez Vollaró, N
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No. 2 ([1986]). Offset. 111/4"x8 1/
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"Ladies & Gentleman: I don't have t
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anarchists, so they don't act very
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Workarea Art Ambient. Ponte Romano,
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mind to new frontiers, when it does
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Xero-Post. Sheldon Polsky, Editor.
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No. 3 (September 29, 1989). Compute
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through, and their opinions about t
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letters, essays, commentaries, cart
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strike and then sit on their hands!
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No. 0 (December 31, 1992). Computer
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