Mail Art Periodicals - MoMA

works), or be gummed. But these definitions only tend to limit the field, in which
the history of this new medium is being written on al almost daily basis."
Camolawa-Pish. Carlos Montes de Oca, Editor. Santiago, Chile.
1990-1991.
(1990). Photocopy. 7 1/2"x5 1/4". (4 pages). Text and graphics by the
editor.
(1991). Photocopy with rubber stamp. 4"x5 1/4". Unpaged. Images
from the international Mail Art network. The 44 contributors include Dogfish
(USA), Guillermo Deisler (East Germany, formerly of Chile), José Oliveira
(Portugal), Ruud Janssen (Holland), Edgardo A. Vigo (Argentina), Shigeru
Tamaru (Japan), et al. Stamped 0042.
(1991). Photocopy with rubber stamp. 4"x5 1/4". Unpaged. Variant
copy of the above issue, with Mail Art project list enclosed. Stamped 0059.
Canadian Journal of Detournement. Dale Speirs. Editor. Society
for Economic Epistemology, Calgary, Canada. 1993-2001.
No. 1 (1993). Photocopy. 8 1/2"x5 1/2". (4 pages). Play on situationist
"detournement" of existing mass media imagery.
No. 3 (1993). Photocopy. 8 1/2"x5 1/2". (4 pages).
No. 4 (1994). Photocopy. 8 1/2"x5 1/2". (4 pages).
No. 5 (1995). Photocopy. 8 1/2"x5 1/2". (4 pages).
No. 6 (1995). Photocopy. 8 1/2"x5 1/2". (4 pages).
No. 7 (n.d.). Photocopy. 8 1/2"x5 1/2". (4 pages).
No. 9 (1996). Photocopy. 8 1/2"x5 1/2". (4 pages).
No. 10 (1996). Photocopy. 8 1/2"x5 1/2". (4 pages). "But does mail art
have to have a message?" "Mail art should be open to all!!" "Send me another
piece of junk and you'll swing."
No. 12 (1996). Photocopy. 8 1/2"x5 1/2". (4 pages).