Mail Art Periodicals - MoMA

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Aguiar (Portugal), Pedro Juan Gutierrez (Cuba), Joaquin Gómez (Spain), Lothar Trott (Switzerland), et al. No. 16 1/2" (January 1996). Photocopy. 8 1/4"x5 3/4". 28 pages. Special issue noting the first anniversary of the death of Ray Johnson (USA). reprint of selected correspondence from Ray Johnson to the editor. Contributions by Gerard Barbot (USA) and Keith Bates (England). Bibliography of biographical information on Ray Johnson. "Ray Johnson (1927-1995)," by Mark Bloch (USA). Information on multiple-use personality Luther Blissett. No. 17 (February 1996). Photocopy and Mixed Media. 8 1/4"x5 3/4". 24 pages. "Un Informe Admisistrativo Sobre el Arte Postal," by Guy Bleus (Belgium). Mail Art Publications. Mail art exhibition, project and publication opportunities. Insert: "Retrospectiva de Edgardo A. Vigo," at the Museo Municipal "Juan B. Castagnino." "Appunti Postali," by Vittorio Baccelli (Italy). Contributions by Ibirico (Spain), C. W. Poste (USA), Ruggero Maggi (Italy), Creative Thing (USA), et al. No. 18 (March/April 1996). Photocopy. 8 1/4"x5 3/4". 32 pages. Cover by Vittore Baroni (Italy). "V Bienal Internacional de Poesia Visual/Experimental 'Guillermo Deisler.'" Publications received. Interview with the musical group, "Le Forbici di Manitú," conducted by Vittore Baroni with Luther Blissett. Reprint of "Bibliozine" No. 43 (Robert Watts: The Complete Postage Stamp Sheets (1961-1988), edited by John held, Jr. (USA). "Notas en Torno a la Poesia," by Rosana Popelka (Spain). The Stamp Art Gallery, San Francisco, California. Contributions by Bill Gaglione (USA), Spencer Shelby (USA), Michel Hosszú (France), Paulo Bruscky (Brazil), Clemente Padin, et al. Mail Art exhibition, project and publication opportunities. No. 19 (April/May 1996). Photocopy and Artistamps.. 8 1/4"x5 3/4". 32 pages. "Exposición Internacional de Mail Art en Habana." "Le Democracia Absoluta," by Pedro Juan Gutiérrez (Cuba). "Exposicion de Sellos De Artista: Del Archivo de Merz Mail en Barcelona." Article of artistamps, "Pequeño es Bello," by Vittore Baroni (Italy). Publications received. "De Te Fabula Narratur: 'Luther Blissett' es un Nobre Multiplo." "In Memoriam: Guillermo Deisler," by Clemente Padin (Uruguay). "Convocatoria de Mail-Art: Matriz Grupal," by Montse Fornós (Spain). Mail Art exhibition, project and publication opportunities. Contributions by Gerard Barbot (USA), Giulana Milone (Italy), Cesar Figueiredo (Portugal), Arky of Toast (USA), J. Seafree (Spain), et al. No. 20 (May/June 1996). Photocopy. 8 1/4"x5 3/4". 32 pages. "Criterios para Una Poesia Virtual," by Ladislao Pablo Györi (Argentina). "III Encuentro de Editores Independientes 1996." Publications received. Mail Art exhibition, project and publication opportunities. "The EMMA Emailart Directory." Fragment of "Bibliozine," No. 46. Contributions by Guillermo Deisler (Chile), Vittore Baroni (Italy), José Anta (Spain), et al.
No. 21 (July 1996). Photocopy. 8 1/4"x5 3/4". 28 pages. Publications received. Mail Art exhibition, project and publication opportunities. Luther Blissett. Meeting of Independent Mail Art Editors, including Spanish Mail Artists Antonio Gomez, Antonio Orihuela, Jesus Luis Navarro, Ibirico and the editor. "CD-ROM Information/The Artistamp Collection," by Guy Bleus (Belgium). "Dead Mail-Artists," by Ruud Janssen (Holland). No. 21 1/2 (July 1996). Photocopy. 8 1/4"x5 3/4". 28 pages. "Networker Telenetlink," by Crackerjack Kid (USA), Publications received. Luther Blissett. Mail Art exhibition, project and publication opportunities. Contributions by Igor Bärtelech (Yugoslavia), Pedro Juan Gutierrez (Cuba), Antonio Orihuela (Switzerland), Gerard Barbot (USA), Rene Montes (Mexico), Nenad Bogdanovic (Yugoslavia), et al. No. 22 (August/September 1996). Photocopy. 8 1/4"x5 3/4". 28 pages. Editorial: 2000-2001 Artstike." Publications received. "List of Experimental Poetry/Art Magazines, by Spencer Shelby (USA). Mail Art exhibition, project and publication opportunities. Index of articles in "P. O. Box" nos. 1-21. "Congreso Mediterráneo," by Ruggero Maggi (Italy). List of Mail Art and Visual Poetry magazines in the Archive Merz Mail (94 magazine listed). Contributions by Theo Breuer (Germany), Eberhard Janke (Germany), Kazunori Murakai (Japan), René Montes (Mexico). Jean François Robic (France), et al. No. 23 (September/October 1996). Photocopy and Mixed Media. 8 1/4"x5 3/4". 24 pages. "Del Lenguage Visual al Libro-Objecto," by Antonio Gómez. "2000-2001 Heulga de Arte," by Luther Blissett, karen eliot and Monty Cantsin. Mail Art exhibition, project and publication opportunities. Inserted reprint of "Ephemera," No. 4 (1978), edited by Ulises Carrión (Holland). "Clemente Padin/Aga-Rossi Mail Art/Inismo," by Antonio Orihulea (Spain). "Manual Practico para Organizar una Exposicion de Mail Art." by the editor. Contributions by Jacinto Garcia (Spain), Jean-François Robic (France), Luis Navarro (Spain), et al. No. 24 (October/November 1996). Photocopy and Rubber Stamps. 8 1/4"x5 3/4". 28 pages. "Vigencia de la Huelga de Arte," by Clemente Padin (Uruguay). Art Strike, 1990-1993. Publications received. Reprint of "Bibliozine," no. 51 (Two Spanish Mail Art Zines). "La Obra de Arte en la Epoca de su Reproductibilidad Electronica," by Luis Navarro (Spain). Mail Art exhibition, project and publication opportunities. Contributions by Pedro Juan Gutierrez (Cuba), Harry Burras (USA), J. Seafree (Spain), et al. Insert by Lothar Trott (Switzerland). No. 25 (December 1996/January 1997). Photocopy and Rubber Stamp. 8 1/4"x5 3/4". 36 pages. Editorial. Publications received. Mail Art
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Mail Art Periodicals: An Annotated
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is a harbinger of the future tenden
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Alice's Zine of Dreams. Alice Borea
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No. 17 (March 1998). Photocopy. 8 1
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Anti-Isolation. Miekal And and Liz
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No. 6 (October 1994). Photocopy. 8
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displaying one-f-a-kind books, but
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Art Brigade. Ben Davis, Editor. Ama
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Vol. 2, No. 2/3 (1977). Newsprint.
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(October 19, 1980). Photocopy. 8 1/
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No. 11 (August 1980). Photocopy wit
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No. 34 (October 1982). Photocopy an
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No. 59 (January/June 1989). Photoco
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Artist Call. Michael Schwartz, Edit
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Congress. Michael Hernandez de Luna
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connected with others across the co
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Atalaya. Christer Brunström, Edito
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No. 22 (March 10, 1978?). Offset. 1
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No. 59 (October 20, 1983). Offset.
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project and exhibition notices. "Wh
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No. 98 (February 10, 1989). Photoco
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No. 116 (July 24, 1992). Offset. 23
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No. 141 (January 31, 1997). Offset.
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April 10, 1987. Mixed media. 6 1/2"
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No. 9 (June 1973). Photocopy. 14"x8
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comprehensive catalog and album of
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Bibliography." This issue: "Artist
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No. 26 (November 1994). Photocopy.
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Birdada. Bird (aka Chis Burnett), E
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people who make gather this kind of
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Vol. 1, No. 2 (1986). Photocopy. 8
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network are at all alike. Neuron in
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No. 63 (June 22, 1987). Gocco Print
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No. 114 (December 30, 1988). Gocco
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No. 203 (January 27, 1991). Gocco P
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No. 281 (July 20, 1993). Gocco Prin
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No. 350 (November 20, 1995). Gocco
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No. 511 (September 10, 2001). Gocco
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Cage: Anti-Embargo Magazine. Alexan
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No. 14 (1996). Photocopy. 8 1/2"x5
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No. 6 (February 1991). Photocopy. 1
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No. 116 (February 1990). Offset. 5
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No. 9 (February 20, 1989). Mixed Me
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R. Fricker (Switzerland). "Postal-A
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(n.d.). Photocopy. 8 1/4"x5 3/4". (
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Vol. 1 (June 1999). Photocopy. 8 1/
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participants. "Each contributor, or
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Vol. 1, No. 5 (September 1989). Pho
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(September 1992). Photocopy. 8 1/2"
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CVS (Copyright Violation Squad) Bul
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(May 22, 1995). Photocopy with Rubb
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(January 1987). Photocopy, Rubber S
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Contributors Issue (Summer 1988). P
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No. 45 (February 1983). Offset. 8 1
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(USA), Bugpost (USA), Mike Dyar (US
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No. 030 (November 19, 1989). Photoc
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(Poland), Géza Perneczky (Germany)
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No. 14 (March 1982). Photocopy. 5 1
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No. 2 (March 1986). Newsprint. 16 1
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No. 1 (April 1989). Offset. 8 1/2"x
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11x30: A Publication of the Toledo
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Eraser Carver's Quarterly. Mick Mat
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No. 0 (1999). Offset. 8 1/4"x4". 53
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Decentralized Networker Congress Po
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No. 32 (October 1989). Newsprint. 1
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No. 54 (December 1994). Newsprint.
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No. 21 (July/August 1994). Photocop
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TV Issue (April 1982). Newsprint. 9
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Bride./It too has piquant personali
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Fluxus Bucks. Ex-Posto-Facto (Julie
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No. 4 ([1985]). Photocopy. 5 1/2"x4
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E. M. Plunkett (USA), Carol Law (US
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Vol. 1, No. 2 (Full Moon in May 199
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events." Websites section added. "L
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No. 1 (March 1990). Photocopy. 8 1/
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It is a collection of original work
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Issue a (1971). Offset and Mixed Me
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No. 4 (Summer 1997). Photocopy. 11"
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Humboldt Da-Jest, The. Indian Ralph
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No. 6 (August 1990). Photocopy. 11"
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(March 1992). Photocopy and Rubber
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Inquirer: A Folio of Art and Ideas.
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No. 52 (1991). Offset. 13 1/2"x8 3/
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No. 74 (1999). Offset. 13 1/2"x8 3/
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No. 6 (1993). Photocopy. 11"x8 1/2"
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(USA), Minoy (USA), Tyler Hoare (US
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Vol. 16, No. 2 (December 1997). Pho
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No. 1 (May 2000). Photocopy and Mix
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KFR-(Kentucky Fried Royalty) Indiba
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Kryptogame. Hanna Bremer and Jack M
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No. 3 (1981). Photocopy. 11"x8 1/2"
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Nouvelle Série, No. 6 (April 1988)
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No. 3 (December 1989). Photocopy. 8
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No. 7 ([1985]). Mixed media. 11 3/4
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György Galantai (Hungary), David J
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in news section include Pips (Germa
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Pat Tavenner (USA), Musicmaster (US
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No. 18 (Winter 1986/1987). Offset a
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No. 7 (February 1994). Photocopy. 1
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Live from the Stagger Cafe. Luke Mc
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"Seventh Stranger's Exhibition in O
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No. 7 (1994). Photocopy. 11 3/4"x8
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Love Letters. Sheba, Editor. Exotic
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Mail Art exhibition, "No Nukes in M
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No. 14 (n.d.). Photocopy. 5 1/2"x3
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TAM Publication 950076 (1995). Phot
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of, "The Light of the He-Art," from
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TAM Publication 960147 (March 1997)
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(Belgium) conducted by Ruud Janssen
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No. 109 (February 12, 1991). Photoc
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No. 22-24 (1989). Photocopy and Mix
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No. 25 (April, 14, 1986). Photocopy
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No. 0 (June 1981). Photocopy and Mi
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No. 58 (August 1992). Photocopy and
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No. 80 (October 1994). Photocopy an
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No. 93 (February 1996). Photocopy a
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(Italy), buZ blurr (USA), Guy Bleus
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Kid (USA), Eberhard Janke (Germany)
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No. 132 (January 2001). Photocopy a
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Musicmaster (USA), Mark Bloch (USA)
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submissions will be clear and conci
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Banquet (The Beasts at the Feast)."
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No. 7 ([1989]). Offset. 9 1/2"x8 1/
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including Géza Perneczky (Germany)
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(May 4 thru 10, 1988). Photocopy. 8
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(Germany). "Dreamtime Village" even
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Vol. 9, No. 2/3 (March/April 1996).
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RUBBER STAMP ALBUM and had been ord
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Vol. 2, No. 2 (January 1984). Offse
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Vol. 8, No. 4 (Summer 1990). Offset
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that is wide in its acceptance of m
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is the need for mail-Art shows. At
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listings compiled by Honoria (USA).
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No. 1 (July 1993). Photocopy. 16 1/
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Netshaker. Crackerjack Kid (aka Chu
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Vol. 1, No. 3 (August 16, 1994). Co
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Hamann (West Germany), Graciela Mar
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display and disseminate the product
Page 277 and 278: Gerlovans (USA). Carlo Pittore (USA
Page 279 and 280: do some research about what the oth
Page 281 and 282: TAM-970158 (January 1997). Photocop
Page 283 and 284: (October 1993). Photocopy. 8 1/2"x5
Page 285 and 286: Tisma (Yugoslavia), Toward the New
Page 287 and 288: Breeder" we say goodbye to Stu Horn
Page 289 and 290: O. Ghislain Belmans, Johan Sanctoru
Page 291 and 292: Occasional, Tuesday-Art News. Georg
Page 293 and 294: Vol. 27, No. 3 (Issue 37) (Summer 1
Page 295 and 296: Todorovic (Yugoslavia); Shozo Shima
Page 297 and 298: No. 24 ([1987]). Photocopy. 8 1/4"x
Page 299 and 300: (USA), Shozo Shimamoto (Japan), Ryo
Page 301 and 302: Ruth and Marvin Sackner (USA), Seie
Page 303 and 304: Strada (Italy), Peter W. Kaufmann (
Page 305 and 306: No. 72 (1992). Photocopy. 8 1/4"x5
Page 307 and 308: very dear guest here last days of O
Page 309 and 310: No. 93 (1997). Photocopy. 8 1/4"x5
Page 311 and 312: years!...then Austro-Ungarian (empi
Page 313 and 314: about extraordinary TIME of CHANGE
Page 315 and 316: Network: A Mail Art Anthology." "I
Page 317 and 318: No. 38.2 (May 1998). Photocopy. 8 1
Page 319 and 320: No. 44.1B (January 2000). Photocopy
Page 321 and 322: "Shadowland and Rubberwork," by Don
Page 323 and 324: force things. Zen, y'know. & beside
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Page 327: No. 12 1/2 (September 1995). Photoc
Page 331 and 332: No. 29 (May/June 1997). Photocopy.
Page 333 and 334: No. 6 ([1984]). Photocopy. 8 1/2"x5
Page 335 and 336: No. 21 (November 14, 1987). Photoco
Page 337 and 338: Parallelogramme. Tanya Mars, Editor
Page 339 and 340: Pelo+Pelo-. Emilio Morandi, Editor.
Page 341 and 342: "'PhotoStatic Magazine' is a bimont
Page 343 and 344: No. 20 (October 1986). Photocopy. 8
Page 345 and 346: others doing the same thing. It's c
Page 347 and 348: and continuing mail Art. "Mail Revi
Page 349 and 350: No. 40 (December 1989). Photocopy.
Page 351 and 352: correspondence. After writing close
Page 353 and 354: and political awareness (and a cook
Page 355 and 356: PMTTD's Standard Catalogue Update.
Page 357 and 358: Vol. 1, No. 2 (July 1993). Photocop
Page 359 and 360: No. 1-A (January 1992). Photocopy a
Page 361 and 362: Hora") text from Montevideo, Urugua
Page 363 and 364: (October 1995). Color Photocopy. 8
Page 365 and 366: Princess Debbie (USA), John Held, J
Page 367 and 368: No. 17 (June 1991). Photocopy. 5 3/
Page 369 and 370: No. 33 (September-October 1994). Ph
Page 371 and 372: No. 5 (April [1995]). Photocopy and
Page 373 and 374: No. 19 (August 1996). Photocopy. 8
Page 375 and 376: proud history of pranks, games, fal
Page 377 and 378: No. 16 ([July] 1987). Photocopy. 11
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Germany), Louise Krasniewicz (USA),
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No. 13 (September 1998). Photocopy,
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Joel Rossman, Bill Gaglione, Carlo
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Joyce Glasner (Canada), Luc Fierens
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Ram Art Review. L. Zjawin Francke,
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"SPECIAL DOUBLE ISSUE! Music Mail A
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participants of the Congress includ
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profiteering..." Letters from Rudi
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No. 1 (Winter Solstice 1994). Offse
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overnight in the underground channe
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No. 4 (December 1991). Photocopy. 3
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No. 0," by Florian Cramer (Germany)
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designs on rollers, postage cancell
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Vol. 2, No. 7 (July 1979). Offset a
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so if you haven't had a go yet then
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Vol. 4, No. 1 (November 1988). Phot
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Issue 0 (February 1989). Color Offs
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Vol. 2, Issue 8 (June 1982). Newspr
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Vol. 5, Issue 21 (October 1985). Ne
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(USA). "'Book as Art' was a famous
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Vol. 10, Issue 46 (July/August 1989
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numerous Europeans. Serendipitous o
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Vol. 15, Issue 75 (May/June 1994).
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Vol. 17, Issue 88 (July/August 1996
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and Angela Netmail, Germany). "Thei
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Schmidt (West Germany), Rolf Staeck
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No. 6 ([1989]). Photocopy and Mixed
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Cohen (USA), Fluxlist (Internet) an
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mail-art, news-letters, leaflets an
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drawings, paintings and so on as (w
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No. 61 (1995). Photocopy. 17"x11".
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Sick Roof: A Journal of Humorous, P
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was international, planetary art. n
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Slugfest, Ltd. Michael T. Nowak, Ed
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R. Fricker (Switzerland), Emilio Mo
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(August 1992). Photocopy. 11"x8 1/2
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No. 5 ([1990]. Offset. 11"x8 1/2".
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No. 7 ([1985]). Offset. 11 3/4"x8 1
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of a reasonable price. once this ha
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Espinosa (Mexico), Shozo Shimamoto
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called MAIL-ART like today, but the
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is Not Fine Art It's the Artist Who
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No. 2 (1989). Photocopy. 8 1/2"x5 1
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statements about mail art. Not only
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compute-file. Now I decided to prin
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Soppalco, Il (The Balcony): Home Ar
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Exhibition," by Ken Friedman. "'Int
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documented participation in 1,068 M
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No. 1 (1982). Mixed Media. (9 pages
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Musicmaster (USA), Donna Nassar (US
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Germany), John Jacobs (aka H.Y.P.E.
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Vol. 2, No. 3 (November 1982). News
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No. 12466 (1995). Photocopy and Rub
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No. 16568 (1997). Computer Print an
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Schizophreniatrics, Morealism, Sarc
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Germany), Salvatore de Rosa (Italy)
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Vol. 4, No. 42 (December 20, 1987).
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Subtle Journal of Raw Coinage, The.
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I am also looking forward to sharin
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No. 11 (nod.). Color and Black & Wh
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No. 1984.7 (1984). Photocopy. 11 3/
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communication could be the transfer
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ulletin. After that, the rubberstam
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No. 96-06 (June 1996). Computer Pri
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No. 6 (Fall 1996). Photocopy and Ru
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(July 11, 1992). Photocopy and Rubb
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No. 6 (June 1993). Photocopy and Mi
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Macadam (Argentina), Svjetlana Mimi
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(Uruguay), A. d. Eker (Holland), Ru
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Vol. 3, No. 3 (January 1983). Photo
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Vol. 2, No. 3 (Fall-Winter 1981). P
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Tourism Review. Hans Rudi Fricker,
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No. 38 (December 1993). Photocopy.
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No. 48 (January 1995). Photocopy. 8
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Dr. Surearts (USA), Dan Landrum (US
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TV. Terence McMahon, Editor. The Fa
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No. 9 (August-September). Newsprint
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Vol. 2, No. 6 (November 1979). Offs
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Vol. 5, No. 4 (September 1982). Off
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sense of direction. the occasion of
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stamp production services provided
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(Belgium), Shozo Shimamoto (Japan),
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Washington, D. C.; Mark Bloch (USA)
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(No. 23) (Winter 1996-1997). Offset
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own ad on the front or back cover t
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changing some time this year but I
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with Utopian leanings or concerns.
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Version 90. Alexandra Fisher, David
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Cosey Fanni Tutti (England), Opal L
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to the Editors," in which Ken Fried
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is so much bigger and looser now-th
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Menghi, Ivana Martínez Vollaró, N
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No. 2 ([1986]). Offset. 111/4"x8 1/
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"Ladies & Gentleman: I don't have t
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anarchists, so they don't act very
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Workarea Art Ambient. Ponte Romano,
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mind to new frontiers, when it does
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Xero-Post. Sheldon Polsky, Editor.
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No. 3 (September 29, 1989). Compute
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through, and their opinions about t
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letters, essays, commentaries, cart
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strike and then sit on their hands!
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No. 0 (December 31, 1992). Computer
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