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Mail Art Periodicals - MoMA

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Vol. 2, Nos. 1&2 (April/May 1973). Offset and Newsprint. 14"x10<br />

1/2" (oversize). 64 pages. "Performance," "Books," and "Magazines," and<br />

"Films" reviewed. "Letters" includes correspondence from Ray Johnson (USA),<br />

Robert Cumming (USA), David Gilhooly (USA), et al. "Pablum for the Pablum<br />

Eaters," by Image Bank (Canada), a collage photo-documentation with brief text,<br />

includes, "Making art art made art art and so we made art without producing an<br />

object and said there we have made art art and we had. That was called the dematerialization<br />

of art and that was when the whole shithouse blew up." "Top Ten:<br />

Where are They Now," includes notices of the whereabouts for Mr. Peanut<br />

(Canada), Granada Gazelle (Canada), Dr. Brute (Canada), Flakey Rose Hips<br />

(Canada), John "Bum Bank Dowd (USA), et al. "<strong>Art</strong>i-Facts: Merger is in the Air-<br />

The Mysterious East and The Western Front," discusses Western Front,<br />

Vancouver, and A Space, Toronto. "Travel" mentions the visit of Mr. Peanut to<br />

San Francisco to meet <strong>Art</strong>hur Craven (aka Charles Chickadel, USA), Dada<br />

Processing (aka Tim Mancusi, USA), Dadaland (aka Bill Gaglione, USA), et al.<br />

"Media: It's a Very Touchy Subject," examines notices of the emerging <strong>Mail</strong> <strong>Art</strong><br />

scene in various media outlets. "It's a very touchy subject when the corres-<br />

Spongers decide to go to press. Lately it's been very hit and run as familiar<br />

names and traces surface in the media. FILE has made the decision to go<br />

general public and the Gold diggers have been burning the candles at both ends<br />

long into the night forming strategies to deal with the media junkies. it's collage or<br />

perish and the regular media channels are a whole new ground to plant your foot<br />

in your mouth in. So let's pick up the papers and see what's been knews<br />

worthy...Marred Surfacing of the Year award goes to David Zackenstein...for his<br />

'Phenomenon of <strong>Mail</strong> <strong>Art</strong>' article in the February issue of '<strong>Art</strong> in America'. There<br />

was much chatter on the mail scene when this one hit the fans...Marcel Idea sent<br />

a letter of explanation to editor Brian O'Doherty and Dave Zack; and Ray<br />

Johnson was wondering why he was chosen 'the meanest man in town'..." More<br />

gossip in "Pass it On," with mentions of E. M. Plunkett (USA), Dana Atchley<br />

(USA), Ray Johnson (USA), Bay Area Dadaists (USA), Ken Friedman (USA),<br />

Image Bank (USA), Milan Knizak (Czechoslovakia), Jorge Glusber(g)<br />

(Argentina), Western Dakota Junk Company (USA), et al. "Greg Curneo: A FILE<br />

Interview." "Image Bank Image Request List." FILE "<strong>Art</strong>ists' Directory."<br />

Contributions by COUM (aka Genesis P-Orridge, England), Michael Scott<br />

(England), Tim Mancusi, Hoo Hoo Archives (aka buZ blurr, USA), Ray Johnson,<br />

E. M. Plunkett, <strong>Art</strong>hur Craven (aka Charles Chickadel), Readers Da-Jest (aka<br />

Perry Mancusi, USA), et al.<br />

Vol. 2, No. 4 (December 1973). Offset and Newsprint. 14 1/4"x10<br />

3/4" (oversize). 48 pages. "The Network is an Eternal flutter!/Cooing<br />

correspondents in engaging stances./Agog aver spilt mail:/Sugardada shuts his<br />

trap/With Ad Reinhardt's adhesive tape./Waiting reporters/Sniff out the stench of<br />

image futures./The Wild boys hide in the foyer./The Bride pauses before her<br />

mirror,/Adjusting reflections of '84./And the seven grooms, poor<br />

chaps,/Unwittingly sitting/On their best men's best foot forward,/Enjoy a quiet<br />

pause/With General Idea's FILE Megazine./Our Megazine reminds them of the

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