Mail Art Periodicals - MoMA

No. 10 ([1995]). Photocopy. 11"x8 1/2". 12 pages. "Final Issue." "When,
a few years back, it was decided to begin reviewing material sent here in the
mails, by you, the reader (and often publisher)-there was no glitz, no fancy
pictures, no mailart, not even a distorted photo of two, just for decoration.
Instead, it was 'just the words, ma'am, just the words'-and that was what you
got...for now, though, it's time to move along, and to concentrate more on other
things."
LPDA Magazine. Frederic Boucher, Editor. Paris, France. 1986.
No. 86 (May 1986). Photocopy. 8 1/4"x5 3/4". 31 pages. Publication
reviews including "Devil-Paradis," "Mani Art," "Photostatic," "Raunch-O-Rama,"
etc. Contributions by Pierre Marquer (France), et al. Notice for "Mail Art
Congress" at De Media, Eeklo, Belgium.
Lunatique. Jan de Boever, Editor. Lunatique, Eeklo, Belgium.
1983.
No. 6 (1983). Newsprint. 12"x8 1/2". 12 pages. Listing of Mail Art
exhibitions at Lunatique including Cavellini (Italy), Jürgen Olbrich (Germany), Ko
De Jong (Holland), Ruggero Maggi (Italy). Publication and exhibition
opportunities. Centerfold by Ruggero Maggi composed of Mail Art portraits.
"Extra Edition," no. 6a enclosed. "A magazine is a museum of news."
Lund Art Press. Jean Sellem, Editor. School of Architecture,
University of Lund, Lund, Sweden. 1990.
Vol. 1, No. 3 (Spring/Summer 1990). Offset. 8 1/4"x5 3/4". 225
pages. "Contributions by Albrecht/D. (Germany), Michael Duquette (Canada).
Vol. 1, No. 4 (Summer/Autumn 1990). Offset. 8 1/4"x5 3/4". 331
pages. "L'Art Critique de L'Environnement," by Bernd Löbach (Germany),
"Three- Element Stories," by Richard Kostelanetz (USA). "On Fluxus," an
interview with Ken Friedman (Norway). Contributions by Luc Fierens, editor of
"Postfluxbooklets" (Belgium), Dobrica Kamperelic, editor of "Open World"
(Yugoslavia), Ph. Billé, editor of "Lettre Documentaire" (France).
Lyrische Collagen/Lyrical Collages. Peter Küstermann, Editor.
Writers Forum, Minden, Germany. 1982-1985.
No. 3 (1982). Photocopy. 8 1/4"x5 3/4". 21 pages. "A Visit to Britain
1982." The editor became the most traveled "tourist" in the Mail Art network, but
this early work reveals his initial contact with the medium. Invitation to a postcard