Mail Art Periodicals - MoMA

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(USA), et al. Mail Art exhibition, project and publication opportunities. Edition 46/150. Vol. 2, No. 5 (November 1983). Color and Black & White Photocopy and Rubber Stamps. 8 1/2"x5 1/2". (24 pages). "This issue of PostHype is the catalogue to my mail art project, 'The Catalogue of Ideas'. In total eighty five artists from twenty six nations participated in the project." contributions by Guillermo Deisler (East Germany), Lon Spiegelman (USA), Carlos Zerpa (Venezuela), John M. Bennett (USA), Michael Leigh (England), Ko De Jonge (Holland), David Zack (Mexico), Richard Kostelanetz (USA), Leavenworth Jackson (USA), Paulo Bruscky (Brazil), Kum Nam Baik (South Korea), Ruggero Maggi (Italy), Al Ackerman (USA), et al. Vol. 3, No. 1 (July 1984). Photocopy. 11"x8 1/2". 53 pages. "This issue contains a large amount of material dealing with the Mail Art panels that took place here in New York late last February, and with the Franklin Furnace exhibition, 'Mail Art, Then and Now', curated by Dr. Ronnie Cohen. My intentions in waiting this long to publish the material are twofold. First, I have desired to give the material an opportunity to cool down. Much has been written of the Franklin Furnace Show, of Dr. Cohen and of the behavior of the panel which removed her as moderator, all of it heated, some of it careless and distasteful. It is my personal belief that what is revealed in this material goes far beyond the persistent demands by mail artists of what mail art should and must be...My second reason for waiting so long to publish this material is that I had hoped to present it as something of an alternative to the Franklin Furnace exhibition catalogue. While that catalogue is certainly lavish, and contains many of the 'great names' of mail art, it is, I think, hardly representative of the state of mail art today." "Mail Art: A Bridge to the World," by Judith A. Hoffberg (USA). "Open Letter," by Géza Perneczky (West Germany). ""Mail Art as an Alternative?," by Géza Perneczky. "Mail Art or the Eternal Network?," by Vittore Baroni (Italy), "Anna Banana Speaks! New York, 1984." "Artists Talk on Art: Mail Art Panel One, "The Global Network,'" a transcription of a discussion between Robert Morgan (USA), Mark Bloch (USA), Ed Higgins (USA), Carlo Pittore (USA), Steve Random (USA), Louise Neaderland (USA), Ken Friedman (USA), Dr. Ronny Cohen (USA),Dick Higgins (USA), Richard Kostelanetz (USA), H. R. Fricker (Switzerland), Paul Zelevansky (USA), Ed Plunkett (USA), et al. "Artists Talk on Art: Mail Art Panel Two, 'The New Cultural Strategy,'" a transcription of the discussion between Crackerjack Kid (USA), Dr. Ronnie Cohen (USA), John Held, Jr. (USA), E. F. Higgins (USA), John P. Jacob (USA), Carlo Pittore (USA), Ken Friedman (USA), Mark Bloch (USA), Paul Zelevansky (USA), David Cole (USA), John Evans (USA), Marilyn Rosenberg (USA), Dislokate Klammer (USA), et al. "Mail Art Earstory," by Vittore Baroni (Italy). Additional contributions by Ray Johnson (USA), David Zack (Mexico), Robin Crozier (England), et al. Insert, "Letter," by the editor. Edition 187/300. Post Kunst. Lothar Trott, Editor. Zürich, Switzerland. 1995-1996.
(October 1995). Color Photocopy. 8 1/4"x5 3/4". 25 pages. Color photocopy of artistamps produced by the editor, collaged with magazine graphics. ([1996]). Photocopy with Rubber Stamps and Artistamps. 11 3/4"x8 1/4". (12 pages). Artistamps by the editor. Contributions by John Held, Jr. (USA), and Dan Landrum (USA). Poster: Official Publication of the Local Post Collectors Society, The. Joseph J. Frasketi, Editor. Fort Myers, Florida. 1984-1985. Vol. 12, No. 2 (March/April 1984). Photocopy, 11"x8 1/2". (pages numbered 9-18). A philatelic newsletter focusing on "local posts," postage stamps designed by philatelists. "Special Announcement," focuses on the activities of "LPCS Member Chuck Welch, well known in international mail-art circles who creates local post 'Artistamps' using his own handmade paper and exacting watercolor etchings to salute local events (some real, some fabled)..." Vol. 12, No. 4 (July/August 1984). Photocopy. 11"x8 1/2". (pages numbered 25-42). Cover article, "Crackerjack Local Post," by Chuck Welch (USA) . "Crackerjack Local post gets it's unusual title from my Mail Art pseudonym, Crackerjack Kid. Mail Art is the exchange of artwork (i.e., decorated cards, letter, artistamps, etc.) by way of international postal systems. this international 'art movement' involves creative people of varied disciplines all of whom communicate through a 'free exchange' of art and ideas. There are Mail Artists, like myself, who 'specialize' in creating unusual postage stamps. These artists, for the most part, are not tried and true philatelists. Largely, they are artists who love to mail unusual and imaginative images." Vol. 13, No. 4 (July/August 1985). Photocopy. 11"x8 1/2". (pages numbered 33-40). "Mail Art Artist Chuck Welch (also known as the Cracker Jack Kid) with a Post by that name & many others, had requested designs of Peace Stamps from other Mail Art Artists which were to be distributed at Peace Park in Hiroshima, Aug. 6 to commemorate those who lost their lives in the atomic bombing of that city. Chuck is also extending this offer to all LPCS members to design Peace Stamps & our efforts will be included in the video tape 'Remember Hiroshima: Stamps for Peace' documentation..." Vol. 13, No. 5. (September/October 1985). Photocopy. 11"x8 1/2". (pages numbered 41-54). "Crackerjack Navel Academy." "Shown on this page & the following page are examples of stampwork designs sent in by mail artists plus instructions for joining in the fun of becoming an honorary subject of the Umbilical Dominion by sending in a cast of your belly button!"
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Mail Art Periodicals: An Annotated
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is a harbinger of the future tenden
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Alice's Zine of Dreams. Alice Borea
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No. 17 (March 1998). Photocopy. 8 1
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Anti-Isolation. Miekal And and Liz
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No. 6 (October 1994). Photocopy. 8
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displaying one-f-a-kind books, but
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Art Brigade. Ben Davis, Editor. Ama
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Vol. 2, No. 2/3 (1977). Newsprint.
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(October 19, 1980). Photocopy. 8 1/
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No. 11 (August 1980). Photocopy wit
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No. 34 (October 1982). Photocopy an
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No. 59 (January/June 1989). Photoco
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Artist Call. Michael Schwartz, Edit
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Congress. Michael Hernandez de Luna
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connected with others across the co
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Atalaya. Christer Brunström, Edito
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No. 22 (March 10, 1978?). Offset. 1
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No. 59 (October 20, 1983). Offset.
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project and exhibition notices. "Wh
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No. 98 (February 10, 1989). Photoco
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No. 116 (July 24, 1992). Offset. 23
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No. 141 (January 31, 1997). Offset.
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April 10, 1987. Mixed media. 6 1/2"
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No. 9 (June 1973). Photocopy. 14"x8
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comprehensive catalog and album of
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Bibliography." This issue: "Artist
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No. 26 (November 1994). Photocopy.
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Birdada. Bird (aka Chis Burnett), E
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people who make gather this kind of
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Vol. 1, No. 2 (1986). Photocopy. 8
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network are at all alike. Neuron in
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No. 63 (June 22, 1987). Gocco Print
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No. 114 (December 30, 1988). Gocco
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No. 203 (January 27, 1991). Gocco P
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No. 281 (July 20, 1993). Gocco Prin
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No. 350 (November 20, 1995). Gocco
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No. 511 (September 10, 2001). Gocco
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Cage: Anti-Embargo Magazine. Alexan
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No. 14 (1996). Photocopy. 8 1/2"x5
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No. 6 (February 1991). Photocopy. 1
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No. 116 (February 1990). Offset. 5
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No. 9 (February 20, 1989). Mixed Me
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R. Fricker (Switzerland). "Postal-A
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(n.d.). Photocopy. 8 1/4"x5 3/4". (
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Vol. 1 (June 1999). Photocopy. 8 1/
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participants. "Each contributor, or
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Vol. 1, No. 5 (September 1989). Pho
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(September 1992). Photocopy. 8 1/2"
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CVS (Copyright Violation Squad) Bul
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(May 22, 1995). Photocopy with Rubb
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(January 1987). Photocopy, Rubber S
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Contributors Issue (Summer 1988). P
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No. 45 (February 1983). Offset. 8 1
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(USA), Bugpost (USA), Mike Dyar (US
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No. 030 (November 19, 1989). Photoc
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(Poland), Géza Perneczky (Germany)
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No. 14 (March 1982). Photocopy. 5 1
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No. 2 (March 1986). Newsprint. 16 1
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No. 1 (April 1989). Offset. 8 1/2"x
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11x30: A Publication of the Toledo
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Eraser Carver's Quarterly. Mick Mat
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No. 0 (1999). Offset. 8 1/4"x4". 53
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Decentralized Networker Congress Po
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No. 32 (October 1989). Newsprint. 1
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No. 54 (December 1994). Newsprint.
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No. 21 (July/August 1994). Photocop
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TV Issue (April 1982). Newsprint. 9
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Bride./It too has piquant personali
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Fluxus Bucks. Ex-Posto-Facto (Julie
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No. 4 ([1985]). Photocopy. 5 1/2"x4
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E. M. Plunkett (USA), Carol Law (US
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Vol. 1, No. 2 (Full Moon in May 199
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events." Websites section added. "L
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No. 1 (March 1990). Photocopy. 8 1/
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It is a collection of original work
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Issue a (1971). Offset and Mixed Me
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No. 4 (Summer 1997). Photocopy. 11"
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Humboldt Da-Jest, The. Indian Ralph
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No. 6 (August 1990). Photocopy. 11"
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(March 1992). Photocopy and Rubber
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Inquirer: A Folio of Art and Ideas.
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No. 52 (1991). Offset. 13 1/2"x8 3/
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No. 74 (1999). Offset. 13 1/2"x8 3/
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No. 6 (1993). Photocopy. 11"x8 1/2"
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(USA), Minoy (USA), Tyler Hoare (US
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Vol. 16, No. 2 (December 1997). Pho
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No. 1 (May 2000). Photocopy and Mix
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KFR-(Kentucky Fried Royalty) Indiba
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Kryptogame. Hanna Bremer and Jack M
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No. 3 (1981). Photocopy. 11"x8 1/2"
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Nouvelle Série, No. 6 (April 1988)
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No. 3 (December 1989). Photocopy. 8
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No. 7 ([1985]). Mixed media. 11 3/4
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György Galantai (Hungary), David J
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in news section include Pips (Germa
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Pat Tavenner (USA), Musicmaster (US
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No. 18 (Winter 1986/1987). Offset a
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No. 7 (February 1994). Photocopy. 1
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Live from the Stagger Cafe. Luke Mc
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"Seventh Stranger's Exhibition in O
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No. 7 (1994). Photocopy. 11 3/4"x8
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Love Letters. Sheba, Editor. Exotic
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Mail Art exhibition, "No Nukes in M
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No. 14 (n.d.). Photocopy. 5 1/2"x3
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TAM Publication 950076 (1995). Phot
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of, "The Light of the He-Art," from
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TAM Publication 960147 (March 1997)
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(Belgium) conducted by Ruud Janssen
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No. 109 (February 12, 1991). Photoc
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No. 22-24 (1989). Photocopy and Mix
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No. 25 (April, 14, 1986). Photocopy
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No. 0 (June 1981). Photocopy and Mi
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No. 58 (August 1992). Photocopy and
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No. 80 (October 1994). Photocopy an
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No. 93 (February 1996). Photocopy a
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(Italy), buZ blurr (USA), Guy Bleus
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Kid (USA), Eberhard Janke (Germany)
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No. 132 (January 2001). Photocopy a
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Musicmaster (USA), Mark Bloch (USA)
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submissions will be clear and conci
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Banquet (The Beasts at the Feast)."
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No. 7 ([1989]). Offset. 9 1/2"x8 1/
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including Géza Perneczky (Germany)
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(May 4 thru 10, 1988). Photocopy. 8
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(Germany). "Dreamtime Village" even
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Vol. 9, No. 2/3 (March/April 1996).
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RUBBER STAMP ALBUM and had been ord
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Vol. 2, No. 2 (January 1984). Offse
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Vol. 8, No. 4 (Summer 1990). Offset
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that is wide in its acceptance of m
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is the need for mail-Art shows. At
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listings compiled by Honoria (USA).
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No. 1 (July 1993). Photocopy. 16 1/
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Netshaker. Crackerjack Kid (aka Chu
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Vol. 1, No. 3 (August 16, 1994). Co
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Hamann (West Germany), Graciela Mar
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display and disseminate the product
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Gerlovans (USA). Carlo Pittore (USA
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do some research about what the oth
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TAM-970158 (January 1997). Photocop
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(October 1993). Photocopy. 8 1/2"x5
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Tisma (Yugoslavia), Toward the New
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Breeder" we say goodbye to Stu Horn
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O. Ghislain Belmans, Johan Sanctoru
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Occasional, Tuesday-Art News. Georg
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Vol. 27, No. 3 (Issue 37) (Summer 1
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Todorovic (Yugoslavia); Shozo Shima
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No. 24 ([1987]). Photocopy. 8 1/4"x
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(USA), Shozo Shimamoto (Japan), Ryo
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Ruth and Marvin Sackner (USA), Seie
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Strada (Italy), Peter W. Kaufmann (
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No. 72 (1992). Photocopy. 8 1/4"x5
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very dear guest here last days of O
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No. 93 (1997). Photocopy. 8 1/4"x5
Page 311 and 312: years!...then Austro-Ungarian (empi
Page 313 and 314: about extraordinary TIME of CHANGE
Page 315 and 316: Network: A Mail Art Anthology." "I
Page 317 and 318: No. 38.2 (May 1998). Photocopy. 8 1
Page 319 and 320: No. 44.1B (January 2000). Photocopy
Page 321 and 322: "Shadowland and Rubberwork," by Don
Page 323 and 324: force things. Zen, y'know. & beside
Page 325 and 326: Other Times: An Alternative Mail Ar
Page 327 and 328: No. 12 1/2 (September 1995). Photoc
Page 329 and 330: No. 21 (July 1996). Photocopy. 8 1/
Page 331 and 332: No. 29 (May/June 1997). Photocopy.
Page 333 and 334: No. 6 ([1984]). Photocopy. 8 1/2"x5
Page 335 and 336: No. 21 (November 14, 1987). Photoco
Page 337 and 338: Parallelogramme. Tanya Mars, Editor
Page 339 and 340: Pelo+Pelo-. Emilio Morandi, Editor.
Page 341 and 342: "'PhotoStatic Magazine' is a bimont
Page 343 and 344: No. 20 (October 1986). Photocopy. 8
Page 345 and 346: others doing the same thing. It's c
Page 347 and 348: and continuing mail Art. "Mail Revi
Page 349 and 350: No. 40 (December 1989). Photocopy.
Page 351 and 352: correspondence. After writing close
Page 353 and 354: and political awareness (and a cook
Page 355 and 356: PMTTD's Standard Catalogue Update.
Page 357 and 358: Vol. 1, No. 2 (July 1993). Photocop
Page 359 and 360: No. 1-A (January 1992). Photocopy a
Page 361: Hora") text from Montevideo, Urugua
Page 365 and 366: Princess Debbie (USA), John Held, J
Page 367 and 368: No. 17 (June 1991). Photocopy. 5 3/
Page 369 and 370: No. 33 (September-October 1994). Ph
Page 371 and 372: No. 5 (April [1995]). Photocopy and
Page 373 and 374: No. 19 (August 1996). Photocopy. 8
Page 375 and 376: proud history of pranks, games, fal
Page 377 and 378: No. 16 ([July] 1987). Photocopy. 11
Page 379 and 380: Germany), Louise Krasniewicz (USA),
Page 381 and 382: No. 13 (September 1998). Photocopy,
Page 383 and 384: Joel Rossman, Bill Gaglione, Carlo
Page 385 and 386: Joyce Glasner (Canada), Luc Fierens
Page 387 and 388: Ram Art Review. L. Zjawin Francke,
Page 389 and 390: "SPECIAL DOUBLE ISSUE! Music Mail A
Page 391 and 392: participants of the Congress includ
Page 393 and 394: profiteering..." Letters from Rudi
Page 395 and 396: No. 1 (Winter Solstice 1994). Offse
Page 397 and 398: overnight in the underground channe
Page 399 and 400: No. 4 (December 1991). Photocopy. 3
Page 401 and 402: No. 0," by Florian Cramer (Germany)
Page 403 and 404: designs on rollers, postage cancell
Page 405 and 406: Vol. 2, No. 7 (July 1979). Offset a
Page 407 and 408: so if you haven't had a go yet then
Page 409 and 410: Vol. 4, No. 1 (November 1988). Phot
Page 411 and 412: Issue 0 (February 1989). Color Offs
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Vol. 2, Issue 8 (June 1982). Newspr
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Vol. 5, Issue 21 (October 1985). Ne
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(USA). "'Book as Art' was a famous
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Vol. 10, Issue 46 (July/August 1989
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numerous Europeans. Serendipitous o
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Vol. 15, Issue 75 (May/June 1994).
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Vol. 17, Issue 88 (July/August 1996
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and Angela Netmail, Germany). "Thei
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Schmidt (West Germany), Rolf Staeck
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No. 6 ([1989]). Photocopy and Mixed
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Cohen (USA), Fluxlist (Internet) an
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mail-art, news-letters, leaflets an
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drawings, paintings and so on as (w
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No. 61 (1995). Photocopy. 17"x11".
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Sick Roof: A Journal of Humorous, P
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was international, planetary art. n
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Slugfest, Ltd. Michael T. Nowak, Ed
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R. Fricker (Switzerland), Emilio Mo
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(August 1992). Photocopy. 11"x8 1/2
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No. 5 ([1990]. Offset. 11"x8 1/2".
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No. 7 ([1985]). Offset. 11 3/4"x8 1
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of a reasonable price. once this ha
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Espinosa (Mexico), Shozo Shimamoto
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called MAIL-ART like today, but the
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is Not Fine Art It's the Artist Who
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No. 2 (1989). Photocopy. 8 1/2"x5 1
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statements about mail art. Not only
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compute-file. Now I decided to prin
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Soppalco, Il (The Balcony): Home Ar
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Exhibition," by Ken Friedman. "'Int
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documented participation in 1,068 M
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No. 1 (1982). Mixed Media. (9 pages
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Musicmaster (USA), Donna Nassar (US
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Germany), John Jacobs (aka H.Y.P.E.
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Vol. 2, No. 3 (November 1982). News
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No. 12466 (1995). Photocopy and Rub
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No. 16568 (1997). Computer Print an
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Schizophreniatrics, Morealism, Sarc
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Germany), Salvatore de Rosa (Italy)
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Vol. 4, No. 42 (December 20, 1987).
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Subtle Journal of Raw Coinage, The.
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I am also looking forward to sharin
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No. 11 (nod.). Color and Black & Wh
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No. 1984.7 (1984). Photocopy. 11 3/
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communication could be the transfer
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ulletin. After that, the rubberstam
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No. 96-06 (June 1996). Computer Pri
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No. 6 (Fall 1996). Photocopy and Ru
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(July 11, 1992). Photocopy and Rubb
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No. 6 (June 1993). Photocopy and Mi
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Macadam (Argentina), Svjetlana Mimi
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(Uruguay), A. d. Eker (Holland), Ru
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Vol. 3, No. 3 (January 1983). Photo
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Vol. 2, No. 3 (Fall-Winter 1981). P
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Tourism Review. Hans Rudi Fricker,
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No. 38 (December 1993). Photocopy.
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No. 48 (January 1995). Photocopy. 8
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Dr. Surearts (USA), Dan Landrum (US
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TV. Terence McMahon, Editor. The Fa
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No. 9 (August-September). Newsprint
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Vol. 2, No. 6 (November 1979). Offs
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Vol. 5, No. 4 (September 1982). Off
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sense of direction. the occasion of
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stamp production services provided
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(Belgium), Shozo Shimamoto (Japan),
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Washington, D. C.; Mark Bloch (USA)
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(No. 23) (Winter 1996-1997). Offset
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own ad on the front or back cover t
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changing some time this year but I
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with Utopian leanings or concerns.
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Version 90. Alexandra Fisher, David
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Cosey Fanni Tutti (England), Opal L
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to the Editors," in which Ken Fried
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is so much bigger and looser now-th
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Menghi, Ivana Martínez Vollaró, N
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No. 2 ([1986]). Offset. 111/4"x8 1/
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"Ladies & Gentleman: I don't have t
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anarchists, so they don't act very
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Workarea Art Ambient. Ponte Romano,
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mind to new frontiers, when it does
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Xero-Post. Sheldon Polsky, Editor.
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No. 3 (September 29, 1989). Compute
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through, and their opinions about t
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letters, essays, commentaries, cart
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strike and then sit on their hands!
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No. 0 (December 31, 1992). Computer
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