Mail Art Periodicals - MoMA

Recommendations

Info

(February 19, 1990). Photocopy and Rubber Stamps. 8 1/4"x5 3/4". (8 pages). Special issue of Belgian Mail Artists with contributions by Mettalic Avau, Societe Anonyme, Charles François, De Media (aka Jan De Boever), Luc Fierens, Simon Baudhuin, De Decker Geert, Guy Bleus, Kristof D'Haeseleer, et al. Inserted "open letters" in response to mail received from John held, jr. (USA), Julia and György Galantai (Hungary), Mark Bloch (USA), Luigi-Bob Drake (USA), Kristof D'Haeseleer Belgium, et al. (forerunner of "Temple Post Gazetta.") (January 5, 1991). Photocopy and Rubber Stamps. 8 1/4"x5 3/4". (22 pages). "In Memoriam Achim Weiglet," pays tribute to the late West Germany Mail Artist. Contributions by Vincze Ferenc György (Romania), FaGaGaGa (USA), César Figueiredo (Portugal), Clemente Padin (Uruguay), John Held, Jr. (USA), Luc Fierens (Belgium), Ruggero Maggi (Italy), Robin Crozier (England), et al. Original photograph of the editor with Robin Crozier in Sunderland, England, inserted. (July 7, 1991). Photocopy and Rubber Stamps. 8 1/4"x5 3/4". (pages number 43-66). "Temple News," includes notice of a visit by José Oliveira (Portugal), and a forthcoming trip to Romania. Contributions from Andrej Tisma (Yugoslavia), Jenny De Groot (Holland), FaGaGaGa (USA), Dobrica Kamperelic (Yugoslavia), Vittore Baroni (Italy), Clemente Padin (Uruguay), De Decker Geert (Belgium), Rea Nikonova (Russia), Serge Segay (Russia), Pawel Petasz (Poland), John Held, jr. (USA), Ruud Janssen (Hollnd), Lon Spiegelman (USA), et al. ([January 1992]). Photocopy and Rubber Stamps. 8 1/4"x5 3/4". (pages numbered 99-130). Contributions by Crackerjack Kid (USA), Charles François (Belgium), Gerard Barbot (USA), Dobrica Kamperelic (Yugoslavia), Clemente Padin (Uruguay), Ryosuke Cohen (Japan), Ruggero Maggi (Italy), Daniel Daligand (France), György and Vincze Laszlo (Romania), Made Balbat (Estonia), Jenny De Groot (Holland), Graciela Marx (Argentina), Michel Pollard (People's Republic of China), Vittore Baroni (Italy), et al. "Networking in War conditions," by Andrej Tisma (Yugoslavia). ([June 1992]). Photocopy and Rubber Stamps. 8 1/4"x5 3/4". (pages numbered 131-158). "Congress Solitaire." Contributions by Robin Crozier (England), Shozo Shimamoto (Japan), Mayumi Handa (Japan), Guido Bondioli (USA), Luce Fierens (Belgium), Graciela Genesis Marx (Argentina), Emilio Morandi (Italy), Made Balbot (Estonia), Jenny De Groot (Holland), Ruud Janssen (Holland), Vincze Ferenc Gyorgy (Romania), Vincze Laszlo (Romania), A1 Waste Paper Co. (England), Eugene Shashkin (Russia), Michel Pollard (USA), Andrej Tisma (Yugoslavia), Geert De Decker (Belgium), et al.
(July 11, 1992). Photocopy and Rubber Stamps. 8 1/4"x5 3/4". (pages numbered 159-197)). "Networking Under Embargo," by Andrej Tisma (Yugoslavia). "People in the Streets are Talking About Mail-Art," by Svjetlana Mimia (Croatia). "Better/Best/Net-Hierarchy," by the editor. Notice of a "Decentralized Networker Congress" in St. Petersburg, Russia, January 18, 1992. Contributions by Julee Peezlee (USA), Made Balbot (Estonia), Robin Crozier (England), Peter W. Kaufmann (Switzerland), Rea Nikonova (Russia), Serge Segay (Russia), De Decker Geert (Belgium), Ruud Janssen (Holland), Vittore Baroni (Italy), Dobrica Kamperelic (Yugoslavia), Vincze Laszlo (Romania), Maillory Moad (aka The Moadster, USA), Malok (USA), Guy Bleus (Belgium). Temple Post Gazetta. José Vandenbroucke, Editor. The Temple, Deerlijk, Belgium. 1996. (January 14, 1996). Photocopy and Rubber Stamps. 11 3/4"x8 1/4". (2 pages). "Open letters" by the editor in response to correspondence received January 8-12, 1996. responses to Lancilloto Bellini (Italy), Baudhuin Simon (Belgium), Ruggero Maggi (Italy), Guido Vermeulen (Belgium), Reika Yamamoto (Japan), John Held, Jr. (USA) and Picasso Gaglione (USA), Clemente Padin (Uruguay), Jenny De Groot (Holland), Ruud Jannsen (Holland), Igor Bartolech (Yugoslavia), Keiichi Nakamura (Japan), et al. (February 21, 1996). Photocopy, Rubber Stamps and Mixed Media. 11 3/4"x8 1/4". (4 pages). "Open letters" by the editor in response to correspondence received from Svjetlana Mimica (Croatia), Marta Irene Varela (Argentina), Andrej Tisma (Yugoslavia), Igor Bartolech (Yugoslavia), Guido Vermeulen (Belgium), Emilio Morandi (Italy), Geert De Decker (Belgium), Serge Segay (Russia) and Rea Nikonova (Russia), Baudhuin Simon (Belgium), Guy Bleus (Belgium), Luce Fierens (Belgium) and Annina Van Sebroeck (Belgium), Ann-Miek Bibbe (Holland), John Upton (Scotland), Dobrica Kamperelic (Yugoslavia), Shozo Shimamoto (Japan), Jenny De Groot (Holland), Sabine and Darko Vulic (Switzerland), Charles François (Belgium, et al. "This gazetta will be given to all participants of the Déjeuner Sur L'Art meeting at Sztuka Fabryka's place (The Vodka Congress on 24feb96), to all senders of the treated mail, and to Vincze Laszlo, "Global Mail," Made Balbat, Clemente Padin, Cracker Jack Kid Chuck Welsh..." Tensetendoned. Michael B. Corbett, Editor. Preston Park, Pennsylvania. 1992-1998. No. 1 (December 1992). Photocopy and Mixed Media. 8 1/2"x5 1/2". Unpaged. Assembling magazine. "Tensetendoned: A networker periodical of accumulation and distribution. Send 56 originals, copies, postcards, or 120 stickers 12x20 cm (5"x8") or smaller and in return receive an assembled collection of submitting artists' work. NO DEADLINE...Ongoing and
Page 1 and 2:
Mail Art Periodicals: An Annotated
Page 3 and 4:
is a harbinger of the future tenden
Page 5 and 6:
Alice's Zine of Dreams. Alice Borea
Page 7 and 8:
No. 17 (March 1998). Photocopy. 8 1
Page 9 and 10:
Anti-Isolation. Miekal And and Liz
Page 11 and 12:
No. 6 (October 1994). Photocopy. 8
Page 13 and 14:
displaying one-f-a-kind books, but
Page 15 and 16:
Art Brigade. Ben Davis, Editor. Ama
Page 17 and 18:
Vol. 2, No. 2/3 (1977). Newsprint.
Page 19 and 20:
(October 19, 1980). Photocopy. 8 1/
Page 21 and 22:
No. 11 (August 1980). Photocopy wit
Page 23 and 24:
No. 34 (October 1982). Photocopy an
Page 25 and 26:
No. 59 (January/June 1989). Photoco
Page 27 and 28:
Artist Call. Michael Schwartz, Edit
Page 29 and 30:
Congress. Michael Hernandez de Luna
Page 31 and 32:
connected with others across the co
Page 33 and 34:
Atalaya. Christer Brunström, Edito
Page 35 and 36:
No. 22 (March 10, 1978?). Offset. 1
Page 37 and 38:
No. 59 (October 20, 1983). Offset.
Page 39 and 40:
project and exhibition notices. "Wh
Page 41 and 42:
No. 98 (February 10, 1989). Photoco
Page 43 and 44:
No. 116 (July 24, 1992). Offset. 23
Page 45 and 46:
No. 141 (January 31, 1997). Offset.
Page 47 and 48:
April 10, 1987. Mixed media. 6 1/2"
Page 49 and 50:
No. 9 (June 1973). Photocopy. 14"x8
Page 51 and 52:
comprehensive catalog and album of
Page 53 and 54:
Bibliography." This issue: "Artist
Page 55 and 56:
No. 26 (November 1994). Photocopy.
Page 57 and 58:
Birdada. Bird (aka Chis Burnett), E
Page 59 and 60:
people who make gather this kind of
Page 61 and 62:
Vol. 1, No. 2 (1986). Photocopy. 8
Page 63 and 64:
network are at all alike. Neuron in
Page 65 and 66:
No. 63 (June 22, 1987). Gocco Print
Page 67 and 68:
No. 114 (December 30, 1988). Gocco
Page 69 and 70:
No. 203 (January 27, 1991). Gocco P
Page 71 and 72:
No. 281 (July 20, 1993). Gocco Prin
Page 73 and 74:
No. 350 (November 20, 1995). Gocco
Page 75 and 76:
No. 511 (September 10, 2001). Gocco
Page 77 and 78:
Cage: Anti-Embargo Magazine. Alexan
Page 79 and 80:
No. 14 (1996). Photocopy. 8 1/2"x5
Page 81 and 82:
No. 6 (February 1991). Photocopy. 1
Page 83 and 84:
No. 116 (February 1990). Offset. 5
Page 85 and 86:
No. 9 (February 20, 1989). Mixed Me
Page 87 and 88:
R. Fricker (Switzerland). "Postal-A
Page 89 and 90:
(n.d.). Photocopy. 8 1/4"x5 3/4". (
Page 91 and 92:
Vol. 1 (June 1999). Photocopy. 8 1/
Page 93 and 94:
participants. "Each contributor, or
Page 95 and 96:
Vol. 1, No. 5 (September 1989). Pho
Page 97 and 98:
(September 1992). Photocopy. 8 1/2"
Page 99 and 100:
CVS (Copyright Violation Squad) Bul
Page 101 and 102:
(May 22, 1995). Photocopy with Rubb
Page 103 and 104:
(January 1987). Photocopy, Rubber S
Page 105 and 106:
Contributors Issue (Summer 1988). P
Page 107 and 108:
No. 45 (February 1983). Offset. 8 1
Page 109 and 110:
(USA), Bugpost (USA), Mike Dyar (US
Page 111 and 112:
No. 030 (November 19, 1989). Photoc
Page 113 and 114:
(Poland), Géza Perneczky (Germany)
Page 115 and 116:
No. 14 (March 1982). Photocopy. 5 1
Page 117 and 118:
No. 2 (March 1986). Newsprint. 16 1
Page 119 and 120:
No. 1 (April 1989). Offset. 8 1/2"x
Page 121 and 122:
11x30: A Publication of the Toledo
Page 123 and 124:
Eraser Carver's Quarterly. Mick Mat
Page 125 and 126:
No. 0 (1999). Offset. 8 1/4"x4". 53
Page 127 and 128:
Decentralized Networker Congress Po
Page 129 and 130:
No. 32 (October 1989). Newsprint. 1
Page 131 and 132:
No. 54 (December 1994). Newsprint.
Page 133 and 134:
No. 21 (July/August 1994). Photocop
Page 135 and 136:
TV Issue (April 1982). Newsprint. 9
Page 137 and 138:
Bride./It too has piquant personali
Page 139 and 140:
Fluxus Bucks. Ex-Posto-Facto (Julie
Page 141 and 142:
No. 4 ([1985]). Photocopy. 5 1/2"x4
Page 143 and 144:
E. M. Plunkett (USA), Carol Law (US
Page 145 and 146:
Vol. 1, No. 2 (Full Moon in May 199
Page 147 and 148:
events." Websites section added. "L
Page 149 and 150:
No. 1 (March 1990). Photocopy. 8 1/
Page 151 and 152:
It is a collection of original work
Page 153 and 154:
Issue a (1971). Offset and Mixed Me
Page 155 and 156:
No. 4 (Summer 1997). Photocopy. 11"
Page 157 and 158:
Humboldt Da-Jest, The. Indian Ralph
Page 159 and 160:
No. 6 (August 1990). Photocopy. 11"
Page 161 and 162:
(March 1992). Photocopy and Rubber
Page 163 and 164:
Inquirer: A Folio of Art and Ideas.
Page 165 and 166:
No. 52 (1991). Offset. 13 1/2"x8 3/
Page 167 and 168:
No. 74 (1999). Offset. 13 1/2"x8 3/
Page 169 and 170:
No. 6 (1993). Photocopy. 11"x8 1/2"
Page 171 and 172:
(USA), Minoy (USA), Tyler Hoare (US
Page 173 and 174:
Vol. 16, No. 2 (December 1997). Pho
Page 175 and 176:
No. 1 (May 2000). Photocopy and Mix
Page 177 and 178:
KFR-(Kentucky Fried Royalty) Indiba
Page 179 and 180:
Kryptogame. Hanna Bremer and Jack M
Page 181 and 182:
No. 3 (1981). Photocopy. 11"x8 1/2"
Page 183 and 184:
Nouvelle Série, No. 6 (April 1988)
Page 185 and 186:
No. 3 (December 1989). Photocopy. 8
Page 187 and 188:
No. 7 ([1985]). Mixed media. 11 3/4
Page 189 and 190:
György Galantai (Hungary), David J
Page 191 and 192:
in news section include Pips (Germa
Page 193 and 194:
Pat Tavenner (USA), Musicmaster (US
Page 195 and 196:
No. 18 (Winter 1986/1987). Offset a
Page 197 and 198:
No. 7 (February 1994). Photocopy. 1
Page 199 and 200:
Live from the Stagger Cafe. Luke Mc
Page 201 and 202:
"Seventh Stranger's Exhibition in O
Page 203 and 204:
No. 7 (1994). Photocopy. 11 3/4"x8
Page 205 and 206:
Love Letters. Sheba, Editor. Exotic
Page 207 and 208:
Mail Art exhibition, "No Nukes in M
Page 209 and 210:
No. 14 (n.d.). Photocopy. 5 1/2"x3
Page 211 and 212:
TAM Publication 950076 (1995). Phot
Page 213 and 214:
of, "The Light of the He-Art," from
Page 215 and 216:
TAM Publication 960147 (March 1997)
Page 217 and 218:
(Belgium) conducted by Ruud Janssen
Page 219 and 220:
No. 109 (February 12, 1991). Photoc
Page 221 and 222:
No. 22-24 (1989). Photocopy and Mix
Page 223 and 224:
No. 25 (April, 14, 1986). Photocopy
Page 225 and 226:
No. 0 (June 1981). Photocopy and Mi
Page 227 and 228:
No. 58 (August 1992). Photocopy and
Page 229 and 230:
No. 80 (October 1994). Photocopy an
Page 231 and 232:
No. 93 (February 1996). Photocopy a
Page 233 and 234:
(Italy), buZ blurr (USA), Guy Bleus
Page 235 and 236:
Kid (USA), Eberhard Janke (Germany)
Page 237 and 238:
No. 132 (January 2001). Photocopy a
Page 239 and 240:
Musicmaster (USA), Mark Bloch (USA)
Page 241 and 242:
submissions will be clear and conci
Page 243 and 244:
Banquet (The Beasts at the Feast)."
Page 245 and 246:
No. 7 ([1989]). Offset. 9 1/2"x8 1/
Page 247 and 248:
including Géza Perneczky (Germany)
Page 249 and 250:
(May 4 thru 10, 1988). Photocopy. 8
Page 251 and 252:
(Germany). "Dreamtime Village" even
Page 253 and 254:
Vol. 9, No. 2/3 (March/April 1996).
Page 255 and 256:
RUBBER STAMP ALBUM and had been ord
Page 257 and 258:
Vol. 2, No. 2 (January 1984). Offse
Page 259 and 260:
Vol. 8, No. 4 (Summer 1990). Offset
Page 261 and 262:
that is wide in its acceptance of m
Page 263 and 264:
is the need for mail-Art shows. At
Page 265 and 266:
listings compiled by Honoria (USA).
Page 267 and 268:
No. 1 (July 1993). Photocopy. 16 1/
Page 269 and 270:
Netshaker. Crackerjack Kid (aka Chu
Page 271 and 272:
Vol. 1, No. 3 (August 16, 1994). Co
Page 273 and 274:
Hamann (West Germany), Graciela Mar
Page 275 and 276:
display and disseminate the product
Page 277 and 278:
Gerlovans (USA). Carlo Pittore (USA
Page 279 and 280:
do some research about what the oth
Page 281 and 282:
TAM-970158 (January 1997). Photocop
Page 283 and 284:
(October 1993). Photocopy. 8 1/2"x5
Page 285 and 286:
Tisma (Yugoslavia), Toward the New
Page 287 and 288:
Breeder" we say goodbye to Stu Horn
Page 289 and 290:
O. Ghislain Belmans, Johan Sanctoru
Page 291 and 292:
Occasional, Tuesday-Art News. Georg
Page 293 and 294:
Vol. 27, No. 3 (Issue 37) (Summer 1
Page 295 and 296:
Todorovic (Yugoslavia); Shozo Shima
Page 297 and 298:
No. 24 ([1987]). Photocopy. 8 1/4"x
Page 299 and 300:
(USA), Shozo Shimamoto (Japan), Ryo
Page 301 and 302:
Ruth and Marvin Sackner (USA), Seie
Page 303 and 304:
Strada (Italy), Peter W. Kaufmann (
Page 305 and 306:
No. 72 (1992). Photocopy. 8 1/4"x5
Page 307 and 308:
very dear guest here last days of O
Page 309 and 310:
No. 93 (1997). Photocopy. 8 1/4"x5
Page 311 and 312:
years!...then Austro-Ungarian (empi
Page 313 and 314:
about extraordinary TIME of CHANGE
Page 315 and 316:
Network: A Mail Art Anthology." "I
Page 317 and 318:
No. 38.2 (May 1998). Photocopy. 8 1
Page 319 and 320:
No. 44.1B (January 2000). Photocopy
Page 321 and 322:
"Shadowland and Rubberwork," by Don
Page 323 and 324:
force things. Zen, y'know. & beside
Page 325 and 326:
Other Times: An Alternative Mail Ar
Page 327 and 328:
No. 12 1/2 (September 1995). Photoc
Page 329 and 330:
No. 21 (July 1996). Photocopy. 8 1/
Page 331 and 332:
No. 29 (May/June 1997). Photocopy.
Page 333 and 334:
No. 6 ([1984]). Photocopy. 8 1/2"x5
Page 335 and 336:
No. 21 (November 14, 1987). Photoco
Page 337 and 338:
Parallelogramme. Tanya Mars, Editor
Page 339 and 340:
Pelo+Pelo-. Emilio Morandi, Editor.
Page 341 and 342:
"'PhotoStatic Magazine' is a bimont
Page 343 and 344:
No. 20 (October 1986). Photocopy. 8
Page 345 and 346:
others doing the same thing. It's c
Page 347 and 348:
and continuing mail Art. "Mail Revi
Page 349 and 350:
No. 40 (December 1989). Photocopy.
Page 351 and 352:
correspondence. After writing close
Page 353 and 354:
and political awareness (and a cook
Page 355 and 356:
PMTTD's Standard Catalogue Update.
Page 357 and 358:
Vol. 1, No. 2 (July 1993). Photocop
Page 359 and 360:
No. 1-A (January 1992). Photocopy a
Page 361 and 362:
Hora") text from Montevideo, Urugua
Page 363 and 364:
(October 1995). Color Photocopy. 8
Page 365 and 366:
Princess Debbie (USA), John Held, J
Page 367 and 368:
No. 17 (June 1991). Photocopy. 5 3/
Page 369 and 370:
No. 33 (September-October 1994). Ph
Page 371 and 372:
No. 5 (April [1995]). Photocopy and
Page 373 and 374:
No. 19 (August 1996). Photocopy. 8
Page 375 and 376:
proud history of pranks, games, fal
Page 377 and 378:
No. 16 ([July] 1987). Photocopy. 11
Page 379 and 380:
Germany), Louise Krasniewicz (USA),
Page 381 and 382:
No. 13 (September 1998). Photocopy,
Page 383 and 384:
Joel Rossman, Bill Gaglione, Carlo
Page 385 and 386:
Joyce Glasner (Canada), Luc Fierens
Page 387 and 388:
Ram Art Review. L. Zjawin Francke,
Page 389 and 390:
"SPECIAL DOUBLE ISSUE! Music Mail A
Page 391 and 392:
participants of the Congress includ
Page 393 and 394:
profiteering..." Letters from Rudi
Page 395 and 396:
No. 1 (Winter Solstice 1994). Offse
Page 397 and 398:
overnight in the underground channe
Page 399 and 400:
No. 4 (December 1991). Photocopy. 3
Page 401 and 402:
No. 0," by Florian Cramer (Germany)
Page 403 and 404:
designs on rollers, postage cancell
Page 405 and 406:
Vol. 2, No. 7 (July 1979). Offset a
Page 407 and 408:
so if you haven't had a go yet then
Page 409 and 410:
Vol. 4, No. 1 (November 1988). Phot
Page 411 and 412:
Issue 0 (February 1989). Color Offs
Page 413 and 414:
Vol. 2, Issue 8 (June 1982). Newspr
Page 415 and 416:
Vol. 5, Issue 21 (October 1985). Ne
Page 417 and 418:
(USA). "'Book as Art' was a famous
Page 419 and 420:
Vol. 10, Issue 46 (July/August 1989
Page 421 and 422:
numerous Europeans. Serendipitous o
Page 423 and 424:
Vol. 15, Issue 75 (May/June 1994).
Page 425 and 426:
Vol. 17, Issue 88 (July/August 1996
Page 427 and 428:
and Angela Netmail, Germany). "Thei
Page 429 and 430:
Schmidt (West Germany), Rolf Staeck
Page 431 and 432:
No. 6 ([1989]). Photocopy and Mixed
Page 433 and 434:
Cohen (USA), Fluxlist (Internet) an
Page 435 and 436:
mail-art, news-letters, leaflets an
Page 437 and 438:
drawings, paintings and so on as (w
Page 439 and 440:
No. 61 (1995). Photocopy. 17"x11".
Page 441 and 442:
Sick Roof: A Journal of Humorous, P
Page 443 and 444:
was international, planetary art. n
Page 445 and 446:
Slugfest, Ltd. Michael T. Nowak, Ed
Page 447 and 448:
R. Fricker (Switzerland), Emilio Mo
Page 449 and 450:
(August 1992). Photocopy. 11"x8 1/2
Page 451 and 452:
No. 5 ([1990]. Offset. 11"x8 1/2".
Page 453 and 454:
No. 7 ([1985]). Offset. 11 3/4"x8 1
Page 455 and 456:
of a reasonable price. once this ha
Page 457 and 458: Espinosa (Mexico), Shozo Shimamoto
Page 459 and 460: called MAIL-ART like today, but the
Page 461 and 462: is Not Fine Art It's the Artist Who
Page 463 and 464: No. 2 (1989). Photocopy. 8 1/2"x5 1
Page 465 and 466: statements about mail art. Not only
Page 467 and 468: compute-file. Now I decided to prin
Page 469 and 470: Soppalco, Il (The Balcony): Home Ar
Page 471 and 472: Exhibition," by Ken Friedman. "'Int
Page 473 and 474: documented participation in 1,068 M
Page 475 and 476: No. 1 (1982). Mixed Media. (9 pages
Page 477 and 478: Musicmaster (USA), Donna Nassar (US
Page 479 and 480: Germany), John Jacobs (aka H.Y.P.E.
Page 481 and 482: Vol. 2, No. 3 (November 1982). News
Page 483 and 484: No. 12466 (1995). Photocopy and Rub
Page 485 and 486: No. 16568 (1997). Computer Print an
Page 487 and 488: Schizophreniatrics, Morealism, Sarc
Page 489 and 490: Germany), Salvatore de Rosa (Italy)
Page 491 and 492: Vol. 4, No. 42 (December 20, 1987).
Page 493 and 494: Subtle Journal of Raw Coinage, The.
Page 495 and 496: I am also looking forward to sharin
Page 497 and 498: No. 11 (nod.). Color and Black & Wh
Page 499 and 500: No. 1984.7 (1984). Photocopy. 11 3/
Page 501 and 502: communication could be the transfer
Page 503 and 504: ulletin. After that, the rubberstam
Page 505 and 506: No. 96-06 (June 1996). Computer Pri
Page 507: No. 6 (Fall 1996). Photocopy and Ru
Page 511 and 512: No. 6 (June 1993). Photocopy and Mi
Page 513 and 514: Macadam (Argentina), Svjetlana Mimi
Page 515 and 516: (Uruguay), A. d. Eker (Holland), Ru
Page 517 and 518: Vol. 3, No. 3 (January 1983). Photo
Page 519 and 520: Vol. 2, No. 3 (Fall-Winter 1981). P
Page 521 and 522: Tourism Review. Hans Rudi Fricker,
Page 523 and 524: No. 38 (December 1993). Photocopy.
Page 525 and 526: No. 48 (January 1995). Photocopy. 8
Page 527 and 528: Dr. Surearts (USA), Dan Landrum (US
Page 529 and 530: TV. Terence McMahon, Editor. The Fa
Page 531 and 532: No. 9 (August-September). Newsprint
Page 533 and 534: Vol. 2, No. 6 (November 1979). Offs
Page 535 and 536: Vol. 5, No. 4 (September 1982). Off
Page 537 and 538: sense of direction. the occasion of
Page 539 and 540: stamp production services provided
Page 541 and 542: (Belgium), Shozo Shimamoto (Japan),
Page 543 and 544: Washington, D. C.; Mark Bloch (USA)
Page 545 and 546: (No. 23) (Winter 1996-1997). Offset
Page 547 and 548: own ad on the front or back cover t
Page 549 and 550: changing some time this year but I
Page 551 and 552: with Utopian leanings or concerns.
Page 553 and 554: Version 90. Alexandra Fisher, David
Page 555 and 556: Cosey Fanni Tutti (England), Opal L
Page 557 and 558: to the Editors," in which Ken Fried
Page 559 and 560:
is so much bigger and looser now-th
Page 561 and 562:
Menghi, Ivana Martínez Vollaró, N
Page 563 and 564:
No. 2 ([1986]). Offset. 111/4"x8 1/
Page 565 and 566:
"Ladies & Gentleman: I don't have t
Page 567 and 568:
anarchists, so they don't act very
Page 569 and 570:
Workarea Art Ambient. Ponte Romano,
Page 571 and 572:
mind to new frontiers, when it does
Page 573 and 574:
Xero-Post. Sheldon Polsky, Editor.
Page 575 and 576:
No. 3 (September 29, 1989). Compute
Page 577 and 578:
through, and their opinions about t
Page 579 and 580:
letters, essays, commentaries, cart
Page 581 and 582:
strike and then sit on their hands!
Page 583 and 584:
No. 0 (December 31, 1992). Computer
show all

Mail Art Periodicals - MoMA

You also want an ePaper? Increase the reach of your titles

Delete template?

Save as template?