Mail Art Periodicals - MoMA

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producing signed, limited editions of Artistamp sheets;" and Paul Rutkovsky (USA), on "Visual, Textual, Aural Materials related or not to the Avant-Garde." Vol. 12, No. 2 (December 1989). Offset. 11"x8 1/2". Pages numbered 31-54. "Umbrella is an occasional newsletter, focusing on artists' publications and twentieth-century art documentation including books by artists as well as artists' periodicals with news and reviews." Cover by Leslie Caldera (aka Creative Thing, USA). Notice of the October 1989 death of Ulises Carrión (Holland). Review of "I am a Networker (Sometimes)," by H. R. Fricker (Switzerland). "Mail Art news" mentions John Held, Jr. (USA), Paul Rutkovsky (USA), Bill Gaglione (USA), et al. Mail Art exhibition, project and publication opportunities. Contributions by H. R. Fricker and Ulises Carrión. Vol. 13, No. 1 (June 1990). Offset. 11"x8 1/2". 35 pages. Mail Art "News" mentions John Held, Jr. (USA), Anna Banana (Canada), Ruggero Maggi (Italy), Bernd Lobach-Hinweiser (West Germany), et al. Mail Art exhibition, project and publication opportunities. Contributions by Mark Bloch (USA) and Géza Perneczky (West Germany). Vol. 13, No. 2 (December 1990). Offset. 11"x8 1/2". Pages numbered 38-70. Cover by Géza Perneczky (West Germany). "Copy Art Books" includes works by Carol Stetser (USA) and Marilyn R. Rosenberg (USA). Mail Art "News" mentions C. W. Poste (USA), John Held, Jr. (USA), Robin Crozier (England), Ed Varney (Canada), Leslie Caldera (aka Creative Thing, USA), et al. Mail Art exhibition, project and publication opportunities. Vol. 14, No. 1 (June 1991). Offset. 11"x8 1/2". 31 pages. Notice of the death of Aart van Barneveld (Holland). "The Question of Mail Art," by Guy Bleus (Belgium), Carol Stetser (USA), and John Held, Jr. (USA). the "Introduction" by John Held, Jr. reads, "I received the following letters from Guy Bleus and Carol Stetser on the same day (March 29, 1991), and they seemed to encapsulate a dichotomy that is prevalent in Mail Art; namely, the contradictory positions that the phenomenon should, or should not, become historified, preserved, and unhinged as a free an unencumbered creative act very much in the tradition and spirit of Dada." "Supplement to Vol. 14, no. 1 of UMBRELLA" inserted, containing information on "Mail Art," including sections on "News" and Mail Art Shows." "News' section contains information on the book "A Halo," by Géza Pernezcky (West Germany), and "The Morris/Trasov Archive," assembled by Michael Morris (Canada) and Vincent Trasov (Canada). Vol. 14, No. 2 (December 1991). Offset. 11"x8 1/2". Pages numbered 34-63. Review of John Held, Jr.'s (USA), "Mail Art: An Annotated Bibliography," by Anna Banana (Canada). "A brief description of the publications Held chose to ignore in his Moticos to Mail Art essay," by Anna Banana. Mail Art "News" and "Shows" in a special insert. Mail Art "News" includes notices of
stamp production services provided by Anna Banana; a "Soviet & Eastern European Mail Art Exhibition," curated by C. W. Poste (USA), "Jazz Mail Art Project," organized by FaGaGaGa (USA); "Decentralized Worldwide Networker Congress 1992" at Rocchetta di Murales, Italy; "La Posta in Giocco," curated by Gianni Broi (Italy), at the Uffizi Gallery, Florence, Italy; Ruud Jannsen (Holland); Bruno Chiarlone (Italy); E. F. Higgins III (USA); Guy Bleus (Belgium), the "Postfluxpostbooklets," of Luce Fierens (Belgium), etc. "Mail Art Book" notes the publication of a collaborative work by FaGaGaGa (aka Mark Corroto) and Bern Porter (USA). Vol. 15, No. 1 (May 1992). Offset. 11"x8 1/2". 27 pages. "Mail Art News" mentions Vincze Ferenc Gyorgy (Romania), Artpool (Hungary, et. al. Mail Art exhibition, project and publication opportunities. Review of John Held, Jr.'s (USA) book, "Mail Art: An Annotated Bibliography. "...is indeed a tribute to a librarian's uncanny perseverance in documenting an unstructured movement which has been active for the past 30 years." "Excerpts from the Role of the Networkers," by Guy Bleus (Belgium). Vol. 15, No. 2/3 (October 1992). Offset. 11"x8 1/2". Pages numbered 31-67. Cover by Marcello Diotellavi (Italy). "Copy Art" reviews "Life Has Meaning," by Mark Pawson (England). "Jas. H. Duke (1939-1992)," notes the passing of the Australian Mail Artist. Mail Art "News' mentions the Mail Art exhibition, "Al Kunst Bestempeld: Mail Art International," at the National P. T. T. Museum, the Hague, Holland; Ray Johnson (USA); Jean-Claude Gagnon (Canada), Carola v.d. Heyden (Holland); The Stamp Art Gallery, San Francisco; Ashley Parker Owens (USA), et al. Mail Art exhibition, project and publication opportunities. "My Art is Nomad Art," by Peter Küstermann (Germany). "On the road with JAH," notes a visit to the Artpool Research Center, directed by Julia and György Galantai (Hungary). Vol. 16, No. 1 (March 1992). Offset. 11"x8 1/2". 34 pages. Mail Art "News" mentions Angela and Peter Netmail (Germany), Ashley Parker Owens (USA), Shozo Shimamoto (Japan), Miekal And and Liz Was (USA), John Held, Jr. (USA), Carl chew (USA), et al. Mail Art exhibition, project and publication opportunities. "Interview with Angela Pähler & Peter Küstermann," by Dobrica Kamperelic (Yugoslavia). Editorial offices moved to Pasadena, California. Vol. 16, No. 2/3 (October 1993). Offset. 11"x8 1/2". Pages numbered 41-79. Book cover of Géza Perneczky's book, "The Magazine Network: The Trends of Alternative Art in the Light of Their Periodicals 1968- 1988," reproduced. Review of the book. "If everyone living can send Géza the facts as they are, rather than as they are interpreted of fictionalized, perhaps this major contribution to a movement will be corrected and funded so that Englishspeaking readers can get a corrected edition in the near future." Mail Art "News' mentions Ashley Parker Owens (USA), Jas. Felter (aka Five/Cinq Unlimited, Canada), Buster Cleveland (USA), Afungusboy (USA), Larry Tomoyasu (USA),
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Mail Art Periodicals: An Annotated
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is a harbinger of the future tenden
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Alice's Zine of Dreams. Alice Borea
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No. 17 (March 1998). Photocopy. 8 1
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Anti-Isolation. Miekal And and Liz
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No. 6 (October 1994). Photocopy. 8
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displaying one-f-a-kind books, but
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Art Brigade. Ben Davis, Editor. Ama
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Vol. 2, No. 2/3 (1977). Newsprint.
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(October 19, 1980). Photocopy. 8 1/
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No. 11 (August 1980). Photocopy wit
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No. 34 (October 1982). Photocopy an
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No. 59 (January/June 1989). Photoco
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Artist Call. Michael Schwartz, Edit
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Congress. Michael Hernandez de Luna
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connected with others across the co
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Atalaya. Christer Brunström, Edito
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No. 22 (March 10, 1978?). Offset. 1
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No. 59 (October 20, 1983). Offset.
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project and exhibition notices. "Wh
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No. 98 (February 10, 1989). Photoco
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No. 116 (July 24, 1992). Offset. 23
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No. 141 (January 31, 1997). Offset.
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April 10, 1987. Mixed media. 6 1/2"
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No. 9 (June 1973). Photocopy. 14"x8
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comprehensive catalog and album of
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Bibliography." This issue: "Artist
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No. 26 (November 1994). Photocopy.
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Birdada. Bird (aka Chis Burnett), E
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people who make gather this kind of
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Vol. 1, No. 2 (1986). Photocopy. 8
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network are at all alike. Neuron in
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No. 63 (June 22, 1987). Gocco Print
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No. 114 (December 30, 1988). Gocco
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No. 203 (January 27, 1991). Gocco P
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No. 281 (July 20, 1993). Gocco Prin
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No. 350 (November 20, 1995). Gocco
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No. 511 (September 10, 2001). Gocco
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Cage: Anti-Embargo Magazine. Alexan
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No. 14 (1996). Photocopy. 8 1/2"x5
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No. 6 (February 1991). Photocopy. 1
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No. 116 (February 1990). Offset. 5
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No. 9 (February 20, 1989). Mixed Me
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R. Fricker (Switzerland). "Postal-A
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(n.d.). Photocopy. 8 1/4"x5 3/4". (
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Vol. 1 (June 1999). Photocopy. 8 1/
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participants. "Each contributor, or
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Vol. 1, No. 5 (September 1989). Pho
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(September 1992). Photocopy. 8 1/2"
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CVS (Copyright Violation Squad) Bul
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(May 22, 1995). Photocopy with Rubb
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(January 1987). Photocopy, Rubber S
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Contributors Issue (Summer 1988). P
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No. 45 (February 1983). Offset. 8 1
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(USA), Bugpost (USA), Mike Dyar (US
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No. 030 (November 19, 1989). Photoc
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(Poland), Géza Perneczky (Germany)
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No. 14 (March 1982). Photocopy. 5 1
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No. 2 (March 1986). Newsprint. 16 1
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No. 1 (April 1989). Offset. 8 1/2"x
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11x30: A Publication of the Toledo
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Eraser Carver's Quarterly. Mick Mat
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No. 0 (1999). Offset. 8 1/4"x4". 53
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Decentralized Networker Congress Po
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No. 32 (October 1989). Newsprint. 1
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No. 54 (December 1994). Newsprint.
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No. 21 (July/August 1994). Photocop
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TV Issue (April 1982). Newsprint. 9
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Bride./It too has piquant personali
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Fluxus Bucks. Ex-Posto-Facto (Julie
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No. 4 ([1985]). Photocopy. 5 1/2"x4
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E. M. Plunkett (USA), Carol Law (US
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Vol. 1, No. 2 (Full Moon in May 199
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events." Websites section added. "L
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No. 1 (March 1990). Photocopy. 8 1/
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It is a collection of original work
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Issue a (1971). Offset and Mixed Me
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No. 4 (Summer 1997). Photocopy. 11"
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Humboldt Da-Jest, The. Indian Ralph
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No. 6 (August 1990). Photocopy. 11"
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(March 1992). Photocopy and Rubber
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Inquirer: A Folio of Art and Ideas.
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No. 52 (1991). Offset. 13 1/2"x8 3/
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No. 74 (1999). Offset. 13 1/2"x8 3/
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No. 6 (1993). Photocopy. 11"x8 1/2"
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(USA), Minoy (USA), Tyler Hoare (US
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Vol. 16, No. 2 (December 1997). Pho
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No. 1 (May 2000). Photocopy and Mix
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KFR-(Kentucky Fried Royalty) Indiba
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Kryptogame. Hanna Bremer and Jack M
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No. 3 (1981). Photocopy. 11"x8 1/2"
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Nouvelle Série, No. 6 (April 1988)
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No. 3 (December 1989). Photocopy. 8
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No. 7 ([1985]). Mixed media. 11 3/4
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György Galantai (Hungary), David J
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in news section include Pips (Germa
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Pat Tavenner (USA), Musicmaster (US
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No. 18 (Winter 1986/1987). Offset a
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No. 7 (February 1994). Photocopy. 1
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Live from the Stagger Cafe. Luke Mc
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"Seventh Stranger's Exhibition in O
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No. 7 (1994). Photocopy. 11 3/4"x8
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Love Letters. Sheba, Editor. Exotic
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Mail Art exhibition, "No Nukes in M
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No. 14 (n.d.). Photocopy. 5 1/2"x3
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TAM Publication 950076 (1995). Phot
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of, "The Light of the He-Art," from
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TAM Publication 960147 (March 1997)
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(Belgium) conducted by Ruud Janssen
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No. 109 (February 12, 1991). Photoc
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No. 22-24 (1989). Photocopy and Mix
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No. 25 (April, 14, 1986). Photocopy
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No. 0 (June 1981). Photocopy and Mi
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No. 58 (August 1992). Photocopy and
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No. 80 (October 1994). Photocopy an
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No. 93 (February 1996). Photocopy a
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(Italy), buZ blurr (USA), Guy Bleus
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Kid (USA), Eberhard Janke (Germany)
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No. 132 (January 2001). Photocopy a
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Musicmaster (USA), Mark Bloch (USA)
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submissions will be clear and conci
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Banquet (The Beasts at the Feast)."
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No. 7 ([1989]). Offset. 9 1/2"x8 1/
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including Géza Perneczky (Germany)
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(May 4 thru 10, 1988). Photocopy. 8
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(Germany). "Dreamtime Village" even
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Vol. 9, No. 2/3 (March/April 1996).
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RUBBER STAMP ALBUM and had been ord
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Vol. 2, No. 2 (January 1984). Offse
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Vol. 8, No. 4 (Summer 1990). Offset
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that is wide in its acceptance of m
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is the need for mail-Art shows. At
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listings compiled by Honoria (USA).
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No. 1 (July 1993). Photocopy. 16 1/
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Netshaker. Crackerjack Kid (aka Chu
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Vol. 1, No. 3 (August 16, 1994). Co
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Hamann (West Germany), Graciela Mar
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display and disseminate the product
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Gerlovans (USA). Carlo Pittore (USA
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do some research about what the oth
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TAM-970158 (January 1997). Photocop
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(October 1993). Photocopy. 8 1/2"x5
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Tisma (Yugoslavia), Toward the New
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Breeder" we say goodbye to Stu Horn
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O. Ghislain Belmans, Johan Sanctoru
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Occasional, Tuesday-Art News. Georg
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Vol. 27, No. 3 (Issue 37) (Summer 1
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Todorovic (Yugoslavia); Shozo Shima
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No. 24 ([1987]). Photocopy. 8 1/4"x
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(USA), Shozo Shimamoto (Japan), Ryo
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Ruth and Marvin Sackner (USA), Seie
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Strada (Italy), Peter W. Kaufmann (
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No. 72 (1992). Photocopy. 8 1/4"x5
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very dear guest here last days of O
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No. 93 (1997). Photocopy. 8 1/4"x5
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years!...then Austro-Ungarian (empi
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about extraordinary TIME of CHANGE
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Network: A Mail Art Anthology." "I
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No. 38.2 (May 1998). Photocopy. 8 1
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No. 44.1B (January 2000). Photocopy
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"Shadowland and Rubberwork," by Don
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force things. Zen, y'know. & beside
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Other Times: An Alternative Mail Ar
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No. 12 1/2 (September 1995). Photoc
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No. 21 (July 1996). Photocopy. 8 1/
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No. 29 (May/June 1997). Photocopy.
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No. 6 ([1984]). Photocopy. 8 1/2"x5
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No. 21 (November 14, 1987). Photoco
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Parallelogramme. Tanya Mars, Editor
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Pelo+Pelo-. Emilio Morandi, Editor.
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"'PhotoStatic Magazine' is a bimont
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No. 20 (October 1986). Photocopy. 8
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others doing the same thing. It's c
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and continuing mail Art. "Mail Revi
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No. 40 (December 1989). Photocopy.
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correspondence. After writing close
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and political awareness (and a cook
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PMTTD's Standard Catalogue Update.
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Vol. 1, No. 2 (July 1993). Photocop
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No. 1-A (January 1992). Photocopy a
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Hora") text from Montevideo, Urugua
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(October 1995). Color Photocopy. 8
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Princess Debbie (USA), John Held, J
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No. 17 (June 1991). Photocopy. 5 3/
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No. 33 (September-October 1994). Ph
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No. 5 (April [1995]). Photocopy and
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No. 19 (August 1996). Photocopy. 8
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proud history of pranks, games, fal
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No. 16 ([July] 1987). Photocopy. 11
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Germany), Louise Krasniewicz (USA),
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No. 13 (September 1998). Photocopy,
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Joel Rossman, Bill Gaglione, Carlo
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Joyce Glasner (Canada), Luc Fierens
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Ram Art Review. L. Zjawin Francke,
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"SPECIAL DOUBLE ISSUE! Music Mail A
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participants of the Congress includ
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profiteering..." Letters from Rudi
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No. 1 (Winter Solstice 1994). Offse
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overnight in the underground channe
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No. 4 (December 1991). Photocopy. 3
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No. 0," by Florian Cramer (Germany)
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designs on rollers, postage cancell
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Vol. 2, No. 7 (July 1979). Offset a
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so if you haven't had a go yet then
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Vol. 4, No. 1 (November 1988). Phot
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Issue 0 (February 1989). Color Offs
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Vol. 2, Issue 8 (June 1982). Newspr
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Vol. 5, Issue 21 (October 1985). Ne
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(USA). "'Book as Art' was a famous
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Vol. 10, Issue 46 (July/August 1989
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numerous Europeans. Serendipitous o
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Vol. 15, Issue 75 (May/June 1994).
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Vol. 17, Issue 88 (July/August 1996
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and Angela Netmail, Germany). "Thei
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Schmidt (West Germany), Rolf Staeck
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No. 6 ([1989]). Photocopy and Mixed
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Cohen (USA), Fluxlist (Internet) an
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mail-art, news-letters, leaflets an
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drawings, paintings and so on as (w
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No. 61 (1995). Photocopy. 17"x11".
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Sick Roof: A Journal of Humorous, P
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was international, planetary art. n
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Slugfest, Ltd. Michael T. Nowak, Ed
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R. Fricker (Switzerland), Emilio Mo
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(August 1992). Photocopy. 11"x8 1/2
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No. 5 ([1990]. Offset. 11"x8 1/2".
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No. 7 ([1985]). Offset. 11 3/4"x8 1
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of a reasonable price. once this ha
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Espinosa (Mexico), Shozo Shimamoto
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called MAIL-ART like today, but the
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is Not Fine Art It's the Artist Who
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No. 2 (1989). Photocopy. 8 1/2"x5 1
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statements about mail art. Not only
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compute-file. Now I decided to prin
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Soppalco, Il (The Balcony): Home Ar
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Exhibition," by Ken Friedman. "'Int
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documented participation in 1,068 M
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No. 1 (1982). Mixed Media. (9 pages
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Musicmaster (USA), Donna Nassar (US
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Germany), John Jacobs (aka H.Y.P.E.
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Vol. 2, No. 3 (November 1982). News
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No. 12466 (1995). Photocopy and Rub
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No. 16568 (1997). Computer Print an
Page 487 and 488: Schizophreniatrics, Morealism, Sarc
Page 489 and 490: Germany), Salvatore de Rosa (Italy)
Page 491 and 492: Vol. 4, No. 42 (December 20, 1987).
Page 493 and 494: Subtle Journal of Raw Coinage, The.
Page 495 and 496: I am also looking forward to sharin
Page 497 and 498: No. 11 (nod.). Color and Black & Wh
Page 499 and 500: No. 1984.7 (1984). Photocopy. 11 3/
Page 501 and 502: communication could be the transfer
Page 503 and 504: ulletin. After that, the rubberstam
Page 505 and 506: No. 96-06 (June 1996). Computer Pri
Page 507 and 508: No. 6 (Fall 1996). Photocopy and Ru
Page 509 and 510: (July 11, 1992). Photocopy and Rubb
Page 511 and 512: No. 6 (June 1993). Photocopy and Mi
Page 513 and 514: Macadam (Argentina), Svjetlana Mimi
Page 515 and 516: (Uruguay), A. d. Eker (Holland), Ru
Page 517 and 518: Vol. 3, No. 3 (January 1983). Photo
Page 519 and 520: Vol. 2, No. 3 (Fall-Winter 1981). P
Page 521 and 522: Tourism Review. Hans Rudi Fricker,
Page 523 and 524: No. 38 (December 1993). Photocopy.
Page 525 and 526: No. 48 (January 1995). Photocopy. 8
Page 527 and 528: Dr. Surearts (USA), Dan Landrum (US
Page 529 and 530: TV. Terence McMahon, Editor. The Fa
Page 531 and 532: No. 9 (August-September). Newsprint
Page 533 and 534: Vol. 2, No. 6 (November 1979). Offs
Page 535 and 536: Vol. 5, No. 4 (September 1982). Off
Page 537: sense of direction. the occasion of
Page 541 and 542: (Belgium), Shozo Shimamoto (Japan),
Page 543 and 544: Washington, D. C.; Mark Bloch (USA)
Page 545 and 546: (No. 23) (Winter 1996-1997). Offset
Page 547 and 548: own ad on the front or back cover t
Page 549 and 550: changing some time this year but I
Page 551 and 552: with Utopian leanings or concerns.
Page 553 and 554: Version 90. Alexandra Fisher, David
Page 555 and 556: Cosey Fanni Tutti (England), Opal L
Page 557 and 558: to the Editors," in which Ken Fried
Page 559 and 560: is so much bigger and looser now-th
Page 561 and 562: Menghi, Ivana Martínez Vollaró, N
Page 563 and 564: No. 2 ([1986]). Offset. 111/4"x8 1/
Page 565 and 566: "Ladies & Gentleman: I don't have t
Page 567 and 568: anarchists, so they don't act very
Page 569 and 570: Workarea Art Ambient. Ponte Romano,
Page 571 and 572: mind to new frontiers, when it does
Page 573 and 574: Xero-Post. Sheldon Polsky, Editor.
Page 575 and 576: No. 3 (September 29, 1989). Compute
Page 577 and 578: through, and their opinions about t
Page 579 and 580: letters, essays, commentaries, cart
Page 581 and 582: strike and then sit on their hands!
Page 583 and 584: No. 0 (December 31, 1992). Computer
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