Mail Art Periodicals - MoMA

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No. 16 (1997). Photocopy and Rubber Stamps. 8 1/2"x5 1/2". 23 pages. Letters from Rusty Clark (USA), Zebraman (USA), Al Ackerman (USA), et al. "List of Participants in Readers Participation Story." "Lime Green Project Results: Reader Participation Story." Zine reviews and news. "Mail Art Calls." No. 17 (October 1997). Photocopy and Rubber Stamp. 8 1/2"x 5 1/2". 24 pages. "Questions for Blaster Al." "Do It Yourself Postage Stamps," by John Held, Jr. (USA), followed by "Additional Information Compiled by Carolyn Substitute." "Mail Art Calls." Zine news and reviews. "Factsheet Five" review copy, listing publication information. Lips. Hiroshi Saga, Editor. Kawasaki, Japan. (1989). Vol. 1 ([1989]). Photocopy. 11 3/4"x8 1/4". 9 pages. Documenting the editor's Mail Art project of collecting lip prints. Contributors include John Held, Jr. (USA), Gerard Barbot (USA), Claudine Barbot (USA), Fran Cutrell Rutkovsky (USA), et al. LISME. Monty Cantsin (aka Arthur Berkhoff), Editor. Neositischer Kontrollposten, Amsterdam, Holland. 1985. No. 3 (July 1985). Photocopy. 8 1/4"x5 3/4". 40 pages. Title is an anagram of "SMILE" magazine. Contributions by Pete Horobin (Scotland), Robin Crozier (England), Niels Lomholt (Denmark), Mark Pawson (England), Guy Bleus (Belgium), Guillermo Deisler (East Germany), Birger Jesch (East Germany), Damasco Ogaz (Venezuela), David Zack (Mexico), Ryosuke Cohen (Japan), Dogfish (USA), Leonhard Frank Duch (Brazil), Vittore Baroni (Italy), Carlo Pittore (USA), Graf Haufen (West Germany), et al. Litanik. Sylvia James, Editor. Syle, Germany. 1982. Liste 5 (June 1982). Photocopy. 8 1/4"x6". (20 pages). Small press distribution service carrying Mail Art items, such as those by Giovanni Fontana (Italy), "Llys Dana Prod." (France), Vittore Baroni (Italy). Also "Sphinx" magazine and the Mail Art project catalog, "Mail Art is No Label." Little Cockroach Press. Maurizio Nannucci, Editor. Art Metropole, Toronto, Canada. 2000. No. 17 (2000). Offset. 8"x5". (14 pages). Italian artist continues his documentation projects by photographing the refrigerators of Canadians John Goodwin, AA Bronson, Peggy Gale and Michael Snow.
Live from the Stagger Cafe. Luke McGuff, Editor. Minneapolis, Minnesota. 1986. No. 3 (Fall 1986). Photocopy. 8 1/2"x5 1/2". 27 pages. Contributions by Leavenworth Jackson (USA), Candi Strecker (USA), et al. Ljubav/Love: Bulletin of the Institute for the Spreading of Love. Andrej Tisma, Editor. Institute for the Spreading of Love, Novi Sad, Yugoslavia. 1992-1993. No. 1 (January 1992). Photocopy. 11 3/4"x8 1/4". 7 pages. Editorial. "In the 'LOVE' bulletin, whose first number you are just holding, we will publish reports bimonthly on the world-wide love activities, and will send it to those who show interest in that, and to all collaborators whose contributions will be published." Essay by the editor, "Reflections on Love." Letter from Siglinde Kallenbach (Germany). Response by the editor reads in part, "The meditation for Yugoslavia is a very good thing to do. The art today, I think, should be meditation and inspiration of people and nature in order to help. The War situation that is at the moment in Yugoslavia is a good opportunity to send positive waves and support positive forces that are existing here, but have a really hard time in their struggle with negative forces that are suddenly released after 50 years of totalitarism and artificial balance between Yugoslavian nations, republics and their economies." Documentation of the editor's "Rituals of the Spreading of Love, 1984-1991." No. 2 (August 1993). Photocopy. 11 3/4"x8 1/4". 11 pages. "In the time when we in Yugoslavia are living so close to death, we can feel more clear how much love is precious and important. If there would be real love between people there would be no war. It simply could not be possible." Report of the editor's performance, "43 Cubic Meters of Love," Beograd, March 21, 1992. Other "Spreading of Love Rituals," performed in Sr. Karlovci, Belgrade and Senta, Yugoslavia. Contributions by Ruud Janssen (Holland), José VdBroucke (Belgium), Chuck Welch (USA), Ruggero Maggi (Italy), Vincze Lászlo (Romania) et al. Extraordinary documents published in wartime conditions. Lo Straniero (The Stranger). Ignazio Corsaro, Editor. Napoli, Italy. 1989-1996. No. 8 (1989). Newsprint. 28"x20". 4 pages. "The Stranger's Directory" lists "Contributors," (30) and "Applicants," (176). "Contributors" include Marcello Diotellevi (Italy), Ruggero Maggi (Italy), Friedrich Winnes (East Germany). Form reading "I would like to have my name and address printed (free of charge)) in the Stranger's Directory, to be used by other readers for correspondence on art and culture."
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Mail Art Periodicals: An Annotated
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is a harbinger of the future tenden
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Alice's Zine of Dreams. Alice Borea
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No. 17 (March 1998). Photocopy. 8 1
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Anti-Isolation. Miekal And and Liz
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No. 6 (October 1994). Photocopy. 8
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displaying one-f-a-kind books, but
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Art Brigade. Ben Davis, Editor. Ama
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Vol. 2, No. 2/3 (1977). Newsprint.
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(October 19, 1980). Photocopy. 8 1/
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No. 11 (August 1980). Photocopy wit
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No. 34 (October 1982). Photocopy an
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No. 59 (January/June 1989). Photoco
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Artist Call. Michael Schwartz, Edit
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Congress. Michael Hernandez de Luna
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connected with others across the co
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Atalaya. Christer Brunström, Edito
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No. 22 (March 10, 1978?). Offset. 1
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No. 59 (October 20, 1983). Offset.
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project and exhibition notices. "Wh
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No. 98 (February 10, 1989). Photoco
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No. 116 (July 24, 1992). Offset. 23
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No. 141 (January 31, 1997). Offset.
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April 10, 1987. Mixed media. 6 1/2"
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No. 9 (June 1973). Photocopy. 14"x8
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comprehensive catalog and album of
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Bibliography." This issue: "Artist
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No. 26 (November 1994). Photocopy.
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Birdada. Bird (aka Chis Burnett), E
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people who make gather this kind of
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Vol. 1, No. 2 (1986). Photocopy. 8
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network are at all alike. Neuron in
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No. 63 (June 22, 1987). Gocco Print
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No. 114 (December 30, 1988). Gocco
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No. 203 (January 27, 1991). Gocco P
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No. 281 (July 20, 1993). Gocco Prin
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No. 350 (November 20, 1995). Gocco
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No. 511 (September 10, 2001). Gocco
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Cage: Anti-Embargo Magazine. Alexan
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No. 14 (1996). Photocopy. 8 1/2"x5
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No. 6 (February 1991). Photocopy. 1
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No. 116 (February 1990). Offset. 5
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No. 9 (February 20, 1989). Mixed Me
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R. Fricker (Switzerland). "Postal-A
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(n.d.). Photocopy. 8 1/4"x5 3/4". (
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Vol. 1 (June 1999). Photocopy. 8 1/
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participants. "Each contributor, or
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Vol. 1, No. 5 (September 1989). Pho
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(September 1992). Photocopy. 8 1/2"
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CVS (Copyright Violation Squad) Bul
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(May 22, 1995). Photocopy with Rubb
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(January 1987). Photocopy, Rubber S
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Contributors Issue (Summer 1988). P
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No. 45 (February 1983). Offset. 8 1
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(USA), Bugpost (USA), Mike Dyar (US
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No. 030 (November 19, 1989). Photoc
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(Poland), Géza Perneczky (Germany)
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No. 14 (March 1982). Photocopy. 5 1
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No. 2 (March 1986). Newsprint. 16 1
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No. 1 (April 1989). Offset. 8 1/2"x
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11x30: A Publication of the Toledo
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Eraser Carver's Quarterly. Mick Mat
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No. 0 (1999). Offset. 8 1/4"x4". 53
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Decentralized Networker Congress Po
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No. 32 (October 1989). Newsprint. 1
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No. 54 (December 1994). Newsprint.
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No. 21 (July/August 1994). Photocop
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TV Issue (April 1982). Newsprint. 9
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Bride./It too has piquant personali
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Fluxus Bucks. Ex-Posto-Facto (Julie
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No. 4 ([1985]). Photocopy. 5 1/2"x4
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E. M. Plunkett (USA), Carol Law (US
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Vol. 1, No. 2 (Full Moon in May 199
Page 147 and 148: events." Websites section added. "L
Page 149 and 150: No. 1 (March 1990). Photocopy. 8 1/
Page 151 and 152: It is a collection of original work
Page 153 and 154: Issue a (1971). Offset and Mixed Me
Page 155 and 156: No. 4 (Summer 1997). Photocopy. 11"
Page 157 and 158: Humboldt Da-Jest, The. Indian Ralph
Page 159 and 160: No. 6 (August 1990). Photocopy. 11"
Page 161 and 162: (March 1992). Photocopy and Rubber
Page 163 and 164: Inquirer: A Folio of Art and Ideas.
Page 165 and 166: No. 52 (1991). Offset. 13 1/2"x8 3/
Page 167 and 168: No. 74 (1999). Offset. 13 1/2"x8 3/
Page 169 and 170: No. 6 (1993). Photocopy. 11"x8 1/2"
Page 171 and 172: (USA), Minoy (USA), Tyler Hoare (US
Page 173 and 174: Vol. 16, No. 2 (December 1997). Pho
Page 175 and 176: No. 1 (May 2000). Photocopy and Mix
Page 177 and 178: KFR-(Kentucky Fried Royalty) Indiba
Page 179 and 180: Kryptogame. Hanna Bremer and Jack M
Page 181 and 182: No. 3 (1981). Photocopy. 11"x8 1/2"
Page 183 and 184: Nouvelle Série, No. 6 (April 1988)
Page 185 and 186: No. 3 (December 1989). Photocopy. 8
Page 187 and 188: No. 7 ([1985]). Mixed media. 11 3/4
Page 189 and 190: György Galantai (Hungary), David J
Page 191 and 192: in news section include Pips (Germa
Page 193 and 194: Pat Tavenner (USA), Musicmaster (US
Page 195 and 196: No. 18 (Winter 1986/1987). Offset a
Page 197: No. 7 (February 1994). Photocopy. 1
Page 201 and 202: "Seventh Stranger's Exhibition in O
Page 203 and 204: No. 7 (1994). Photocopy. 11 3/4"x8
Page 205 and 206: Love Letters. Sheba, Editor. Exotic
Page 207 and 208: Mail Art exhibition, "No Nukes in M
Page 209 and 210: No. 14 (n.d.). Photocopy. 5 1/2"x3
Page 211 and 212: TAM Publication 950076 (1995). Phot
Page 213 and 214: of, "The Light of the He-Art," from
Page 215 and 216: TAM Publication 960147 (March 1997)
Page 217 and 218: (Belgium) conducted by Ruud Janssen
Page 219 and 220: No. 109 (February 12, 1991). Photoc
Page 221 and 222: No. 22-24 (1989). Photocopy and Mix
Page 223 and 224: No. 25 (April, 14, 1986). Photocopy
Page 225 and 226: No. 0 (June 1981). Photocopy and Mi
Page 227 and 228: No. 58 (August 1992). Photocopy and
Page 229 and 230: No. 80 (October 1994). Photocopy an
Page 231 and 232: No. 93 (February 1996). Photocopy a
Page 233 and 234: (Italy), buZ blurr (USA), Guy Bleus
Page 235 and 236: Kid (USA), Eberhard Janke (Germany)
Page 237 and 238: No. 132 (January 2001). Photocopy a
Page 239 and 240: Musicmaster (USA), Mark Bloch (USA)
Page 241 and 242: submissions will be clear and conci
Page 243 and 244: Banquet (The Beasts at the Feast)."
Page 245 and 246: No. 7 ([1989]). Offset. 9 1/2"x8 1/
Page 247 and 248: including Géza Perneczky (Germany)
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(May 4 thru 10, 1988). Photocopy. 8
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(Germany). "Dreamtime Village" even
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Vol. 9, No. 2/3 (March/April 1996).
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RUBBER STAMP ALBUM and had been ord
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Vol. 2, No. 2 (January 1984). Offse
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Vol. 8, No. 4 (Summer 1990). Offset
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that is wide in its acceptance of m
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is the need for mail-Art shows. At
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listings compiled by Honoria (USA).
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No. 1 (July 1993). Photocopy. 16 1/
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Netshaker. Crackerjack Kid (aka Chu
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Vol. 1, No. 3 (August 16, 1994). Co
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Hamann (West Germany), Graciela Mar
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display and disseminate the product
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Gerlovans (USA). Carlo Pittore (USA
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do some research about what the oth
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TAM-970158 (January 1997). Photocop
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(October 1993). Photocopy. 8 1/2"x5
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Tisma (Yugoslavia), Toward the New
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Breeder" we say goodbye to Stu Horn
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O. Ghislain Belmans, Johan Sanctoru
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Occasional, Tuesday-Art News. Georg
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Vol. 27, No. 3 (Issue 37) (Summer 1
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Todorovic (Yugoslavia); Shozo Shima
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No. 24 ([1987]). Photocopy. 8 1/4"x
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(USA), Shozo Shimamoto (Japan), Ryo
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Ruth and Marvin Sackner (USA), Seie
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Strada (Italy), Peter W. Kaufmann (
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No. 72 (1992). Photocopy. 8 1/4"x5
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very dear guest here last days of O
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No. 93 (1997). Photocopy. 8 1/4"x5
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years!...then Austro-Ungarian (empi
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about extraordinary TIME of CHANGE
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Network: A Mail Art Anthology." "I
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No. 38.2 (May 1998). Photocopy. 8 1
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No. 44.1B (January 2000). Photocopy
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"Shadowland and Rubberwork," by Don
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force things. Zen, y'know. & beside
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Other Times: An Alternative Mail Ar
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No. 12 1/2 (September 1995). Photoc
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No. 21 (July 1996). Photocopy. 8 1/
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No. 29 (May/June 1997). Photocopy.
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No. 6 ([1984]). Photocopy. 8 1/2"x5
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No. 21 (November 14, 1987). Photoco
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Parallelogramme. Tanya Mars, Editor
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Pelo+Pelo-. Emilio Morandi, Editor.
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"'PhotoStatic Magazine' is a bimont
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No. 20 (October 1986). Photocopy. 8
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others doing the same thing. It's c
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and continuing mail Art. "Mail Revi
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No. 40 (December 1989). Photocopy.
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correspondence. After writing close
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and political awareness (and a cook
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PMTTD's Standard Catalogue Update.
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Vol. 1, No. 2 (July 1993). Photocop
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No. 1-A (January 1992). Photocopy a
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Hora") text from Montevideo, Urugua
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(October 1995). Color Photocopy. 8
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Princess Debbie (USA), John Held, J
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No. 17 (June 1991). Photocopy. 5 3/
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No. 33 (September-October 1994). Ph
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No. 5 (April [1995]). Photocopy and
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No. 19 (August 1996). Photocopy. 8
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proud history of pranks, games, fal
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No. 16 ([July] 1987). Photocopy. 11
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Germany), Louise Krasniewicz (USA),
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No. 13 (September 1998). Photocopy,
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Joel Rossman, Bill Gaglione, Carlo
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Joyce Glasner (Canada), Luc Fierens
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Ram Art Review. L. Zjawin Francke,
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"SPECIAL DOUBLE ISSUE! Music Mail A
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participants of the Congress includ
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profiteering..." Letters from Rudi
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No. 1 (Winter Solstice 1994). Offse
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overnight in the underground channe
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No. 4 (December 1991). Photocopy. 3
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No. 0," by Florian Cramer (Germany)
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designs on rollers, postage cancell
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Vol. 2, No. 7 (July 1979). Offset a
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so if you haven't had a go yet then
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Vol. 4, No. 1 (November 1988). Phot
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Issue 0 (February 1989). Color Offs
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Vol. 2, Issue 8 (June 1982). Newspr
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Vol. 5, Issue 21 (October 1985). Ne
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(USA). "'Book as Art' was a famous
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Vol. 10, Issue 46 (July/August 1989
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numerous Europeans. Serendipitous o
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Vol. 15, Issue 75 (May/June 1994).
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Vol. 17, Issue 88 (July/August 1996
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and Angela Netmail, Germany). "Thei
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Schmidt (West Germany), Rolf Staeck
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No. 6 ([1989]). Photocopy and Mixed
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Cohen (USA), Fluxlist (Internet) an
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mail-art, news-letters, leaflets an
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drawings, paintings and so on as (w
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No. 61 (1995). Photocopy. 17"x11".
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Sick Roof: A Journal of Humorous, P
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was international, planetary art. n
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Slugfest, Ltd. Michael T. Nowak, Ed
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R. Fricker (Switzerland), Emilio Mo
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(August 1992). Photocopy. 11"x8 1/2
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No. 5 ([1990]. Offset. 11"x8 1/2".
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No. 7 ([1985]). Offset. 11 3/4"x8 1
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of a reasonable price. once this ha
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Espinosa (Mexico), Shozo Shimamoto
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called MAIL-ART like today, but the
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is Not Fine Art It's the Artist Who
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No. 2 (1989). Photocopy. 8 1/2"x5 1
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statements about mail art. Not only
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compute-file. Now I decided to prin
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Soppalco, Il (The Balcony): Home Ar
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Exhibition," by Ken Friedman. "'Int
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documented participation in 1,068 M
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No. 1 (1982). Mixed Media. (9 pages
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Musicmaster (USA), Donna Nassar (US
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Germany), John Jacobs (aka H.Y.P.E.
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Vol. 2, No. 3 (November 1982). News
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No. 12466 (1995). Photocopy and Rub
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No. 16568 (1997). Computer Print an
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Schizophreniatrics, Morealism, Sarc
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Germany), Salvatore de Rosa (Italy)
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Vol. 4, No. 42 (December 20, 1987).
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Subtle Journal of Raw Coinage, The.
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I am also looking forward to sharin
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No. 11 (nod.). Color and Black & Wh
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No. 1984.7 (1984). Photocopy. 11 3/
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communication could be the transfer
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ulletin. After that, the rubberstam
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No. 96-06 (June 1996). Computer Pri
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No. 6 (Fall 1996). Photocopy and Ru
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(July 11, 1992). Photocopy and Rubb
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No. 6 (June 1993). Photocopy and Mi
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Macadam (Argentina), Svjetlana Mimi
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(Uruguay), A. d. Eker (Holland), Ru
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Vol. 3, No. 3 (January 1983). Photo
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Vol. 2, No. 3 (Fall-Winter 1981). P
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Tourism Review. Hans Rudi Fricker,
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No. 38 (December 1993). Photocopy.
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No. 48 (January 1995). Photocopy. 8
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Dr. Surearts (USA), Dan Landrum (US
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TV. Terence McMahon, Editor. The Fa
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No. 9 (August-September). Newsprint
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Vol. 2, No. 6 (November 1979). Offs
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Vol. 5, No. 4 (September 1982). Off
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sense of direction. the occasion of
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stamp production services provided
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(Belgium), Shozo Shimamoto (Japan),
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Washington, D. C.; Mark Bloch (USA)
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(No. 23) (Winter 1996-1997). Offset
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own ad on the front or back cover t
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changing some time this year but I
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with Utopian leanings or concerns.
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Version 90. Alexandra Fisher, David
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Cosey Fanni Tutti (England), Opal L
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to the Editors," in which Ken Fried
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is so much bigger and looser now-th
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Menghi, Ivana Martínez Vollaró, N
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No. 2 ([1986]). Offset. 111/4"x8 1/
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"Ladies & Gentleman: I don't have t
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anarchists, so they don't act very
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Workarea Art Ambient. Ponte Romano,
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mind to new frontiers, when it does
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Xero-Post. Sheldon Polsky, Editor.
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No. 3 (September 29, 1989). Compute
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through, and their opinions about t
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letters, essays, commentaries, cart
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strike and then sit on their hands!
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No. 0 (December 31, 1992). Computer
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