Mail Art Periodicals - MoMA

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Snacks. Pas de Chance, Editor. Toronto, Canada. 1994-1995. No. 319 (September 16, 1994). Photocopy, Rubber Stamps and Mixed Media. (52 pages). "Every copy of this book is different. Copy No. 1 was published in August 1993. This copy is No. 319, published on Sep 16 1994." Contributors send in notices for lost animals. Contributions by 80 participants including Julee Peaslee (USA), Ashley Parker Owens (USA), John M. Bennett (USA), Clemente Padin (Uruguay), Mike Dyar (USA), David Dellafiora (England), Klaus Groh (Germany), Donald P. Milliken (USA), Julie Atomic (aka Julie Shapiro, USA), Reed Altemus (USA), Anna Banana (Canada), Mark Pawson (England), Reverend Randall Tin-Ear (USA), et al. No. 468 (February 11, 1995). Photocopy, Rubber Stamps and Mixed Media. (56 pages). "Every copy of this book is different. Copy No. 1 was published in August 1993. this copy is No. 468, published on Feb 11 1995." Contributions by Igor Bartolech (Yugoslavia), M. B. Corbett (USA), Antonio Gomez (Spain), Helena Perkins (USA), Baudhuin Simon (Belgium), Jokie X. Wison (USA), Jan DeSirey (USA), et al. Snail Mail Gets a New Shell: A Newsletter from the Dispatch of Signs & Stones. Guido Vermeulen, Editor. Brussels, Belgium. (2001). ([2001]). Computer Print. 11 3/4"x8 1/4". (2 pages). Mail Art exhibition, project and publication opportunities. So Called. Sonja van der Burg, Editor. The Hague, Holland. 1986. No. 2 (July 1986). Photocopy. 5 3/4"x4 1/4". (16 pages). Theme: Dadafilters. "OK you rainbow-warriors, mail-art fighters and other heroes...here we are again, worshipping the postal services that binds us together." Musings on the "Decentralized World-Wide Mail Art Congress," with mentions of Mark Bloch (USA) and Harry Fox (USA), who have traveled to Europe to attend various sessions. List of 18 contributors to the issue including Vittore Baroni (Italy), Robin Crozier (England), Luc Fierens (Belgium), Charles Françoise (Belgium), Fruit Basket Upset (USA), Martin Krist (Austria), Pascal Lenoir (France), Achim Schnyder (West Germany), et al. Socks, Dregs & Rockin' Chairs. Geof Huth, Editor. Schenectady, New York. 1989.
No. 2 (1989). Photocopy. 8 1/2"x5 1/2". (8 pages). Comix art. Contributions by John E. (USA), Bob Grumman (USA), the editor, et al. Sol Cultural. César Reglero Campos, Editor. Taller Del Sol, Coma-Ruga, Spain. (1995-1996). ([1995]). Offset and Mixed Media. 16 1/2"x6" (oversize). Pages numbered 37-76. Contributions by Spanish Mail Art group Taller Del Sol, Ibirico (Spain), Clemente Padin (Uruguay), Ruggero Maggi (Italy), et al. Mail Art exhibition, project and publication opportunities. ([1996]). Photocopy. 11 3/4"x8 1/4". (25 pages). "Declaracion De No- Principles de 'Sol Cultural'." Mail Art and visual poetry in loose pages. Contributions by Gerardo Yepiz (Mexico), Dave Zucker (Spain), Clemente Padin (Uruguay), Ashley Parker Owens (aka "Global Mail"), et al. Mail Art exhibition, project and publication opportunities. Some Thoughts About Mail Art. Ruud Janssen, Editor. TAM- Publications, Tilburg, Holland. 1993-1997. No. 93003 (December 1993). Computer Print, Rubber Stamp and Sticker. 8 1/4"x4". (6 pages). Headings for "To Know Mail-Art...?" (Seven statements, including, "The only people who 'really' know what Mail-Art is all about, are the ones that practice it. I tried several times to explain to others what mail-art is all about, but they never really understood it. Sure, they know that it has to do with mail and art, but there is more to Mail-Art then just sending out a decorated envelope to somebody else."); "To Feel Mail-Art." (Seven statements including, "Another thing that always come sup in my mind when I think of mailart is, that I have the feeling I am not alone on this world. Lots of people have the same 'drive' as I have. They are searching for new things in their lives. They are facing the problems they are encountering. and problems are not really problems when you can share them with friends."); To Explain Mail-Art." (Three statements including, "The one who reads this collection of statements probably knows already about mail-art. But still I can't explain mail-art just like that. Even talking 'face-to-face' with a mail-artist, I know that I am still looking for the unfound words to explain this strange communication-form."); "Can You Stop with Mail- Art? (Four statements including, "Even when a mail-artist dies, it really doesn't stop. the rest will talk and write about him/her. There is only no reply to these words unless family and/or friends take over."). "P.. This collection of statements will constantly change because mail-art is also constantly changing as is my own life and views about things."
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Mail Art Periodicals: An Annotated
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is a harbinger of the future tenden
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Alice's Zine of Dreams. Alice Borea
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No. 17 (March 1998). Photocopy. 8 1
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Anti-Isolation. Miekal And and Liz
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No. 6 (October 1994). Photocopy. 8
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displaying one-f-a-kind books, but
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Art Brigade. Ben Davis, Editor. Ama
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Vol. 2, No. 2/3 (1977). Newsprint.
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(October 19, 1980). Photocopy. 8 1/
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No. 11 (August 1980). Photocopy wit
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No. 34 (October 1982). Photocopy an
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No. 59 (January/June 1989). Photoco
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Artist Call. Michael Schwartz, Edit
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Congress. Michael Hernandez de Luna
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connected with others across the co
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Atalaya. Christer Brunström, Edito
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No. 22 (March 10, 1978?). Offset. 1
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No. 59 (October 20, 1983). Offset.
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project and exhibition notices. "Wh
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No. 98 (February 10, 1989). Photoco
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No. 116 (July 24, 1992). Offset. 23
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No. 141 (January 31, 1997). Offset.
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April 10, 1987. Mixed media. 6 1/2"
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No. 9 (June 1973). Photocopy. 14"x8
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comprehensive catalog and album of
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Bibliography." This issue: "Artist
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No. 26 (November 1994). Photocopy.
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Birdada. Bird (aka Chis Burnett), E
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people who make gather this kind of
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Vol. 1, No. 2 (1986). Photocopy. 8
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network are at all alike. Neuron in
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No. 63 (June 22, 1987). Gocco Print
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No. 114 (December 30, 1988). Gocco
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No. 203 (January 27, 1991). Gocco P
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No. 281 (July 20, 1993). Gocco Prin
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No. 350 (November 20, 1995). Gocco
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No. 511 (September 10, 2001). Gocco
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Cage: Anti-Embargo Magazine. Alexan
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No. 14 (1996). Photocopy. 8 1/2"x5
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No. 6 (February 1991). Photocopy. 1
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No. 116 (February 1990). Offset. 5
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No. 9 (February 20, 1989). Mixed Me
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R. Fricker (Switzerland). "Postal-A
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(n.d.). Photocopy. 8 1/4"x5 3/4". (
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Vol. 1 (June 1999). Photocopy. 8 1/
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participants. "Each contributor, or
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Vol. 1, No. 5 (September 1989). Pho
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(September 1992). Photocopy. 8 1/2"
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CVS (Copyright Violation Squad) Bul
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(May 22, 1995). Photocopy with Rubb
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(January 1987). Photocopy, Rubber S
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Contributors Issue (Summer 1988). P
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No. 45 (February 1983). Offset. 8 1
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(USA), Bugpost (USA), Mike Dyar (US
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No. 030 (November 19, 1989). Photoc
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(Poland), Géza Perneczky (Germany)
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No. 14 (March 1982). Photocopy. 5 1
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No. 2 (March 1986). Newsprint. 16 1
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No. 1 (April 1989). Offset. 8 1/2"x
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11x30: A Publication of the Toledo
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Eraser Carver's Quarterly. Mick Mat
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No. 0 (1999). Offset. 8 1/4"x4". 53
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Decentralized Networker Congress Po
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No. 32 (October 1989). Newsprint. 1
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No. 54 (December 1994). Newsprint.
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No. 21 (July/August 1994). Photocop
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TV Issue (April 1982). Newsprint. 9
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Bride./It too has piquant personali
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Fluxus Bucks. Ex-Posto-Facto (Julie
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No. 4 ([1985]). Photocopy. 5 1/2"x4
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E. M. Plunkett (USA), Carol Law (US
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Vol. 1, No. 2 (Full Moon in May 199
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events." Websites section added. "L
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No. 1 (March 1990). Photocopy. 8 1/
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It is a collection of original work
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Issue a (1971). Offset and Mixed Me
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No. 4 (Summer 1997). Photocopy. 11"
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Humboldt Da-Jest, The. Indian Ralph
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No. 6 (August 1990). Photocopy. 11"
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(March 1992). Photocopy and Rubber
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Inquirer: A Folio of Art and Ideas.
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No. 52 (1991). Offset. 13 1/2"x8 3/
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No. 74 (1999). Offset. 13 1/2"x8 3/
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No. 6 (1993). Photocopy. 11"x8 1/2"
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(USA), Minoy (USA), Tyler Hoare (US
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Vol. 16, No. 2 (December 1997). Pho
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No. 1 (May 2000). Photocopy and Mix
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KFR-(Kentucky Fried Royalty) Indiba
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Kryptogame. Hanna Bremer and Jack M
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No. 3 (1981). Photocopy. 11"x8 1/2"
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Nouvelle Série, No. 6 (April 1988)
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No. 3 (December 1989). Photocopy. 8
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No. 7 ([1985]). Mixed media. 11 3/4
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György Galantai (Hungary), David J
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in news section include Pips (Germa
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Pat Tavenner (USA), Musicmaster (US
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No. 18 (Winter 1986/1987). Offset a
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No. 7 (February 1994). Photocopy. 1
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Live from the Stagger Cafe. Luke Mc
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"Seventh Stranger's Exhibition in O
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No. 7 (1994). Photocopy. 11 3/4"x8
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Love Letters. Sheba, Editor. Exotic
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Mail Art exhibition, "No Nukes in M
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No. 14 (n.d.). Photocopy. 5 1/2"x3
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TAM Publication 950076 (1995). Phot
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of, "The Light of the He-Art," from
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TAM Publication 960147 (March 1997)
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(Belgium) conducted by Ruud Janssen
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No. 109 (February 12, 1991). Photoc
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No. 22-24 (1989). Photocopy and Mix
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No. 25 (April, 14, 1986). Photocopy
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No. 0 (June 1981). Photocopy and Mi
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No. 58 (August 1992). Photocopy and
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No. 80 (October 1994). Photocopy an
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No. 93 (February 1996). Photocopy a
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(Italy), buZ blurr (USA), Guy Bleus
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Kid (USA), Eberhard Janke (Germany)
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No. 132 (January 2001). Photocopy a
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Musicmaster (USA), Mark Bloch (USA)
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submissions will be clear and conci
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Banquet (The Beasts at the Feast)."
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No. 7 ([1989]). Offset. 9 1/2"x8 1/
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including Géza Perneczky (Germany)
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(May 4 thru 10, 1988). Photocopy. 8
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(Germany). "Dreamtime Village" even
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Vol. 9, No. 2/3 (March/April 1996).
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RUBBER STAMP ALBUM and had been ord
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Vol. 2, No. 2 (January 1984). Offse
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Vol. 8, No. 4 (Summer 1990). Offset
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that is wide in its acceptance of m
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is the need for mail-Art shows. At
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listings compiled by Honoria (USA).
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No. 1 (July 1993). Photocopy. 16 1/
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Netshaker. Crackerjack Kid (aka Chu
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Vol. 1, No. 3 (August 16, 1994). Co
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Hamann (West Germany), Graciela Mar
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display and disseminate the product
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Gerlovans (USA). Carlo Pittore (USA
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do some research about what the oth
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TAM-970158 (January 1997). Photocop
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(October 1993). Photocopy. 8 1/2"x5
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Tisma (Yugoslavia), Toward the New
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Breeder" we say goodbye to Stu Horn
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O. Ghislain Belmans, Johan Sanctoru
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Occasional, Tuesday-Art News. Georg
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Vol. 27, No. 3 (Issue 37) (Summer 1
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Todorovic (Yugoslavia); Shozo Shima
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No. 24 ([1987]). Photocopy. 8 1/4"x
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(USA), Shozo Shimamoto (Japan), Ryo
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Ruth and Marvin Sackner (USA), Seie
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Strada (Italy), Peter W. Kaufmann (
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No. 72 (1992). Photocopy. 8 1/4"x5
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very dear guest here last days of O
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No. 93 (1997). Photocopy. 8 1/4"x5
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years!...then Austro-Ungarian (empi
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about extraordinary TIME of CHANGE
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Network: A Mail Art Anthology." "I
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No. 38.2 (May 1998). Photocopy. 8 1
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No. 44.1B (January 2000). Photocopy
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"Shadowland and Rubberwork," by Don
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force things. Zen, y'know. & beside
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Other Times: An Alternative Mail Ar
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No. 12 1/2 (September 1995). Photoc
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No. 21 (July 1996). Photocopy. 8 1/
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No. 29 (May/June 1997). Photocopy.
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No. 6 ([1984]). Photocopy. 8 1/2"x5
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No. 21 (November 14, 1987). Photoco
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Parallelogramme. Tanya Mars, Editor
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Pelo+Pelo-. Emilio Morandi, Editor.
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"'PhotoStatic Magazine' is a bimont
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No. 20 (October 1986). Photocopy. 8
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others doing the same thing. It's c
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and continuing mail Art. "Mail Revi
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No. 40 (December 1989). Photocopy.
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correspondence. After writing close
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and political awareness (and a cook
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PMTTD's Standard Catalogue Update.
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Vol. 1, No. 2 (July 1993). Photocop
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No. 1-A (January 1992). Photocopy a
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Hora") text from Montevideo, Urugua
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(October 1995). Color Photocopy. 8
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Princess Debbie (USA), John Held, J
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No. 17 (June 1991). Photocopy. 5 3/
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No. 33 (September-October 1994). Ph
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No. 5 (April [1995]). Photocopy and
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No. 19 (August 1996). Photocopy. 8
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proud history of pranks, games, fal
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No. 16 ([July] 1987). Photocopy. 11
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Germany), Louise Krasniewicz (USA),
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No. 13 (September 1998). Photocopy,
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Joel Rossman, Bill Gaglione, Carlo
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Joyce Glasner (Canada), Luc Fierens
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Ram Art Review. L. Zjawin Francke,
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"SPECIAL DOUBLE ISSUE! Music Mail A
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participants of the Congress includ
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profiteering..." Letters from Rudi
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No. 1 (Winter Solstice 1994). Offse
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overnight in the underground channe
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No. 4 (December 1991). Photocopy. 3
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No. 0," by Florian Cramer (Germany)
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designs on rollers, postage cancell
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Vol. 2, No. 7 (July 1979). Offset a
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so if you haven't had a go yet then
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Vol. 4, No. 1 (November 1988). Phot
Page 411 and 412: Issue 0 (February 1989). Color Offs
Page 413 and 414: Vol. 2, Issue 8 (June 1982). Newspr
Page 415 and 416: Vol. 5, Issue 21 (October 1985). Ne
Page 417 and 418: (USA). "'Book as Art' was a famous
Page 419 and 420: Vol. 10, Issue 46 (July/August 1989
Page 421 and 422: numerous Europeans. Serendipitous o
Page 423 and 424: Vol. 15, Issue 75 (May/June 1994).
Page 425 and 426: Vol. 17, Issue 88 (July/August 1996
Page 427 and 428: and Angela Netmail, Germany). "Thei
Page 429 and 430: Schmidt (West Germany), Rolf Staeck
Page 431 and 432: No. 6 ([1989]). Photocopy and Mixed
Page 433 and 434: Cohen (USA), Fluxlist (Internet) an
Page 435 and 436: mail-art, news-letters, leaflets an
Page 437 and 438: drawings, paintings and so on as (w
Page 439 and 440: No. 61 (1995). Photocopy. 17"x11".
Page 441 and 442: Sick Roof: A Journal of Humorous, P
Page 443 and 444: was international, planetary art. n
Page 445 and 446: Slugfest, Ltd. Michael T. Nowak, Ed
Page 447 and 448: R. Fricker (Switzerland), Emilio Mo
Page 449 and 450: (August 1992). Photocopy. 11"x8 1/2
Page 451 and 452: No. 5 ([1990]. Offset. 11"x8 1/2".
Page 453 and 454: No. 7 ([1985]). Offset. 11 3/4"x8 1
Page 455 and 456: of a reasonable price. once this ha
Page 457 and 458: Espinosa (Mexico), Shozo Shimamoto
Page 459 and 460: called MAIL-ART like today, but the
Page 461: is Not Fine Art It's the Artist Who
Page 465 and 466: statements about mail art. Not only
Page 467 and 468: compute-file. Now I decided to prin
Page 469 and 470: Soppalco, Il (The Balcony): Home Ar
Page 471 and 472: Exhibition," by Ken Friedman. "'Int
Page 473 and 474: documented participation in 1,068 M
Page 475 and 476: No. 1 (1982). Mixed Media. (9 pages
Page 477 and 478: Musicmaster (USA), Donna Nassar (US
Page 479 and 480: Germany), John Jacobs (aka H.Y.P.E.
Page 481 and 482: Vol. 2, No. 3 (November 1982). News
Page 483 and 484: No. 12466 (1995). Photocopy and Rub
Page 485 and 486: No. 16568 (1997). Computer Print an
Page 487 and 488: Schizophreniatrics, Morealism, Sarc
Page 489 and 490: Germany), Salvatore de Rosa (Italy)
Page 491 and 492: Vol. 4, No. 42 (December 20, 1987).
Page 493 and 494: Subtle Journal of Raw Coinage, The.
Page 495 and 496: I am also looking forward to sharin
Page 497 and 498: No. 11 (nod.). Color and Black & Wh
Page 499 and 500: No. 1984.7 (1984). Photocopy. 11 3/
Page 501 and 502: communication could be the transfer
Page 503 and 504: ulletin. After that, the rubberstam
Page 505 and 506: No. 96-06 (June 1996). Computer Pri
Page 507 and 508: No. 6 (Fall 1996). Photocopy and Ru
Page 509 and 510: (July 11, 1992). Photocopy and Rubb
Page 511 and 512: No. 6 (June 1993). Photocopy and Mi
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Macadam (Argentina), Svjetlana Mimi
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(Uruguay), A. d. Eker (Holland), Ru
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Vol. 3, No. 3 (January 1983). Photo
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Vol. 2, No. 3 (Fall-Winter 1981). P
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Tourism Review. Hans Rudi Fricker,
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No. 38 (December 1993). Photocopy.
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No. 48 (January 1995). Photocopy. 8
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Dr. Surearts (USA), Dan Landrum (US
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TV. Terence McMahon, Editor. The Fa
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No. 9 (August-September). Newsprint
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Vol. 2, No. 6 (November 1979). Offs
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Vol. 5, No. 4 (September 1982). Off
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sense of direction. the occasion of
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stamp production services provided
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(Belgium), Shozo Shimamoto (Japan),
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Washington, D. C.; Mark Bloch (USA)
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(No. 23) (Winter 1996-1997). Offset
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own ad on the front or back cover t
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changing some time this year but I
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with Utopian leanings or concerns.
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Version 90. Alexandra Fisher, David
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Cosey Fanni Tutti (England), Opal L
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to the Editors," in which Ken Fried
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is so much bigger and looser now-th
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Menghi, Ivana Martínez Vollaró, N
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No. 2 ([1986]). Offset. 111/4"x8 1/
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"Ladies & Gentleman: I don't have t
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anarchists, so they don't act very
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Workarea Art Ambient. Ponte Romano,
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mind to new frontiers, when it does
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Xero-Post. Sheldon Polsky, Editor.
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No. 3 (September 29, 1989). Compute
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through, and their opinions about t
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letters, essays, commentaries, cart
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strike and then sit on their hands!
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No. 0 (December 31, 1992). Computer
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