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Mail Art Periodicals - MoMA

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commercial outlets except for Printed Matter, Inc., the only bookstore dealing<br />

exclusively with book-like works by artists still in print..." Notice of works by<br />

Vincent Trasov (aka Mr. Peanut, Canada), Dick Higgins (USA) and Alison<br />

Knowles (USA) in "<strong>Art</strong>ists' Books."<br />

Vol. 5, No. 2 (February 1977). Offset 11"x8 1/2". Pages numbered 46-87.<br />

"Impressions/Expressions," contains a letter from Jonathan Held (aka John Held,<br />

Jr., USA), "Programming Consultant, Mid-York Library System, Utica, New York."<br />

"I am interested in receiving information and material on the subject of<br />

correspondence art, with particular attention placed on the use of rubber stamps<br />

(both visual and textual). Stamp <strong>Art</strong> has become a growing movement in Europe<br />

and the United States with exhibitions devoted to the medium and books<br />

published documenting the activities of various artists." First appearance of "<strong>Art</strong><br />

Spoken Here," a trademark not only of this publication, but of the editor's<br />

forthcoming "Umbrella." The editor voices her concerns for the future of her<br />

continuing in the present periodical in "From the Editor." "...the printing budget<br />

had been cut, not only for the newsletter, but it seems to me for other printing<br />

which is essential for the nuts and bolts of this society. the argument on the part<br />

of some Board members was that most people do not read this newsletter<br />

anymore since it is too big. If that is the case, then perhaps the hours of<br />

preparation and the charge to document the activities of this society are really for<br />

naught. I need your feedback, because this is crucial...If you don't like the back<br />

of the newsletter, then say so, but that is the reason a great many non-librarians<br />

red this newsletter...The future of this publication depends upon you. To be sure,<br />

I can eliminate the obituaries, since 'everyone reads it in the newspapers.' But<br />

there are more essential principles here, or frankly, you will get what you wantand<br />

that is a handsome 24-page ARLIS/NA News Sheet-and another Editor will<br />

be at the helm."<br />

<strong>Art</strong> and Absence of Clothes. The Painter NATO, Editor.<br />

Fondation Le Peintre NATO, Paris, France. 1995.<br />

No. 2. (1995). Offset. 8 1/4"x5 3/4". (22 pages). Announcing the second festival<br />

by the editor on the them, "<strong>Art</strong> and the Absence of Clothes." Statements by<br />

Gianni Broi (Italy), Mayumi Handa (Japan).<br />

<strong>Art</strong> and Communication Network. Roger Avau, Editor. Bruxelles,<br />

Belgium. 1991.<br />

No. 1 (1991). Offset. 11 3/4"x8 1/4". (4 pages). "Here is then the first number of<br />

a newsletter who's entirely at the disposal of all adepts of the international<br />

wirework called NETWORK, more commonly designed by <strong>Mail</strong> <strong>Art</strong> or Postal <strong>Art</strong>,<br />

even if the term recovers only a part of networking." News. Coverage of "Net<br />

Run," with Shozo Shimamoto (Japan), Ryosuke Cohen (Japan), Mayumi Handa<br />

(Japan), et al. Portrait of Archive for Small Press and Communication.<br />

Audio/Radio <strong>Art</strong>. <strong>Mail</strong> <strong>Art</strong> exhibition, project and publication opportunities.

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