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Raimondo Del Prete (Italy), Franco Santini (Italy), et al. Mail Art exhibition, project and publication opportunities. Special No. 43 (July 1994). Photocopy. 8 1/4"x5 3/4". (24 pages). Contributions by 45 artists including Geert De Decker (Belgium), Ruggero Maggi (Italy), Henning Mittendorf (Germany), Jean-Françoise Robic (France), Angela and Peter Netmail (Germany), Franco Santini (Italy),Raimondo Del Prete (Italy), Honoria (USA), Renee Bouws (Holland), Carolyn Substitute (USA), Obvious Front (USA), Alice Borealis (USA), Ruud Janssen (Holland), Pinky (Italy), Giovanni Strada (Italy), Magda Lagerwerf (Holland), Ryosuke Cohen (Japan), John Held, Jr. (USA) Anna Boschi (Italy), Malok (USA), Mike Dyar (USA), et al. No. 44 (August 1994). Photocopy. 8 1/4"x5 3/4". (40 pages). "L'Arte del Silenzio e La Voce Della Luna," by Franco Santini (Italy) and Raimondo Del Prete (Italy). "Press Release," by Gianni Broi (Italy). "Indonesian-German Workshop," by Angela and Peter Netmail (Germany) and Byron Black (Indonesia). "'Networker Gallery 'Nenad Bogdanovic'." "Little Notice About Postal Service, 12/07/1994," by Igor Bartolech (Yugoslavia). "Brain Cell," by Ryosuke Cohen (Japan). "Chain Letters," by Dorothy A. Penney (USA). "Eraser-Carving," "The TAM Rubberstamp Archive," and "Chain-Letters and 'Add To' -Xeroxes," by Ruud Janssen (Holland). Mail Art exhibition, project and publication opportunities. Special No. 44 (August 1994). Photocopy. 8 1/4"x5 3/4". (20 pages). "Dedicated to Igor Bartolech." Contributions by Franco Santini (Italy), Ruggero Maggi (Italy), Clemente Padin (Uruguay), Geert De Decker (Belgium), Mike Dyar (USA), Henning Mittendorf (Germany), Peter Netmail (aka Peter Küstermann, Germany), Igor Bartolech (Yugoslavia), et al. No. 47 (December 1994). Photocopy and Rubber Stamp. 8 1/4"x5 3/4". (24 pages). "Strano Network" conference with Vittore Baroni (Italy), Giuseppe Chiari (Italy), Gianni Broi (Italy), et al. "Criminal Correspondence," by Gianni Broi. Photo by Giovanni Strada (Italy) of a performance with John Held, Jr. (USA), Anna Banana (Canada), and Jean-Françoise Robic (France) in Quebec, Canada. "Arte Postal," by Claire Lamarre (Canada). "Mail-Art Statements from Ruud Janssen (Holland)." Publications received. Mail Art exhibition, project and publication opportunities. Special No. 47 ([December 1994]). Photocopy. 8 1/4"x5 3/4". 23 pages. Contributions by Fabio Sassi (Italy), Ruggero Maggi (Italy), Ennio Pauluzzi (Italy), Hans Braumuller (Chile), Jean-Françoise Robic (France), Alice Borealis (USA), Serge Segay (Russia), Malok (USA), Luigino Solamito (Italy), Giovanni Strada (Italy), et al.
No. 48 (January 1995). Photocopy. 8 1/4"x5 3/4". (32 pages). "International Union of Mail Artists," and "Electronic Mail Art (VII)," by Ruud Janssen (Holland). Text by Marcel Stussi (Switzerland). "Bibliozine" No. 26, by John Held, Jr. (USA). "My-Self/Hare," by Emilio Morandi (Italy). "The Nude Networkers," by Peter Küstermann (Germany). "I Metanetworker in Spirit," by Ruggero Maggi (Italy). "Eraser-Carving," by Ruud Jansen. Mail Art exhibition, project and publication opportunities. Portrait of Ray Johnson (USA) on back cover by Ruud Janssen. Special No. 48 ([January 1995]). Photocopy. 8 1/4"x5 3/4". (28 pages). Focus on the Photocopy artworks of Aerial Print (aka Kazuyoshi Takeishi, Japan) and drawings by Ruud Janssen (Holland). No. 50 (May 1995). Photocopy. 8 1/4"x5 3/4". (32 pages). "1995-The Year of Performance at Artpool." "An Artistamp Sheet From Kenya," by Angela and Peter Netmail (Germany). Contribution by Peter Netmail (aka Peter Küstermann, Germany). Mail Art exhibition, project and publication opportunities. Special No. 50 (May 1995). Photocopy. 8 1/4"x5 3/4". (28 pages). "The Communication-Forms in Networking," by Ruud Janssen (Holland). "Electronic Mail-Art (IX), (X) and (XI)," by Ruud Janssen. "Corrispondenze Biunivoche," by Antonio Amato (Italy). "I Santini Del Prete," by Ido Brezo (Italy). "Bibliozine " No. 29 ("Eternal Network" review) and No. 30 (Ray Johnson), by John Held, Jr. (USA). "Mail Art Networking Information," by Peter and Angela Netmail (Germany). Contribution by Anna Boschi (Italy). No. 52 (September 1995). Photocopy. 8 1/4"x5 3/4". (32 pages). "Ravenna Event," organized by Giovanni and Renata Strada (Italy), with the participation of Mayumi Handa (Japan), Yoyoi Yoshitome (Japan), Reika Yamamoto (Japan), Nenad Bogdanovic (Yugoslavia), Emilio Moradni (Italy), Alessandro Cecotto (Italy), et al. "We Love the Networker Gallery Nenad Bogdanovic," by Franco Santini (Italy) and Raimondo Del Prete (Italy). "Bibliozine" No. 37, by John Held, Jr. (USA). "Shozo Shimamoto Voted Chairman of the Japan Association of Art and Culture for the Disabled," by Shozo Shimamoto (Japan). "The Ideological Character of NETWORK," by Clemente Padin (Uruguay). "Newsletter for Participants and Other People Interested in the Mail-Interview Project (June 1995)," by Ruud Janssen (Holland). "Networker Gallery of Nenad Bogdanovic," by John Held, Jr. "Comunicato Stampa," by Ruggero Maggi (Italy). Mail Art exhibition, project and publication opportunities. Special (September 1995). Photocopy. 8 1/4"x5 3/4". (28 pages). "Transfusion Perfomedia 95 Special." Photo-documentation of "Perfomedia," organized by Emilio Morandi (Italy) at Ponte Nossa, Brescia, and Bergamo, Italy, August 1995. "Perfomedia 1995," by Emilio Morandi. Contributions by Renata and Giovanni Strada (Italy), Nenad Bogdanovic (Yugoslavia), Gruppo AU
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Mail Art Periodicals: An Annotated
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is a harbinger of the future tenden
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Alice's Zine of Dreams. Alice Borea
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No. 17 (March 1998). Photocopy. 8 1
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Anti-Isolation. Miekal And and Liz
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No. 6 (October 1994). Photocopy. 8
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displaying one-f-a-kind books, but
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Art Brigade. Ben Davis, Editor. Ama
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Vol. 2, No. 2/3 (1977). Newsprint.
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(October 19, 1980). Photocopy. 8 1/
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No. 11 (August 1980). Photocopy wit
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No. 34 (October 1982). Photocopy an
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No. 59 (January/June 1989). Photoco
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Artist Call. Michael Schwartz, Edit
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Congress. Michael Hernandez de Luna
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connected with others across the co
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Atalaya. Christer Brunström, Edito
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No. 22 (March 10, 1978?). Offset. 1
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No. 59 (October 20, 1983). Offset.
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project and exhibition notices. "Wh
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No. 98 (February 10, 1989). Photoco
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No. 116 (July 24, 1992). Offset. 23
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No. 141 (January 31, 1997). Offset.
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April 10, 1987. Mixed media. 6 1/2"
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No. 9 (June 1973). Photocopy. 14"x8
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comprehensive catalog and album of
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Bibliography." This issue: "Artist
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No. 26 (November 1994). Photocopy.
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Birdada. Bird (aka Chis Burnett), E
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people who make gather this kind of
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Vol. 1, No. 2 (1986). Photocopy. 8
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network are at all alike. Neuron in
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No. 63 (June 22, 1987). Gocco Print
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No. 114 (December 30, 1988). Gocco
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No. 203 (January 27, 1991). Gocco P
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No. 281 (July 20, 1993). Gocco Prin
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No. 350 (November 20, 1995). Gocco
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No. 511 (September 10, 2001). Gocco
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Cage: Anti-Embargo Magazine. Alexan
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No. 14 (1996). Photocopy. 8 1/2"x5
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No. 6 (February 1991). Photocopy. 1
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No. 116 (February 1990). Offset. 5
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No. 9 (February 20, 1989). Mixed Me
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R. Fricker (Switzerland). "Postal-A
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(n.d.). Photocopy. 8 1/4"x5 3/4". (
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Vol. 1 (June 1999). Photocopy. 8 1/
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participants. "Each contributor, or
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Vol. 1, No. 5 (September 1989). Pho
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(September 1992). Photocopy. 8 1/2"
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CVS (Copyright Violation Squad) Bul
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(May 22, 1995). Photocopy with Rubb
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(January 1987). Photocopy, Rubber S
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Contributors Issue (Summer 1988). P
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No. 45 (February 1983). Offset. 8 1
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(USA), Bugpost (USA), Mike Dyar (US
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No. 030 (November 19, 1989). Photoc
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(Poland), Géza Perneczky (Germany)
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No. 14 (March 1982). Photocopy. 5 1
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No. 2 (March 1986). Newsprint. 16 1
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No. 1 (April 1989). Offset. 8 1/2"x
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11x30: A Publication of the Toledo
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Eraser Carver's Quarterly. Mick Mat
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No. 0 (1999). Offset. 8 1/4"x4". 53
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Decentralized Networker Congress Po
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No. 32 (October 1989). Newsprint. 1
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No. 54 (December 1994). Newsprint.
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No. 21 (July/August 1994). Photocop
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TV Issue (April 1982). Newsprint. 9
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Bride./It too has piquant personali
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Fluxus Bucks. Ex-Posto-Facto (Julie
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No. 4 ([1985]). Photocopy. 5 1/2"x4
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E. M. Plunkett (USA), Carol Law (US
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Vol. 1, No. 2 (Full Moon in May 199
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events." Websites section added. "L
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No. 1 (March 1990). Photocopy. 8 1/
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It is a collection of original work
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Issue a (1971). Offset and Mixed Me
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No. 4 (Summer 1997). Photocopy. 11"
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Humboldt Da-Jest, The. Indian Ralph
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No. 6 (August 1990). Photocopy. 11"
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(March 1992). Photocopy and Rubber
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Inquirer: A Folio of Art and Ideas.
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No. 52 (1991). Offset. 13 1/2"x8 3/
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No. 74 (1999). Offset. 13 1/2"x8 3/
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No. 6 (1993). Photocopy. 11"x8 1/2"
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(USA), Minoy (USA), Tyler Hoare (US
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Vol. 16, No. 2 (December 1997). Pho
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No. 1 (May 2000). Photocopy and Mix
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KFR-(Kentucky Fried Royalty) Indiba
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Kryptogame. Hanna Bremer and Jack M
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No. 3 (1981). Photocopy. 11"x8 1/2"
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Nouvelle Série, No. 6 (April 1988)
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No. 3 (December 1989). Photocopy. 8
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No. 7 ([1985]). Mixed media. 11 3/4
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György Galantai (Hungary), David J
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in news section include Pips (Germa
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Pat Tavenner (USA), Musicmaster (US
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No. 18 (Winter 1986/1987). Offset a
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No. 7 (February 1994). Photocopy. 1
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Live from the Stagger Cafe. Luke Mc
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"Seventh Stranger's Exhibition in O
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No. 7 (1994). Photocopy. 11 3/4"x8
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Love Letters. Sheba, Editor. Exotic
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Mail Art exhibition, "No Nukes in M
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No. 14 (n.d.). Photocopy. 5 1/2"x3
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TAM Publication 950076 (1995). Phot
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of, "The Light of the He-Art," from
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TAM Publication 960147 (March 1997)
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(Belgium) conducted by Ruud Janssen
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No. 109 (February 12, 1991). Photoc
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No. 22-24 (1989). Photocopy and Mix
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No. 25 (April, 14, 1986). Photocopy
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No. 0 (June 1981). Photocopy and Mi
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No. 58 (August 1992). Photocopy and
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No. 80 (October 1994). Photocopy an
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No. 93 (February 1996). Photocopy a
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(Italy), buZ blurr (USA), Guy Bleus
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Kid (USA), Eberhard Janke (Germany)
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No. 132 (January 2001). Photocopy a
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Musicmaster (USA), Mark Bloch (USA)
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submissions will be clear and conci
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Banquet (The Beasts at the Feast)."
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No. 7 ([1989]). Offset. 9 1/2"x8 1/
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including Géza Perneczky (Germany)
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(May 4 thru 10, 1988). Photocopy. 8
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(Germany). "Dreamtime Village" even
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Vol. 9, No. 2/3 (March/April 1996).
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RUBBER STAMP ALBUM and had been ord
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Vol. 2, No. 2 (January 1984). Offse
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Vol. 8, No. 4 (Summer 1990). Offset
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that is wide in its acceptance of m
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is the need for mail-Art shows. At
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listings compiled by Honoria (USA).
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No. 1 (July 1993). Photocopy. 16 1/
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Netshaker. Crackerjack Kid (aka Chu
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Vol. 1, No. 3 (August 16, 1994). Co
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Hamann (West Germany), Graciela Mar
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display and disseminate the product
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Gerlovans (USA). Carlo Pittore (USA
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do some research about what the oth
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TAM-970158 (January 1997). Photocop
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(October 1993). Photocopy. 8 1/2"x5
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Tisma (Yugoslavia), Toward the New
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Breeder" we say goodbye to Stu Horn
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O. Ghislain Belmans, Johan Sanctoru
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Occasional, Tuesday-Art News. Georg
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Vol. 27, No. 3 (Issue 37) (Summer 1
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Todorovic (Yugoslavia); Shozo Shima
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No. 24 ([1987]). Photocopy. 8 1/4"x
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(USA), Shozo Shimamoto (Japan), Ryo
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Ruth and Marvin Sackner (USA), Seie
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Strada (Italy), Peter W. Kaufmann (
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No. 72 (1992). Photocopy. 8 1/4"x5
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very dear guest here last days of O
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No. 93 (1997). Photocopy. 8 1/4"x5
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years!...then Austro-Ungarian (empi
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about extraordinary TIME of CHANGE
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Network: A Mail Art Anthology." "I
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No. 38.2 (May 1998). Photocopy. 8 1
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No. 44.1B (January 2000). Photocopy
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"Shadowland and Rubberwork," by Don
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force things. Zen, y'know. & beside
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Other Times: An Alternative Mail Ar
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No. 12 1/2 (September 1995). Photoc
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No. 21 (July 1996). Photocopy. 8 1/
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No. 29 (May/June 1997). Photocopy.
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No. 6 ([1984]). Photocopy. 8 1/2"x5
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No. 21 (November 14, 1987). Photoco
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Parallelogramme. Tanya Mars, Editor
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Pelo+Pelo-. Emilio Morandi, Editor.
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"'PhotoStatic Magazine' is a bimont
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No. 20 (October 1986). Photocopy. 8
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others doing the same thing. It's c
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and continuing mail Art. "Mail Revi
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No. 40 (December 1989). Photocopy.
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correspondence. After writing close
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and political awareness (and a cook
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PMTTD's Standard Catalogue Update.
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Vol. 1, No. 2 (July 1993). Photocop
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No. 1-A (January 1992). Photocopy a
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Hora") text from Montevideo, Urugua
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(October 1995). Color Photocopy. 8
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Princess Debbie (USA), John Held, J
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No. 17 (June 1991). Photocopy. 5 3/
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No. 33 (September-October 1994). Ph
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No. 5 (April [1995]). Photocopy and
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No. 19 (August 1996). Photocopy. 8
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proud history of pranks, games, fal
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No. 16 ([July] 1987). Photocopy. 11
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Germany), Louise Krasniewicz (USA),
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No. 13 (September 1998). Photocopy,
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Joel Rossman, Bill Gaglione, Carlo
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Joyce Glasner (Canada), Luc Fierens
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Ram Art Review. L. Zjawin Francke,
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"SPECIAL DOUBLE ISSUE! Music Mail A
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participants of the Congress includ
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profiteering..." Letters from Rudi
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No. 1 (Winter Solstice 1994). Offse
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overnight in the underground channe
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No. 4 (December 1991). Photocopy. 3
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No. 0," by Florian Cramer (Germany)
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designs on rollers, postage cancell
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Vol. 2, No. 7 (July 1979). Offset a
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so if you haven't had a go yet then
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Vol. 4, No. 1 (November 1988). Phot
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Issue 0 (February 1989). Color Offs
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Vol. 2, Issue 8 (June 1982). Newspr
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Vol. 5, Issue 21 (October 1985). Ne
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(USA). "'Book as Art' was a famous
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Vol. 10, Issue 46 (July/August 1989
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numerous Europeans. Serendipitous o
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Vol. 15, Issue 75 (May/June 1994).
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Vol. 17, Issue 88 (July/August 1996
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and Angela Netmail, Germany). "Thei
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Schmidt (West Germany), Rolf Staeck
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No. 6 ([1989]). Photocopy and Mixed
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Cohen (USA), Fluxlist (Internet) an
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mail-art, news-letters, leaflets an
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drawings, paintings and so on as (w
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No. 61 (1995). Photocopy. 17"x11".
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Sick Roof: A Journal of Humorous, P
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was international, planetary art. n
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Slugfest, Ltd. Michael T. Nowak, Ed
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R. Fricker (Switzerland), Emilio Mo
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(August 1992). Photocopy. 11"x8 1/2
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No. 5 ([1990]. Offset. 11"x8 1/2".
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No. 7 ([1985]). Offset. 11 3/4"x8 1
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of a reasonable price. once this ha
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Espinosa (Mexico), Shozo Shimamoto
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called MAIL-ART like today, but the
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is Not Fine Art It's the Artist Who
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No. 2 (1989). Photocopy. 8 1/2"x5 1
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statements about mail art. Not only
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compute-file. Now I decided to prin
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Soppalco, Il (The Balcony): Home Ar
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Exhibition," by Ken Friedman. "'Int
Page 473 and 474: documented participation in 1,068 M
Page 475 and 476: No. 1 (1982). Mixed Media. (9 pages
Page 477 and 478: Musicmaster (USA), Donna Nassar (US
Page 479 and 480: Germany), John Jacobs (aka H.Y.P.E.
Page 481 and 482: Vol. 2, No. 3 (November 1982). News
Page 483 and 484: No. 12466 (1995). Photocopy and Rub
Page 485 and 486: No. 16568 (1997). Computer Print an
Page 487 and 488: Schizophreniatrics, Morealism, Sarc
Page 489 and 490: Germany), Salvatore de Rosa (Italy)
Page 491 and 492: Vol. 4, No. 42 (December 20, 1987).
Page 493 and 494: Subtle Journal of Raw Coinage, The.
Page 495 and 496: I am also looking forward to sharin
Page 497 and 498: No. 11 (nod.). Color and Black & Wh
Page 499 and 500: No. 1984.7 (1984). Photocopy. 11 3/
Page 501 and 502: communication could be the transfer
Page 503 and 504: ulletin. After that, the rubberstam
Page 505 and 506: No. 96-06 (June 1996). Computer Pri
Page 507 and 508: No. 6 (Fall 1996). Photocopy and Ru
Page 509 and 510: (July 11, 1992). Photocopy and Rubb
Page 511 and 512: No. 6 (June 1993). Photocopy and Mi
Page 513 and 514: Macadam (Argentina), Svjetlana Mimi
Page 515 and 516: (Uruguay), A. d. Eker (Holland), Ru
Page 517 and 518: Vol. 3, No. 3 (January 1983). Photo
Page 519 and 520: Vol. 2, No. 3 (Fall-Winter 1981). P
Page 521 and 522: Tourism Review. Hans Rudi Fricker,
Page 523: No. 38 (December 1993). Photocopy.
Page 527 and 528: Dr. Surearts (USA), Dan Landrum (US
Page 529 and 530: TV. Terence McMahon, Editor. The Fa
Page 531 and 532: No. 9 (August-September). Newsprint
Page 533 and 534: Vol. 2, No. 6 (November 1979). Offs
Page 535 and 536: Vol. 5, No. 4 (September 1982). Off
Page 537 and 538: sense of direction. the occasion of
Page 539 and 540: stamp production services provided
Page 541 and 542: (Belgium), Shozo Shimamoto (Japan),
Page 543 and 544: Washington, D. C.; Mark Bloch (USA)
Page 545 and 546: (No. 23) (Winter 1996-1997). Offset
Page 547 and 548: own ad on the front or back cover t
Page 549 and 550: changing some time this year but I
Page 551 and 552: with Utopian leanings or concerns.
Page 553 and 554: Version 90. Alexandra Fisher, David
Page 555 and 556: Cosey Fanni Tutti (England), Opal L
Page 557 and 558: to the Editors," in which Ken Fried
Page 559 and 560: is so much bigger and looser now-th
Page 561 and 562: Menghi, Ivana Martínez Vollaró, N
Page 563 and 564: No. 2 ([1986]). Offset. 111/4"x8 1/
Page 565 and 566: "Ladies & Gentleman: I don't have t
Page 567 and 568: anarchists, so they don't act very
Page 569 and 570: Workarea Art Ambient. Ponte Romano,
Page 571 and 572: mind to new frontiers, when it does
Page 573 and 574: Xero-Post. Sheldon Polsky, Editor.
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No. 3 (September 29, 1989). Compute
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through, and their opinions about t
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letters, essays, commentaries, cart
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strike and then sit on their hands!
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No. 0 (December 31, 1992). Computer
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