Mail Art Periodicals - MoMA

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No. 35 (June 1993). Photocopy. 8 1/4"x5 3/4". (44 pages). Review by Clive Phillpot (USA) of "Mail Art: an Annotated Bibliography," by John Held, Jr., translated from its original appearance in "Art Libraries Journal," by Alberto Rizzi (Italy). List of participants in the exhibition, "Italian Report," curated by Ruggero Maggi (Italy). "Intermedia Project 'Perfomedia'," by Emilio Morandi (Italy). "Arte Caotica," by Ruggero Maggi. Contributions by Henning Mittendorf (Germany), Dobrica Kamperelic (Yugoslavia), John Held, Jr., Emilio Morandi, Aerial Print (Japan), Silvia Barsi (Italy), Klaus Rupp (Germany), Malok (USA), Mike Dyar (USA), Serge Segay (Russia), Ruggero Maggi, Giovanni Strada (Italy), Vittore Baroni (Italy), et al. Mail art exhibition, project and publication opportunities. (June 1993). Photocopy. 8 1/4"x5 3/4". (20 pages). "Special Malok," reproduces a body of photocopy artwork by the American Mail Artist. No. 36 (July 1993). Photocopy. 8 1/4"x5 3/4". (40 pages). "(Cos'e in Qualche Modeo) La Cultura Internaionale del Networker?/(What is) International Networker Culture," by John Held Jr. (USA), Italian translation by Alberto Rizzi (Italy). Contributions by M. B. Corbett (USA), Ruggero Maggi (Italy), Emilio Morandi (Italy), Henning Mittendorf (Germany), Anna Boschi (Italy), Clemente Padin (Uruguay), Laura Gianfreda (Italy), John Ashbaugh (USA), Peter Küstermann (Germany), Peter Brandt (Germany), Dobrica Kamperelic (Yugoslavia), Guy Bleus (Belgium), et al. Publications received (covers reproduced). Mail Art exhibition, project and publication opportunities (invitations reproduced). Supplemento No. 36 (July 1993). Photocopy. 8 1/4"x5 3/4". (12 pages). "Mailartincontriamoci," by Anna Boschi (Italy). "Mail-Art...My Love," by Anna Boschi. Contributions by Raimondo Del Prete (Italy), Silvia Barsi (Italy), et al. Documentary photographs of Giovanni and Renata Strada (Italy), Franco Santini (Italy), Raimondo Del Prete, Fulgor C. Silvi (Italy), and Alfio Fiorentino (Italy). No. 37 (October 1993). Photocopy and Mixed Media. 8 1/4"x5 3/4". (44 pages). Photo documentation of Shozo Shimamoto at the "Venezia Biennale," June 13, 1993. "International Swamp Academy," by Ilkka Juhani Takalo-Eskola (Finland). "Program of the Neoist Alliance," by the Neoist Alliance (aka Stewart Home, England). Contributions by Emilio Morandi (Italy), Franco Santini (Italy), Greg Byrd (USA), Anna Boschi (Italy), Rlphael Nadolny (Poland), M. B. Corbett (USA), John Held, Jr. (USA), buZ blurr (USA), et al. Publications received. Mail Art exhibition, project and publication opportunities. (October 1993). Photocopy. 8 1/4"x5 3/4". (24 pages). "Special Janssen," features drawings, artistamps and a biography of Ruud Janssen (Holland). "Information about the TAM-Gallery."
No. 38 (December 1993). Photocopy. 8 1/4"x5 3/4". (44 pages). "Mail Art-My Dream of Freedom and Love," by Henning Mittendorf (Germany). "The Great God Cavellini is Dead," and "Lost in the Material World: A Memory of Achim Weigelt," by Mark Bloch (USA). Reprints of "Bibliozine" Nos. 11, 12, and 14, by John Held, Jr. (USA). "Statements," by Ruud Janssen (Holland). Contributions by Igor Bartolech (Yugoslavia), Silvia Barsi (Italy), Luce Fierens (Belgium), Jake Berry (USA), et al. Mail Art exhibition, project and publication opportunities. No. 39 (January 1994). Photocopy. 8 1/4"x5 3/4". (32 pages). Reprint of "Bibliozine" #15, edited by John held, Jr. (USA), "Standard Questions," by the editor. "I Metanetworker in Spirit," by Ruggero Maggi (Italy). Mail Art exhibition, project and publication opportunities. Special No. 39 (January 1994). Photocopy. 8 1/4"x5 3/4". (26 pages). Photo documentation of "Performedia," in Pontenossa , Italy, with Fulgor C. Silvi, Alberto Rizzi (Italy), and the editor. Performance with John Held, Jr. (USA) and Joki Mail Art (aka Jo Klaffki, Germany), in Dallas, Texas. Contributions by Andrej Tisma (Yugoslavia), Igor Bartolech (Yugoslavia), Giovanni Strada (Italy), FaGaGaGa (USA), Angela Pähler and Peter Küstermann (Gemany), Jean-Françoise Robic (France), Henning Mitendorf (Germany), Peter Brandt (Germany), Serge Segay (Russia), Clemente Padin (Uruguay), Predrag Popovic (Yugoslavia), et al. No. 41 (May 1994). Photocopy. 8 1/4"x5 3/4". (20 pages). Photodocumentation of "Rubberstamp Workshop" in Minden, Germany, with Reiu Tüür (Estonia), Michael Fox (Germany), Klaus Rupp (Germany), Georg Lipinsky (Germany), Joki Mail Art (Germany), Peter Brandt (Germany), Pit Friesländer (Germany), Peter Küstermann (Germany), Angela Pähler (Germany), et al. Reprint of "Bibliozine" #20, edited by John Held, Jr. (USA). "Un Nuovo Mondo Onesto?," by Franco Santini (Italy). "Brave New World/," by Igor Bärtolech (Yugoslavia). Mail Art exhibition, project and publication opportunities. No. 43 (July 1994). Photocopy. 8 1/4"x5 3/4". (32 pages). "Performedia 1994," by Emilio Morandi (Italy). "Inverness Mailfesta," by Malcolm Reid (Canada), Jean-Françoise Robic (France), Raphael Couroise (Uruguay), John Held, Jr. (USA), Carlo Pittore (USA), State of Being (aka Reid Wood, USA), Anna Banana (Canada), Jean-Claude Gagnon (Canada), Emilio Morandi (Italy), Giovanni Strada (Italy), Monty Cantsin (aka Istvan Kantor, Canada), Marcel Stüssi (Switzerland), et al. "Chain-Letters and 'Add To'-Xeroxes," by Ruud Janssen (Holland). Networker Congress Area Fiorentina," organized by Gianni Broi (Italy). "Letter di Honoria Agli Amici del Fringeware," by Honoria (aka Madelyn Starbuck, USA). "Networker Telenetlink Year 1995," by Chuck Welch (USA), Photo-documentation of Mail Art exhibition in Diritti e Rovesci, Italy, with Honoria (USA), Joki Mail Art (Germany), Giovanni and Renata Strada (Italy),
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Mail Art Periodicals: An Annotated
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is a harbinger of the future tenden
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Alice's Zine of Dreams. Alice Borea
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No. 17 (March 1998). Photocopy. 8 1
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Anti-Isolation. Miekal And and Liz
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No. 6 (October 1994). Photocopy. 8
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displaying one-f-a-kind books, but
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Art Brigade. Ben Davis, Editor. Ama
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Vol. 2, No. 2/3 (1977). Newsprint.
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(October 19, 1980). Photocopy. 8 1/
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No. 11 (August 1980). Photocopy wit
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No. 34 (October 1982). Photocopy an
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No. 59 (January/June 1989). Photoco
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Artist Call. Michael Schwartz, Edit
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Congress. Michael Hernandez de Luna
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connected with others across the co
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Atalaya. Christer Brunström, Edito
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No. 22 (March 10, 1978?). Offset. 1
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No. 59 (October 20, 1983). Offset.
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project and exhibition notices. "Wh
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No. 98 (February 10, 1989). Photoco
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No. 116 (July 24, 1992). Offset. 23
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No. 141 (January 31, 1997). Offset.
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April 10, 1987. Mixed media. 6 1/2"
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No. 9 (June 1973). Photocopy. 14"x8
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comprehensive catalog and album of
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Bibliography." This issue: "Artist
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No. 26 (November 1994). Photocopy.
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Birdada. Bird (aka Chis Burnett), E
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people who make gather this kind of
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Vol. 1, No. 2 (1986). Photocopy. 8
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network are at all alike. Neuron in
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No. 63 (June 22, 1987). Gocco Print
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No. 114 (December 30, 1988). Gocco
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No. 203 (January 27, 1991). Gocco P
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No. 281 (July 20, 1993). Gocco Prin
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No. 350 (November 20, 1995). Gocco
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No. 511 (September 10, 2001). Gocco
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Cage: Anti-Embargo Magazine. Alexan
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No. 14 (1996). Photocopy. 8 1/2"x5
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No. 6 (February 1991). Photocopy. 1
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No. 116 (February 1990). Offset. 5
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No. 9 (February 20, 1989). Mixed Me
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R. Fricker (Switzerland). "Postal-A
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(n.d.). Photocopy. 8 1/4"x5 3/4". (
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Vol. 1 (June 1999). Photocopy. 8 1/
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participants. "Each contributor, or
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Vol. 1, No. 5 (September 1989). Pho
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(September 1992). Photocopy. 8 1/2"
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CVS (Copyright Violation Squad) Bul
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(May 22, 1995). Photocopy with Rubb
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(January 1987). Photocopy, Rubber S
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Contributors Issue (Summer 1988). P
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No. 45 (February 1983). Offset. 8 1
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(USA), Bugpost (USA), Mike Dyar (US
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No. 030 (November 19, 1989). Photoc
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(Poland), Géza Perneczky (Germany)
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No. 14 (March 1982). Photocopy. 5 1
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No. 2 (March 1986). Newsprint. 16 1
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No. 1 (April 1989). Offset. 8 1/2"x
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11x30: A Publication of the Toledo
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Eraser Carver's Quarterly. Mick Mat
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No. 0 (1999). Offset. 8 1/4"x4". 53
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Decentralized Networker Congress Po
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No. 32 (October 1989). Newsprint. 1
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No. 54 (December 1994). Newsprint.
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No. 21 (July/August 1994). Photocop
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TV Issue (April 1982). Newsprint. 9
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Bride./It too has piquant personali
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Fluxus Bucks. Ex-Posto-Facto (Julie
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No. 4 ([1985]). Photocopy. 5 1/2"x4
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E. M. Plunkett (USA), Carol Law (US
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Vol. 1, No. 2 (Full Moon in May 199
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events." Websites section added. "L
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No. 1 (March 1990). Photocopy. 8 1/
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It is a collection of original work
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Issue a (1971). Offset and Mixed Me
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No. 4 (Summer 1997). Photocopy. 11"
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Humboldt Da-Jest, The. Indian Ralph
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No. 6 (August 1990). Photocopy. 11"
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(March 1992). Photocopy and Rubber
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Inquirer: A Folio of Art and Ideas.
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No. 52 (1991). Offset. 13 1/2"x8 3/
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No. 74 (1999). Offset. 13 1/2"x8 3/
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No. 6 (1993). Photocopy. 11"x8 1/2"
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(USA), Minoy (USA), Tyler Hoare (US
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Vol. 16, No. 2 (December 1997). Pho
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No. 1 (May 2000). Photocopy and Mix
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KFR-(Kentucky Fried Royalty) Indiba
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Kryptogame. Hanna Bremer and Jack M
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No. 3 (1981). Photocopy. 11"x8 1/2"
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Nouvelle Série, No. 6 (April 1988)
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No. 3 (December 1989). Photocopy. 8
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No. 7 ([1985]). Mixed media. 11 3/4
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György Galantai (Hungary), David J
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in news section include Pips (Germa
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Pat Tavenner (USA), Musicmaster (US
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No. 18 (Winter 1986/1987). Offset a
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No. 7 (February 1994). Photocopy. 1
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Live from the Stagger Cafe. Luke Mc
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"Seventh Stranger's Exhibition in O
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No. 7 (1994). Photocopy. 11 3/4"x8
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Love Letters. Sheba, Editor. Exotic
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Mail Art exhibition, "No Nukes in M
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No. 14 (n.d.). Photocopy. 5 1/2"x3
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TAM Publication 950076 (1995). Phot
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of, "The Light of the He-Art," from
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TAM Publication 960147 (March 1997)
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(Belgium) conducted by Ruud Janssen
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No. 109 (February 12, 1991). Photoc
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No. 22-24 (1989). Photocopy and Mix
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No. 25 (April, 14, 1986). Photocopy
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No. 0 (June 1981). Photocopy and Mi
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No. 58 (August 1992). Photocopy and
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No. 80 (October 1994). Photocopy an
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No. 93 (February 1996). Photocopy a
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(Italy), buZ blurr (USA), Guy Bleus
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Kid (USA), Eberhard Janke (Germany)
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No. 132 (January 2001). Photocopy a
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Musicmaster (USA), Mark Bloch (USA)
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submissions will be clear and conci
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Banquet (The Beasts at the Feast)."
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No. 7 ([1989]). Offset. 9 1/2"x8 1/
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including Géza Perneczky (Germany)
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(May 4 thru 10, 1988). Photocopy. 8
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(Germany). "Dreamtime Village" even
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Vol. 9, No. 2/3 (March/April 1996).
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RUBBER STAMP ALBUM and had been ord
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Vol. 2, No. 2 (January 1984). Offse
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Vol. 8, No. 4 (Summer 1990). Offset
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that is wide in its acceptance of m
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is the need for mail-Art shows. At
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listings compiled by Honoria (USA).
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No. 1 (July 1993). Photocopy. 16 1/
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Netshaker. Crackerjack Kid (aka Chu
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Vol. 1, No. 3 (August 16, 1994). Co
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Hamann (West Germany), Graciela Mar
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display and disseminate the product
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Gerlovans (USA). Carlo Pittore (USA
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do some research about what the oth
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TAM-970158 (January 1997). Photocop
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(October 1993). Photocopy. 8 1/2"x5
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Tisma (Yugoslavia), Toward the New
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Breeder" we say goodbye to Stu Horn
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O. Ghislain Belmans, Johan Sanctoru
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Occasional, Tuesday-Art News. Georg
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Vol. 27, No. 3 (Issue 37) (Summer 1
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Todorovic (Yugoslavia); Shozo Shima
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No. 24 ([1987]). Photocopy. 8 1/4"x
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(USA), Shozo Shimamoto (Japan), Ryo
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Ruth and Marvin Sackner (USA), Seie
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Strada (Italy), Peter W. Kaufmann (
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No. 72 (1992). Photocopy. 8 1/4"x5
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very dear guest here last days of O
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No. 93 (1997). Photocopy. 8 1/4"x5
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years!...then Austro-Ungarian (empi
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about extraordinary TIME of CHANGE
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Network: A Mail Art Anthology." "I
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No. 38.2 (May 1998). Photocopy. 8 1
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No. 44.1B (January 2000). Photocopy
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"Shadowland and Rubberwork," by Don
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force things. Zen, y'know. & beside
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Other Times: An Alternative Mail Ar
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No. 12 1/2 (September 1995). Photoc
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No. 21 (July 1996). Photocopy. 8 1/
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No. 29 (May/June 1997). Photocopy.
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No. 6 ([1984]). Photocopy. 8 1/2"x5
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No. 21 (November 14, 1987). Photoco
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Parallelogramme. Tanya Mars, Editor
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Pelo+Pelo-. Emilio Morandi, Editor.
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"'PhotoStatic Magazine' is a bimont
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No. 20 (October 1986). Photocopy. 8
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others doing the same thing. It's c
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and continuing mail Art. "Mail Revi
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No. 40 (December 1989). Photocopy.
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correspondence. After writing close
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and political awareness (and a cook
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PMTTD's Standard Catalogue Update.
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Vol. 1, No. 2 (July 1993). Photocop
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No. 1-A (January 1992). Photocopy a
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Hora") text from Montevideo, Urugua
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(October 1995). Color Photocopy. 8
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Princess Debbie (USA), John Held, J
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No. 17 (June 1991). Photocopy. 5 3/
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No. 33 (September-October 1994). Ph
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No. 5 (April [1995]). Photocopy and
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No. 19 (August 1996). Photocopy. 8
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proud history of pranks, games, fal
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No. 16 ([July] 1987). Photocopy. 11
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Germany), Louise Krasniewicz (USA),
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No. 13 (September 1998). Photocopy,
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Joel Rossman, Bill Gaglione, Carlo
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Joyce Glasner (Canada), Luc Fierens
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Ram Art Review. L. Zjawin Francke,
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"SPECIAL DOUBLE ISSUE! Music Mail A
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participants of the Congress includ
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profiteering..." Letters from Rudi
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No. 1 (Winter Solstice 1994). Offse
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overnight in the underground channe
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No. 4 (December 1991). Photocopy. 3
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No. 0," by Florian Cramer (Germany)
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designs on rollers, postage cancell
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Vol. 2, No. 7 (July 1979). Offset a
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so if you haven't had a go yet then
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Vol. 4, No. 1 (November 1988). Phot
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Issue 0 (February 1989). Color Offs
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Vol. 2, Issue 8 (June 1982). Newspr
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Vol. 5, Issue 21 (October 1985). Ne
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(USA). "'Book as Art' was a famous
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Vol. 10, Issue 46 (July/August 1989
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numerous Europeans. Serendipitous o
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Vol. 15, Issue 75 (May/June 1994).
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Vol. 17, Issue 88 (July/August 1996
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and Angela Netmail, Germany). "Thei
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Schmidt (West Germany), Rolf Staeck
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No. 6 ([1989]). Photocopy and Mixed
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Cohen (USA), Fluxlist (Internet) an
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mail-art, news-letters, leaflets an
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drawings, paintings and so on as (w
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No. 61 (1995). Photocopy. 17"x11".
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Sick Roof: A Journal of Humorous, P
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was international, planetary art. n
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Slugfest, Ltd. Michael T. Nowak, Ed
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R. Fricker (Switzerland), Emilio Mo
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(August 1992). Photocopy. 11"x8 1/2
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No. 5 ([1990]. Offset. 11"x8 1/2".
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No. 7 ([1985]). Offset. 11 3/4"x8 1
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of a reasonable price. once this ha
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Espinosa (Mexico), Shozo Shimamoto
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called MAIL-ART like today, but the
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is Not Fine Art It's the Artist Who
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No. 2 (1989). Photocopy. 8 1/2"x5 1
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statements about mail art. Not only
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compute-file. Now I decided to prin
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Soppalco, Il (The Balcony): Home Ar
Page 471 and 472: Exhibition," by Ken Friedman. "'Int
Page 473 and 474: documented participation in 1,068 M
Page 475 and 476: No. 1 (1982). Mixed Media. (9 pages
Page 477 and 478: Musicmaster (USA), Donna Nassar (US
Page 479 and 480: Germany), John Jacobs (aka H.Y.P.E.
Page 481 and 482: Vol. 2, No. 3 (November 1982). News
Page 483 and 484: No. 12466 (1995). Photocopy and Rub
Page 485 and 486: No. 16568 (1997). Computer Print an
Page 487 and 488: Schizophreniatrics, Morealism, Sarc
Page 489 and 490: Germany), Salvatore de Rosa (Italy)
Page 491 and 492: Vol. 4, No. 42 (December 20, 1987).
Page 493 and 494: Subtle Journal of Raw Coinage, The.
Page 495 and 496: I am also looking forward to sharin
Page 497 and 498: No. 11 (nod.). Color and Black & Wh
Page 499 and 500: No. 1984.7 (1984). Photocopy. 11 3/
Page 501 and 502: communication could be the transfer
Page 503 and 504: ulletin. After that, the rubberstam
Page 505 and 506: No. 96-06 (June 1996). Computer Pri
Page 507 and 508: No. 6 (Fall 1996). Photocopy and Ru
Page 509 and 510: (July 11, 1992). Photocopy and Rubb
Page 511 and 512: No. 6 (June 1993). Photocopy and Mi
Page 513 and 514: Macadam (Argentina), Svjetlana Mimi
Page 515 and 516: (Uruguay), A. d. Eker (Holland), Ru
Page 517 and 518: Vol. 3, No. 3 (January 1983). Photo
Page 519 and 520: Vol. 2, No. 3 (Fall-Winter 1981). P
Page 521: Tourism Review. Hans Rudi Fricker,
Page 525 and 526: No. 48 (January 1995). Photocopy. 8
Page 527 and 528: Dr. Surearts (USA), Dan Landrum (US
Page 529 and 530: TV. Terence McMahon, Editor. The Fa
Page 531 and 532: No. 9 (August-September). Newsprint
Page 533 and 534: Vol. 2, No. 6 (November 1979). Offs
Page 535 and 536: Vol. 5, No. 4 (September 1982). Off
Page 537 and 538: sense of direction. the occasion of
Page 539 and 540: stamp production services provided
Page 541 and 542: (Belgium), Shozo Shimamoto (Japan),
Page 543 and 544: Washington, D. C.; Mark Bloch (USA)
Page 545 and 546: (No. 23) (Winter 1996-1997). Offset
Page 547 and 548: own ad on the front or back cover t
Page 549 and 550: changing some time this year but I
Page 551 and 552: with Utopian leanings or concerns.
Page 553 and 554: Version 90. Alexandra Fisher, David
Page 555 and 556: Cosey Fanni Tutti (England), Opal L
Page 557 and 558: to the Editors," in which Ken Fried
Page 559 and 560: is so much bigger and looser now-th
Page 561 and 562: Menghi, Ivana Martínez Vollaró, N
Page 563 and 564: No. 2 ([1986]). Offset. 111/4"x8 1/
Page 565 and 566: "Ladies & Gentleman: I don't have t
Page 567 and 568: anarchists, so they don't act very
Page 569 and 570: Workarea Art Ambient. Ponte Romano,
Page 571 and 572: mind to new frontiers, when it does
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Xero-Post. Sheldon Polsky, Editor.
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No. 3 (September 29, 1989). Compute
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through, and their opinions about t
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letters, essays, commentaries, cart
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strike and then sit on their hands!
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No. 0 (December 31, 1992). Computer
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