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Mail Art Periodicals - MoMA

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mail-art, news-letters, leaflets and posters operate on a level that is used by<br />

Cassette Culture. Independent artists make their works available by word of<br />

mouth, hand to hand in cultural circles, through local shops, alternative music<br />

programming on campus radio stations, via independent distributors using mailorder<br />

catalogues, and through the vital arteries of world-wide mail networking. It<br />

is through networking that local artists can engage in international communities<br />

of creative independents who operate outside of 'Official' culture."<br />

Serious Attentions. Svjetlana Mimica, Editor. Split, Croatia.<br />

1992-1995.<br />

(No. 1) (October 1992). Photocopy. 11 3/4"x8 1/4". (7 pages).<br />

"Enclosed you find a xerox-copy of the first magazine make by Svjetlana Mimica<br />

from Croatia. since mail from Croatia is difficult to send out I distribute these<br />

magazines on request by Svjetlana. Please forgive the bad copy quality. In WAR<br />

materials to make a good xerox is impossible." (Note from Ruud Janssen,<br />

Tilburg, Holland, October 14, 1992). "Serious Attentions' will appear quarterly,<br />

free for mail-artists, xeroxed in Croatia, legalized in IOUMA [International Union<br />

of <strong>Mail</strong> <strong>Art</strong>ists, ed.] (Holland) as international mail-art magazine." poetry by the<br />

editor. Contributions by Andrea Ovcinnicoff (Italy), Kimmo Framelius (Finland),<br />

G. Donaudi (Italy), Malok (USA), Mike Dyar (USA), John Held, Jr. (USA), et al.<br />

No. 2 (1993). Photocopy. 8 1/4"x5 3/4". 7 pages. Printed and distributed<br />

by Ruud Janssen (Holland) for the editor. Contributions by De Decker Geert<br />

(Belgium), Jim Klingbeil (USA), Ruud Janssen, et al. <strong>Mail</strong> <strong>Art</strong> exhibition, project<br />

and publication opportunities.<br />

No. 3 (1993). Photocopy and Rubber Stamps. 8 1/4"x5 3/4". (6<br />

pages). Printed and distributed by Ruud Janssen (Holland) for the editor.<br />

Contributions by Picasso Gaglione (USA), Simon Baudhuin (Belgium), JEM (aka<br />

Joy McManus, USA). Ruud Janssen, et al. <strong>Mail</strong> <strong>Art</strong> exhibition, project and<br />

publication opportunities.<br />

No. 5 (October 1993). Photocopy. 8 1/4"x5 3/4". (12 pages). "Blinking<br />

Through: japan tour diary 1993," by John Held, Jr. (USA). Contributions by<br />

Zdenek Sima (Czech Republic), Peter and Angela Netmail (Germany),<br />

"Testimony of an <strong>Art</strong>ist in War," by Andrej Tisma (Yugoslavia). Poetry by the<br />

editor. <strong>Mail</strong> <strong>Art</strong> exhibition, project and publication opportunities.<br />

No. 8 (July 1994). Photocopy and Carbon Paper. 11 3/4"x8 1/4". (10<br />

pages). Poetry by the editor. "Electronic <strong>Mail</strong>-<strong>Art</strong>," by Ruud Janssen (Holland).<br />

"Brain Cell," by Ryosuke Cohen (Japan). "First networking Congress in<br />

Uzbekistan."

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