Mail Art Periodicals - MoMA

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published. Volume III consists of seven issues including Vol. IV, No. 1. It was during this period that The Weekly Breeder served as a model for the numerous other 'dadazines' that soon blossomed around the country, purveying a style of images as uniquely Bay Area as FILE was Canadian./ At least 2 issues of the Breeder were published in the late seventies by Buster Cleveland and Steve Caravello (of Mendodada fame). Steve also edited Vol. IV, No. 1, the Re-election issue./ In looking over these pages one should keep in mind that they predate today's 'punk' graphics by almost 10 years. and that collage, itself owes its existence to the early dadaists, who in the 1920's broke through the formal design and composition standards of their day." Vol. 4, No. 1 (July 20, 1972). Qwik Print. 11"x8 1/2". (2 pages). Issue number four, edited by Steve Caravello. Cut and paste collage by the editor. Vol. 4, No. 1 (n.d.). Photocopy. 11"x8 1/2". (4 pages). "Volume IV brings back Breeder Friedman, the beloved Bruder of the other Breeders, to a new epicene glory as returned founder-editor of the magazine that FLASHART has nominated as the most interesting art magazine being published today." Vol. 1, No. 1 (January 5, 1968). Color and Black & White Photocopy. 8 1/2"x5 1/2". (28 pages). Published in 1978, by Grover Keaton (aka Buster Cleveland) (USA). Assistant editors include Dadaland (aka Bill Gaglione (USA). Contributions by Jerry Dreva (USA), Cavellini (Italy), Ray Johnson (USA), John Evans (USA), E. F. Higgins (USA), Tim Mancusi (USA), Anna Banana (Canada), Pauline Smith (England), Vanzetti (aka Steve Caravello) (USA), Genesis P- Orridge (England), Peter Frank (USA), et al. Vol. 5, No. 1 (May 20, 1992). Color and Black & White Photocopy. 11"x8 1/2". 37 pages. "A Brief History of the NYCS Weekly Breeder: (and a Mini-Editorial)," by Tim Mancusi. "Last January, after almost a decade of noncollaboration, my brother (Leodada Vinci) and I decided to visit William Gaglione and his wife, Darlene Domel, at their rubberstamp shop/gallery down in San Francisco. After reminiscing old times over dinner, I asked Bill if he wanted to put out a 20th anniversary issue this May. The commemorative issue you now hold in you hands is a result of that enthusiasm. Even though we've all gotten older and some of us have kids, I wanted this issue to help contrast the move conservative doldrums the past 12 years have brought about. The Weekly Breeder, Tao more than ever, should always be cutting-edge regardless of who edits it." Contributions by American artists Rick Soloway, Jeff Berner, Buster Cleveland, Stephen Caravello, Steve Hitchcock, Crackerjack Kid, Lon Spiegelman, John Evans, John Held, Jr., Nancy Frank, Judith Hoffberg, Bill Griffith, Darlene Domel, William Gaglione, Indian Ralph, Leodadda Vinci, Ray Johnson, William Burroughs, et al.
O. Ghislain Belmans, Johan Sanctorum, Jan Struelens, Editors. Hoeilaart, Belgium. 1984. No. 8 (Summer 1984). Photocopy. 7 3/4"x7 3/4". 122 pages. Includes an interview with Guy Bleus (Belgium, "Mail-Art is the Dream of All Travelling." O Dos: Revista de Arte Correo. N. N. Arganarz, Editor. Montevideo, Uruguay. 1984. Vol. 1, No. 1 (1984). Offset. 8 1/4"x6 3/4". 21 pages. "Primer Manifiesto Internacional de Arte Correa," by C. D. O. (Italy). "Arte Correo," by the editor. "El Arte postal y el Gran Monstruo," by Ulises Carrión (Holland). "Elogio Del Arte Correo," by Daniel Daligand (France). All texts translated into Spanish by the editor. Additional contributions by Jorge Orta (Argentina), A. De Araujo (Brazil), Paulo Bruscky (Brazil), Clemente Padin (Uruguay), Aaron Flores (Mexico), Cesar Espinosa (Mexico), E. B. Higgins III (USA), Karl Kempton (USA), Crackerjack Kid (USA), Carlo Pittore (USA), Carol Stetser (USA), Henning Mittendorf (Germany), Hans Nevidal (Austria), Guillermo Deisler (Bulgaria), Vittore Baroni (Italy), Shoji Yoshizawa (Japan), et al. O!!Zone. Harry Burrus, Editor. Houston, Texas. 1994-2001. No. 13 (1994). Photocopy. 8 1/2"x5 1/2". 56 pages. "A pamphlet of words, line, and images." Contributions by Bob Grummen (USA), Crag Hill (USA), Michael Basinski (USA), et al. No. 14 (1995). Photocopy. 8 1/2"x5 1/2". 52 pages. Contributions by Guy r. Beining (USA), Crag Hill (USA), Jim Leftwich (USA), Spencer Shelby (USA), Hartmut Andryczuk (Germany), Joel Lipmanm (USA), et al. No. 15 (Summer 1995). Photocopy. 8 1/2"x5 1/2". 80 pages. Contributions by John M. Bennett (USA), Jim Leftwich (USA), Michael Basinski (USA), Joel Lipman (USA), et al. No. 16 (n.d.). Photocopy. 8 1/2"x5 1/2". 60 pages. Contributions by Clemente Padin (Uruguay), Spencer Selby (USA), Larry Tomoyasu (USA), Giancarlo Pavanello (Italy), et al. (1996). Photocopy. 11"x8 1/2". (190 pages). Visual Poetry with contributions by 83 artists from 20 countries including Guido Vermuelen (Belgium), Avelino De Araujo (Brazil), Paulo Bruscky (Brazil), Antonio Pérez- Cares (Chile), padre J. Gutierrez (Cuba), Julien Blaine (France), Jean-François Robic (France), Hartmut Andryczuk (Germany), Theo Breuer (Germany), Klaus peter Dencker (Germany), Klaus Groh (Germany), Ruud Janssen (Holland),
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Mail Art Periodicals: An Annotated
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is a harbinger of the future tenden
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Alice's Zine of Dreams. Alice Borea
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No. 17 (March 1998). Photocopy. 8 1
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Anti-Isolation. Miekal And and Liz
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No. 6 (October 1994). Photocopy. 8
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displaying one-f-a-kind books, but
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Art Brigade. Ben Davis, Editor. Ama
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Vol. 2, No. 2/3 (1977). Newsprint.
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(October 19, 1980). Photocopy. 8 1/
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No. 11 (August 1980). Photocopy wit
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No. 34 (October 1982). Photocopy an
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No. 59 (January/June 1989). Photoco
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Artist Call. Michael Schwartz, Edit
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Congress. Michael Hernandez de Luna
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connected with others across the co
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Atalaya. Christer Brunström, Edito
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No. 22 (March 10, 1978?). Offset. 1
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No. 59 (October 20, 1983). Offset.
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project and exhibition notices. "Wh
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No. 98 (February 10, 1989). Photoco
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No. 116 (July 24, 1992). Offset. 23
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No. 141 (January 31, 1997). Offset.
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April 10, 1987. Mixed media. 6 1/2"
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No. 9 (June 1973). Photocopy. 14"x8
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comprehensive catalog and album of
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Bibliography." This issue: "Artist
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No. 26 (November 1994). Photocopy.
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Birdada. Bird (aka Chis Burnett), E
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people who make gather this kind of
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Vol. 1, No. 2 (1986). Photocopy. 8
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network are at all alike. Neuron in
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No. 63 (June 22, 1987). Gocco Print
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No. 114 (December 30, 1988). Gocco
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No. 203 (January 27, 1991). Gocco P
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No. 281 (July 20, 1993). Gocco Prin
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No. 350 (November 20, 1995). Gocco
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No. 511 (September 10, 2001). Gocco
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Cage: Anti-Embargo Magazine. Alexan
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No. 14 (1996). Photocopy. 8 1/2"x5
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No. 6 (February 1991). Photocopy. 1
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No. 116 (February 1990). Offset. 5
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No. 9 (February 20, 1989). Mixed Me
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R. Fricker (Switzerland). "Postal-A
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(n.d.). Photocopy. 8 1/4"x5 3/4". (
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Vol. 1 (June 1999). Photocopy. 8 1/
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participants. "Each contributor, or
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Vol. 1, No. 5 (September 1989). Pho
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(September 1992). Photocopy. 8 1/2"
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CVS (Copyright Violation Squad) Bul
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(May 22, 1995). Photocopy with Rubb
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(January 1987). Photocopy, Rubber S
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Contributors Issue (Summer 1988). P
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No. 45 (February 1983). Offset. 8 1
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(USA), Bugpost (USA), Mike Dyar (US
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No. 030 (November 19, 1989). Photoc
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(Poland), Géza Perneczky (Germany)
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No. 14 (March 1982). Photocopy. 5 1
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No. 2 (March 1986). Newsprint. 16 1
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No. 1 (April 1989). Offset. 8 1/2"x
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11x30: A Publication of the Toledo
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Eraser Carver's Quarterly. Mick Mat
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No. 0 (1999). Offset. 8 1/4"x4". 53
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Decentralized Networker Congress Po
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No. 32 (October 1989). Newsprint. 1
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No. 54 (December 1994). Newsprint.
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No. 21 (July/August 1994). Photocop
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TV Issue (April 1982). Newsprint. 9
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Bride./It too has piquant personali
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Fluxus Bucks. Ex-Posto-Facto (Julie
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No. 4 ([1985]). Photocopy. 5 1/2"x4
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E. M. Plunkett (USA), Carol Law (US
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Vol. 1, No. 2 (Full Moon in May 199
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events." Websites section added. "L
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No. 1 (March 1990). Photocopy. 8 1/
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It is a collection of original work
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Issue a (1971). Offset and Mixed Me
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No. 4 (Summer 1997). Photocopy. 11"
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Humboldt Da-Jest, The. Indian Ralph
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No. 6 (August 1990). Photocopy. 11"
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(March 1992). Photocopy and Rubber
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Inquirer: A Folio of Art and Ideas.
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No. 52 (1991). Offset. 13 1/2"x8 3/
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No. 74 (1999). Offset. 13 1/2"x8 3/
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No. 6 (1993). Photocopy. 11"x8 1/2"
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(USA), Minoy (USA), Tyler Hoare (US
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Vol. 16, No. 2 (December 1997). Pho
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No. 1 (May 2000). Photocopy and Mix
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KFR-(Kentucky Fried Royalty) Indiba
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Kryptogame. Hanna Bremer and Jack M
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No. 3 (1981). Photocopy. 11"x8 1/2"
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Nouvelle Série, No. 6 (April 1988)
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No. 3 (December 1989). Photocopy. 8
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No. 7 ([1985]). Mixed media. 11 3/4
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György Galantai (Hungary), David J
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in news section include Pips (Germa
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Pat Tavenner (USA), Musicmaster (US
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No. 18 (Winter 1986/1987). Offset a
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No. 7 (February 1994). Photocopy. 1
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Live from the Stagger Cafe. Luke Mc
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"Seventh Stranger's Exhibition in O
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No. 7 (1994). Photocopy. 11 3/4"x8
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Love Letters. Sheba, Editor. Exotic
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Mail Art exhibition, "No Nukes in M
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No. 14 (n.d.). Photocopy. 5 1/2"x3
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TAM Publication 950076 (1995). Phot
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of, "The Light of the He-Art," from
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TAM Publication 960147 (March 1997)
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(Belgium) conducted by Ruud Janssen
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No. 109 (February 12, 1991). Photoc
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No. 22-24 (1989). Photocopy and Mix
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No. 25 (April, 14, 1986). Photocopy
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No. 0 (June 1981). Photocopy and Mi
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No. 58 (August 1992). Photocopy and
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No. 80 (October 1994). Photocopy an
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No. 93 (February 1996). Photocopy a
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(Italy), buZ blurr (USA), Guy Bleus
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Kid (USA), Eberhard Janke (Germany)
Page 237 and 238: No. 132 (January 2001). Photocopy a
Page 239 and 240: Musicmaster (USA), Mark Bloch (USA)
Page 241 and 242: submissions will be clear and conci
Page 243 and 244: Banquet (The Beasts at the Feast)."
Page 245 and 246: No. 7 ([1989]). Offset. 9 1/2"x8 1/
Page 247 and 248: including Géza Perneczky (Germany)
Page 249 and 250: (May 4 thru 10, 1988). Photocopy. 8
Page 251 and 252: (Germany). "Dreamtime Village" even
Page 253 and 254: Vol. 9, No. 2/3 (March/April 1996).
Page 255 and 256: RUBBER STAMP ALBUM and had been ord
Page 257 and 258: Vol. 2, No. 2 (January 1984). Offse
Page 259 and 260: Vol. 8, No. 4 (Summer 1990). Offset
Page 261 and 262: that is wide in its acceptance of m
Page 263 and 264: is the need for mail-Art shows. At
Page 265 and 266: listings compiled by Honoria (USA).
Page 267 and 268: No. 1 (July 1993). Photocopy. 16 1/
Page 269 and 270: Netshaker. Crackerjack Kid (aka Chu
Page 271 and 272: Vol. 1, No. 3 (August 16, 1994). Co
Page 273 and 274: Hamann (West Germany), Graciela Mar
Page 275 and 276: display and disseminate the product
Page 277 and 278: Gerlovans (USA). Carlo Pittore (USA
Page 279 and 280: do some research about what the oth
Page 281 and 282: TAM-970158 (January 1997). Photocop
Page 283 and 284: (October 1993). Photocopy. 8 1/2"x5
Page 285 and 286: Tisma (Yugoslavia), Toward the New
Page 287: Breeder" we say goodbye to Stu Horn
Page 291 and 292: Occasional, Tuesday-Art News. Georg
Page 293 and 294: Vol. 27, No. 3 (Issue 37) (Summer 1
Page 295 and 296: Todorovic (Yugoslavia); Shozo Shima
Page 297 and 298: No. 24 ([1987]). Photocopy. 8 1/4"x
Page 299 and 300: (USA), Shozo Shimamoto (Japan), Ryo
Page 301 and 302: Ruth and Marvin Sackner (USA), Seie
Page 303 and 304: Strada (Italy), Peter W. Kaufmann (
Page 305 and 306: No. 72 (1992). Photocopy. 8 1/4"x5
Page 307 and 308: very dear guest here last days of O
Page 309 and 310: No. 93 (1997). Photocopy. 8 1/4"x5
Page 311 and 312: years!...then Austro-Ungarian (empi
Page 313 and 314: about extraordinary TIME of CHANGE
Page 315 and 316: Network: A Mail Art Anthology." "I
Page 317 and 318: No. 38.2 (May 1998). Photocopy. 8 1
Page 319 and 320: No. 44.1B (January 2000). Photocopy
Page 321 and 322: "Shadowland and Rubberwork," by Don
Page 323 and 324: force things. Zen, y'know. & beside
Page 325 and 326: Other Times: An Alternative Mail Ar
Page 327 and 328: No. 12 1/2 (September 1995). Photoc
Page 329 and 330: No. 21 (July 1996). Photocopy. 8 1/
Page 331 and 332: No. 29 (May/June 1997). Photocopy.
Page 333 and 334: No. 6 ([1984]). Photocopy. 8 1/2"x5
Page 335 and 336: No. 21 (November 14, 1987). Photoco
Page 337 and 338: Parallelogramme. Tanya Mars, Editor
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Pelo+Pelo-. Emilio Morandi, Editor.
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"'PhotoStatic Magazine' is a bimont
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No. 20 (October 1986). Photocopy. 8
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others doing the same thing. It's c
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and continuing mail Art. "Mail Revi
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No. 40 (December 1989). Photocopy.
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correspondence. After writing close
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and political awareness (and a cook
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PMTTD's Standard Catalogue Update.
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Vol. 1, No. 2 (July 1993). Photocop
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No. 1-A (January 1992). Photocopy a
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Hora") text from Montevideo, Urugua
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(October 1995). Color Photocopy. 8
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Princess Debbie (USA), John Held, J
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No. 17 (June 1991). Photocopy. 5 3/
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No. 33 (September-October 1994). Ph
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No. 5 (April [1995]). Photocopy and
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No. 19 (August 1996). Photocopy. 8
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proud history of pranks, games, fal
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No. 16 ([July] 1987). Photocopy. 11
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Germany), Louise Krasniewicz (USA),
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No. 13 (September 1998). Photocopy,
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Joel Rossman, Bill Gaglione, Carlo
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Joyce Glasner (Canada), Luc Fierens
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Ram Art Review. L. Zjawin Francke,
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"SPECIAL DOUBLE ISSUE! Music Mail A
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participants of the Congress includ
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profiteering..." Letters from Rudi
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No. 1 (Winter Solstice 1994). Offse
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overnight in the underground channe
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No. 4 (December 1991). Photocopy. 3
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No. 0," by Florian Cramer (Germany)
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designs on rollers, postage cancell
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Vol. 2, No. 7 (July 1979). Offset a
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so if you haven't had a go yet then
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Vol. 4, No. 1 (November 1988). Phot
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Issue 0 (February 1989). Color Offs
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Vol. 2, Issue 8 (June 1982). Newspr
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Vol. 5, Issue 21 (October 1985). Ne
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(USA). "'Book as Art' was a famous
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Vol. 10, Issue 46 (July/August 1989
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numerous Europeans. Serendipitous o
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Vol. 15, Issue 75 (May/June 1994).
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Vol. 17, Issue 88 (July/August 1996
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and Angela Netmail, Germany). "Thei
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Schmidt (West Germany), Rolf Staeck
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No. 6 ([1989]). Photocopy and Mixed
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Cohen (USA), Fluxlist (Internet) an
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mail-art, news-letters, leaflets an
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drawings, paintings and so on as (w
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No. 61 (1995). Photocopy. 17"x11".
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Sick Roof: A Journal of Humorous, P
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was international, planetary art. n
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Slugfest, Ltd. Michael T. Nowak, Ed
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R. Fricker (Switzerland), Emilio Mo
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(August 1992). Photocopy. 11"x8 1/2
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No. 5 ([1990]. Offset. 11"x8 1/2".
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No. 7 ([1985]). Offset. 11 3/4"x8 1
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of a reasonable price. once this ha
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Espinosa (Mexico), Shozo Shimamoto
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called MAIL-ART like today, but the
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is Not Fine Art It's the Artist Who
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No. 2 (1989). Photocopy. 8 1/2"x5 1
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statements about mail art. Not only
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compute-file. Now I decided to prin
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Soppalco, Il (The Balcony): Home Ar
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Exhibition," by Ken Friedman. "'Int
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documented participation in 1,068 M
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No. 1 (1982). Mixed Media. (9 pages
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Musicmaster (USA), Donna Nassar (US
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Germany), John Jacobs (aka H.Y.P.E.
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Vol. 2, No. 3 (November 1982). News
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No. 12466 (1995). Photocopy and Rub
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No. 16568 (1997). Computer Print an
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Schizophreniatrics, Morealism, Sarc
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Germany), Salvatore de Rosa (Italy)
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Vol. 4, No. 42 (December 20, 1987).
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Subtle Journal of Raw Coinage, The.
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I am also looking forward to sharin
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No. 11 (nod.). Color and Black & Wh
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No. 1984.7 (1984). Photocopy. 11 3/
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communication could be the transfer
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ulletin. After that, the rubberstam
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No. 96-06 (June 1996). Computer Pri
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No. 6 (Fall 1996). Photocopy and Ru
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(July 11, 1992). Photocopy and Rubb
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No. 6 (June 1993). Photocopy and Mi
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Macadam (Argentina), Svjetlana Mimi
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(Uruguay), A. d. Eker (Holland), Ru
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Vol. 3, No. 3 (January 1983). Photo
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Vol. 2, No. 3 (Fall-Winter 1981). P
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Tourism Review. Hans Rudi Fricker,
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No. 38 (December 1993). Photocopy.
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No. 48 (January 1995). Photocopy. 8
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Dr. Surearts (USA), Dan Landrum (US
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TV. Terence McMahon, Editor. The Fa
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No. 9 (August-September). Newsprint
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Vol. 2, No. 6 (November 1979). Offs
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Vol. 5, No. 4 (September 1982). Off
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sense of direction. the occasion of
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stamp production services provided
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(Belgium), Shozo Shimamoto (Japan),
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Washington, D. C.; Mark Bloch (USA)
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(No. 23) (Winter 1996-1997). Offset
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own ad on the front or back cover t
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changing some time this year but I
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with Utopian leanings or concerns.
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Version 90. Alexandra Fisher, David
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Cosey Fanni Tutti (England), Opal L
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to the Editors," in which Ken Fried
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is so much bigger and looser now-th
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Menghi, Ivana Martínez Vollaró, N
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No. 2 ([1986]). Offset. 111/4"x8 1/
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"Ladies & Gentleman: I don't have t
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anarchists, so they don't act very
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Workarea Art Ambient. Ponte Romano,
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mind to new frontiers, when it does
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Xero-Post. Sheldon Polsky, Editor.
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No. 3 (September 29, 1989). Compute
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through, and their opinions about t
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letters, essays, commentaries, cart
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strike and then sit on their hands!
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No. 0 (December 31, 1992). Computer
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