Mail Art Periodicals - MoMA

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(USA), "Copy-Art;" Jürgen Olbrich (Germany), "Touching the Material: Some Thoughts About My Copy-Art;" Gianni Simone (Japan), "A Question of Style?" Special section on "The Balkans," featuring works by Sasa Stojanovic (Yugoslavia), Slavko Mali (Yugoslavia), Svjetland Mimica (Croatia), Dobrica Kamperelic (Yugoslavia), Predrag Petrovic (Yugoslavia). Additional graphics by Trajce Blazevski (Macedonia), Tatjana Cvejin (Yugoslavia), Slatko Krstevski (Macedonia), Dusan Lesevic (Yugoslavia), Miroljub Todorovic (Yugoslavia), et al. Kaldron: A Journal of Visual Poetry and Language. Karl Kempton, Editor. Grover City, California, 1980-1982 No. 11 (Summer 1980). Newsprint. 17 1/2"x11". (20 pages). Contributions by Scott Helmes (USA), Betty Danon (Italy), Bill Gaglione (USA), Paul Zelevansky (USA), Vittore Baroni (Italy), K. S. Ernst (USA), R. Saunders (USA), Miroljub Toderovic (Yugoslavia), A. de Araugo (Brazil), Bern Porter (USA), et al. Publication reviews. No. 12 (Winter Solstice 1980). Newsprint. 17 1/2"x11". (24 pages). Russian Futurism visual poetry by Illya Zdanevich (1919), curated by Gerald Janecek (USA). No. 13 (1981). Newsprint. 17 1/2"x11". (20 pages). Typewriter poems by the editor. No. 14 (Spring Equinox 1981). Newsprint. 17 1/2"x11". (20 pages). Contributions of visual poetry by Ruth Wolf-Rehfield (East Germany), Vittore Baroni (Italy), Betty Danon (Italy), Guillermo Deisler (Bulgaria), Giovanni Fontana (Italy), A. de Araujo (Brazil), Scott Helmes (USA), et al. No. 15 (Fall Equinox 1982). Newsprint. 17 1/2"x11". (20 pages). Contributions of visual poetry by Marilyn R. Rosenberg (USA), Miekal And (USA), Vittore Baroni (Italy), Robert Rehfield (East Germany), Miroljub Todorovic (Yugoslavia), A. de Araugo (Brazil). Paulo Bruscky (Brazil), Guillermo Deisler (Bulgaria), Ruth Wolf-Rehfield (East Germany), David Cole (USA), et al. Publication reviews and notices. Karta Zine. Bartek Nowak, Editor. Myszkow, Poland. (1995). No. 12 ([1995]). Assembling magazine. Contributions by A. De Araujo (Brazil), Michael Lumb (England), Peter Netmail (Germany), Fa GaGaGa (USA), Paulo Bruscky (Brazil), David Dellafiora (Australia), Stephen Perkins (USA), Giovanni Strada (Italy), Michael Fox (Germany), Keiichi Namamura (Japan), et al.
KFR-(Kentucky Fried Royalty) Indibase Newsflyer. Andreas Heilwagen, Editor. Sinzig, West Germany. (1990). ([1990]). Computer print. 5"x4 1/4". (5 pages). "We are searching for contacts, interested in Mail Art, especially Computer Mail Art." Kettle of Fisk. Afungusboy, Editor. Brockport, New York; Laurel, New Jersey; Philadelphia, Pennsylvania. (1991-1993). Vol. 2, No. 1 ([1991]). Photocopy and Mixed Media. 7"x4 1/4". 16 pages. Graphics by the editor. (Published in Brockport, New York). Vol. 2, No. 4 ([1992]). Photocopy and Rubber Stamp. 4 1/4"x3 1/2". (36 pages). Contributions by Mike Diana (USA), buZ blurr (USA), fucci (USA), Jake Berry (USA), Arturo Fallico (USA), Michel Pollard (People's Republic of China), et al. (Published in Laurel, New Jersey). Vol. 2, No. 5 ([March 1992]). Photocopy. 4"x3 1/2". 31 pages. Contributions by Hoagart (USA), Arturo G. Fallico (USA), Larry Angelo (USA), Citizen X. (Japan), Mike Diana (USA), et al. Vol. 3, No. 1 ([1992]). Photocopy and Mixed Media. 5 1/2"x4 1/4". 29 pages. Interview with John M. Bennett (USA). "Memories and Archives," by John Held, Jr. (USA). "My archives are the echo of my crying out to the network. The archive becomes a result of my communication with others. All my correspondence is used to elicit a response. My archives tell me how I'm doing. They are the summation of my desires and obsessions." "Archive (ing): Notes from the Network," with statements by Michel Pollard (China), J.K. Post (USA),, Nicol Kostic (USA) and Larry Angelo (USA). "Nakedwomen: Mail Art Project Documentation." Contributions by Geof Huth (USA), Arturo G. Fallico (USA), Kingdom of Edelweiss (USA), Musicmaster (USA), Crackerjack Kid (USA), et al. Publication notices. (Published in Philadelphia, Pennsylvania). Vol. 3, No. 2 ([1993]). Photocopy. 5 1/2"x4 1/4". 31 pages. Editorial. "Some Thoughts on: Xerox Art vs. hand made Art," with replies by M. B. Corbett (USA), Rubber Grace (USA), et al. "(This is Not a Lecture: From a Letter to afungusboy Dated August 21, 1991)," by John Held, Jr. (USA). " I'm not sure how to react to your frustration about the lack of quality in the replies you get to your work, or no reply at all. I answer everything and try to make as little distinction as possible between quality/non-quality, age of correspondents, longevity in the network, etc. People grow. Those who mail junk today might end
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Mail Art Periodicals: An Annotated
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is a harbinger of the future tenden
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Alice's Zine of Dreams. Alice Borea
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No. 17 (March 1998). Photocopy. 8 1
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Anti-Isolation. Miekal And and Liz
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No. 6 (October 1994). Photocopy. 8
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displaying one-f-a-kind books, but
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Art Brigade. Ben Davis, Editor. Ama
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Vol. 2, No. 2/3 (1977). Newsprint.
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(October 19, 1980). Photocopy. 8 1/
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No. 11 (August 1980). Photocopy wit
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No. 34 (October 1982). Photocopy an
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No. 59 (January/June 1989). Photoco
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Artist Call. Michael Schwartz, Edit
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Congress. Michael Hernandez de Luna
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connected with others across the co
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Atalaya. Christer Brunström, Edito
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No. 22 (March 10, 1978?). Offset. 1
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No. 59 (October 20, 1983). Offset.
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project and exhibition notices. "Wh
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No. 98 (February 10, 1989). Photoco
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No. 116 (July 24, 1992). Offset. 23
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No. 141 (January 31, 1997). Offset.
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April 10, 1987. Mixed media. 6 1/2"
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No. 9 (June 1973). Photocopy. 14"x8
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comprehensive catalog and album of
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Bibliography." This issue: "Artist
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No. 26 (November 1994). Photocopy.
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Birdada. Bird (aka Chis Burnett), E
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people who make gather this kind of
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Vol. 1, No. 2 (1986). Photocopy. 8
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network are at all alike. Neuron in
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No. 63 (June 22, 1987). Gocco Print
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No. 114 (December 30, 1988). Gocco
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No. 203 (January 27, 1991). Gocco P
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No. 281 (July 20, 1993). Gocco Prin
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No. 350 (November 20, 1995). Gocco
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No. 511 (September 10, 2001). Gocco
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Cage: Anti-Embargo Magazine. Alexan
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No. 14 (1996). Photocopy. 8 1/2"x5
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No. 6 (February 1991). Photocopy. 1
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No. 116 (February 1990). Offset. 5
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No. 9 (February 20, 1989). Mixed Me
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R. Fricker (Switzerland). "Postal-A
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(n.d.). Photocopy. 8 1/4"x5 3/4". (
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Vol. 1 (June 1999). Photocopy. 8 1/
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participants. "Each contributor, or
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Vol. 1, No. 5 (September 1989). Pho
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(September 1992). Photocopy. 8 1/2"
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CVS (Copyright Violation Squad) Bul
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(May 22, 1995). Photocopy with Rubb
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(January 1987). Photocopy, Rubber S
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Contributors Issue (Summer 1988). P
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No. 45 (February 1983). Offset. 8 1
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(USA), Bugpost (USA), Mike Dyar (US
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No. 030 (November 19, 1989). Photoc
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(Poland), Géza Perneczky (Germany)
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No. 14 (March 1982). Photocopy. 5 1
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No. 2 (March 1986). Newsprint. 16 1
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No. 1 (April 1989). Offset. 8 1/2"x
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11x30: A Publication of the Toledo
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Eraser Carver's Quarterly. Mick Mat
Page 125 and 126: No. 0 (1999). Offset. 8 1/4"x4". 53
Page 127 and 128: Decentralized Networker Congress Po
Page 129 and 130: No. 32 (October 1989). Newsprint. 1
Page 131 and 132: No. 54 (December 1994). Newsprint.
Page 133 and 134: No. 21 (July/August 1994). Photocop
Page 135 and 136: TV Issue (April 1982). Newsprint. 9
Page 137 and 138: Bride./It too has piquant personali
Page 139 and 140: Fluxus Bucks. Ex-Posto-Facto (Julie
Page 141 and 142: No. 4 ([1985]). Photocopy. 5 1/2"x4
Page 143 and 144: E. M. Plunkett (USA), Carol Law (US
Page 145 and 146: Vol. 1, No. 2 (Full Moon in May 199
Page 147 and 148: events." Websites section added. "L
Page 149 and 150: No. 1 (March 1990). Photocopy. 8 1/
Page 151 and 152: It is a collection of original work
Page 153 and 154: Issue a (1971). Offset and Mixed Me
Page 155 and 156: No. 4 (Summer 1997). Photocopy. 11"
Page 157 and 158: Humboldt Da-Jest, The. Indian Ralph
Page 159 and 160: No. 6 (August 1990). Photocopy. 11"
Page 161 and 162: (March 1992). Photocopy and Rubber
Page 163 and 164: Inquirer: A Folio of Art and Ideas.
Page 165 and 166: No. 52 (1991). Offset. 13 1/2"x8 3/
Page 167 and 168: No. 74 (1999). Offset. 13 1/2"x8 3/
Page 169 and 170: No. 6 (1993). Photocopy. 11"x8 1/2"
Page 171 and 172: (USA), Minoy (USA), Tyler Hoare (US
Page 173 and 174: Vol. 16, No. 2 (December 1997). Pho
Page 175: No. 1 (May 2000). Photocopy and Mix
Page 179 and 180: Kryptogame. Hanna Bremer and Jack M
Page 181 and 182: No. 3 (1981). Photocopy. 11"x8 1/2"
Page 183 and 184: Nouvelle Série, No. 6 (April 1988)
Page 185 and 186: No. 3 (December 1989). Photocopy. 8
Page 187 and 188: No. 7 ([1985]). Mixed media. 11 3/4
Page 189 and 190: György Galantai (Hungary), David J
Page 191 and 192: in news section include Pips (Germa
Page 193 and 194: Pat Tavenner (USA), Musicmaster (US
Page 195 and 196: No. 18 (Winter 1986/1987). Offset a
Page 197 and 198: No. 7 (February 1994). Photocopy. 1
Page 199 and 200: Live from the Stagger Cafe. Luke Mc
Page 201 and 202: "Seventh Stranger's Exhibition in O
Page 203 and 204: No. 7 (1994). Photocopy. 11 3/4"x8
Page 205 and 206: Love Letters. Sheba, Editor. Exotic
Page 207 and 208: Mail Art exhibition, "No Nukes in M
Page 209 and 210: No. 14 (n.d.). Photocopy. 5 1/2"x3
Page 211 and 212: TAM Publication 950076 (1995). Phot
Page 213 and 214: of, "The Light of the He-Art," from
Page 215 and 216: TAM Publication 960147 (March 1997)
Page 217 and 218: (Belgium) conducted by Ruud Janssen
Page 219 and 220: No. 109 (February 12, 1991). Photoc
Page 221 and 222: No. 22-24 (1989). Photocopy and Mix
Page 223 and 224: No. 25 (April, 14, 1986). Photocopy
Page 225 and 226: No. 0 (June 1981). Photocopy and Mi
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No. 58 (August 1992). Photocopy and
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No. 80 (October 1994). Photocopy an
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No. 93 (February 1996). Photocopy a
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(Italy), buZ blurr (USA), Guy Bleus
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Kid (USA), Eberhard Janke (Germany)
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No. 132 (January 2001). Photocopy a
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Musicmaster (USA), Mark Bloch (USA)
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submissions will be clear and conci
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Banquet (The Beasts at the Feast)."
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No. 7 ([1989]). Offset. 9 1/2"x8 1/
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including Géza Perneczky (Germany)
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(May 4 thru 10, 1988). Photocopy. 8
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(Germany). "Dreamtime Village" even
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Vol. 9, No. 2/3 (March/April 1996).
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RUBBER STAMP ALBUM and had been ord
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Vol. 2, No. 2 (January 1984). Offse
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Vol. 8, No. 4 (Summer 1990). Offset
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that is wide in its acceptance of m
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is the need for mail-Art shows. At
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listings compiled by Honoria (USA).
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No. 1 (July 1993). Photocopy. 16 1/
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Netshaker. Crackerjack Kid (aka Chu
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Vol. 1, No. 3 (August 16, 1994). Co
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Hamann (West Germany), Graciela Mar
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display and disseminate the product
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Gerlovans (USA). Carlo Pittore (USA
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do some research about what the oth
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TAM-970158 (January 1997). Photocop
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(October 1993). Photocopy. 8 1/2"x5
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Tisma (Yugoslavia), Toward the New
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Breeder" we say goodbye to Stu Horn
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O. Ghislain Belmans, Johan Sanctoru
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Occasional, Tuesday-Art News. Georg
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Vol. 27, No. 3 (Issue 37) (Summer 1
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Todorovic (Yugoslavia); Shozo Shima
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No. 24 ([1987]). Photocopy. 8 1/4"x
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(USA), Shozo Shimamoto (Japan), Ryo
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Ruth and Marvin Sackner (USA), Seie
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Strada (Italy), Peter W. Kaufmann (
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No. 72 (1992). Photocopy. 8 1/4"x5
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very dear guest here last days of O
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No. 93 (1997). Photocopy. 8 1/4"x5
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years!...then Austro-Ungarian (empi
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about extraordinary TIME of CHANGE
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Network: A Mail Art Anthology." "I
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No. 38.2 (May 1998). Photocopy. 8 1
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No. 44.1B (January 2000). Photocopy
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"Shadowland and Rubberwork," by Don
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force things. Zen, y'know. & beside
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Other Times: An Alternative Mail Ar
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No. 12 1/2 (September 1995). Photoc
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No. 21 (July 1996). Photocopy. 8 1/
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No. 29 (May/June 1997). Photocopy.
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No. 6 ([1984]). Photocopy. 8 1/2"x5
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No. 21 (November 14, 1987). Photoco
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Parallelogramme. Tanya Mars, Editor
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Pelo+Pelo-. Emilio Morandi, Editor.
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"'PhotoStatic Magazine' is a bimont
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No. 20 (October 1986). Photocopy. 8
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others doing the same thing. It's c
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and continuing mail Art. "Mail Revi
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No. 40 (December 1989). Photocopy.
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correspondence. After writing close
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and political awareness (and a cook
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PMTTD's Standard Catalogue Update.
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Vol. 1, No. 2 (July 1993). Photocop
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No. 1-A (January 1992). Photocopy a
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Hora") text from Montevideo, Urugua
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(October 1995). Color Photocopy. 8
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Princess Debbie (USA), John Held, J
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No. 17 (June 1991). Photocopy. 5 3/
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No. 33 (September-October 1994). Ph
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No. 5 (April [1995]). Photocopy and
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No. 19 (August 1996). Photocopy. 8
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proud history of pranks, games, fal
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No. 16 ([July] 1987). Photocopy. 11
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Germany), Louise Krasniewicz (USA),
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No. 13 (September 1998). Photocopy,
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Joel Rossman, Bill Gaglione, Carlo
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Joyce Glasner (Canada), Luc Fierens
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Ram Art Review. L. Zjawin Francke,
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"SPECIAL DOUBLE ISSUE! Music Mail A
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participants of the Congress includ
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profiteering..." Letters from Rudi
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No. 1 (Winter Solstice 1994). Offse
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overnight in the underground channe
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No. 4 (December 1991). Photocopy. 3
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No. 0," by Florian Cramer (Germany)
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designs on rollers, postage cancell
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Vol. 2, No. 7 (July 1979). Offset a
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so if you haven't had a go yet then
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Vol. 4, No. 1 (November 1988). Phot
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Issue 0 (February 1989). Color Offs
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Vol. 2, Issue 8 (June 1982). Newspr
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Vol. 5, Issue 21 (October 1985). Ne
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(USA). "'Book as Art' was a famous
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Vol. 10, Issue 46 (July/August 1989
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numerous Europeans. Serendipitous o
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Vol. 15, Issue 75 (May/June 1994).
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Vol. 17, Issue 88 (July/August 1996
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and Angela Netmail, Germany). "Thei
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Schmidt (West Germany), Rolf Staeck
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No. 6 ([1989]). Photocopy and Mixed
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Cohen (USA), Fluxlist (Internet) an
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mail-art, news-letters, leaflets an
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drawings, paintings and so on as (w
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No. 61 (1995). Photocopy. 17"x11".
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Sick Roof: A Journal of Humorous, P
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was international, planetary art. n
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Slugfest, Ltd. Michael T. Nowak, Ed
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R. Fricker (Switzerland), Emilio Mo
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(August 1992). Photocopy. 11"x8 1/2
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No. 5 ([1990]. Offset. 11"x8 1/2".
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No. 7 ([1985]). Offset. 11 3/4"x8 1
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of a reasonable price. once this ha
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Espinosa (Mexico), Shozo Shimamoto
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called MAIL-ART like today, but the
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is Not Fine Art It's the Artist Who
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No. 2 (1989). Photocopy. 8 1/2"x5 1
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statements about mail art. Not only
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compute-file. Now I decided to prin
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Soppalco, Il (The Balcony): Home Ar
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Exhibition," by Ken Friedman. "'Int
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documented participation in 1,068 M
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No. 1 (1982). Mixed Media. (9 pages
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Musicmaster (USA), Donna Nassar (US
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Germany), John Jacobs (aka H.Y.P.E.
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Vol. 2, No. 3 (November 1982). News
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No. 12466 (1995). Photocopy and Rub
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No. 16568 (1997). Computer Print an
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Schizophreniatrics, Morealism, Sarc
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Germany), Salvatore de Rosa (Italy)
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Vol. 4, No. 42 (December 20, 1987).
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Subtle Journal of Raw Coinage, The.
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I am also looking forward to sharin
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No. 11 (nod.). Color and Black & Wh
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No. 1984.7 (1984). Photocopy. 11 3/
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communication could be the transfer
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ulletin. After that, the rubberstam
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No. 96-06 (June 1996). Computer Pri
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No. 6 (Fall 1996). Photocopy and Ru
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(July 11, 1992). Photocopy and Rubb
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No. 6 (June 1993). Photocopy and Mi
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Macadam (Argentina), Svjetlana Mimi
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(Uruguay), A. d. Eker (Holland), Ru
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Vol. 3, No. 3 (January 1983). Photo
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Vol. 2, No. 3 (Fall-Winter 1981). P
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Tourism Review. Hans Rudi Fricker,
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No. 38 (December 1993). Photocopy.
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No. 48 (January 1995). Photocopy. 8
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Dr. Surearts (USA), Dan Landrum (US
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TV. Terence McMahon, Editor. The Fa
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No. 9 (August-September). Newsprint
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Vol. 2, No. 6 (November 1979). Offs
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Vol. 5, No. 4 (September 1982). Off
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sense of direction. the occasion of
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stamp production services provided
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(Belgium), Shozo Shimamoto (Japan),
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Washington, D. C.; Mark Bloch (USA)
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(No. 23) (Winter 1996-1997). Offset
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own ad on the front or back cover t
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changing some time this year but I
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with Utopian leanings or concerns.
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Version 90. Alexandra Fisher, David
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Cosey Fanni Tutti (England), Opal L
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to the Editors," in which Ken Fried
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is so much bigger and looser now-th
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Menghi, Ivana Martínez Vollaró, N
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No. 2 ([1986]). Offset. 111/4"x8 1/
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"Ladies & Gentleman: I don't have t
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anarchists, so they don't act very
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Workarea Art Ambient. Ponte Romano,
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mind to new frontiers, when it does
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Xero-Post. Sheldon Polsky, Editor.
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No. 3 (September 29, 1989). Compute
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through, and their opinions about t
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letters, essays, commentaries, cart
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strike and then sit on their hands!
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No. 0 (December 31, 1992). Computer
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