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Mail Art Periodicals - MoMA

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No. 3 (1981). Photocopy. 11"x8 1/2". (5 pages). Ackerman on "Duplex<br />

Planet." Editor David B. Greenberger replies.<br />

Le Timbre. Daniel Daligand, Editor. Levallois, France. 1983-1992<br />

No. 2 (May 1983). Photocopy. 11 3/4"x8 1/4". (9 pages). Published in<br />

English. "Is <strong>Mail</strong>-<strong>Art</strong> <strong>Art</strong> or Not?," by the editor. "<strong>Mail</strong> <strong>Art</strong> is also a kind of critic of<br />

the reigning way of living. If mail-art cannot change the world, it can express the<br />

universal wish to change it into a true human world. It's why mail-art is<br />

important." "A Brief History of <strong>Mail</strong> <strong>Art</strong> in Europe," by the editor. "In the <strong>Mail</strong>box,"<br />

features correspondence from Mogens Otto Nielsen (Denmark), Plagiat<br />

(Denmark), Mario Giavino (Italy), Ryosuke Cohen (Japan), Dobrica Kamperelic<br />

(Yugoslavia). Contributions by Guillermo Deisler (Bulgaria), Klaus Groh<br />

(Germany), et al. Published in an edition of 100 copies.<br />

No. 3 (July 1983). Photocopy. 11 3/4"x8 1/4". (8 pages). Published in<br />

Spanish. "Elogio del <strong>Art</strong>e Correo," by the editor. Text by Ruggero Maggi (Italy).<br />

<strong>Mail</strong><strong>Art</strong> exhibition and publication opportunities. Contributions by Klaus Groh<br />

(Germany). Guillermo Deisler (Bulgaria), Vittore Baroni (Italy), et al.<br />

No. 4 (August/September 1983). Photocopy. 11 3/4"x8 1/4". (12<br />

pages). Published in Italian. Contributions by Serse Luigetti (Italy), X.C.L.<br />

Francke (Holland), Anna Banana (Canada), Arno <strong>Art</strong>s (Holland), Roberto Zito<br />

(Italy), Guillermo Deisler (Bulgaria), et al. <strong>Mail</strong> <strong>Art</strong> exhibition opportunities. "<strong>Mail</strong><br />

<strong>Art</strong>/Debate-Inquest," by Ruggero Maggi (Italy). "<strong>Art</strong>e Postale,: by the editor.<br />

No. 6 (January 1984). Photocopy. 11 3/4"x8 1/4". (10 pages). "This<br />

issue is mainly on east European countries: Jugoslavia, German Democratic<br />

Rep., Bulgaria,...unfortunately we did receive anything from Poland since some<br />

months, and we never received anything from USSR." reprint of article by the<br />

editor published in Yugoslavia. Contributions by Andrej Tisma (Yugoslavia),<br />

Dobrica Kamperelic (Yugoslavia), Robert Rehfield (East Germany), Ruth Wolf-<br />

Rehfield (East Germany), Guillermo Deisler (Bulgaria), Filimir (Yugoslavia), et al.<br />

Edition 100.<br />

No. 7 (February/March 84). Photocopy. 11 3/4"x8 1/4". (14 pages).<br />

"L'<strong>Art</strong> Postal: Un Pretexte Pour L'Unite," by Clemente Padin (Uruguay). Text by<br />

Eduardo Diaz Espinoza (Chile) on Padins' imprisonment by the government on<br />

"suspicion of contravening public security of the state." Names and addresses of<br />

<strong>Mail</strong> <strong>Art</strong>ists listed in, "In the <strong>Mail</strong> Box." <strong>Mail</strong> <strong>Art</strong> exhibition, publication and project<br />

opportunities. Contribution by Ben Vautier (France).<br />

(No. 8) (1984). Photocopy. 11 3/4"x8 1/4". (12 pages). "Since our last<br />

issue in February, we have received 2,5 kg of mail art..." "Il Contraiburo Della<br />

<strong>Mail</strong>-<strong>Art</strong> All Nuove Esperienze Visive di Scrittura," by Bruno Chiarlone (Italy).

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