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Mail Art Periodicals - MoMA

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No. 2.1 ([1996]). Photocopy. 11 1/2"x8 1/4". (2 pages). "A periodic<br />

fanzine grouping some actual projects and news about the network." Listing of<br />

<strong>Mail</strong> <strong>Art</strong> Project, publication and exhibition possibilities. "A Chaotic Network," by<br />

the Editor. "We received recently a log of projects about Ray Johnson's works &<br />

history. I hope the artists who are concerned are in contact with each other,<br />

because I think the artists should work together when projects are similar. And<br />

it's available for all kinds of projects. It's necessary if want to make something<br />

exceptional because a lot of energy, money, and time is needed...Then, what<br />

about a collective archive of all the themes which have ever been used in <strong>Mail</strong><br />

art?"<br />

<strong>Mail</strong> <strong>Art</strong> News. Friedhilm Schulz, Editor. Einbeck, West<br />

Germany. 1985.<br />

No. 4 (1985). Photocopy. 8 1/4"x5 3/4". (18 pages). "<strong>Mail</strong> <strong>Art</strong>-My Dream<br />

of Freedom and Love," by Henning Mittendorf (Germany). "Introduction of a New<br />

Gallerist," by the editor.<br />

<strong>Mail</strong> <strong>Art</strong> Obscurities Mirror. K. Frank Jensen, Editor. Ouroboros,<br />

Roskilde, Denmark. 1997.<br />

No. 2 (1997). Color and B&W Photocopy. 8 1/4"x5 3/4". (22 pages).<br />

"The Fake <strong>Mail</strong> Interview with K. Frank Jensen (DK), interviewed by Asta Erte."<br />

Spoof of "The <strong>Mail</strong> <strong>Art</strong> Interview" project of Ruud Janssen (Holland). "AE: The<br />

very last question. Why do you call this a fake interview? KFJ: There is a mail<br />

artist, Ruud Janssen, who runs a series of interviews with mail artists. He told me<br />

that he himself either selected the people he wanted to interview, or made<br />

interviews, when a sufficient number of people asked for an interview with a<br />

particular mail artist. Most of his interviews are with the mail art establishment or<br />

with people, who are more interested in the communicatory and political aspects<br />

rather than in the art aspect of mail art...This is a fake interview, because it is<br />

within RJ's concept but he didn't make it."<br />

<strong>Mail</strong> <strong>Art</strong> Paper E3. Kazuyoshi Takeishi, Editor. Aerial Print,<br />

Tokyo, Japan. 1989-1991.<br />

No 001-100 (April 1989/June 1990). Photocopy. 8 1/4"x5 3/4". (16<br />

pages). Index to "Easy & Instant <strong>Mail</strong> <strong>Art</strong> Mag E3, Nos. 1-100" listing <strong>Mail</strong><br />

<strong>Art</strong>ists and the issues they appeared in.<br />

No. 103 (February 12, 1991). Photocopy. 11 3/4"x8 1/4". (2 pages).<br />

Contributions by Le Peintre Nato (France), Kjell Nyman (Sweden). <strong>Mail</strong> <strong>Art</strong><br />

exhibition notice.

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