Mail Art Periodicals - MoMA

I am also looking forward to sharing the work of other carvers with you. I have a
three year archive of ALL the mail art I've received )boxes and boxes) and
there's some great stuff in there."
No. 6 (1996). Computer Print. 14"x8 1/2". (6 pages). "This sixth issue f
Tabloid Trash contains more carved art and less talk than usual. my mailbox has
been overflowing with wonderful images and I', going to squeeze in as many as I
can. Many of these carvers and images are new to TT constant readers, and
frankly, I'm astounded. There's a lot more carving going on out there than I ever
realized." Contributions by Anne-Miek Bibbe (Netherlands) Julie Hagan Bloch
(USA), Zebra Man (USA), Ainslie Waller (England), Tim Mancusi (USA), Mick
Mather (USA), Sylvia Kleindinst (USA), Larry Angelo (USA), Seiko Sato (USA),
Joel Cohen (aka the Sticker Dude, USA). Tim Blackburn (aka Zetetics, USA), the
editor, et al.
No. 7 (1997). Computer Print and Rubber Stamps. 11"x8 1/2". (6
pages). "I'm still trying to decide if having Internet access and a web page is a
good thing or a bad thing for me. It's got its advantages. I've met some of my
longtime snail mail correspondents via email and the immediacy of sending and
receiving is a plus but on the other hand it just isn't the same as getting a
handmade piece of mailart in the mailbox. Seems as if many of us are forsaking
the ink and paper route for digital contact." Recommended publications.
Contributions by Tim Mancusi (USA), Larry Angelo (USA), Becky Ivancic (USA),
et al.
TACT? Patricia L. Malcolm (aka Flux-Ho), Editor. San Francisco,
California. (1995).
No. 1 ([1995]). Photocopy and Mixed Media. 8 1/2"x7". (32 pages).
"Yeah, this is TACT? #1. The theme of this first issue is self-portrait, all the art in
it reflects the theme as interpreted by me and the artists who mailed in their
contributions. Websters dictionary defines TACT as: the ability to do or say the
right thing at the right time. I've never been able to do this. Have you? In fact I
strive to remain as tactless as possible for as long as possible. Why? because I
believe tact is just another way to silence our voice. our truth. the reality."
Contributions by M. B. Corbett (USA), Ramcell (USA), Tapio Holopainen
(Finland), John Held, Jr. (USA), Seth Mason (USA), Clemente Padin (Uruguay),
David Dellafiora (Australia), Picasso Gaglione (USA), State of Being (aka Reid
Wood, USA), Patricia Collins (England), Larry Angelo (USA), Arte Ala Carte (aka
Joan Coderra, USA), Mike Dyar (USA), Antonio Gomez (Spain), Theo Breuer
(Germany), Graffiti Grafix (USA), Scott Helmes (USA), et al.
No. 2 ([1995]). Photocopy, Rubber Stamps and Mixed Media. 11"x8
1/2". 39 pages. "The theme of #2 , is jobs and while working on this issue
memories and feeling of frustration, pain, anger and shame rose to the surface