Mail Art Periodicals - MoMA

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Vol. 12, No. 1 (Fall 1993). Offset. 11"x8 1/2". 50 pages. "Mail Art Events," lists exhibition, publication and project opportunities. Vol. 12, No. 2 (Winter 1994). Offset. 11"x8 1/2". 47 pages. "From the Stamp Pad" features a notice on the upcoming book by Chuck Welch (USA), "Eternal Network: A Mail Art Anthology," accompanied by a photograph of Welch (aka Crackerjack Kid) at his perforator. "Do-It-Yourself Postage Stamps," by John Held, Jr. (USA), includes artistamps by buZ blurr (USA), Julie Hagan Bloch (USA), E. F. Higgins (USA), Henning Mittendorf (Germany), Pawel Petasz (Poland), and Donald Evans (USA). "Mail Art Events and Exchanges." "What's An Electronic Bulletin Board Anyway?," by Franklinstein, mentions Mail Art postings on Prodigy by Arto Posto (USA). Vol. 12, No. 3 (Spring 1994). Offset. 11"x8 1/2". 51 pages. "Mail Art Events and Exchanges." Vol. 12, No. 4 (Summer 1994). Offset. 11"x8 1/2". 51 pages. "Mailfestas and Marathons: Crosscurrents in Contemporary Mail Art," by John Held, Jr. (USA), contrasts a "Mail Art Marathon" event in Dallas, Texas, with the "Quebec Mail Art Congress," both of which were attended by the author. "Mail art had spawned cooperative projects across cultural boundaries; the zine revolution; set the pattern for electronic communication; encouraged meetings beyond the postal encounter; helped to distribute artistic, social, and political information across borders; stimulated cross-cultural performances; created video and audio projects; and helped examine the aesthetics of communication across international borders...And there lay the weakness of the Mail Art Marathon. Devoid of discussion, or ancillary activities, I feel the event took on all the conceptual punch of a quilting bee." "Mail Art Events and Exchanges." Vol. 13, No. 1 (Fall 1994). Offset. 11"x8 1/2". 51 pages. "Mail Art Events and Exchanges." Vol. 13, No. 2 (Winter 1995). Offset. 11"x8 1/2". 51 pages. "Mail Art Call Takes on Spousal Abuse," by Franklinstein, discusses a Mail Art show by Arto Posto (USA). "Mail Art Events and Exchanges." Vol. 13, No. 3 (Spring 1995). Offset. 11"x8 1/2". 51 pages. "From the Stamp Pad," discusses the death of Ray Johnson. "The loss of Ray Johnson, the father of mail art, makes us reflect on the creative roots of rubberstamping. For many of our readers, learning about Ray's contributions will be new; for many of us he is a Kind of hero, a pioneer." "CorresponDance: The Reason Behind the Ray Johnson Tribute." "This tribute to mail art and its founder Ray Johnson, is our way of saying thanks to the man who created an art that is enjoyed by people all over the world, people who want to express their ideas in an art form
that is wide in its acceptance of media and style." "Bunny Dead: the Mysterious Life and Death of Ray Johnson and the Rise of the New York Correspondance School of Art," by John Held, Jr. (USA). "For some there were clues. One of Johnson's recent mailing read, "Bunny Dead. The New York Correspondence School Bunny was Murdered Today. 12.30.94." Tributes on Ray Johnson's life and work by Valery Oisteanu (USA), Bern Porter (USA), Carlo Pittore (USA), John Evans (USA), Buster Cleveland (USA), Picasso Gaglione (USA), Tim Mancusi (USA), Arto Posto (USA), Gerard Barbot (USA), and Chuck Welch (USA). Vol. 13, No. 4 (Summer 1995). Offset. 11"x8 1/2". 51 pages. "A Portrait of the Woman of the Year 2000: Meet UhOh Posto," by Franklinstein, in which the California artist gives her definition of Mail Art. "I think there are many core elements that constitute mail art. For myself, it is the guilt free exchange of artistic expression between a network of creative people...It can challenge our aesthetic senses. It pushes emotional buttons and has the potential to challenge our personal philosophies. It is a tangible footprint of the creative process." Vol. 14, No. 1 (Fall 1995). Offset. 11"x8 1/2". 51 pages. "Mail Art Events and Exchanges." Vol. 14, No. 2 (Winter 1996). Offset. 11"x8 1/2". 51 pages. "Mail Art Events and Exchanges." Vol. 14, No. 3 (Spring 1996). Offset. 11"x8 1/2". 51 pages. "Alternative Artfest '96," by Sali Dali (USA). "Mail Art Events and Exchanges." Vol. 15, No. 1 (Fall 1996). Offset. 11"x8 1/2". 51 pages. "National Stampagraphic's 15 Anniversary Contest," features rubber stamped envelopes from readers of the magazine. Vol. 15, No. 3 (Spring 1997). Offset. 11"x8 1/2". 51 pages. "Tim Mancusi: Portrait of a Carver," by Melody Hope Stein, features carved eraser portraits of Ray Johnson (USA), The Fake Picabia Bros. (USA), Seth Mason (USA), M. B. Corbett (USA), Mick Mather (USA), et al. "Tim Mancusi's Tips for Carving Portraits." "Mail Art Events and Exchanges." ND (New Dachau). Daniel M. Plunkett, Editor. Austin, Texas. 1982-1995. No. 1 (March 1982). Photocopy and Rubber Stamp. 8 1/2"x5 1/2". (16 pages). "Here begins the first of a series. A series of statements and newsletters to inform and to bring to view various thought...'ND' will primarily focus in on events relating to New Dachau and the rest of Texas. But also
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Mail Art Periodicals: An Annotated
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is a harbinger of the future tenden
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Alice's Zine of Dreams. Alice Borea
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No. 17 (March 1998). Photocopy. 8 1
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Anti-Isolation. Miekal And and Liz
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No. 6 (October 1994). Photocopy. 8
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displaying one-f-a-kind books, but
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Art Brigade. Ben Davis, Editor. Ama
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Vol. 2, No. 2/3 (1977). Newsprint.
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(October 19, 1980). Photocopy. 8 1/
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No. 11 (August 1980). Photocopy wit
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No. 34 (October 1982). Photocopy an
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No. 59 (January/June 1989). Photoco
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Artist Call. Michael Schwartz, Edit
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Congress. Michael Hernandez de Luna
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connected with others across the co
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Atalaya. Christer Brunström, Edito
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No. 22 (March 10, 1978?). Offset. 1
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No. 59 (October 20, 1983). Offset.
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project and exhibition notices. "Wh
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No. 98 (February 10, 1989). Photoco
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No. 116 (July 24, 1992). Offset. 23
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No. 141 (January 31, 1997). Offset.
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April 10, 1987. Mixed media. 6 1/2"
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No. 9 (June 1973). Photocopy. 14"x8
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comprehensive catalog and album of
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Bibliography." This issue: "Artist
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No. 26 (November 1994). Photocopy.
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Birdada. Bird (aka Chis Burnett), E
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people who make gather this kind of
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Vol. 1, No. 2 (1986). Photocopy. 8
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network are at all alike. Neuron in
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No. 63 (June 22, 1987). Gocco Print
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No. 114 (December 30, 1988). Gocco
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No. 203 (January 27, 1991). Gocco P
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No. 281 (July 20, 1993). Gocco Prin
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No. 350 (November 20, 1995). Gocco
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No. 511 (September 10, 2001). Gocco
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Cage: Anti-Embargo Magazine. Alexan
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No. 14 (1996). Photocopy. 8 1/2"x5
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No. 6 (February 1991). Photocopy. 1
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No. 116 (February 1990). Offset. 5
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No. 9 (February 20, 1989). Mixed Me
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R. Fricker (Switzerland). "Postal-A
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(n.d.). Photocopy. 8 1/4"x5 3/4". (
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Vol. 1 (June 1999). Photocopy. 8 1/
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participants. "Each contributor, or
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Vol. 1, No. 5 (September 1989). Pho
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(September 1992). Photocopy. 8 1/2"
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CVS (Copyright Violation Squad) Bul
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(May 22, 1995). Photocopy with Rubb
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(January 1987). Photocopy, Rubber S
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Contributors Issue (Summer 1988). P
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No. 45 (February 1983). Offset. 8 1
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(USA), Bugpost (USA), Mike Dyar (US
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No. 030 (November 19, 1989). Photoc
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(Poland), Géza Perneczky (Germany)
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No. 14 (March 1982). Photocopy. 5 1
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No. 2 (March 1986). Newsprint. 16 1
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No. 1 (April 1989). Offset. 8 1/2"x
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11x30: A Publication of the Toledo
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Eraser Carver's Quarterly. Mick Mat
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No. 0 (1999). Offset. 8 1/4"x4". 53
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Decentralized Networker Congress Po
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No. 32 (October 1989). Newsprint. 1
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No. 54 (December 1994). Newsprint.
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No. 21 (July/August 1994). Photocop
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TV Issue (April 1982). Newsprint. 9
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Bride./It too has piquant personali
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Fluxus Bucks. Ex-Posto-Facto (Julie
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No. 4 ([1985]). Photocopy. 5 1/2"x4
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E. M. Plunkett (USA), Carol Law (US
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Vol. 1, No. 2 (Full Moon in May 199
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events." Websites section added. "L
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No. 1 (March 1990). Photocopy. 8 1/
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It is a collection of original work
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Issue a (1971). Offset and Mixed Me
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No. 4 (Summer 1997). Photocopy. 11"
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Humboldt Da-Jest, The. Indian Ralph
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No. 6 (August 1990). Photocopy. 11"
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(March 1992). Photocopy and Rubber
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Inquirer: A Folio of Art and Ideas.
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No. 52 (1991). Offset. 13 1/2"x8 3/
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No. 74 (1999). Offset. 13 1/2"x8 3/
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No. 6 (1993). Photocopy. 11"x8 1/2"
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(USA), Minoy (USA), Tyler Hoare (US
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Vol. 16, No. 2 (December 1997). Pho
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No. 1 (May 2000). Photocopy and Mix
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KFR-(Kentucky Fried Royalty) Indiba
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Kryptogame. Hanna Bremer and Jack M
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No. 3 (1981). Photocopy. 11"x8 1/2"
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Nouvelle Série, No. 6 (April 1988)
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No. 3 (December 1989). Photocopy. 8
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No. 7 ([1985]). Mixed media. 11 3/4
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György Galantai (Hungary), David J
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in news section include Pips (Germa
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Pat Tavenner (USA), Musicmaster (US
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No. 18 (Winter 1986/1987). Offset a
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No. 7 (February 1994). Photocopy. 1
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Live from the Stagger Cafe. Luke Mc
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"Seventh Stranger's Exhibition in O
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No. 7 (1994). Photocopy. 11 3/4"x8
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Love Letters. Sheba, Editor. Exotic
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Mail Art exhibition, "No Nukes in M
Page 209 and 210: No. 14 (n.d.). Photocopy. 5 1/2"x3
Page 211 and 212: TAM Publication 950076 (1995). Phot
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Page 215 and 216: TAM Publication 960147 (March 1997)
Page 217 and 218: (Belgium) conducted by Ruud Janssen
Page 219 and 220: No. 109 (February 12, 1991). Photoc
Page 221 and 222: No. 22-24 (1989). Photocopy and Mix
Page 223 and 224: No. 25 (April, 14, 1986). Photocopy
Page 225 and 226: No. 0 (June 1981). Photocopy and Mi
Page 227 and 228: No. 58 (August 1992). Photocopy and
Page 229 and 230: No. 80 (October 1994). Photocopy an
Page 231 and 232: No. 93 (February 1996). Photocopy a
Page 233 and 234: (Italy), buZ blurr (USA), Guy Bleus
Page 235 and 236: Kid (USA), Eberhard Janke (Germany)
Page 237 and 238: No. 132 (January 2001). Photocopy a
Page 239 and 240: Musicmaster (USA), Mark Bloch (USA)
Page 241 and 242: submissions will be clear and conci
Page 243 and 244: Banquet (The Beasts at the Feast)."
Page 245 and 246: No. 7 ([1989]). Offset. 9 1/2"x8 1/
Page 247 and 248: including Géza Perneczky (Germany)
Page 249 and 250: (May 4 thru 10, 1988). Photocopy. 8
Page 251 and 252: (Germany). "Dreamtime Village" even
Page 253 and 254: Vol. 9, No. 2/3 (March/April 1996).
Page 255 and 256: RUBBER STAMP ALBUM and had been ord
Page 257 and 258: Vol. 2, No. 2 (January 1984). Offse
Page 259: Vol. 8, No. 4 (Summer 1990). Offset
Page 263 and 264: is the need for mail-Art shows. At
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Page 267 and 268: No. 1 (July 1993). Photocopy. 16 1/
Page 269 and 270: Netshaker. Crackerjack Kid (aka Chu
Page 271 and 272: Vol. 1, No. 3 (August 16, 1994). Co
Page 273 and 274: Hamann (West Germany), Graciela Mar
Page 275 and 276: display and disseminate the product
Page 277 and 278: Gerlovans (USA). Carlo Pittore (USA
Page 279 and 280: do some research about what the oth
Page 281 and 282: TAM-970158 (January 1997). Photocop
Page 283 and 284: (October 1993). Photocopy. 8 1/2"x5
Page 285 and 286: Tisma (Yugoslavia), Toward the New
Page 287 and 288: Breeder" we say goodbye to Stu Horn
Page 289 and 290: O. Ghislain Belmans, Johan Sanctoru
Page 291 and 292: Occasional, Tuesday-Art News. Georg
Page 293 and 294: Vol. 27, No. 3 (Issue 37) (Summer 1
Page 295 and 296: Todorovic (Yugoslavia); Shozo Shima
Page 297 and 298: No. 24 ([1987]). Photocopy. 8 1/4"x
Page 299 and 300: (USA), Shozo Shimamoto (Japan), Ryo
Page 301 and 302: Ruth and Marvin Sackner (USA), Seie
Page 303 and 304: Strada (Italy), Peter W. Kaufmann (
Page 305 and 306: No. 72 (1992). Photocopy. 8 1/4"x5
Page 307 and 308: very dear guest here last days of O
Page 309 and 310: No. 93 (1997). Photocopy. 8 1/4"x5
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years!...then Austro-Ungarian (empi
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about extraordinary TIME of CHANGE
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Network: A Mail Art Anthology." "I
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No. 38.2 (May 1998). Photocopy. 8 1
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No. 44.1B (January 2000). Photocopy
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"Shadowland and Rubberwork," by Don
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force things. Zen, y'know. & beside
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Other Times: An Alternative Mail Ar
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No. 12 1/2 (September 1995). Photoc
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No. 21 (July 1996). Photocopy. 8 1/
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No. 29 (May/June 1997). Photocopy.
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No. 6 ([1984]). Photocopy. 8 1/2"x5
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No. 21 (November 14, 1987). Photoco
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Parallelogramme. Tanya Mars, Editor
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Pelo+Pelo-. Emilio Morandi, Editor.
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"'PhotoStatic Magazine' is a bimont
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No. 20 (October 1986). Photocopy. 8
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others doing the same thing. It's c
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and continuing mail Art. "Mail Revi
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No. 40 (December 1989). Photocopy.
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correspondence. After writing close
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and political awareness (and a cook
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PMTTD's Standard Catalogue Update.
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Vol. 1, No. 2 (July 1993). Photocop
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No. 1-A (January 1992). Photocopy a
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Hora") text from Montevideo, Urugua
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(October 1995). Color Photocopy. 8
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Princess Debbie (USA), John Held, J
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No. 17 (June 1991). Photocopy. 5 3/
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No. 33 (September-October 1994). Ph
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No. 5 (April [1995]). Photocopy and
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No. 19 (August 1996). Photocopy. 8
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proud history of pranks, games, fal
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No. 16 ([July] 1987). Photocopy. 11
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Germany), Louise Krasniewicz (USA),
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No. 13 (September 1998). Photocopy,
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Joel Rossman, Bill Gaglione, Carlo
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Joyce Glasner (Canada), Luc Fierens
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Ram Art Review. L. Zjawin Francke,
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"SPECIAL DOUBLE ISSUE! Music Mail A
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participants of the Congress includ
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profiteering..." Letters from Rudi
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No. 1 (Winter Solstice 1994). Offse
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overnight in the underground channe
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No. 4 (December 1991). Photocopy. 3
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No. 0," by Florian Cramer (Germany)
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designs on rollers, postage cancell
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Vol. 2, No. 7 (July 1979). Offset a
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so if you haven't had a go yet then
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Vol. 4, No. 1 (November 1988). Phot
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Issue 0 (February 1989). Color Offs
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Vol. 2, Issue 8 (June 1982). Newspr
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Vol. 5, Issue 21 (October 1985). Ne
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(USA). "'Book as Art' was a famous
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Vol. 10, Issue 46 (July/August 1989
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numerous Europeans. Serendipitous o
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Vol. 15, Issue 75 (May/June 1994).
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Vol. 17, Issue 88 (July/August 1996
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and Angela Netmail, Germany). "Thei
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Schmidt (West Germany), Rolf Staeck
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No. 6 ([1989]). Photocopy and Mixed
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Cohen (USA), Fluxlist (Internet) an
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mail-art, news-letters, leaflets an
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drawings, paintings and so on as (w
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No. 61 (1995). Photocopy. 17"x11".
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Sick Roof: A Journal of Humorous, P
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was international, planetary art. n
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Slugfest, Ltd. Michael T. Nowak, Ed
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R. Fricker (Switzerland), Emilio Mo
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(August 1992). Photocopy. 11"x8 1/2
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No. 5 ([1990]. Offset. 11"x8 1/2".
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No. 7 ([1985]). Offset. 11 3/4"x8 1
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of a reasonable price. once this ha
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Espinosa (Mexico), Shozo Shimamoto
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called MAIL-ART like today, but the
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is Not Fine Art It's the Artist Who
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No. 2 (1989). Photocopy. 8 1/2"x5 1
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statements about mail art. Not only
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compute-file. Now I decided to prin
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Soppalco, Il (The Balcony): Home Ar
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Exhibition," by Ken Friedman. "'Int
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documented participation in 1,068 M
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No. 1 (1982). Mixed Media. (9 pages
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Musicmaster (USA), Donna Nassar (US
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Germany), John Jacobs (aka H.Y.P.E.
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Vol. 2, No. 3 (November 1982). News
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No. 12466 (1995). Photocopy and Rub
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No. 16568 (1997). Computer Print an
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Schizophreniatrics, Morealism, Sarc
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Germany), Salvatore de Rosa (Italy)
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Vol. 4, No. 42 (December 20, 1987).
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Subtle Journal of Raw Coinage, The.
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I am also looking forward to sharin
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No. 11 (nod.). Color and Black & Wh
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No. 1984.7 (1984). Photocopy. 11 3/
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communication could be the transfer
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ulletin. After that, the rubberstam
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No. 96-06 (June 1996). Computer Pri
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No. 6 (Fall 1996). Photocopy and Ru
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(July 11, 1992). Photocopy and Rubb
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No. 6 (June 1993). Photocopy and Mi
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Macadam (Argentina), Svjetlana Mimi
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(Uruguay), A. d. Eker (Holland), Ru
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Vol. 3, No. 3 (January 1983). Photo
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Vol. 2, No. 3 (Fall-Winter 1981). P
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Tourism Review. Hans Rudi Fricker,
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No. 38 (December 1993). Photocopy.
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No. 48 (January 1995). Photocopy. 8
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Dr. Surearts (USA), Dan Landrum (US
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TV. Terence McMahon, Editor. The Fa
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No. 9 (August-September). Newsprint
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Vol. 2, No. 6 (November 1979). Offs
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Vol. 5, No. 4 (September 1982). Off
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sense of direction. the occasion of
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stamp production services provided
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(Belgium), Shozo Shimamoto (Japan),
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Washington, D. C.; Mark Bloch (USA)
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(No. 23) (Winter 1996-1997). Offset
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own ad on the front or back cover t
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changing some time this year but I
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with Utopian leanings or concerns.
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Version 90. Alexandra Fisher, David
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Cosey Fanni Tutti (England), Opal L
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to the Editors," in which Ken Fried
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is so much bigger and looser now-th
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Menghi, Ivana Martínez Vollaró, N
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No. 2 ([1986]). Offset. 111/4"x8 1/
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"Ladies & Gentleman: I don't have t
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anarchists, so they don't act very
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Workarea Art Ambient. Ponte Romano,
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mind to new frontiers, when it does
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Xero-Post. Sheldon Polsky, Editor.
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No. 3 (September 29, 1989). Compute
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through, and their opinions about t
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letters, essays, commentaries, cart
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strike and then sit on their hands!
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No. 0 (December 31, 1992). Computer
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