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Mail Art Periodicals - MoMA

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Vol. 2, Issue 8 (June 1982). Newsprint. 17"x11 1/2". 19 pages. Cover<br />

art by Carlo Pittore (USA). "Pittore Euforico," by the editor, features Carlo Pittore.<br />

" Carlo Pittore means Charles Painter in Italian, and Carlo was christened 12<br />

years ago while painting in Rome. The most notable thing about Carlo is that he<br />

blows his own horn! This image appears throughout his work and on the back of<br />

all his postcards...He is an ever present figure in his own bold, black and white<br />

collage art./When I asked Carlo if he was intending the image to signify blowing<br />

his own horn, he modestly but comfortably answered, "Yes, but I am also<br />

blowing a horn for all artists and for art." <strong>Mail</strong> <strong>Art</strong> Listings."<br />

Vol. 2, Issue 9 (Fall 1982). Newsprint. 17"x11 1/2". 19 pages. Editor<br />

Lowry Thompson's final issue. "It is with great sadness in my heart that I sit down<br />

to write this letter. Rubberstampmadness is bankrupt, and my health problems<br />

seem to be continual. Being as unhealthy as I am, I do not think I can turn RSM<br />

into an income-producing company. As you know, I have never been able to<br />

draw a salary from it, and I'm finding that I can't do RSM and also freelance,<br />

because of my MS."<br />

Vol. 2, Issue 10 (Mid-June 1983). Newsprint. 17"x11 1/2". 19 pages.<br />

Roberta Sperling assumes editorship, with offices in Newfield, New York. "I used<br />

to think, as I read 'Rubberstampmadness,' that Lowry was so amazingly positive<br />

all the time-how could she do it? Now I know. The people who are into rubber<br />

stamps bring out positive feelings. I can't say enough about how friendly,<br />

supportive and wonderful everyone has been while we've been getting this -our<br />

first- issue of 'Rubberstampmadness' to press." Letter from Lowry Thompson<br />

(USA). "Envelope of the Month." Bill Gaglione (USA) opens "The World's First<br />

Rubber Stamp Store," in San Francisco. "'It's more a conceptual gallery than a<br />

store,' Bill went on." "Putting the <strong>Art</strong> Where the <strong>Mail</strong> Is." "Catalogues in Review,"<br />

becomes a regular feature in the magazine."<br />

Vol. 3, Issue 11 (August/September 1983). Newsprint. 17"x11 1/2".<br />

19 pages. "<strong>Mail</strong> <strong>Art</strong> Listings." "Special thanks to Bill Gaglione in Dadaland, who<br />

passed on most of the mail art listings to us."<br />

Vol. 3, No. 12 (October/November 1983). Newsprint. 17"x11 1/2". 23<br />

pages. "Envelope of the Month." "<strong>Mail</strong> <strong>Art</strong> Listings," reproduces a stamp sheet<br />

by Carlo Pittore (USA), and an invitation for "<strong>Mail</strong> <strong>Art</strong> About <strong>Mail</strong> <strong>Art</strong>," curated by<br />

John Held, Jr. (USA).<br />

Vol., 3, Issue 14 (March/April 1984). Newsprint. 17"x11 1/2". 23<br />

pages. Cover by Bill Gaglione (USA) and Rockola (USA). "Stamp <strong>Art</strong> in the<br />

Making and Rubberta in Dadaland," by the editor, chronicles a trip to San<br />

Francisco and a meeting with Gaglione and Rockola. Contributions by George<br />

Brett (USA), Buster Cleveland (USA), Dadaland(USA), Polly Ester Nations

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