Mail Art Periodicals - MoMA

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open, visual form, which relates to mail Art, but we also print art news and info that most art media doesn't print. We do this so that our readers will be exposed to new and different material." Contributions by K.S. Ernst (USA), Larry Smith (USA), Steve Random (USA), Al Ackerman (USA), Crackerjack Kid (USA), et al. "On Mail Art," by Jape Iros (aka Epistolary Stud Farm) (USA). "Mail Art/Debate- Inquest," by Ruggero Maggi (Italy). mail Art exhibition, project and publication opportunities. Vol. 2, No 5 3/4 (April/May 1984). Photocopy and Rubber Stamps. 11"x8 1/2". (18 pages). "Special Stamp Issue." Editorial. List of 33 contributors including Al Ackerman (USA), Guy Bleus (Belgium), buZ blurr (USA), G. A. Cavellini (Italy), David Cole (USA), Ryosuke Cohen (Japan), H. R. Fricker (Switzerland), Klaus Groh (Germany), John Held, Jr. (USA), E. F. Higgins (USA), Leavenworth Jackson (USA), Ruggero Maggi (Italy), Manuel Marin (Mexico), Rockola (USA), Chuck Welch (USA), et al. "Postfolk Artistamps: folk Artists of the Philatelic and mail Art Worlds," by Chuck Welch (USA). Stampsheet by Chuck Welch (aka Crackerjack Kid). List of rubberstamp companies and rubberstamp magazines. Vol. 2, No. 6 (Summer 1984). 11"x8 1/2". (12 pages). "Our cover designer, Gene Laughter, has been busy this summer with his new Apple Macintosh computer. He uses it to control a mailing list of approx. 3,500 names, as we; as a few newsletter and most of all-MailArt." Mail Art exhibition, project and publishing opportunities. "ManifestoShnN Archives: An Archive Founded for the Purpose of Storing and Disseminating Contemporary Artists' Manifestores and Technical Statements," by Larry D. Smith (USA). "Cavellini's Contribution," by Dave Oz (aka David Zack) (USA). Contributions by buZ blurr (USA), David Cole (USA) Al Ackerman (USA), et al. "Photo-documentation of the "European Cavellini Festival," organized by Guy Bleus (Belgium). Vol. 3, No. 1 (Autumn 1984). Photocopy. 8 1/2"x5 1/2". 23 pages. Cover by Arturo G. Fallico (USA). "Report on Interdada 84," by John Held, Jr. (USA). Contributions by al Ackerman (USA), John M. Bennett (USA), Leavenworth Jackson (USA), Gene Laughter (USA), Ruggero Maggi (Italy), Ryosuke Cohen (Japan). et al. Mail Art Exhibition, project and publication opportunities. Publication reviews. Vol. 3, No. 2 (Winter 1985). Photocopy and Rubber Stamp. 14"x8 1/2". 14 pages. "Art Robotics issue." Gene Laughter, guest editor. "The seems to be fear lurking in the hearts of many artists. Fear of artificial intelligence and fear of artificial creativity. a robot is another tool. just as the computer is a natural extension of a pen and pencil. having played around with the new apple Macintosh for the past year, I wanted to see what the reactions of mail artists are to the words 'art robot.' This issue of Newark Press reflects these reaction." Cover by Ray Johnson (USA). Contributions by David Cole (USA) and Serse Luigetti (Italy), David Greenberger (USA), John M. Bennett (USA), The
Gerlovans (USA). Carlo Pittore (USA), Al Ackerman (UA), Fruit Basket Upset (USA), Arturo Fallico (USA), John Held, Jr. (USA), Private World (USA), Anne Sharp (USA), Mark Bloch (USA), Eric Findlay (England), et al. Vol. 3, No. 3 (Spring 1985). Photocopy. 8 1/2"x5 1/2". (20 pages). Catalog for the "Newark Exhibition," a Mail Art exhibition in Frostburg, Maryland. Contributors list. A "Special Report," on the editors' Mail Art Tourism, with a stamp from H. R. Fricker (Switzerland) reading, "Dear mark Wamling, tourism is the expression of all the artistic activities and situations which develop when one artist is on the way to another and on the spot where they meet each other." The editor travels to New York city and meets with Carlo Pittore (USA), Steve Random (USA), Buster Cleveland (USA), Mark Bloch (USA), John P. Jacob (USA), et al. Listing of Mail Art publications. Mail Art exhibition and publication opportunities. Newsletter. Guido Vermeulen, Editor. Brussels, Belgium. 1996- 1998. (May, 1996). Photocopy. 11 3/4"x8 1/4". (one page). A listing of six Mail Art exhibition and project opportunities. (August 1996). Photocopy. 11 3/4"x8 1/4". (one page). A listing of four Mail Art project opportunities and a letter from José Vandenbroucke (Belgium), conveying a fragment of correspondence with Svjetlana Mimica (Croatia). "I know a university Prof. in pension who comes to the market after the noon to take leafs of salad from the floor! He can't buy food! That man has been my Prof.. on the university. So please, let it know to others how's life here!" (September 1998). Photocopy. 11 3/4"x8 1/4". (2 pages). Mail Art exhibition and project opportunities. "Social Art," by Annina Van Sebrouck (Belgium) and Luc Fierens (Belgium). Since years Luc and Annina are defending with a generous obstinacy that mail art is social art. I could add in a provocative mood that all art is social OR IS NOT!" (November 1998). Photocopy. 11 3/4"x8 1/4". (10 pages). Editorial on Social Art. Listing of Mail Art project opportunities. In a section of "Solidarity with persecuted mail Art in Chile," the editor writes, "last year Clemente Padin of Uruguay proposed a very stimulating project to the net on 'Liberty, diversity and pluralism" in art. This project got the support of the academy of Fine Arts and the museum of Modern art (sic) in Chile who organized also the exhibition of the project in the University of Santiago. The project was backed by the whole of the mail art network (see enclosed list of participants) and by many refugees abroad...As a result of this controversial mail art show Humbeto Nilo, the director of the academy of the university, and 2 of his colleagues in the museum have been sacked by the authorities. Strangely enough this happens on a moment
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Mail Art Periodicals: An Annotated
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is a harbinger of the future tenden
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Alice's Zine of Dreams. Alice Borea
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No. 17 (March 1998). Photocopy. 8 1
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Anti-Isolation. Miekal And and Liz
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No. 6 (October 1994). Photocopy. 8
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displaying one-f-a-kind books, but
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Art Brigade. Ben Davis, Editor. Ama
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Vol. 2, No. 2/3 (1977). Newsprint.
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(October 19, 1980). Photocopy. 8 1/
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No. 11 (August 1980). Photocopy wit
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No. 34 (October 1982). Photocopy an
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No. 59 (January/June 1989). Photoco
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Artist Call. Michael Schwartz, Edit
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Congress. Michael Hernandez de Luna
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connected with others across the co
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Atalaya. Christer Brunström, Edito
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No. 22 (March 10, 1978?). Offset. 1
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No. 59 (October 20, 1983). Offset.
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project and exhibition notices. "Wh
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No. 98 (February 10, 1989). Photoco
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No. 116 (July 24, 1992). Offset. 23
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No. 141 (January 31, 1997). Offset.
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April 10, 1987. Mixed media. 6 1/2"
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No. 9 (June 1973). Photocopy. 14"x8
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comprehensive catalog and album of
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Bibliography." This issue: "Artist
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No. 26 (November 1994). Photocopy.
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Birdada. Bird (aka Chis Burnett), E
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people who make gather this kind of
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Vol. 1, No. 2 (1986). Photocopy. 8
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network are at all alike. Neuron in
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No. 63 (June 22, 1987). Gocco Print
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No. 114 (December 30, 1988). Gocco
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No. 203 (January 27, 1991). Gocco P
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No. 281 (July 20, 1993). Gocco Prin
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No. 350 (November 20, 1995). Gocco
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No. 511 (September 10, 2001). Gocco
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Cage: Anti-Embargo Magazine. Alexan
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No. 14 (1996). Photocopy. 8 1/2"x5
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No. 6 (February 1991). Photocopy. 1
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No. 116 (February 1990). Offset. 5
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No. 9 (February 20, 1989). Mixed Me
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R. Fricker (Switzerland). "Postal-A
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(n.d.). Photocopy. 8 1/4"x5 3/4". (
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Vol. 1 (June 1999). Photocopy. 8 1/
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participants. "Each contributor, or
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Vol. 1, No. 5 (September 1989). Pho
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(September 1992). Photocopy. 8 1/2"
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CVS (Copyright Violation Squad) Bul
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(May 22, 1995). Photocopy with Rubb
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(January 1987). Photocopy, Rubber S
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Contributors Issue (Summer 1988). P
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No. 45 (February 1983). Offset. 8 1
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(USA), Bugpost (USA), Mike Dyar (US
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No. 030 (November 19, 1989). Photoc
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(Poland), Géza Perneczky (Germany)
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No. 14 (March 1982). Photocopy. 5 1
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No. 2 (March 1986). Newsprint. 16 1
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No. 1 (April 1989). Offset. 8 1/2"x
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11x30: A Publication of the Toledo
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Eraser Carver's Quarterly. Mick Mat
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No. 0 (1999). Offset. 8 1/4"x4". 53
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Decentralized Networker Congress Po
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No. 32 (October 1989). Newsprint. 1
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No. 54 (December 1994). Newsprint.
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No. 21 (July/August 1994). Photocop
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TV Issue (April 1982). Newsprint. 9
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Bride./It too has piquant personali
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Fluxus Bucks. Ex-Posto-Facto (Julie
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No. 4 ([1985]). Photocopy. 5 1/2"x4
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E. M. Plunkett (USA), Carol Law (US
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Vol. 1, No. 2 (Full Moon in May 199
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events." Websites section added. "L
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No. 1 (March 1990). Photocopy. 8 1/
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It is a collection of original work
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Issue a (1971). Offset and Mixed Me
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No. 4 (Summer 1997). Photocopy. 11"
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Humboldt Da-Jest, The. Indian Ralph
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No. 6 (August 1990). Photocopy. 11"
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(March 1992). Photocopy and Rubber
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Inquirer: A Folio of Art and Ideas.
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No. 52 (1991). Offset. 13 1/2"x8 3/
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No. 74 (1999). Offset. 13 1/2"x8 3/
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No. 6 (1993). Photocopy. 11"x8 1/2"
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(USA), Minoy (USA), Tyler Hoare (US
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Vol. 16, No. 2 (December 1997). Pho
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No. 1 (May 2000). Photocopy and Mix
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KFR-(Kentucky Fried Royalty) Indiba
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Kryptogame. Hanna Bremer and Jack M
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No. 3 (1981). Photocopy. 11"x8 1/2"
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Nouvelle Série, No. 6 (April 1988)
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No. 3 (December 1989). Photocopy. 8
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No. 7 ([1985]). Mixed media. 11 3/4
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György Galantai (Hungary), David J
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in news section include Pips (Germa
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Pat Tavenner (USA), Musicmaster (US
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No. 18 (Winter 1986/1987). Offset a
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No. 7 (February 1994). Photocopy. 1
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Live from the Stagger Cafe. Luke Mc
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"Seventh Stranger's Exhibition in O
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No. 7 (1994). Photocopy. 11 3/4"x8
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Love Letters. Sheba, Editor. Exotic
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Mail Art exhibition, "No Nukes in M
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No. 14 (n.d.). Photocopy. 5 1/2"x3
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TAM Publication 950076 (1995). Phot
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of, "The Light of the He-Art," from
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TAM Publication 960147 (March 1997)
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(Belgium) conducted by Ruud Janssen
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No. 109 (February 12, 1991). Photoc
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No. 22-24 (1989). Photocopy and Mix
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No. 25 (April, 14, 1986). Photocopy
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Page 227 and 228: No. 58 (August 1992). Photocopy and
Page 229 and 230: No. 80 (October 1994). Photocopy an
Page 231 and 232: No. 93 (February 1996). Photocopy a
Page 233 and 234: (Italy), buZ blurr (USA), Guy Bleus
Page 235 and 236: Kid (USA), Eberhard Janke (Germany)
Page 237 and 238: No. 132 (January 2001). Photocopy a
Page 239 and 240: Musicmaster (USA), Mark Bloch (USA)
Page 241 and 242: submissions will be clear and conci
Page 243 and 244: Banquet (The Beasts at the Feast)."
Page 245 and 246: No. 7 ([1989]). Offset. 9 1/2"x8 1/
Page 247 and 248: including Géza Perneczky (Germany)
Page 249 and 250: (May 4 thru 10, 1988). Photocopy. 8
Page 251 and 252: (Germany). "Dreamtime Village" even
Page 253 and 254: Vol. 9, No. 2/3 (March/April 1996).
Page 255 and 256: RUBBER STAMP ALBUM and had been ord
Page 257 and 258: Vol. 2, No. 2 (January 1984). Offse
Page 259 and 260: Vol. 8, No. 4 (Summer 1990). Offset
Page 261 and 262: that is wide in its acceptance of m
Page 263 and 264: is the need for mail-Art shows. At
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Page 267 and 268: No. 1 (July 1993). Photocopy. 16 1/
Page 269 and 270: Netshaker. Crackerjack Kid (aka Chu
Page 271 and 272: Vol. 1, No. 3 (August 16, 1994). Co
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Page 275: display and disseminate the product
Page 279 and 280: do some research about what the oth
Page 281 and 282: TAM-970158 (January 1997). Photocop
Page 283 and 284: (October 1993). Photocopy. 8 1/2"x5
Page 285 and 286: Tisma (Yugoslavia), Toward the New
Page 287 and 288: Breeder" we say goodbye to Stu Horn
Page 289 and 290: O. Ghislain Belmans, Johan Sanctoru
Page 291 and 292: Occasional, Tuesday-Art News. Georg
Page 293 and 294: Vol. 27, No. 3 (Issue 37) (Summer 1
Page 295 and 296: Todorovic (Yugoslavia); Shozo Shima
Page 297 and 298: No. 24 ([1987]). Photocopy. 8 1/4"x
Page 299 and 300: (USA), Shozo Shimamoto (Japan), Ryo
Page 301 and 302: Ruth and Marvin Sackner (USA), Seie
Page 303 and 304: Strada (Italy), Peter W. Kaufmann (
Page 305 and 306: No. 72 (1992). Photocopy. 8 1/4"x5
Page 307 and 308: very dear guest here last days of O
Page 309 and 310: No. 93 (1997). Photocopy. 8 1/4"x5
Page 311 and 312: years!...then Austro-Ungarian (empi
Page 313 and 314: about extraordinary TIME of CHANGE
Page 315 and 316: Network: A Mail Art Anthology." "I
Page 317 and 318: No. 38.2 (May 1998). Photocopy. 8 1
Page 319 and 320: No. 44.1B (January 2000). Photocopy
Page 321 and 322: "Shadowland and Rubberwork," by Don
Page 323 and 324: force things. Zen, y'know. & beside
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No. 12 1/2 (September 1995). Photoc
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No. 21 (July 1996). Photocopy. 8 1/
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No. 29 (May/June 1997). Photocopy.
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No. 6 ([1984]). Photocopy. 8 1/2"x5
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No. 21 (November 14, 1987). Photoco
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Parallelogramme. Tanya Mars, Editor
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Pelo+Pelo-. Emilio Morandi, Editor.
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"'PhotoStatic Magazine' is a bimont
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No. 20 (October 1986). Photocopy. 8
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others doing the same thing. It's c
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and continuing mail Art. "Mail Revi
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No. 40 (December 1989). Photocopy.
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correspondence. After writing close
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and political awareness (and a cook
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PMTTD's Standard Catalogue Update.
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Vol. 1, No. 2 (July 1993). Photocop
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No. 1-A (January 1992). Photocopy a
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Hora") text from Montevideo, Urugua
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(October 1995). Color Photocopy. 8
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Princess Debbie (USA), John Held, J
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No. 17 (June 1991). Photocopy. 5 3/
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No. 33 (September-October 1994). Ph
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No. 5 (April [1995]). Photocopy and
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No. 19 (August 1996). Photocopy. 8
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proud history of pranks, games, fal
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No. 16 ([July] 1987). Photocopy. 11
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Germany), Louise Krasniewicz (USA),
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No. 13 (September 1998). Photocopy,
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Joel Rossman, Bill Gaglione, Carlo
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Joyce Glasner (Canada), Luc Fierens
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Ram Art Review. L. Zjawin Francke,
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"SPECIAL DOUBLE ISSUE! Music Mail A
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participants of the Congress includ
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profiteering..." Letters from Rudi
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No. 1 (Winter Solstice 1994). Offse
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overnight in the underground channe
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No. 4 (December 1991). Photocopy. 3
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No. 0," by Florian Cramer (Germany)
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designs on rollers, postage cancell
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Vol. 2, No. 7 (July 1979). Offset a
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so if you haven't had a go yet then
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Vol. 4, No. 1 (November 1988). Phot
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Issue 0 (February 1989). Color Offs
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Vol. 2, Issue 8 (June 1982). Newspr
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Vol. 5, Issue 21 (October 1985). Ne
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(USA). "'Book as Art' was a famous
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Vol. 10, Issue 46 (July/August 1989
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numerous Europeans. Serendipitous o
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Vol. 15, Issue 75 (May/June 1994).
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Vol. 17, Issue 88 (July/August 1996
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and Angela Netmail, Germany). "Thei
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Schmidt (West Germany), Rolf Staeck
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No. 6 ([1989]). Photocopy and Mixed
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Cohen (USA), Fluxlist (Internet) an
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mail-art, news-letters, leaflets an
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drawings, paintings and so on as (w
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No. 61 (1995). Photocopy. 17"x11".
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Sick Roof: A Journal of Humorous, P
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was international, planetary art. n
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Slugfest, Ltd. Michael T. Nowak, Ed
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R. Fricker (Switzerland), Emilio Mo
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(August 1992). Photocopy. 11"x8 1/2
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No. 5 ([1990]. Offset. 11"x8 1/2".
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No. 7 ([1985]). Offset. 11 3/4"x8 1
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of a reasonable price. once this ha
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Espinosa (Mexico), Shozo Shimamoto
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called MAIL-ART like today, but the
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is Not Fine Art It's the Artist Who
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No. 2 (1989). Photocopy. 8 1/2"x5 1
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statements about mail art. Not only
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compute-file. Now I decided to prin
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Soppalco, Il (The Balcony): Home Ar
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Exhibition," by Ken Friedman. "'Int
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documented participation in 1,068 M
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No. 1 (1982). Mixed Media. (9 pages
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Musicmaster (USA), Donna Nassar (US
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Germany), John Jacobs (aka H.Y.P.E.
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Vol. 2, No. 3 (November 1982). News
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No. 12466 (1995). Photocopy and Rub
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No. 16568 (1997). Computer Print an
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Schizophreniatrics, Morealism, Sarc
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Germany), Salvatore de Rosa (Italy)
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Vol. 4, No. 42 (December 20, 1987).
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Subtle Journal of Raw Coinage, The.
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I am also looking forward to sharin
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No. 11 (nod.). Color and Black & Wh
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No. 1984.7 (1984). Photocopy. 11 3/
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communication could be the transfer
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ulletin. After that, the rubberstam
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No. 96-06 (June 1996). Computer Pri
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No. 6 (Fall 1996). Photocopy and Ru
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(July 11, 1992). Photocopy and Rubb
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No. 6 (June 1993). Photocopy and Mi
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Macadam (Argentina), Svjetlana Mimi
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(Uruguay), A. d. Eker (Holland), Ru
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Vol. 3, No. 3 (January 1983). Photo
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Vol. 2, No. 3 (Fall-Winter 1981). P
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Tourism Review. Hans Rudi Fricker,
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No. 38 (December 1993). Photocopy.
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No. 48 (January 1995). Photocopy. 8
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Dr. Surearts (USA), Dan Landrum (US
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TV. Terence McMahon, Editor. The Fa
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No. 9 (August-September). Newsprint
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Vol. 2, No. 6 (November 1979). Offs
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Vol. 5, No. 4 (September 1982). Off
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sense of direction. the occasion of
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stamp production services provided
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(Belgium), Shozo Shimamoto (Japan),
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Washington, D. C.; Mark Bloch (USA)
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(No. 23) (Winter 1996-1997). Offset
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own ad on the front or back cover t
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changing some time this year but I
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with Utopian leanings or concerns.
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Version 90. Alexandra Fisher, David
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Cosey Fanni Tutti (England), Opal L
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to the Editors," in which Ken Fried
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is so much bigger and looser now-th
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Menghi, Ivana Martínez Vollaró, N
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No. 2 ([1986]). Offset. 111/4"x8 1/
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"Ladies & Gentleman: I don't have t
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anarchists, so they don't act very
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Workarea Art Ambient. Ponte Romano,
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mind to new frontiers, when it does
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Xero-Post. Sheldon Polsky, Editor.
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No. 3 (September 29, 1989). Compute
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through, and their opinions about t
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letters, essays, commentaries, cart
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strike and then sit on their hands!
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No. 0 (December 31, 1992). Computer
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