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and Koighi Yamazaki in New York, Dallas, Los Angeles and San Francisco. Photographs documenting the tour. No. 89 (October 17, 1987). Offset. 23 1/2"x16 3/4". (2 pages). "Japan AU Mail Art Members." "American Tourism," by Shozo Shimamoto. Mail Art project and exhibition notices. Mail Art shows at Networking Space. No. 90 (December 5, 1987). Offset. 23 1/2"x16 3/4". (2 pages). Mail Art shows at networking Space. "AU International Contemporary Art Exhibition, Tokyo." Exhibitions and performances at Art Space. No. 91 (January 30, 1988). Offset. 23 1/2"x16 3/4". (2 pages). Announcement of "International Mail Art Symposium for Hiroshima." Participant list for "Japanese Contemporary Art Solo Exhibition Series in New York," including Shozo Shimamoto and Ray Johnson. No. 92 (March 19, 1988). Offset. 23 1/2"x16 3/4". (2 pages). Barbot Family at Networking Space. More on the Hiroshima Symposium. Mail Art project and exhibition notices. No. 93 (n.d [1988]). Offset. 23 1/2"x16 3/4". (2 pages). John Cage, Nam June Paik, Shigeko Kubota, et al, at N.Y./Japan Art Exchange Center. "International Shadow Project." "Mail Art U. S. A." at Networking Space, featuring Benedict Tisa (USA), Bill Gaglione(USA), Carlo Pittore (USA), John M. Bennett (USA), Lon Spiegelman (USA), et al. No. 94 (June 9, 1988). Offset. 23 1/2"x16 3/4". (2 pages). Schedule for "World Symposium, Peace," featuring John Held, Jr. (USA), Ruggero Maggi (Italy), Daniel Daligand (France). No. 95 (August 2, 1988). Offset. 23 1/2"x16 3/4". (2 pages). Participant list for the exhibition "Mail Art du Francais." Mail Art exhibition and project notices. No. 96 (September 9, 1988). Offset. 23 1/2"x16 3/4". (2 pages). Photos documenting "Hiroshima Shadow" events with Ruggero Maggi (Italy), Gerard Barbot (USA), Daniel Daligand (France), John Held, Jr. (USA), Ryosuke Cohen (Japan), Shozo Shimamoto (Japan), et al. No. 97 (n.d. [1988]). Offset. 23 1/2"x16 3/4". (2 pages). "AU International Contemporary Art Exhibition" at Tokyo Metropolitan Museum. Nenad Bogdaovic (Yugoslavia) at Networking Space. Mail Art project and exhibition notices.
No. 98 (February 10, 1989). Photocopy. 16 1/2"x11 3/4". (2 pages). Participant list for ""16th AU International contemporary Art Exhibition," at the Tokyo Metropolitan Art Museum, January 6-16, 1989. Photographs of exhibition installation. No. 99 (April 1, 1989). Offset. 23 1/2"x16 3/4". (2 pages). Documentation for the Mail Art project, "What exists over the hairless head of Shozo." More on the "Hiroshima Shadow Project 1988." Art critic Pierre Restany on Italian Mail Artist Marcello Diotallevi. No. 100 (n.d. [1989]). Offset. 23 1/2"x16 3/4". (2 pages). Participant list for, "The Symposium and Mail Art Project for Desegregation." "Kansai TV in Osaka," documenting the appearance of AU members. Photographs of the Mail Art exhibition in New York City featuring John Evans, David Cole, The Barbot Family, et al. No. 101 (August 25, 1989). Offset. 23 1/2"x16 3/4". (2 pages). Based on a project by Native American Dennis Banks, Shozo Shimamoto, Ryosuke Cohen and Mayumi Handa undertake a "run for peace" across Europe. Information on Japanese AU members. No. 102 (October 1, 1989). Offset. 23 1/2"x16 3/4". (2 pages). Announcement of Expo '90 Mail Art show. "Networking has Changed My Life," by Peter Küstermann (Germany). "Mail Art Statements," by Ruud Janssen. Art Strike, 1990-1993. Reprint of article on Crackerjack Kid (USA). Mail Art project and show notices. No. 103 (December 25, 1989). Offset. 23 1/2"x16 3/4". (2 pages). Map of Europe with "the mail art friends who have offered their help for Sacred Run." Reprint of newspaper article about Mail Art show organized by Kikuko Aono (Japan) and Teruyuki Tsubouch (Japan) in Matsuyama, Japan. Participant list of contributors to Shozo Shimamoto's (Japan) "Networking on the Head" project. No. 104 (February 23, 1990). Offset. 23 1/2"x16 3/4". (2 pages). "Networking Project by Migratory Mail Arts," listing Eastern and Western European Mail Artists hosting "Sacred Run" participants. Bern Porter (USA) in Los Angeles. "17th AU International Contemporary Art Exhibition" at Tokyo Metropolitan Museum. New editor-Yoyoi Yoshitome. No. 105 (May 18, 1990). Offset. 23 1/2"x16 3/4". (2 pages). "AU Event in Expo' 90." Behind the scenes at AU television programs on Kansai television. No. 106 (July 13, 1990). Offset. 23 1/2"x16 3/4". (2 pages). Letters to AU by José VdBroucke (Belgium), Fatima Pombo (Brazil), Eric Finley (England),
Page 1 and 2: Mail Art Periodicals: An Annotated
Page 3 and 4: is a harbinger of the future tenden
Page 5 and 6: Alice's Zine of Dreams. Alice Borea
Page 7 and 8: No. 17 (March 1998). Photocopy. 8 1
Page 9 and 10: Anti-Isolation. Miekal And and Liz
Page 11 and 12: No. 6 (October 1994). Photocopy. 8
Page 13 and 14: displaying one-f-a-kind books, but
Page 15 and 16: Art Brigade. Ben Davis, Editor. Ama
Page 17 and 18: Vol. 2, No. 2/3 (1977). Newsprint.
Page 19 and 20: (October 19, 1980). Photocopy. 8 1/
Page 21 and 22: No. 11 (August 1980). Photocopy wit
Page 23 and 24: No. 34 (October 1982). Photocopy an
Page 25 and 26: No. 59 (January/June 1989). Photoco
Page 27 and 28: Artist Call. Michael Schwartz, Edit
Page 29 and 30: Congress. Michael Hernandez de Luna
Page 31 and 32: connected with others across the co
Page 33 and 34: Atalaya. Christer Brunström, Edito
Page 35 and 36: No. 22 (March 10, 1978?). Offset. 1
Page 37 and 38: No. 59 (October 20, 1983). Offset.
Page 39: project and exhibition notices. "Wh
Page 43 and 44: No. 116 (July 24, 1992). Offset. 23
Page 45 and 46: No. 141 (January 31, 1997). Offset.
Page 47 and 48: April 10, 1987. Mixed media. 6 1/2"
Page 49 and 50: No. 9 (June 1973). Photocopy. 14"x8
Page 51 and 52: comprehensive catalog and album of
Page 53 and 54: Bibliography." This issue: "Artist
Page 55 and 56: No. 26 (November 1994). Photocopy.
Page 57 and 58: Birdada. Bird (aka Chis Burnett), E
Page 59 and 60: people who make gather this kind of
Page 61 and 62: Vol. 1, No. 2 (1986). Photocopy. 8
Page 63 and 64: network are at all alike. Neuron in
Page 65 and 66: No. 63 (June 22, 1987). Gocco Print
Page 67 and 68: No. 114 (December 30, 1988). Gocco
Page 69 and 70: No. 203 (January 27, 1991). Gocco P
Page 71 and 72: No. 281 (July 20, 1993). Gocco Prin
Page 73 and 74: No. 350 (November 20, 1995). Gocco
Page 75 and 76: No. 511 (September 10, 2001). Gocco
Page 77 and 78: Cage: Anti-Embargo Magazine. Alexan
Page 79 and 80: No. 14 (1996). Photocopy. 8 1/2"x5
Page 81 and 82: No. 6 (February 1991). Photocopy. 1
Page 83 and 84: No. 116 (February 1990). Offset. 5
Page 85 and 86: No. 9 (February 20, 1989). Mixed Me
Page 87 and 88: R. Fricker (Switzerland). "Postal-A
Page 89 and 90: (n.d.). Photocopy. 8 1/4"x5 3/4". (
Page 91 and 92:
Vol. 1 (June 1999). Photocopy. 8 1/
Page 93 and 94:
participants. "Each contributor, or
Page 95 and 96:
Vol. 1, No. 5 (September 1989). Pho
Page 97 and 98:
(September 1992). Photocopy. 8 1/2"
Page 99 and 100:
CVS (Copyright Violation Squad) Bul
Page 101 and 102:
(May 22, 1995). Photocopy with Rubb
Page 103 and 104:
(January 1987). Photocopy, Rubber S
Page 105 and 106:
Contributors Issue (Summer 1988). P
Page 107 and 108:
No. 45 (February 1983). Offset. 8 1
Page 109 and 110:
(USA), Bugpost (USA), Mike Dyar (US
Page 111 and 112:
No. 030 (November 19, 1989). Photoc
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(Poland), Géza Perneczky (Germany)
Page 115 and 116:
No. 14 (March 1982). Photocopy. 5 1
Page 117 and 118:
No. 2 (March 1986). Newsprint. 16 1
Page 119 and 120:
No. 1 (April 1989). Offset. 8 1/2"x
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11x30: A Publication of the Toledo
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Eraser Carver's Quarterly. Mick Mat
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No. 0 (1999). Offset. 8 1/4"x4". 53
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Decentralized Networker Congress Po
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No. 32 (October 1989). Newsprint. 1
Page 131 and 132:
No. 54 (December 1994). Newsprint.
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No. 21 (July/August 1994). Photocop
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TV Issue (April 1982). Newsprint. 9
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Bride./It too has piquant personali
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Fluxus Bucks. Ex-Posto-Facto (Julie
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No. 4 ([1985]). Photocopy. 5 1/2"x4
Page 143 and 144:
E. M. Plunkett (USA), Carol Law (US
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Vol. 1, No. 2 (Full Moon in May 199
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events." Websites section added. "L
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No. 1 (March 1990). Photocopy. 8 1/
Page 151 and 152:
It is a collection of original work
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Issue a (1971). Offset and Mixed Me
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No. 4 (Summer 1997). Photocopy. 11"
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Humboldt Da-Jest, The. Indian Ralph
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No. 6 (August 1990). Photocopy. 11"
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(March 1992). Photocopy and Rubber
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Inquirer: A Folio of Art and Ideas.
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No. 52 (1991). Offset. 13 1/2"x8 3/
Page 167 and 168:
No. 74 (1999). Offset. 13 1/2"x8 3/
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No. 6 (1993). Photocopy. 11"x8 1/2"
Page 171 and 172:
(USA), Minoy (USA), Tyler Hoare (US
Page 173 and 174:
Vol. 16, No. 2 (December 1997). Pho
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No. 1 (May 2000). Photocopy and Mix
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KFR-(Kentucky Fried Royalty) Indiba
Page 179 and 180:
Kryptogame. Hanna Bremer and Jack M
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No. 3 (1981). Photocopy. 11"x8 1/2"
Page 183 and 184:
Nouvelle Série, No. 6 (April 1988)
Page 185 and 186:
No. 3 (December 1989). Photocopy. 8
Page 187 and 188:
No. 7 ([1985]). Mixed media. 11 3/4
Page 189 and 190:
György Galantai (Hungary), David J
Page 191 and 192:
in news section include Pips (Germa
Page 193 and 194:
Pat Tavenner (USA), Musicmaster (US
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No. 18 (Winter 1986/1987). Offset a
Page 197 and 198:
No. 7 (February 1994). Photocopy. 1
Page 199 and 200:
Live from the Stagger Cafe. Luke Mc
Page 201 and 202:
"Seventh Stranger's Exhibition in O
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No. 7 (1994). Photocopy. 11 3/4"x8
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Love Letters. Sheba, Editor. Exotic
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Mail Art exhibition, "No Nukes in M
Page 209 and 210:
No. 14 (n.d.). Photocopy. 5 1/2"x3
Page 211 and 212:
TAM Publication 950076 (1995). Phot
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of, "The Light of the He-Art," from
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TAM Publication 960147 (March 1997)
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(Belgium) conducted by Ruud Janssen
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No. 109 (February 12, 1991). Photoc
Page 221 and 222:
No. 22-24 (1989). Photocopy and Mix
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No. 25 (April, 14, 1986). Photocopy
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No. 0 (June 1981). Photocopy and Mi
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No. 58 (August 1992). Photocopy and
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No. 80 (October 1994). Photocopy an
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No. 93 (February 1996). Photocopy a
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(Italy), buZ blurr (USA), Guy Bleus
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Kid (USA), Eberhard Janke (Germany)
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No. 132 (January 2001). Photocopy a
Page 239 and 240:
Musicmaster (USA), Mark Bloch (USA)
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submissions will be clear and conci
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Banquet (The Beasts at the Feast)."
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No. 7 ([1989]). Offset. 9 1/2"x8 1/
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including Géza Perneczky (Germany)
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(May 4 thru 10, 1988). Photocopy. 8
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(Germany). "Dreamtime Village" even
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Vol. 9, No. 2/3 (March/April 1996).
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RUBBER STAMP ALBUM and had been ord
Page 257 and 258:
Vol. 2, No. 2 (January 1984). Offse
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Vol. 8, No. 4 (Summer 1990). Offset
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that is wide in its acceptance of m
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is the need for mail-Art shows. At
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listings compiled by Honoria (USA).
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No. 1 (July 1993). Photocopy. 16 1/
Page 269 and 270:
Netshaker. Crackerjack Kid (aka Chu
Page 271 and 272:
Vol. 1, No. 3 (August 16, 1994). Co
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Hamann (West Germany), Graciela Mar
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display and disseminate the product
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Gerlovans (USA). Carlo Pittore (USA
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do some research about what the oth
Page 281 and 282:
TAM-970158 (January 1997). Photocop
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(October 1993). Photocopy. 8 1/2"x5
Page 285 and 286:
Tisma (Yugoslavia), Toward the New
Page 287 and 288:
Breeder" we say goodbye to Stu Horn
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O. Ghislain Belmans, Johan Sanctoru
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Occasional, Tuesday-Art News. Georg
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Vol. 27, No. 3 (Issue 37) (Summer 1
Page 295 and 296:
Todorovic (Yugoslavia); Shozo Shima
Page 297 and 298:
No. 24 ([1987]). Photocopy. 8 1/4"x
Page 299 and 300:
(USA), Shozo Shimamoto (Japan), Ryo
Page 301 and 302:
Ruth and Marvin Sackner (USA), Seie
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Strada (Italy), Peter W. Kaufmann (
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No. 72 (1992). Photocopy. 8 1/4"x5
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very dear guest here last days of O
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No. 93 (1997). Photocopy. 8 1/4"x5
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years!...then Austro-Ungarian (empi
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about extraordinary TIME of CHANGE
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Network: A Mail Art Anthology." "I
Page 317 and 318:
No. 38.2 (May 1998). Photocopy. 8 1
Page 319 and 320:
No. 44.1B (January 2000). Photocopy
Page 321 and 322:
"Shadowland and Rubberwork," by Don
Page 323 and 324:
force things. Zen, y'know. & beside
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Other Times: An Alternative Mail Ar
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No. 12 1/2 (September 1995). Photoc
Page 329 and 330:
No. 21 (July 1996). Photocopy. 8 1/
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No. 29 (May/June 1997). Photocopy.
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No. 6 ([1984]). Photocopy. 8 1/2"x5
Page 335 and 336:
No. 21 (November 14, 1987). Photoco
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Parallelogramme. Tanya Mars, Editor
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Pelo+Pelo-. Emilio Morandi, Editor.
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"'PhotoStatic Magazine' is a bimont
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No. 20 (October 1986). Photocopy. 8
Page 345 and 346:
others doing the same thing. It's c
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and continuing mail Art. "Mail Revi
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No. 40 (December 1989). Photocopy.
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correspondence. After writing close
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and political awareness (and a cook
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PMTTD's Standard Catalogue Update.
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Vol. 1, No. 2 (July 1993). Photocop
Page 359 and 360:
No. 1-A (January 1992). Photocopy a
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Hora") text from Montevideo, Urugua
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(October 1995). Color Photocopy. 8
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Princess Debbie (USA), John Held, J
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No. 17 (June 1991). Photocopy. 5 3/
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No. 33 (September-October 1994). Ph
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No. 5 (April [1995]). Photocopy and
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No. 19 (August 1996). Photocopy. 8
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proud history of pranks, games, fal
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No. 16 ([July] 1987). Photocopy. 11
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Germany), Louise Krasniewicz (USA),
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No. 13 (September 1998). Photocopy,
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Joel Rossman, Bill Gaglione, Carlo
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Joyce Glasner (Canada), Luc Fierens
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Ram Art Review. L. Zjawin Francke,
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"SPECIAL DOUBLE ISSUE! Music Mail A
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participants of the Congress includ
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profiteering..." Letters from Rudi
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No. 1 (Winter Solstice 1994). Offse
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overnight in the underground channe
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No. 4 (December 1991). Photocopy. 3
Page 401 and 402:
No. 0," by Florian Cramer (Germany)
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designs on rollers, postage cancell
Page 405 and 406:
Vol. 2, No. 7 (July 1979). Offset a
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so if you haven't had a go yet then
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Vol. 4, No. 1 (November 1988). Phot
Page 411 and 412:
Issue 0 (February 1989). Color Offs
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Vol. 2, Issue 8 (June 1982). Newspr
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Vol. 5, Issue 21 (October 1985). Ne
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(USA). "'Book as Art' was a famous
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Vol. 10, Issue 46 (July/August 1989
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numerous Europeans. Serendipitous o
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Vol. 15, Issue 75 (May/June 1994).
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Vol. 17, Issue 88 (July/August 1996
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and Angela Netmail, Germany). "Thei
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Schmidt (West Germany), Rolf Staeck
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No. 6 ([1989]). Photocopy and Mixed
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Cohen (USA), Fluxlist (Internet) an
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mail-art, news-letters, leaflets an
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drawings, paintings and so on as (w
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No. 61 (1995). Photocopy. 17"x11".
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Sick Roof: A Journal of Humorous, P
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was international, planetary art. n
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Slugfest, Ltd. Michael T. Nowak, Ed
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R. Fricker (Switzerland), Emilio Mo
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(August 1992). Photocopy. 11"x8 1/2
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No. 5 ([1990]. Offset. 11"x8 1/2".
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No. 7 ([1985]). Offset. 11 3/4"x8 1
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of a reasonable price. once this ha
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Espinosa (Mexico), Shozo Shimamoto
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called MAIL-ART like today, but the
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is Not Fine Art It's the Artist Who
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No. 2 (1989). Photocopy. 8 1/2"x5 1
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statements about mail art. Not only
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compute-file. Now I decided to prin
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Soppalco, Il (The Balcony): Home Ar
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Exhibition," by Ken Friedman. "'Int
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documented participation in 1,068 M
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No. 1 (1982). Mixed Media. (9 pages
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Musicmaster (USA), Donna Nassar (US
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Germany), John Jacobs (aka H.Y.P.E.
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Vol. 2, No. 3 (November 1982). News
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No. 12466 (1995). Photocopy and Rub
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No. 16568 (1997). Computer Print an
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Schizophreniatrics, Morealism, Sarc
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Germany), Salvatore de Rosa (Italy)
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Vol. 4, No. 42 (December 20, 1987).
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Subtle Journal of Raw Coinage, The.
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I am also looking forward to sharin
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No. 11 (nod.). Color and Black & Wh
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No. 1984.7 (1984). Photocopy. 11 3/
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communication could be the transfer
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ulletin. After that, the rubberstam
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No. 96-06 (June 1996). Computer Pri
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No. 6 (Fall 1996). Photocopy and Ru
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(July 11, 1992). Photocopy and Rubb
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No. 6 (June 1993). Photocopy and Mi
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Macadam (Argentina), Svjetlana Mimi
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(Uruguay), A. d. Eker (Holland), Ru
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Vol. 3, No. 3 (January 1983). Photo
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Vol. 2, No. 3 (Fall-Winter 1981). P
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Tourism Review. Hans Rudi Fricker,
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No. 38 (December 1993). Photocopy.
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No. 48 (January 1995). Photocopy. 8
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Dr. Surearts (USA), Dan Landrum (US
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TV. Terence McMahon, Editor. The Fa
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No. 9 (August-September). Newsprint
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Vol. 2, No. 6 (November 1979). Offs
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Vol. 5, No. 4 (September 1982). Off
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sense of direction. the occasion of
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stamp production services provided
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(Belgium), Shozo Shimamoto (Japan),
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Washington, D. C.; Mark Bloch (USA)
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(No. 23) (Winter 1996-1997). Offset
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own ad on the front or back cover t
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changing some time this year but I
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with Utopian leanings or concerns.
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Version 90. Alexandra Fisher, David
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Cosey Fanni Tutti (England), Opal L
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to the Editors," in which Ken Fried
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is so much bigger and looser now-th
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Menghi, Ivana Martínez Vollaró, N
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No. 2 ([1986]). Offset. 111/4"x8 1/
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"Ladies & Gentleman: I don't have t
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anarchists, so they don't act very
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Workarea Art Ambient. Ponte Romano,
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mind to new frontiers, when it does
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Xero-Post. Sheldon Polsky, Editor.
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No. 3 (September 29, 1989). Compute
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through, and their opinions about t
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letters, essays, commentaries, cart
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strike and then sit on their hands!
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No. 0 (December 31, 1992). Computer
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