Mail Art Periodicals - MoMA

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in "Hype & Post Hype," featuring his eraser carved rubber stamps commemorating visiting Mail Artists. "Mail Art Listings" features graphics by H. R. Fricker (Switzerland) and Ryosuke Cohen (Japan). Vol. 6, Issue 29 (September/October 1986). Newsprint. 17"x11 1/2". 31 pages. "Femail Artist," by the editor, features the work of Darlene Altschul (aka Tarvanah Savannah, USA). "MailArtMadness," reprints a letter from John Held, Jr. (USA) under the title, "Keep Mail Art Free." "That is why so many artists are disturbed about a tendency to offer prizes for the 'best' work in a show. That is not the point (quality). The point is participation, sharing." E. M. Plunkett (USA) and John P. Jacobs (USA) mentioned in "What's Doin'." "Mail Art Listings," features graphics by A-1 Waste Paper Co. (England). Vol. 7, Issue 30 (November/December 1986). Newsprint. 17"x11 1/2". 39 pages. Cover by Phyllis Cairns (USA), and an article on her work, "The Art of Repetition," by Diana Arseneau (USA). E. M. Plunkett (USA) in "What's Doin'." "MailArt Listings," features a graphic by A-1 Waste Paper Co. (England). Vol. 7, Issue 31 (January/February 1987). Newsprint. 17"x11 1/2". 31 pages. "MailArtMadness," by the editor, reports on an international meeting of Mail Artists at the Canadian Correspondence Art Gallery (CCAG), directed by Chuck Stake (AKA Don Mabie, Canada) in Calgary Canada. Illustrated by buZ blurr graphics, "The Many Faces of Mail Art," depicting Jürgen Olbrich (West Germany), Anna Banana (Canada), Richard Meade (USA), Ed Varney (Canada), Crackerjack Kid (USA), Sandra Tivy (Canada), et al. What's Doin'," mentions Bill Gaglione (USA), Julie Hagan Bloch (USA), Leavenworth Jackson (USA), et al. "Letters," includes correspondence from Fran Rutkovsky (USA). "Mail Art Listings." Vol. 7, Issue 32 (March/April 1987). Newsprint. 17"x11 1/2". 31 pages. Editorial offices moved to Ithaca, New York. Cover by Matty Jankowski (USA). "Circle Arts: Going Around with Matty Jankowski," by Freya Zabitsky (USA). "My First Stamp," includes the comments of Leavenworth Jackson (USA). "MailArt Madness," by Lyle Barrett (USA), reports on a Mail Art show in Houston, Texas. "Mail Art Listings." Vol. 7, Issue 33 (May/June 1987). Newsprint and Rubber Stamp Die. 17"x11 1/2". 31 pages. Mike Duquette (Canada) mentioned in "What's Doin'." "Mail Art Listings." Vol. 7, Issue 34 (July/August 1987). Newsprint. 17"x11 1/2". 39 pages. "Books of Art: Telling a Story in Stamps," by Sheril Cunning (USA), mentions the work of Crackerjack Kid (USA), Darlene Altschul (USA), Matty Jankowski (USA), and Phyllis Cairns (USA). "Book as Art," by Bill Gaglione
(USA). "'Book as Art' was a famous rubber stamp saying in the international mailart network in the 1970s, and Aart Van Barneveld was a central figure for many rubber stamp art events at that time, including one about bookmaking." Illustrated by a group of Polish rubber stamps. "Mail ArtMadness," features an illustrated look at the Southwest Decentralized World Wide Mail Art Congress (with Keynote Speaker Al Ackerman [USA]), in John Held, Jr.'s (USA), "Mail Art Face to Face." "Mail Art Listings. Vol. 7, Issue 35 (September/October 1987). Newsprint. 17"x11 1/2". 39 pages. "Mail Art Listings." Vol. 8, Issue 36 (November/December 1987). Newsprint. 17"x11 1/2". 39 pages. Feature on the eraser carved rubber stamps of Julie Hagan Bloch (USA). "Mail Art Listings." Vol. 8, Issue 37 (January/February 1988). Newsprint. 17"x11 1/2". 39 pages. "Love Letters in the Mail, includes contributions by Tarzana Savannah (aka Darlene Alschul, USA), Matty Jankowski (USA), Eric Farnsworth (USA), and Rick Banning (USA). "Communicazione Extraordinaire: A Conversation with Robert Rocola," by Art Snyder. "Secure in his eminence in the art world, he talked with me recently about his work and shared his insights on collage and mail art." "MailArt Madness," by the editor, features artistamps, illustrated by E. F. Higgins III (USA), Crackerjack Kid (USA), György Galantai (Hungary), and Géza Perneczky (West Germany). "Mail Art Listings," mentions John Held, Jr.'s (USA) research for "An Annotated Bibliography of Mail Art." Vol. 8, Issue 38 (March/April 1988). Newsprint. 17"x11 1/2". 39 pages. Contributions by Mike Duquette (Canada), John Atkins (Canada), and Larry Angelo (USA) in an article concerning comics and rubber stamps. "Rudi Rubberoid or How I Learned to Stop Worrying & Love the Stamp," an interview with the editor of "The Rubber Fanzine," with Steve Bieler (USA). "Correspondence art is, I think up to the individual to define. I know that's wishywashy, but correspondence art is really just having a correspondence with another person, and it's what you do in that correspondence-what you send, what you do on your envelope, the kind of things you insert into the envelope, and the kind of letter you write. For a lot of people, all of this comes down to one thing: playing in the mail. There's an element of humor and fun and games that's involved in correspondence art." What's Doin'," features Oncle George (USA). "Mail Art Listings." Vol. 8, Issue 39 (May/June 1988). Newsprint. 17"x11 1/2". 39 pages. Cover by Ray Johnson (USA). "What is mail Art? That question has dogged my path ever since I started working on Rubberstampmadness, over four years ago. It's a question that has no simple answer either as you'll notice when reading through this Special Mail Art Issue." "The Origins off mail Art," by the
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Mail Art Periodicals: An Annotated
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is a harbinger of the future tenden
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Alice's Zine of Dreams. Alice Borea
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No. 17 (March 1998). Photocopy. 8 1
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Anti-Isolation. Miekal And and Liz
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No. 6 (October 1994). Photocopy. 8
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displaying one-f-a-kind books, but
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Art Brigade. Ben Davis, Editor. Ama
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Vol. 2, No. 2/3 (1977). Newsprint.
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(October 19, 1980). Photocopy. 8 1/
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No. 11 (August 1980). Photocopy wit
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No. 34 (October 1982). Photocopy an
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No. 59 (January/June 1989). Photoco
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Artist Call. Michael Schwartz, Edit
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Congress. Michael Hernandez de Luna
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connected with others across the co
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Atalaya. Christer Brunström, Edito
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No. 22 (March 10, 1978?). Offset. 1
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No. 59 (October 20, 1983). Offset.
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project and exhibition notices. "Wh
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No. 98 (February 10, 1989). Photoco
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No. 116 (July 24, 1992). Offset. 23
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No. 141 (January 31, 1997). Offset.
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April 10, 1987. Mixed media. 6 1/2"
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No. 9 (June 1973). Photocopy. 14"x8
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comprehensive catalog and album of
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Bibliography." This issue: "Artist
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No. 26 (November 1994). Photocopy.
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Birdada. Bird (aka Chis Burnett), E
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people who make gather this kind of
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Vol. 1, No. 2 (1986). Photocopy. 8
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network are at all alike. Neuron in
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No. 63 (June 22, 1987). Gocco Print
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No. 114 (December 30, 1988). Gocco
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No. 203 (January 27, 1991). Gocco P
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No. 281 (July 20, 1993). Gocco Prin
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No. 350 (November 20, 1995). Gocco
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No. 511 (September 10, 2001). Gocco
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Cage: Anti-Embargo Magazine. Alexan
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No. 14 (1996). Photocopy. 8 1/2"x5
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No. 6 (February 1991). Photocopy. 1
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No. 116 (February 1990). Offset. 5
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No. 9 (February 20, 1989). Mixed Me
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R. Fricker (Switzerland). "Postal-A
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(n.d.). Photocopy. 8 1/4"x5 3/4". (
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Vol. 1 (June 1999). Photocopy. 8 1/
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participants. "Each contributor, or
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Vol. 1, No. 5 (September 1989). Pho
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(September 1992). Photocopy. 8 1/2"
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CVS (Copyright Violation Squad) Bul
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(May 22, 1995). Photocopy with Rubb
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(January 1987). Photocopy, Rubber S
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Contributors Issue (Summer 1988). P
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No. 45 (February 1983). Offset. 8 1
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(USA), Bugpost (USA), Mike Dyar (US
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No. 030 (November 19, 1989). Photoc
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(Poland), Géza Perneczky (Germany)
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No. 14 (March 1982). Photocopy. 5 1
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No. 2 (March 1986). Newsprint. 16 1
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No. 1 (April 1989). Offset. 8 1/2"x
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11x30: A Publication of the Toledo
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Eraser Carver's Quarterly. Mick Mat
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No. 0 (1999). Offset. 8 1/4"x4". 53
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Decentralized Networker Congress Po
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No. 32 (October 1989). Newsprint. 1
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No. 54 (December 1994). Newsprint.
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No. 21 (July/August 1994). Photocop
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TV Issue (April 1982). Newsprint. 9
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Bride./It too has piquant personali
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Fluxus Bucks. Ex-Posto-Facto (Julie
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No. 4 ([1985]). Photocopy. 5 1/2"x4
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E. M. Plunkett (USA), Carol Law (US
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Vol. 1, No. 2 (Full Moon in May 199
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events." Websites section added. "L
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No. 1 (March 1990). Photocopy. 8 1/
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It is a collection of original work
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Issue a (1971). Offset and Mixed Me
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No. 4 (Summer 1997). Photocopy. 11"
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Humboldt Da-Jest, The. Indian Ralph
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No. 6 (August 1990). Photocopy. 11"
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(March 1992). Photocopy and Rubber
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Inquirer: A Folio of Art and Ideas.
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No. 52 (1991). Offset. 13 1/2"x8 3/
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No. 74 (1999). Offset. 13 1/2"x8 3/
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No. 6 (1993). Photocopy. 11"x8 1/2"
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(USA), Minoy (USA), Tyler Hoare (US
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Vol. 16, No. 2 (December 1997). Pho
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No. 1 (May 2000). Photocopy and Mix
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KFR-(Kentucky Fried Royalty) Indiba
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Kryptogame. Hanna Bremer and Jack M
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No. 3 (1981). Photocopy. 11"x8 1/2"
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Nouvelle Série, No. 6 (April 1988)
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No. 3 (December 1989). Photocopy. 8
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No. 7 ([1985]). Mixed media. 11 3/4
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György Galantai (Hungary), David J
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in news section include Pips (Germa
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Pat Tavenner (USA), Musicmaster (US
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No. 18 (Winter 1986/1987). Offset a
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No. 7 (February 1994). Photocopy. 1
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Live from the Stagger Cafe. Luke Mc
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"Seventh Stranger's Exhibition in O
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No. 7 (1994). Photocopy. 11 3/4"x8
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Love Letters. Sheba, Editor. Exotic
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Mail Art exhibition, "No Nukes in M
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No. 14 (n.d.). Photocopy. 5 1/2"x3
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TAM Publication 950076 (1995). Phot
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of, "The Light of the He-Art," from
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TAM Publication 960147 (March 1997)
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(Belgium) conducted by Ruud Janssen
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No. 109 (February 12, 1991). Photoc
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No. 22-24 (1989). Photocopy and Mix
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No. 25 (April, 14, 1986). Photocopy
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No. 0 (June 1981). Photocopy and Mi
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No. 58 (August 1992). Photocopy and
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No. 80 (October 1994). Photocopy an
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No. 93 (February 1996). Photocopy a
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(Italy), buZ blurr (USA), Guy Bleus
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Kid (USA), Eberhard Janke (Germany)
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No. 132 (January 2001). Photocopy a
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Musicmaster (USA), Mark Bloch (USA)
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submissions will be clear and conci
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Banquet (The Beasts at the Feast)."
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No. 7 ([1989]). Offset. 9 1/2"x8 1/
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including Géza Perneczky (Germany)
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(May 4 thru 10, 1988). Photocopy. 8
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(Germany). "Dreamtime Village" even
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Vol. 9, No. 2/3 (March/April 1996).
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RUBBER STAMP ALBUM and had been ord
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Vol. 2, No. 2 (January 1984). Offse
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Vol. 8, No. 4 (Summer 1990). Offset
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that is wide in its acceptance of m
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is the need for mail-Art shows. At
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listings compiled by Honoria (USA).
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No. 1 (July 1993). Photocopy. 16 1/
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Netshaker. Crackerjack Kid (aka Chu
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Vol. 1, No. 3 (August 16, 1994). Co
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Hamann (West Germany), Graciela Mar
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display and disseminate the product
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Gerlovans (USA). Carlo Pittore (USA
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do some research about what the oth
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TAM-970158 (January 1997). Photocop
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(October 1993). Photocopy. 8 1/2"x5
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Tisma (Yugoslavia), Toward the New
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Breeder" we say goodbye to Stu Horn
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O. Ghislain Belmans, Johan Sanctoru
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Occasional, Tuesday-Art News. Georg
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Vol. 27, No. 3 (Issue 37) (Summer 1
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Todorovic (Yugoslavia); Shozo Shima
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No. 24 ([1987]). Photocopy. 8 1/4"x
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(USA), Shozo Shimamoto (Japan), Ryo
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Ruth and Marvin Sackner (USA), Seie
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Strada (Italy), Peter W. Kaufmann (
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No. 72 (1992). Photocopy. 8 1/4"x5
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very dear guest here last days of O
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No. 93 (1997). Photocopy. 8 1/4"x5
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years!...then Austro-Ungarian (empi
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about extraordinary TIME of CHANGE
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Network: A Mail Art Anthology." "I
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No. 38.2 (May 1998). Photocopy. 8 1
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No. 44.1B (January 2000). Photocopy
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"Shadowland and Rubberwork," by Don
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force things. Zen, y'know. & beside
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Other Times: An Alternative Mail Ar
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No. 12 1/2 (September 1995). Photoc
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No. 21 (July 1996). Photocopy. 8 1/
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No. 29 (May/June 1997). Photocopy.
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No. 6 ([1984]). Photocopy. 8 1/2"x5
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No. 21 (November 14, 1987). Photoco
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Parallelogramme. Tanya Mars, Editor
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Pelo+Pelo-. Emilio Morandi, Editor.
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"'PhotoStatic Magazine' is a bimont
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No. 20 (October 1986). Photocopy. 8
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others doing the same thing. It's c
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and continuing mail Art. "Mail Revi
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No. 40 (December 1989). Photocopy.
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correspondence. After writing close
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and political awareness (and a cook
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PMTTD's Standard Catalogue Update.
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Vol. 1, No. 2 (July 1993). Photocop
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No. 1-A (January 1992). Photocopy a
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Hora") text from Montevideo, Urugua
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(October 1995). Color Photocopy. 8
Page 365 and 366: Princess Debbie (USA), John Held, J
Page 367 and 368: No. 17 (June 1991). Photocopy. 5 3/
Page 369 and 370: No. 33 (September-October 1994). Ph
Page 371 and 372: No. 5 (April [1995]). Photocopy and
Page 373 and 374: No. 19 (August 1996). Photocopy. 8
Page 375 and 376: proud history of pranks, games, fal
Page 377 and 378: No. 16 ([July] 1987). Photocopy. 11
Page 379 and 380: Germany), Louise Krasniewicz (USA),
Page 381 and 382: No. 13 (September 1998). Photocopy,
Page 383 and 384: Joel Rossman, Bill Gaglione, Carlo
Page 385 and 386: Joyce Glasner (Canada), Luc Fierens
Page 387 and 388: Ram Art Review. L. Zjawin Francke,
Page 389 and 390: "SPECIAL DOUBLE ISSUE! Music Mail A
Page 391 and 392: participants of the Congress includ
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Page 395 and 396: No. 1 (Winter Solstice 1994). Offse
Page 397 and 398: overnight in the underground channe
Page 399 and 400: No. 4 (December 1991). Photocopy. 3
Page 401 and 402: No. 0," by Florian Cramer (Germany)
Page 403 and 404: designs on rollers, postage cancell
Page 405 and 406: Vol. 2, No. 7 (July 1979). Offset a
Page 407 and 408: so if you haven't had a go yet then
Page 409 and 410: Vol. 4, No. 1 (November 1988). Phot
Page 411 and 412: Issue 0 (February 1989). Color Offs
Page 413 and 414: Vol. 2, Issue 8 (June 1982). Newspr
Page 415: Vol. 5, Issue 21 (October 1985). Ne
Page 419 and 420: Vol. 10, Issue 46 (July/August 1989
Page 421 and 422: numerous Europeans. Serendipitous o
Page 423 and 424: Vol. 15, Issue 75 (May/June 1994).
Page 425 and 426: Vol. 17, Issue 88 (July/August 1996
Page 427 and 428: and Angela Netmail, Germany). "Thei
Page 429 and 430: Schmidt (West Germany), Rolf Staeck
Page 431 and 432: No. 6 ([1989]). Photocopy and Mixed
Page 433 and 434: Cohen (USA), Fluxlist (Internet) an
Page 435 and 436: mail-art, news-letters, leaflets an
Page 437 and 438: drawings, paintings and so on as (w
Page 439 and 440: No. 61 (1995). Photocopy. 17"x11".
Page 441 and 442: Sick Roof: A Journal of Humorous, P
Page 443 and 444: was international, planetary art. n
Page 445 and 446: Slugfest, Ltd. Michael T. Nowak, Ed
Page 447 and 448: R. Fricker (Switzerland), Emilio Mo
Page 449 and 450: (August 1992). Photocopy. 11"x8 1/2
Page 451 and 452: No. 5 ([1990]. Offset. 11"x8 1/2".
Page 453 and 454: No. 7 ([1985]). Offset. 11 3/4"x8 1
Page 455 and 456: of a reasonable price. once this ha
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Page 459 and 460: called MAIL-ART like today, but the
Page 461 and 462: is Not Fine Art It's the Artist Who
Page 463 and 464: No. 2 (1989). Photocopy. 8 1/2"x5 1
Page 465 and 466: statements about mail art. Not only
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compute-file. Now I decided to prin
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Soppalco, Il (The Balcony): Home Ar
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Exhibition," by Ken Friedman. "'Int
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documented participation in 1,068 M
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No. 1 (1982). Mixed Media. (9 pages
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Musicmaster (USA), Donna Nassar (US
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Germany), John Jacobs (aka H.Y.P.E.
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Vol. 2, No. 3 (November 1982). News
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No. 12466 (1995). Photocopy and Rub
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No. 16568 (1997). Computer Print an
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Schizophreniatrics, Morealism, Sarc
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Germany), Salvatore de Rosa (Italy)
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Vol. 4, No. 42 (December 20, 1987).
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Subtle Journal of Raw Coinage, The.
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I am also looking forward to sharin
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No. 11 (nod.). Color and Black & Wh
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No. 1984.7 (1984). Photocopy. 11 3/
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communication could be the transfer
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ulletin. After that, the rubberstam
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No. 96-06 (June 1996). Computer Pri
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No. 6 (Fall 1996). Photocopy and Ru
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(July 11, 1992). Photocopy and Rubb
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No. 6 (June 1993). Photocopy and Mi
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Macadam (Argentina), Svjetlana Mimi
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(Uruguay), A. d. Eker (Holland), Ru
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Vol. 3, No. 3 (January 1983). Photo
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Vol. 2, No. 3 (Fall-Winter 1981). P
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Tourism Review. Hans Rudi Fricker,
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No. 38 (December 1993). Photocopy.
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No. 48 (January 1995). Photocopy. 8
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Dr. Surearts (USA), Dan Landrum (US
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TV. Terence McMahon, Editor. The Fa
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No. 9 (August-September). Newsprint
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Vol. 2, No. 6 (November 1979). Offs
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Vol. 5, No. 4 (September 1982). Off
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sense of direction. the occasion of
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stamp production services provided
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(Belgium), Shozo Shimamoto (Japan),
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Washington, D. C.; Mark Bloch (USA)
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(No. 23) (Winter 1996-1997). Offset
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own ad on the front or back cover t
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changing some time this year but I
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with Utopian leanings or concerns.
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Version 90. Alexandra Fisher, David
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Cosey Fanni Tutti (England), Opal L
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to the Editors," in which Ken Fried
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is so much bigger and looser now-th
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Menghi, Ivana Martínez Vollaró, N
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No. 2 ([1986]). Offset. 111/4"x8 1/
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"Ladies & Gentleman: I don't have t
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anarchists, so they don't act very
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Workarea Art Ambient. Ponte Romano,
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mind to new frontiers, when it does
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Xero-Post. Sheldon Polsky, Editor.
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No. 3 (September 29, 1989). Compute
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through, and their opinions about t
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letters, essays, commentaries, cart
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strike and then sit on their hands!
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No. 0 (December 31, 1992). Computer
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