Mail Art Periodicals - MoMA

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started a new concept besides the computerized version: The 'add & Pass on' - concept. What you red now is a (print-out) of the computerized version. The 'add & pass on"-versions are quite rare because they are handmade and grow when they are circulated in the network." "News from the TAM-Front," includes information that, "In April 1994 I decided to make again the Computerized TAM- Bulletins and include a selection of new mail-art projects in them. Not a complete overview like in 'Global Mail' from the USA, but just a random selection of projects which might be interesting for you. To spread the information I also make a few print-outs of this bulletin." Mail Art exhibition, project and publication opportunities." "The Computerized Tam-Bulletin...is a mail-art magazine that contains news from the TAM-front, news about mail-art meetings and (mostly) news about mail-art projects. The TAM-Bulletin can be uploaded from the TBHS (The TAM Bulletin Host System, since 1990, a BBS that is accessible by appointment only (call by voice for the appointment or write me in advance which date & time you want to make contact with my computer). The computer contains besides the latest TAM-Bulletins also texts that I write about mail-art, texts others sent to my computer, and other bits and pieces in digital form." TAM-940030 (May 1994). Computer Print and Rubber Stamps. 8 1/4x 5 3/4". (8 pages). "News from the TAM-Front," mentions the editor's other projects including the TAM-Rubberstamp Archive, a compilation of Mail-Art address lists, "Dead mail artists list," and "Words and Abbreviations" used in mail-art. Mail Art exhibition, project and publication opportunities. "Dead Mail- Artists," listing inserted. (July/August 1993). Photocopy, Rubber Stamps and Mixed Media. 8 14"x5 3/4". (20 pages). Assembling magazine. "How to use the TAM-bulletin: participate in the projects you like, add projects you have received informations about and sent the bulletin to another mail-artist. Keep the TAM-bulletins circulating!" Original contributions of Mail Art exhibition, project and publication opportunities by Michael Pollard (Indonesia), M. B. Corbett (USA), A.1. Waste Paper Company (England), Laura Gianfreda (Italy), the editor, et al. (1995). Photocopy, Rubber Stamps and Mixed Media. 5 3/4"x4". (22 pages). Assembling magazine. "In 1985 the TAM-bulletin started as a mail-art magazine. Two years later the bulletin got computerized, and got accessible by computers through a BBS system. not many mail-artists used this new for, so now there is a new concept...Rules; Every TAM-bulletin is an original. it contains mail-art info's that mail-artists send to me so if you want to spread your mail-art invitations, you have to send several of them to TAM. I will pass them out with this TAM-Bulletin. The reason for this form is to make a magazine that doesn't look like a xerox-product, but rather a collection of what is going on in the mailart network. Also the invitations look like the mail-artists intended them to be. Try to reduce the Xerox-production a bit. Also other mail-art products that I receive )art-stamps, stickers, etc...) I can include in the new TAM-bulletin. Special request is to send in original RUBBERSTAMPS, which I will use in the TAM-
ulletin. After that, the rubberstamps stays in the TAM rubberstamp Archive. TAM-bulletins are sent out randomly. so there is no fixed mailing-list, nor a subscription-rate. People who send in a rubberstamp surely will get a copy, because they make me very happy with this gift. " Contributions from M. B. Corbett (USA), Zetetics (USA), Jorge Garnica (Argentina), Altor (Italy), Pas de Chance (Canada), John Held, Jr. (USA), Pascal Lenoir (France), Factor X (England), Tarzana Savannah (USA), Ryosuke Cohen (Japan), et al. TAM Rubberstamp Archive Information-Newsletter, The. Ruud Janssen, Editor. TAM Rubberstamp Archive, Tilburg, Holland. 1993-1984-1996). (May 21 1984). Photocopy and Rubber Stamp. 3 pages. "At the time you get his list: Rubber-stamps from 104 artists. Which live in 24 different countries." List of contributors to the "Rubber-Stamp Archive." (May 6, 1985). Photocopy and Rubber Stamps. 8 1/4"x5 3/4". 6 pages. "Almost every mail-artist uses rubberstamp; name-stamps, bought rubber-stamps, self-designed rubberstamps and self-made rubberstamps. T. A. M. is collecting all the prints of these rubberstamps which mail-artists use, and hopes to get one of the biggest archives of rubberstamp-prints./The list with examples which now lies in front of you gives you the names and addresses of all mail-artists who have sent prints for the archive. The list is not in alphabetic order, because the archive expands every day. It isn't possible to put all the prints beside the names, because there are to many. the number besides the rubberstamp-print refers to the mail-artist who has sent this print...Beside the rubberstamp-prints the archive also contains catalogs, books, magazines and-of course-original rubberstamps...There are rubberstamps from 365 artists, which live in 37 different countries." (August 24, 1985). Photocopy. 8 1/4"x5 3/4". 6 pages. "There are rubberstamps from 518 artists, which live in 38 different countries." Contributions by Jaroslav Supek (Yugoslavia), Dobrica Kamperelic (Yugoslavia), Bill Gaglione (USA), Guy Bleus (Belgium), Rockola (USA), Bernd Löbach-Hinweiser (West Germany), Salvatore De Rosa (Italy), Joki Mail Art (West Germany), Stewart Home (England), et al. No. 1993.02 (February 15, 1993). Computer Print and Rubber Stamps. 8 1/4"x5 3/4". 9 pages. "Introduction...The rubberstamp-Archive is now almost 10 years old. Almost every day more contributions come in. Several documentaions about this archive are previously make, and in this newsletter you will find an overview of all the previous publications. This newsletter is updated every two months and sent to people who inform about the archive. "Historic Overview." "What there is in the TAM RUBBERSTAMP-ARCHIVE." "Countries," a listing of 62 nations from which participants have contributed, and
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Mail Art Periodicals: An Annotated
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is a harbinger of the future tenden
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Alice's Zine of Dreams. Alice Borea
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No. 17 (March 1998). Photocopy. 8 1
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Anti-Isolation. Miekal And and Liz
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No. 6 (October 1994). Photocopy. 8
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displaying one-f-a-kind books, but
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Art Brigade. Ben Davis, Editor. Ama
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Vol. 2, No. 2/3 (1977). Newsprint.
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(October 19, 1980). Photocopy. 8 1/
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No. 11 (August 1980). Photocopy wit
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No. 34 (October 1982). Photocopy an
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No. 59 (January/June 1989). Photoco
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Artist Call. Michael Schwartz, Edit
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Congress. Michael Hernandez de Luna
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connected with others across the co
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Atalaya. Christer Brunström, Edito
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No. 22 (March 10, 1978?). Offset. 1
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No. 59 (October 20, 1983). Offset.
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project and exhibition notices. "Wh
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No. 98 (February 10, 1989). Photoco
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No. 116 (July 24, 1992). Offset. 23
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No. 141 (January 31, 1997). Offset.
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April 10, 1987. Mixed media. 6 1/2"
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No. 9 (June 1973). Photocopy. 14"x8
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comprehensive catalog and album of
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Bibliography." This issue: "Artist
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No. 26 (November 1994). Photocopy.
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Birdada. Bird (aka Chis Burnett), E
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people who make gather this kind of
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Vol. 1, No. 2 (1986). Photocopy. 8
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network are at all alike. Neuron in
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No. 63 (June 22, 1987). Gocco Print
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No. 114 (December 30, 1988). Gocco
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No. 203 (January 27, 1991). Gocco P
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No. 281 (July 20, 1993). Gocco Prin
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No. 350 (November 20, 1995). Gocco
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No. 511 (September 10, 2001). Gocco
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Cage: Anti-Embargo Magazine. Alexan
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No. 14 (1996). Photocopy. 8 1/2"x5
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No. 6 (February 1991). Photocopy. 1
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No. 116 (February 1990). Offset. 5
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No. 9 (February 20, 1989). Mixed Me
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R. Fricker (Switzerland). "Postal-A
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(n.d.). Photocopy. 8 1/4"x5 3/4". (
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Vol. 1 (June 1999). Photocopy. 8 1/
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participants. "Each contributor, or
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Vol. 1, No. 5 (September 1989). Pho
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(September 1992). Photocopy. 8 1/2"
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CVS (Copyright Violation Squad) Bul
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(May 22, 1995). Photocopy with Rubb
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(January 1987). Photocopy, Rubber S
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Contributors Issue (Summer 1988). P
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No. 45 (February 1983). Offset. 8 1
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(USA), Bugpost (USA), Mike Dyar (US
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No. 030 (November 19, 1989). Photoc
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(Poland), Géza Perneczky (Germany)
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No. 14 (March 1982). Photocopy. 5 1
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No. 2 (March 1986). Newsprint. 16 1
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No. 1 (April 1989). Offset. 8 1/2"x
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11x30: A Publication of the Toledo
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Eraser Carver's Quarterly. Mick Mat
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No. 0 (1999). Offset. 8 1/4"x4". 53
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Decentralized Networker Congress Po
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No. 32 (October 1989). Newsprint. 1
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No. 54 (December 1994). Newsprint.
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No. 21 (July/August 1994). Photocop
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TV Issue (April 1982). Newsprint. 9
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Bride./It too has piquant personali
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Fluxus Bucks. Ex-Posto-Facto (Julie
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No. 4 ([1985]). Photocopy. 5 1/2"x4
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E. M. Plunkett (USA), Carol Law (US
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Vol. 1, No. 2 (Full Moon in May 199
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events." Websites section added. "L
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No. 1 (March 1990). Photocopy. 8 1/
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It is a collection of original work
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Issue a (1971). Offset and Mixed Me
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No. 4 (Summer 1997). Photocopy. 11"
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Humboldt Da-Jest, The. Indian Ralph
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No. 6 (August 1990). Photocopy. 11"
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(March 1992). Photocopy and Rubber
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Inquirer: A Folio of Art and Ideas.
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No. 52 (1991). Offset. 13 1/2"x8 3/
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No. 74 (1999). Offset. 13 1/2"x8 3/
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No. 6 (1993). Photocopy. 11"x8 1/2"
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(USA), Minoy (USA), Tyler Hoare (US
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Vol. 16, No. 2 (December 1997). Pho
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No. 1 (May 2000). Photocopy and Mix
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KFR-(Kentucky Fried Royalty) Indiba
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Kryptogame. Hanna Bremer and Jack M
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No. 3 (1981). Photocopy. 11"x8 1/2"
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Nouvelle Série, No. 6 (April 1988)
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No. 3 (December 1989). Photocopy. 8
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No. 7 ([1985]). Mixed media. 11 3/4
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György Galantai (Hungary), David J
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in news section include Pips (Germa
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Pat Tavenner (USA), Musicmaster (US
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No. 18 (Winter 1986/1987). Offset a
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No. 7 (February 1994). Photocopy. 1
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Live from the Stagger Cafe. Luke Mc
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"Seventh Stranger's Exhibition in O
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No. 7 (1994). Photocopy. 11 3/4"x8
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Love Letters. Sheba, Editor. Exotic
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Mail Art exhibition, "No Nukes in M
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No. 14 (n.d.). Photocopy. 5 1/2"x3
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TAM Publication 950076 (1995). Phot
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of, "The Light of the He-Art," from
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TAM Publication 960147 (March 1997)
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(Belgium) conducted by Ruud Janssen
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No. 109 (February 12, 1991). Photoc
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No. 22-24 (1989). Photocopy and Mix
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No. 25 (April, 14, 1986). Photocopy
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No. 0 (June 1981). Photocopy and Mi
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No. 58 (August 1992). Photocopy and
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No. 80 (October 1994). Photocopy an
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No. 93 (February 1996). Photocopy a
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(Italy), buZ blurr (USA), Guy Bleus
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Kid (USA), Eberhard Janke (Germany)
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No. 132 (January 2001). Photocopy a
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Musicmaster (USA), Mark Bloch (USA)
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submissions will be clear and conci
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Banquet (The Beasts at the Feast)."
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No. 7 ([1989]). Offset. 9 1/2"x8 1/
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including Géza Perneczky (Germany)
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(May 4 thru 10, 1988). Photocopy. 8
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(Germany). "Dreamtime Village" even
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Vol. 9, No. 2/3 (March/April 1996).
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RUBBER STAMP ALBUM and had been ord
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Vol. 2, No. 2 (January 1984). Offse
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Vol. 8, No. 4 (Summer 1990). Offset
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that is wide in its acceptance of m
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is the need for mail-Art shows. At
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listings compiled by Honoria (USA).
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No. 1 (July 1993). Photocopy. 16 1/
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Netshaker. Crackerjack Kid (aka Chu
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Vol. 1, No. 3 (August 16, 1994). Co
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Hamann (West Germany), Graciela Mar
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display and disseminate the product
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Gerlovans (USA). Carlo Pittore (USA
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do some research about what the oth
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TAM-970158 (January 1997). Photocop
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(October 1993). Photocopy. 8 1/2"x5
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Tisma (Yugoslavia), Toward the New
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Breeder" we say goodbye to Stu Horn
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O. Ghislain Belmans, Johan Sanctoru
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Occasional, Tuesday-Art News. Georg
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Vol. 27, No. 3 (Issue 37) (Summer 1
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Todorovic (Yugoslavia); Shozo Shima
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No. 24 ([1987]). Photocopy. 8 1/4"x
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(USA), Shozo Shimamoto (Japan), Ryo
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Ruth and Marvin Sackner (USA), Seie
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Strada (Italy), Peter W. Kaufmann (
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No. 72 (1992). Photocopy. 8 1/4"x5
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very dear guest here last days of O
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No. 93 (1997). Photocopy. 8 1/4"x5
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years!...then Austro-Ungarian (empi
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about extraordinary TIME of CHANGE
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Network: A Mail Art Anthology." "I
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No. 38.2 (May 1998). Photocopy. 8 1
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No. 44.1B (January 2000). Photocopy
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"Shadowland and Rubberwork," by Don
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force things. Zen, y'know. & beside
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Other Times: An Alternative Mail Ar
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No. 12 1/2 (September 1995). Photoc
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No. 21 (July 1996). Photocopy. 8 1/
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No. 29 (May/June 1997). Photocopy.
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No. 6 ([1984]). Photocopy. 8 1/2"x5
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No. 21 (November 14, 1987). Photoco
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Parallelogramme. Tanya Mars, Editor
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Pelo+Pelo-. Emilio Morandi, Editor.
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"'PhotoStatic Magazine' is a bimont
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No. 20 (October 1986). Photocopy. 8
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others doing the same thing. It's c
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and continuing mail Art. "Mail Revi
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No. 40 (December 1989). Photocopy.
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correspondence. After writing close
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and political awareness (and a cook
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PMTTD's Standard Catalogue Update.
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Vol. 1, No. 2 (July 1993). Photocop
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No. 1-A (January 1992). Photocopy a
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Hora") text from Montevideo, Urugua
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(October 1995). Color Photocopy. 8
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Princess Debbie (USA), John Held, J
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No. 17 (June 1991). Photocopy. 5 3/
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No. 33 (September-October 1994). Ph
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No. 5 (April [1995]). Photocopy and
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No. 19 (August 1996). Photocopy. 8
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proud history of pranks, games, fal
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No. 16 ([July] 1987). Photocopy. 11
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Germany), Louise Krasniewicz (USA),
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No. 13 (September 1998). Photocopy,
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Joel Rossman, Bill Gaglione, Carlo
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Joyce Glasner (Canada), Luc Fierens
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Ram Art Review. L. Zjawin Francke,
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"SPECIAL DOUBLE ISSUE! Music Mail A
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participants of the Congress includ
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profiteering..." Letters from Rudi
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No. 1 (Winter Solstice 1994). Offse
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overnight in the underground channe
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No. 4 (December 1991). Photocopy. 3
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No. 0," by Florian Cramer (Germany)
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designs on rollers, postage cancell
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Vol. 2, No. 7 (July 1979). Offset a
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so if you haven't had a go yet then
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Vol. 4, No. 1 (November 1988). Phot
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Issue 0 (February 1989). Color Offs
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Vol. 2, Issue 8 (June 1982). Newspr
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Vol. 5, Issue 21 (October 1985). Ne
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(USA). "'Book as Art' was a famous
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Vol. 10, Issue 46 (July/August 1989
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numerous Europeans. Serendipitous o
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Vol. 15, Issue 75 (May/June 1994).
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Vol. 17, Issue 88 (July/August 1996
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and Angela Netmail, Germany). "Thei
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Schmidt (West Germany), Rolf Staeck
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No. 6 ([1989]). Photocopy and Mixed
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Cohen (USA), Fluxlist (Internet) an
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mail-art, news-letters, leaflets an
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drawings, paintings and so on as (w
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No. 61 (1995). Photocopy. 17"x11".
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Sick Roof: A Journal of Humorous, P
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was international, planetary art. n
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Slugfest, Ltd. Michael T. Nowak, Ed
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R. Fricker (Switzerland), Emilio Mo
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(August 1992). Photocopy. 11"x8 1/2
Page 451 and 452: No. 5 ([1990]. Offset. 11"x8 1/2".
Page 453 and 454: No. 7 ([1985]). Offset. 11 3/4"x8 1
Page 455 and 456: of a reasonable price. once this ha
Page 457 and 458: Espinosa (Mexico), Shozo Shimamoto
Page 459 and 460: called MAIL-ART like today, but the
Page 461 and 462: is Not Fine Art It's the Artist Who
Page 463 and 464: No. 2 (1989). Photocopy. 8 1/2"x5 1
Page 465 and 466: statements about mail art. Not only
Page 467 and 468: compute-file. Now I decided to prin
Page 469 and 470: Soppalco, Il (The Balcony): Home Ar
Page 471 and 472: Exhibition," by Ken Friedman. "'Int
Page 473 and 474: documented participation in 1,068 M
Page 475 and 476: No. 1 (1982). Mixed Media. (9 pages
Page 477 and 478: Musicmaster (USA), Donna Nassar (US
Page 479 and 480: Germany), John Jacobs (aka H.Y.P.E.
Page 481 and 482: Vol. 2, No. 3 (November 1982). News
Page 483 and 484: No. 12466 (1995). Photocopy and Rub
Page 485 and 486: No. 16568 (1997). Computer Print an
Page 487 and 488: Schizophreniatrics, Morealism, Sarc
Page 489 and 490: Germany), Salvatore de Rosa (Italy)
Page 491 and 492: Vol. 4, No. 42 (December 20, 1987).
Page 493 and 494: Subtle Journal of Raw Coinage, The.
Page 495 and 496: I am also looking forward to sharin
Page 497 and 498: No. 11 (nod.). Color and Black & Wh
Page 499 and 500: No. 1984.7 (1984). Photocopy. 11 3/
Page 501: communication could be the transfer
Page 505 and 506: No. 96-06 (June 1996). Computer Pri
Page 507 and 508: No. 6 (Fall 1996). Photocopy and Ru
Page 509 and 510: (July 11, 1992). Photocopy and Rubb
Page 511 and 512: No. 6 (June 1993). Photocopy and Mi
Page 513 and 514: Macadam (Argentina), Svjetlana Mimi
Page 515 and 516: (Uruguay), A. d. Eker (Holland), Ru
Page 517 and 518: Vol. 3, No. 3 (January 1983). Photo
Page 519 and 520: Vol. 2, No. 3 (Fall-Winter 1981). P
Page 521 and 522: Tourism Review. Hans Rudi Fricker,
Page 523 and 524: No. 38 (December 1993). Photocopy.
Page 525 and 526: No. 48 (January 1995). Photocopy. 8
Page 527 and 528: Dr. Surearts (USA), Dan Landrum (US
Page 529 and 530: TV. Terence McMahon, Editor. The Fa
Page 531 and 532: No. 9 (August-September). Newsprint
Page 533 and 534: Vol. 2, No. 6 (November 1979). Offs
Page 535 and 536: Vol. 5, No. 4 (September 1982). Off
Page 537 and 538: sense of direction. the occasion of
Page 539 and 540: stamp production services provided
Page 541 and 542: (Belgium), Shozo Shimamoto (Japan),
Page 543 and 544: Washington, D. C.; Mark Bloch (USA)
Page 545 and 546: (No. 23) (Winter 1996-1997). Offset
Page 547 and 548: own ad on the front or back cover t
Page 549 and 550: changing some time this year but I
Page 551 and 552: with Utopian leanings or concerns.
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Version 90. Alexandra Fisher, David
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Cosey Fanni Tutti (England), Opal L
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to the Editors," in which Ken Fried
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is so much bigger and looser now-th
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Menghi, Ivana Martínez Vollaró, N
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No. 2 ([1986]). Offset. 111/4"x8 1/
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"Ladies & Gentleman: I don't have t
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anarchists, so they don't act very
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Workarea Art Ambient. Ponte Romano,
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mind to new frontiers, when it does
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Xero-Post. Sheldon Polsky, Editor.
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No. 3 (September 29, 1989). Compute
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through, and their opinions about t
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letters, essays, commentaries, cart
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strike and then sit on their hands!
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No. 0 (December 31, 1992). Computer
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