Mail Art Periodicals - MoMA

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No. 154 (October 25, 1989). Gocco Printing and Photocopy. 11 1/2"x16 1/2". (3 pages). Contributions by 46 artists from 15 countries. Instructions. No. 158 (December 7, 1989). Gocco Printing and Photocopy. 11 1/2"x16 1/2". (3 pages). Contributions by 63 artists from 21 countries. Instructions. No. 162 (December 30, 1989). Gocco Printing and Photocopy. 11 1/2"x16 1/2". (3 pages). Contributions by 47 artists from 12 countries. Instructions. No. 168 (February 13, 1990). Gocco Printing and Photocopy. 11 1/2"x16 1/2". (3 pages). Contributions by 58 artists from 19 countries. Instructions. No. 171 (March 6, 1990). Gocco Printing and Photocopy. 11 1/2"x16 1/2". (3 pages). Contributions by 53 artists from 14 countries. On reverse of the participant list there is a printed message from Cohen, "send your angry message against mail art exhibition without mail arts," which asks contributors to send protest letters to the organizers of "Expo '90," who choose to exclude practicing <strong>Mail</strong> <strong>Art</strong>ists from the exhibition. No. 178 (April 28, 1990). Gocco printing and photocopy. 11 1/2"x16 1/2". (2 pages). Contributions by 49 artists from 17 countries. No. 181 (May 23, 1990). Gocco Printing and Photocopy. 11 1/2"x16 1/2". (2 pages). Contributions by 49 artists from 16 countries. No. 187 (July 24, 1990). Gocco Printing and Photocopy. 11 1/2"x16 1/2". (2 pages). Contributions from 54 artists from 15 countries. No. 188 (July 30, 1990). Gocco Printing and Photocopy. 11 1/2"x16 1/2". (2 pages). Contributions by 58 artists from 15 countries. No. 194 (November 7, 1990). Gocco Printing and Photocopy. 11 1/2"x16 1/2". (2 pages). Contributions from 56 artists from 18 countries. No. 199 (December 20, 1990). Gocco Printing and Photocopy. 11 1/2"x16 1/2". (2 pages). Contributions from 53 artists from 15 countries.
No. 203 (January 27, 1991). Gocco Printing and Photocopy. 11 1/2"x16 1/2". (3 pages). Contributions by 50 artists from 13 countries. Instructions. No. 209 (March 23, 1991). Gocco Printing and Photocopy. 11 1/2"x16 1/2". (3 pages). Contributions by 50 contributors from 13 countries. Instructions. No. 213 (May 1, 1991). Gocco Printing and Photocopy. 11 1/2"x16 1/2". (3 pages). Contributions by 58 artists from 13 countries. Instructions. No. 214 (May 1, 1991). Gocco Printing and Photocopy. 11 1/2"x16 1/2". (3 pages). Contributions by 56 artists from 16 countries. Instructions. No. 215 (May 20, 1991). Gocco Printing and Photocopy. 11 1/2"x16 1/2". (2 pages). Contributions by 50 artists from 14 countries. No. 221 (July 30, 1991). Gocco Printing and Photocopy. 11 1/2"x16 1/2". (2 pages). Contributions by 61 artists from 19 countries. No. 222 (August 20, 1991). Gocco Printing and Photocopy. 11 1/2"x16 1/2". (3 pages). Contributions by 52 artists from 19 countries. Instructions. No. 223 (August 30, 1991). Gocco Printing and Photocopy. 11 1/2"x16 1/2". (3 pages). Contributions by 55 artists from 14 countries. Instructions. No. 232 (November 30, 1991). Gocco Printing and Photocopy. 11 1/2"x16 1/2". (3 pages). Contributions by 55 artists from 17 countries. Instructions. No. 234 (January 20, 1992). Gocco Printing and Photocopy. 11 1/2"x16 1/2". (2 pages). Contributions by 49 artists from 17 countries. No. 239 (March 9, 1992). Gocco Printing and Photocopy. 11 1/2"x16 1/2". (2 pages). Contributions by 57 artists from 18 countries.
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Mail Art Periodicals: An Annotated
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is a harbinger of the future tenden
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Alice's Zine of Dreams. Alice Borea
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No. 17 (March 1998). Photocopy. 8 1
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Anti-Isolation. Miekal And and Liz
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No. 6 (October 1994). Photocopy. 8
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displaying one-f-a-kind books, but
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Art Brigade. Ben Davis, Editor. Ama
Page 17 and 18: Vol. 2, No. 2/3 (1977). Newsprint.
Page 19 and 20: (October 19, 1980). Photocopy. 8 1/
Page 21 and 22: No. 11 (August 1980). Photocopy wit
Page 23 and 24: No. 34 (October 1982). Photocopy an
Page 25 and 26: No. 59 (January/June 1989). Photoco
Page 27 and 28: Artist Call. Michael Schwartz, Edit
Page 29 and 30: Congress. Michael Hernandez de Luna
Page 31 and 32: connected with others across the co
Page 33 and 34: Atalaya. Christer Brunström, Edito
Page 35 and 36: No. 22 (March 10, 1978?). Offset. 1
Page 37 and 38: No. 59 (October 20, 1983). Offset.
Page 39 and 40: project and exhibition notices. "Wh
Page 41 and 42: No. 98 (February 10, 1989). Photoco
Page 43 and 44: No. 116 (July 24, 1992). Offset. 23
Page 45 and 46: No. 141 (January 31, 1997). Offset.
Page 47 and 48: April 10, 1987. Mixed media. 6 1/2"
Page 49 and 50: No. 9 (June 1973). Photocopy. 14"x8
Page 51 and 52: comprehensive catalog and album of
Page 53 and 54: Bibliography." This issue: "Artist
Page 55 and 56: No. 26 (November 1994). Photocopy.
Page 57 and 58: Birdada. Bird (aka Chis Burnett), E
Page 59 and 60: people who make gather this kind of
Page 61 and 62: Vol. 1, No. 2 (1986). Photocopy. 8
Page 63 and 64: network are at all alike. Neuron in
Page 65 and 66: No. 63 (June 22, 1987). Gocco Print
Page 67: No. 114 (December 30, 1988). Gocco
Page 71 and 72: No. 281 (July 20, 1993). Gocco Prin
Page 73 and 74: No. 350 (November 20, 1995). Gocco
Page 75 and 76: No. 511 (September 10, 2001). Gocco
Page 77 and 78: Cage: Anti-Embargo Magazine. Alexan
Page 79 and 80: No. 14 (1996). Photocopy. 8 1/2"x5
Page 81 and 82: No. 6 (February 1991). Photocopy. 1
Page 83 and 84: No. 116 (February 1990). Offset. 5
Page 85 and 86: No. 9 (February 20, 1989). Mixed Me
Page 87 and 88: R. Fricker (Switzerland). "Postal-A
Page 89 and 90: (n.d.). Photocopy. 8 1/4"x5 3/4". (
Page 91 and 92: Vol. 1 (June 1999). Photocopy. 8 1/
Page 93 and 94: participants. "Each contributor, or
Page 95 and 96: Vol. 1, No. 5 (September 1989). Pho
Page 97 and 98: (September 1992). Photocopy. 8 1/2"
Page 99 and 100: CVS (Copyright Violation Squad) Bul
Page 101 and 102: (May 22, 1995). Photocopy with Rubb
Page 103 and 104: (January 1987). Photocopy, Rubber S
Page 105 and 106: Contributors Issue (Summer 1988). P
Page 107 and 108: No. 45 (February 1983). Offset. 8 1
Page 109 and 110: (USA), Bugpost (USA), Mike Dyar (US
Page 111 and 112: No. 030 (November 19, 1989). Photoc
Page 113 and 114: (Poland), Géza Perneczky (Germany)
Page 115 and 116: No. 14 (March 1982). Photocopy. 5 1
Page 117 and 118: No. 2 (March 1986). Newsprint. 16 1
Page 119 and 120:
No. 1 (April 1989). Offset. 8 1/2"x
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11x30: A Publication of the Toledo
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Eraser Carver's Quarterly. Mick Mat
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No. 0 (1999). Offset. 8 1/4"x4". 53
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Decentralized Networker Congress Po
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No. 32 (October 1989). Newsprint. 1
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No. 54 (December 1994). Newsprint.
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No. 21 (July/August 1994). Photocop
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TV Issue (April 1982). Newsprint. 9
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Bride./It too has piquant personali
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Fluxus Bucks. Ex-Posto-Facto (Julie
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No. 4 ([1985]). Photocopy. 5 1/2"x4
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E. M. Plunkett (USA), Carol Law (US
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Vol. 1, No. 2 (Full Moon in May 199
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events." Websites section added. "L
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No. 1 (March 1990). Photocopy. 8 1/
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It is a collection of original work
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Issue a (1971). Offset and Mixed Me
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No. 4 (Summer 1997). Photocopy. 11"
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Humboldt Da-Jest, The. Indian Ralph
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No. 6 (August 1990). Photocopy. 11"
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(March 1992). Photocopy and Rubber
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Inquirer: A Folio of Art and Ideas.
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No. 52 (1991). Offset. 13 1/2"x8 3/
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No. 74 (1999). Offset. 13 1/2"x8 3/
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No. 6 (1993). Photocopy. 11"x8 1/2"
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(USA), Minoy (USA), Tyler Hoare (US
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Vol. 16, No. 2 (December 1997). Pho
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No. 1 (May 2000). Photocopy and Mix
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KFR-(Kentucky Fried Royalty) Indiba
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Kryptogame. Hanna Bremer and Jack M
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No. 3 (1981). Photocopy. 11"x8 1/2"
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Nouvelle Série, No. 6 (April 1988)
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No. 3 (December 1989). Photocopy. 8
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No. 7 ([1985]). Mixed media. 11 3/4
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György Galantai (Hungary), David J
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in news section include Pips (Germa
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Pat Tavenner (USA), Musicmaster (US
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No. 18 (Winter 1986/1987). Offset a
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No. 7 (February 1994). Photocopy. 1
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Live from the Stagger Cafe. Luke Mc
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"Seventh Stranger's Exhibition in O
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No. 7 (1994). Photocopy. 11 3/4"x8
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Love Letters. Sheba, Editor. Exotic
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Mail Art exhibition, "No Nukes in M
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No. 14 (n.d.). Photocopy. 5 1/2"x3
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TAM Publication 950076 (1995). Phot
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of, "The Light of the He-Art," from
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TAM Publication 960147 (March 1997)
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(Belgium) conducted by Ruud Janssen
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No. 109 (February 12, 1991). Photoc
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No. 22-24 (1989). Photocopy and Mix
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No. 25 (April, 14, 1986). Photocopy
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No. 0 (June 1981). Photocopy and Mi
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No. 58 (August 1992). Photocopy and
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No. 80 (October 1994). Photocopy an
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No. 93 (February 1996). Photocopy a
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(Italy), buZ blurr (USA), Guy Bleus
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Kid (USA), Eberhard Janke (Germany)
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No. 132 (January 2001). Photocopy a
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Musicmaster (USA), Mark Bloch (USA)
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submissions will be clear and conci
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Banquet (The Beasts at the Feast)."
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No. 7 ([1989]). Offset. 9 1/2"x8 1/
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including Géza Perneczky (Germany)
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(May 4 thru 10, 1988). Photocopy. 8
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(Germany). "Dreamtime Village" even
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Vol. 9, No. 2/3 (March/April 1996).
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RUBBER STAMP ALBUM and had been ord
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Vol. 2, No. 2 (January 1984). Offse
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Vol. 8, No. 4 (Summer 1990). Offset
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that is wide in its acceptance of m
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is the need for mail-Art shows. At
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listings compiled by Honoria (USA).
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No. 1 (July 1993). Photocopy. 16 1/
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Netshaker. Crackerjack Kid (aka Chu
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Vol. 1, No. 3 (August 16, 1994). Co
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Hamann (West Germany), Graciela Mar
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display and disseminate the product
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Gerlovans (USA). Carlo Pittore (USA
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do some research about what the oth
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TAM-970158 (January 1997). Photocop
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(October 1993). Photocopy. 8 1/2"x5
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Tisma (Yugoslavia), Toward the New
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Breeder" we say goodbye to Stu Horn
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O. Ghislain Belmans, Johan Sanctoru
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Occasional, Tuesday-Art News. Georg
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Vol. 27, No. 3 (Issue 37) (Summer 1
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Todorovic (Yugoslavia); Shozo Shima
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No. 24 ([1987]). Photocopy. 8 1/4"x
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(USA), Shozo Shimamoto (Japan), Ryo
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Ruth and Marvin Sackner (USA), Seie
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Strada (Italy), Peter W. Kaufmann (
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No. 72 (1992). Photocopy. 8 1/4"x5
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very dear guest here last days of O
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No. 93 (1997). Photocopy. 8 1/4"x5
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years!...then Austro-Ungarian (empi
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about extraordinary TIME of CHANGE
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Network: A Mail Art Anthology." "I
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No. 38.2 (May 1998). Photocopy. 8 1
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No. 44.1B (January 2000). Photocopy
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"Shadowland and Rubberwork," by Don
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force things. Zen, y'know. & beside
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Other Times: An Alternative Mail Ar
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No. 12 1/2 (September 1995). Photoc
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No. 21 (July 1996). Photocopy. 8 1/
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No. 29 (May/June 1997). Photocopy.
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No. 6 ([1984]). Photocopy. 8 1/2"x5
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No. 21 (November 14, 1987). Photoco
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Parallelogramme. Tanya Mars, Editor
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Pelo+Pelo-. Emilio Morandi, Editor.
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"'PhotoStatic Magazine' is a bimont
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No. 20 (October 1986). Photocopy. 8
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others doing the same thing. It's c
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and continuing mail Art. "Mail Revi
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No. 40 (December 1989). Photocopy.
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correspondence. After writing close
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and political awareness (and a cook
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PMTTD's Standard Catalogue Update.
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Vol. 1, No. 2 (July 1993). Photocop
Page 359 and 360:
No. 1-A (January 1992). Photocopy a
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Hora") text from Montevideo, Urugua
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(October 1995). Color Photocopy. 8
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Princess Debbie (USA), John Held, J
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No. 17 (June 1991). Photocopy. 5 3/
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No. 33 (September-October 1994). Ph
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No. 5 (April [1995]). Photocopy and
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No. 19 (August 1996). Photocopy. 8
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proud history of pranks, games, fal
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No. 16 ([July] 1987). Photocopy. 11
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Germany), Louise Krasniewicz (USA),
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No. 13 (September 1998). Photocopy,
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Joel Rossman, Bill Gaglione, Carlo
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Joyce Glasner (Canada), Luc Fierens
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Ram Art Review. L. Zjawin Francke,
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"SPECIAL DOUBLE ISSUE! Music Mail A
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participants of the Congress includ
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profiteering..." Letters from Rudi
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No. 1 (Winter Solstice 1994). Offse
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overnight in the underground channe
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No. 4 (December 1991). Photocopy. 3
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No. 0," by Florian Cramer (Germany)
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designs on rollers, postage cancell
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Vol. 2, No. 7 (July 1979). Offset a
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so if you haven't had a go yet then
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Vol. 4, No. 1 (November 1988). Phot
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Issue 0 (February 1989). Color Offs
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Vol. 2, Issue 8 (June 1982). Newspr
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Vol. 5, Issue 21 (October 1985). Ne
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(USA). "'Book as Art' was a famous
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Vol. 10, Issue 46 (July/August 1989
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numerous Europeans. Serendipitous o
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Vol. 15, Issue 75 (May/June 1994).
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Vol. 17, Issue 88 (July/August 1996
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and Angela Netmail, Germany). "Thei
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Schmidt (West Germany), Rolf Staeck
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No. 6 ([1989]). Photocopy and Mixed
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Cohen (USA), Fluxlist (Internet) an
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mail-art, news-letters, leaflets an
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drawings, paintings and so on as (w
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No. 61 (1995). Photocopy. 17"x11".
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Sick Roof: A Journal of Humorous, P
Page 443 and 444:
was international, planetary art. n
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Slugfest, Ltd. Michael T. Nowak, Ed
Page 447 and 448:
R. Fricker (Switzerland), Emilio Mo
Page 449 and 450:
(August 1992). Photocopy. 11"x8 1/2
Page 451 and 452:
No. 5 ([1990]. Offset. 11"x8 1/2".
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No. 7 ([1985]). Offset. 11 3/4"x8 1
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of a reasonable price. once this ha
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Espinosa (Mexico), Shozo Shimamoto
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called MAIL-ART like today, but the
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is Not Fine Art It's the Artist Who
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No. 2 (1989). Photocopy. 8 1/2"x5 1
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statements about mail art. Not only
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compute-file. Now I decided to prin
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Soppalco, Il (The Balcony): Home Ar
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Exhibition," by Ken Friedman. "'Int
Page 473 and 474:
documented participation in 1,068 M
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No. 1 (1982). Mixed Media. (9 pages
Page 477 and 478:
Musicmaster (USA), Donna Nassar (US
Page 479 and 480:
Germany), John Jacobs (aka H.Y.P.E.
Page 481 and 482:
Vol. 2, No. 3 (November 1982). News
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No. 12466 (1995). Photocopy and Rub
Page 485 and 486:
No. 16568 (1997). Computer Print an
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Schizophreniatrics, Morealism, Sarc
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Germany), Salvatore de Rosa (Italy)
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Vol. 4, No. 42 (December 20, 1987).
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Subtle Journal of Raw Coinage, The.
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I am also looking forward to sharin
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No. 11 (nod.). Color and Black & Wh
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No. 1984.7 (1984). Photocopy. 11 3/
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communication could be the transfer
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ulletin. After that, the rubberstam
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No. 96-06 (June 1996). Computer Pri
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No. 6 (Fall 1996). Photocopy and Ru
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(July 11, 1992). Photocopy and Rubb
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No. 6 (June 1993). Photocopy and Mi
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Macadam (Argentina), Svjetlana Mimi
Page 515 and 516:
(Uruguay), A. d. Eker (Holland), Ru
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Vol. 3, No. 3 (January 1983). Photo
Page 519 and 520:
Vol. 2, No. 3 (Fall-Winter 1981). P
Page 521 and 522:
Tourism Review. Hans Rudi Fricker,
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No. 38 (December 1993). Photocopy.
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No. 48 (January 1995). Photocopy. 8
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Dr. Surearts (USA), Dan Landrum (US
Page 529 and 530:
TV. Terence McMahon, Editor. The Fa
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No. 9 (August-September). Newsprint
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Vol. 2, No. 6 (November 1979). Offs
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Vol. 5, No. 4 (September 1982). Off
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sense of direction. the occasion of
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stamp production services provided
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(Belgium), Shozo Shimamoto (Japan),
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Washington, D. C.; Mark Bloch (USA)
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(No. 23) (Winter 1996-1997). Offset
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own ad on the front or back cover t
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changing some time this year but I
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with Utopian leanings or concerns.
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Version 90. Alexandra Fisher, David
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Cosey Fanni Tutti (England), Opal L
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to the Editors," in which Ken Fried
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is so much bigger and looser now-th
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Menghi, Ivana Martínez Vollaró, N
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No. 2 ([1986]). Offset. 111/4"x8 1/
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"Ladies & Gentleman: I don't have t
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anarchists, so they don't act very
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Workarea Art Ambient. Ponte Romano,
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mind to new frontiers, when it does
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Xero-Post. Sheldon Polsky, Editor.
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No. 3 (September 29, 1989). Compute
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through, and their opinions about t
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letters, essays, commentaries, cart
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strike and then sit on their hands!
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No. 0 (December 31, 1992). Computer
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