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Mail Art Periodicals - MoMA

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TAM Publication 960116 (1996). Photocopy. 8 1/4"x6". 16 pages.<br />

"<strong>Mail</strong>-Interview with M. Greenfield (England)." Interview with the English <strong>Mail</strong><br />

<strong>Art</strong>ist. "I began in the seventies corresponding with various friends. At that time I<br />

was an art student, much of what was discussed was about art, many times<br />

including examples, sometimes illustrating the envelope. However it was not until<br />

the late eighties that I read an article in one of the art magazines I was<br />

subscribing to, about 'mail art' and took part in a 'mail art' project."<br />

TAM Publication 960123 (May 1996). Photocopy. 8 1/4"x6". 13<br />

pages. "<strong>Mail</strong>-Interview with John M. Bennett (USA)." Interview with the<br />

Columbus, Ohio, <strong>Mail</strong> <strong>Art</strong>ist. "...until about 1974 when I started doing mail art at<br />

the instigation of a friend, the now-deceased painter. Mr. Sensitive. It was great<br />

fun and still is."<br />

TAM Publication 960124 (May 1996). Photocopy. 8 1/4"x6". 10<br />

pages. "<strong>Mail</strong>-Interview with Patricia Collins (England)." Interview with the<br />

coordinator of the "<strong>Art</strong>ist's Book Exchange." "I first became involved in mail art in<br />

summer 1993. I had taken out the U. K. listings magazine, '<strong>Art</strong>ist's Newsletter'<br />

and saw the ads in the mail art section. I had not heard of mail art + could find<br />

nothing about it. To satisfy my curiosity, I wrote to the magazine and I received a<br />

splendid letter from Robin Crozier in Sunderland, U. K. telling a little about his<br />

notions of mail art and inviting me to take part in his ongoing Memo?Memory<br />

project."<br />

TAM Publication 960140 ([1996]). Photocopy. 8 1/4"x6". 10 pages.<br />

"<strong>Mail</strong>-Interview with Rudi Rubberoid (USA)." Interview with the <strong>Mail</strong> <strong>Art</strong>ist from<br />

Bellingham, Washington. "...I owned a store in Bellingham called 'The Postcard<br />

Palace', which sold postcards and notecards. I saw some 'art rubber stamps' at a<br />

trade show and added some of them to the stock of the store...of course I had to<br />

play with them; one day a friend of mine Bob Urso, came in while I was stamping<br />

and mentioned that he was starting a rubber stamp company (BOBZ) and that<br />

stamps could be used for mail art. That was the first I heard of it."<br />

TAM Publication 960145 (October 1996). Photocopy. 8 1/4"x6". 15<br />

pages. "<strong>Mail</strong>-Interview with Andrej Tisma (Yugoslavia)." Interview with the<br />

talented eraser-carver and theoretician of <strong>Mail</strong> <strong>Art</strong>. "I made my first mail-art work<br />

in 1973 after a visit to one of the pioneers of Yugoslavian mail-art, Bogdanka<br />

Poznanovic from Novi Sad. I mailed to her two bus tickets I used going to her<br />

and returning home, fixed on a postcard."<br />

TAM Publication 960145 (October 1996). Color and B&W<br />

Photocopy. 8 1/4"x6". 15 pages. "<strong>Mail</strong>-Interview with Andrej Tisma<br />

(Yugoslavia)." As above with variant color photocopy cover.

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