Mail Art Periodicals - MoMA

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Pyramid Magazine. John Atkin, Editor. Vancouver, Canada. (1987-1986.) Issue 1.1 (n.d.). Photocopy and Rubber Stamp. 11"x4 1/4". (14 pages). "Post Card Issue." Edition 8/25. Issue 1.4 ([November 1987]). Photocopy and Mixed Media. 11"x8 1/2". (26 pages). Contributors include Graf Haufen (West Germany), Kim Il Jung (West Germany), Matty Jankowski (USA), Robin Crozier (England), Mike Duquette (Canada), Jill Smith (Canada), Fruit Basket Upset (USA), Ryosuke Cohen (Japan), A-1 Waste Paper Co. (England), Nenad Bogdanovic (Yugoslavia), Luca Brunori (Italy), et al. Edition 12/35. Issue 2.1 ([1988]). Photocopy and Mixed Media. 11"x8 1/2". (38 pages). Contributions by A.1 Waste Paper Co. (England), Martin Bernhardt (East Germany), Luca Brunori (Italy), Ryosuke Cohen (Japan), Mike Duquette (Canada), John Held, Jr. (USA), Ruud Janssen (Holland), Kazunori Murikami (Japan), Sh'wipe (Canada), the editor, et al. Edition 30/30. Issue 2.4 (September 1988). Photocopy. 8 1/2"x5 1/2". (38 pages). "Measurement Issue." A special issue produced for the North Brooklyn Small Press Convention. contributors include Guillermo Deisler (East Germany), Pedro Bericat (Spain), A.! Waste Paper Co. (England), Kazunori Murikami (Japan), Ryosuke Cohen (Japan), Tamotsu Watanabe (Japan), Marc Bloch (USA), Serge Segay (USSR), Mike Duquette (Canada), Rea Nikonova (USSR), Jill Smith (Canada), Matty Jankowski (USA), the editor, et al. Edition 23/30. Issue 3.1 ([1988]). Photocopy. 11"x8 1/2". (44 pages). "Pyramid magazine may be reproduced in whole for the purpose o making it more widely available around the world. but this reproduction must not be in any way for commercial gain. Contributing artists hold individual copyright to their work which must not be used for commercial or other purposes without their consent." Twenty contributors from 10 countries including Matty Jankowski (USA), A-1 Waste paper Co. (England), Susanna Raumala (Finland), Clemente Padin (Uruguay), Miekal And and Liz Was (USA), Mark Rose (USA), Ruggero Maggi (Italy), Mike Duquette (Canada), John Held, Jr. (USA), Serge Segay (USSR), et al. Mail Art exhibition, project and publication opportunities. Issue 3.2 ([1989]). Photocopy and Mixed Media. 8 1/2"x5 1/2". 36 pages. Twenty-six contributors from 14 countries including Ryosuke Cohen (Japan), Johan Van Geluwe (Belgium), Guillermo Deisler (East Germany), A.1 Waste Paper Co. (England), Judith Railton (England), Giovanni Strada (Italy), Kim Il Jung (West Germany), Rea Nikonova (USSR), Balazs Janos (Romania),
Joyce Glasner (Canada), Luc Fierens (Belgium), Fran Saunders (South Africa), Mark Rose (USA), et al. Mail Art project and publication opportunities. No. 3.3 ([1989]). Photocopy and Mixed Media. 8 1/2"x7". (36 pages). "White Space Issue." Twenty contributors from 10 countries including Yvonne Ostergaard (Canada), Giovanni Strada (Italy), Mike Duquette (Canada), Tomatsu Watenabe (Japan), Serge Segay (USSR), Ryosuke Cohen (Japan), Reima Makinen (Finland), et al. No. 3.4 ([1990]). Photocopy. 8 1/2"x5 1/2". (40 pages). Photocopy art. Twenty-seven contributors from 12 countries including Ryosuke Cohen (Japan), Mike Duquette (Canada), Jill Smith (Canada), Clemente Padin (Uruguay), A1 Waste Paper Co. (England), Jo Anne Enchevarria Meyers (USA), Katja Silset (Denmark), Ruggero Maggi (Italy), Tomatsu Watenabe (Japan), Kjell Nyman (Sweden), Rea Nikonova (USSR), Martin Berhardt (East Germany), et al. "Pyramid Reviews. Mail Art project and publiction opportunities. Quack-Quack Stories. (Al Ackerman), Editor. San Antonio, Texas. 1984. No. 12 ([April] 1984). Photocopy. 5 1/2"x4 1/4". ((8 pages). "Featuring Al and Ted." Illustrations and text by the editor. Another TLP (Tacky Little Pamphlet), by the master of the medium. This one concerning, "George Wetzel and his bird calls." Quasi per Caso. Alberto Rizzi, Editor. Adria, Italy. (1991). ([1991]). Photocopy. 11 3/4"x8 1/4". 66 pages. Contributions by M. A. Longbottom (England), Roberto Accorti (Italy), State of Being (USA), Michael Lumb (England), Lucien Suel (France), Marcel Stüssi (Switzerland), Matthias Dreyer (Germany), Bruno Capatti (Italy), Laura Vitulano (Italy), Alessandro Ceccotto (Italy), Ruggero Maggi (Italy), Renée Bouws (Holland), et al. Quoz? Carlo Giovanni Cicatelli (aka Charles Chickadel), Editor. Trinity Press, San Francisco, California. 1974-1976. Vol. 2, No. 7 (September 1974). Instant-Print. 5 1/2"x4 1/4". 40 pages. "Editor's First Invitational Issue." Contributions by Monte Cazazza (USA), the Northwest Mounted Valise (USA), Opal L. Nations (Canada), Anna Banana (USA), Dadaland (USA), Tim Mancusi (USA), Al Souza (USA), Genesis P-Orridge (England), A. M. Fine (USA), Indian Ralph (USA), Tip Top (USA), Sally French (USA), et al.
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Mail Art Periodicals: An Annotated
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is a harbinger of the future tenden
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Alice's Zine of Dreams. Alice Borea
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No. 17 (March 1998). Photocopy. 8 1
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Anti-Isolation. Miekal And and Liz
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No. 6 (October 1994). Photocopy. 8
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displaying one-f-a-kind books, but
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Art Brigade. Ben Davis, Editor. Ama
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Vol. 2, No. 2/3 (1977). Newsprint.
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(October 19, 1980). Photocopy. 8 1/
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No. 11 (August 1980). Photocopy wit
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No. 34 (October 1982). Photocopy an
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No. 59 (January/June 1989). Photoco
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Artist Call. Michael Schwartz, Edit
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Congress. Michael Hernandez de Luna
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connected with others across the co
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Atalaya. Christer Brunström, Edito
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No. 22 (March 10, 1978?). Offset. 1
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No. 59 (October 20, 1983). Offset.
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project and exhibition notices. "Wh
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No. 98 (February 10, 1989). Photoco
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No. 116 (July 24, 1992). Offset. 23
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No. 141 (January 31, 1997). Offset.
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April 10, 1987. Mixed media. 6 1/2"
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No. 9 (June 1973). Photocopy. 14"x8
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comprehensive catalog and album of
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Bibliography." This issue: "Artist
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No. 26 (November 1994). Photocopy.
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Birdada. Bird (aka Chis Burnett), E
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people who make gather this kind of
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Vol. 1, No. 2 (1986). Photocopy. 8
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network are at all alike. Neuron in
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No. 63 (June 22, 1987). Gocco Print
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No. 114 (December 30, 1988). Gocco
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No. 203 (January 27, 1991). Gocco P
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No. 281 (July 20, 1993). Gocco Prin
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No. 350 (November 20, 1995). Gocco
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No. 511 (September 10, 2001). Gocco
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Cage: Anti-Embargo Magazine. Alexan
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No. 14 (1996). Photocopy. 8 1/2"x5
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No. 6 (February 1991). Photocopy. 1
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No. 116 (February 1990). Offset. 5
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No. 9 (February 20, 1989). Mixed Me
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R. Fricker (Switzerland). "Postal-A
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(n.d.). Photocopy. 8 1/4"x5 3/4". (
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Vol. 1 (June 1999). Photocopy. 8 1/
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participants. "Each contributor, or
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Vol. 1, No. 5 (September 1989). Pho
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(September 1992). Photocopy. 8 1/2"
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CVS (Copyright Violation Squad) Bul
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(May 22, 1995). Photocopy with Rubb
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(January 1987). Photocopy, Rubber S
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Contributors Issue (Summer 1988). P
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No. 45 (February 1983). Offset. 8 1
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(USA), Bugpost (USA), Mike Dyar (US
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No. 030 (November 19, 1989). Photoc
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(Poland), Géza Perneczky (Germany)
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No. 14 (March 1982). Photocopy. 5 1
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No. 2 (March 1986). Newsprint. 16 1
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No. 1 (April 1989). Offset. 8 1/2"x
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11x30: A Publication of the Toledo
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Eraser Carver's Quarterly. Mick Mat
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No. 0 (1999). Offset. 8 1/4"x4". 53
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Decentralized Networker Congress Po
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No. 32 (October 1989). Newsprint. 1
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No. 54 (December 1994). Newsprint.
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No. 21 (July/August 1994). Photocop
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TV Issue (April 1982). Newsprint. 9
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Bride./It too has piquant personali
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Fluxus Bucks. Ex-Posto-Facto (Julie
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No. 4 ([1985]). Photocopy. 5 1/2"x4
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E. M. Plunkett (USA), Carol Law (US
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Vol. 1, No. 2 (Full Moon in May 199
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events." Websites section added. "L
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No. 1 (March 1990). Photocopy. 8 1/
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It is a collection of original work
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Issue a (1971). Offset and Mixed Me
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No. 4 (Summer 1997). Photocopy. 11"
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Humboldt Da-Jest, The. Indian Ralph
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No. 6 (August 1990). Photocopy. 11"
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(March 1992). Photocopy and Rubber
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Inquirer: A Folio of Art and Ideas.
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No. 52 (1991). Offset. 13 1/2"x8 3/
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No. 74 (1999). Offset. 13 1/2"x8 3/
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No. 6 (1993). Photocopy. 11"x8 1/2"
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(USA), Minoy (USA), Tyler Hoare (US
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Vol. 16, No. 2 (December 1997). Pho
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No. 1 (May 2000). Photocopy and Mix
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KFR-(Kentucky Fried Royalty) Indiba
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Kryptogame. Hanna Bremer and Jack M
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No. 3 (1981). Photocopy. 11"x8 1/2"
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Nouvelle Série, No. 6 (April 1988)
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No. 3 (December 1989). Photocopy. 8
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No. 7 ([1985]). Mixed media. 11 3/4
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György Galantai (Hungary), David J
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in news section include Pips (Germa
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Pat Tavenner (USA), Musicmaster (US
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No. 18 (Winter 1986/1987). Offset a
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No. 7 (February 1994). Photocopy. 1
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Live from the Stagger Cafe. Luke Mc
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"Seventh Stranger's Exhibition in O
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No. 7 (1994). Photocopy. 11 3/4"x8
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Love Letters. Sheba, Editor. Exotic
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Mail Art exhibition, "No Nukes in M
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No. 14 (n.d.). Photocopy. 5 1/2"x3
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TAM Publication 950076 (1995). Phot
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of, "The Light of the He-Art," from
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TAM Publication 960147 (March 1997)
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(Belgium) conducted by Ruud Janssen
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No. 109 (February 12, 1991). Photoc
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No. 22-24 (1989). Photocopy and Mix
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No. 25 (April, 14, 1986). Photocopy
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No. 0 (June 1981). Photocopy and Mi
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No. 58 (August 1992). Photocopy and
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No. 80 (October 1994). Photocopy an
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No. 93 (February 1996). Photocopy a
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(Italy), buZ blurr (USA), Guy Bleus
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Kid (USA), Eberhard Janke (Germany)
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No. 132 (January 2001). Photocopy a
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Musicmaster (USA), Mark Bloch (USA)
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submissions will be clear and conci
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Banquet (The Beasts at the Feast)."
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No. 7 ([1989]). Offset. 9 1/2"x8 1/
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including Géza Perneczky (Germany)
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(May 4 thru 10, 1988). Photocopy. 8
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(Germany). "Dreamtime Village" even
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Vol. 9, No. 2/3 (March/April 1996).
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RUBBER STAMP ALBUM and had been ord
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Vol. 2, No. 2 (January 1984). Offse
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Vol. 8, No. 4 (Summer 1990). Offset
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that is wide in its acceptance of m
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is the need for mail-Art shows. At
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listings compiled by Honoria (USA).
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No. 1 (July 1993). Photocopy. 16 1/
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Netshaker. Crackerjack Kid (aka Chu
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Vol. 1, No. 3 (August 16, 1994). Co
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Hamann (West Germany), Graciela Mar
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display and disseminate the product
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Gerlovans (USA). Carlo Pittore (USA
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do some research about what the oth
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TAM-970158 (January 1997). Photocop
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(October 1993). Photocopy. 8 1/2"x5
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Tisma (Yugoslavia), Toward the New
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Breeder" we say goodbye to Stu Horn
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O. Ghislain Belmans, Johan Sanctoru
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Occasional, Tuesday-Art News. Georg
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Vol. 27, No. 3 (Issue 37) (Summer 1
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Todorovic (Yugoslavia); Shozo Shima
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No. 24 ([1987]). Photocopy. 8 1/4"x
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(USA), Shozo Shimamoto (Japan), Ryo
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Ruth and Marvin Sackner (USA), Seie
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Strada (Italy), Peter W. Kaufmann (
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No. 72 (1992). Photocopy. 8 1/4"x5
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very dear guest here last days of O
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No. 93 (1997). Photocopy. 8 1/4"x5
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years!...then Austro-Ungarian (empi
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about extraordinary TIME of CHANGE
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Network: A Mail Art Anthology." "I
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No. 38.2 (May 1998). Photocopy. 8 1
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No. 44.1B (January 2000). Photocopy
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"Shadowland and Rubberwork," by Don
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force things. Zen, y'know. & beside
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Other Times: An Alternative Mail Ar
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No. 12 1/2 (September 1995). Photoc
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No. 21 (July 1996). Photocopy. 8 1/
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No. 29 (May/June 1997). Photocopy.
Page 333 and 334: No. 6 ([1984]). Photocopy. 8 1/2"x5
Page 335 and 336: No. 21 (November 14, 1987). Photoco
Page 337 and 338: Parallelogramme. Tanya Mars, Editor
Page 339 and 340: Pelo+Pelo-. Emilio Morandi, Editor.
Page 341 and 342: "'PhotoStatic Magazine' is a bimont
Page 343 and 344: No. 20 (October 1986). Photocopy. 8
Page 345 and 346: others doing the same thing. It's c
Page 347 and 348: and continuing mail Art. "Mail Revi
Page 349 and 350: No. 40 (December 1989). Photocopy.
Page 351 and 352: correspondence. After writing close
Page 353 and 354: and political awareness (and a cook
Page 355 and 356: PMTTD's Standard Catalogue Update.
Page 357 and 358: Vol. 1, No. 2 (July 1993). Photocop
Page 359 and 360: No. 1-A (January 1992). Photocopy a
Page 361 and 362: Hora") text from Montevideo, Urugua
Page 363 and 364: (October 1995). Color Photocopy. 8
Page 365 and 366: Princess Debbie (USA), John Held, J
Page 367 and 368: No. 17 (June 1991). Photocopy. 5 3/
Page 369 and 370: No. 33 (September-October 1994). Ph
Page 371 and 372: No. 5 (April [1995]). Photocopy and
Page 373 and 374: No. 19 (August 1996). Photocopy. 8
Page 375 and 376: proud history of pranks, games, fal
Page 377 and 378: No. 16 ([July] 1987). Photocopy. 11
Page 379 and 380: Germany), Louise Krasniewicz (USA),
Page 381 and 382: No. 13 (September 1998). Photocopy,
Page 383: Joel Rossman, Bill Gaglione, Carlo
Page 387 and 388: Ram Art Review. L. Zjawin Francke,
Page 389 and 390: "SPECIAL DOUBLE ISSUE! Music Mail A
Page 391 and 392: participants of the Congress includ
Page 393 and 394: profiteering..." Letters from Rudi
Page 395 and 396: No. 1 (Winter Solstice 1994). Offse
Page 397 and 398: overnight in the underground channe
Page 399 and 400: No. 4 (December 1991). Photocopy. 3
Page 401 and 402: No. 0," by Florian Cramer (Germany)
Page 403 and 404: designs on rollers, postage cancell
Page 405 and 406: Vol. 2, No. 7 (July 1979). Offset a
Page 407 and 408: so if you haven't had a go yet then
Page 409 and 410: Vol. 4, No. 1 (November 1988). Phot
Page 411 and 412: Issue 0 (February 1989). Color Offs
Page 413 and 414: Vol. 2, Issue 8 (June 1982). Newspr
Page 415 and 416: Vol. 5, Issue 21 (October 1985). Ne
Page 417 and 418: (USA). "'Book as Art' was a famous
Page 419 and 420: Vol. 10, Issue 46 (July/August 1989
Page 421 and 422: numerous Europeans. Serendipitous o
Page 423 and 424: Vol. 15, Issue 75 (May/June 1994).
Page 425 and 426: Vol. 17, Issue 88 (July/August 1996
Page 427 and 428: and Angela Netmail, Germany). "Thei
Page 429 and 430: Schmidt (West Germany), Rolf Staeck
Page 431 and 432: No. 6 ([1989]). Photocopy and Mixed
Page 433 and 434: Cohen (USA), Fluxlist (Internet) an
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mail-art, news-letters, leaflets an
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drawings, paintings and so on as (w
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No. 61 (1995). Photocopy. 17"x11".
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Sick Roof: A Journal of Humorous, P
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was international, planetary art. n
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Slugfest, Ltd. Michael T. Nowak, Ed
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R. Fricker (Switzerland), Emilio Mo
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(August 1992). Photocopy. 11"x8 1/2
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No. 5 ([1990]. Offset. 11"x8 1/2".
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No. 7 ([1985]). Offset. 11 3/4"x8 1
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of a reasonable price. once this ha
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Espinosa (Mexico), Shozo Shimamoto
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called MAIL-ART like today, but the
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is Not Fine Art It's the Artist Who
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No. 2 (1989). Photocopy. 8 1/2"x5 1
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statements about mail art. Not only
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compute-file. Now I decided to prin
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Soppalco, Il (The Balcony): Home Ar
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Exhibition," by Ken Friedman. "'Int
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documented participation in 1,068 M
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No. 1 (1982). Mixed Media. (9 pages
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Musicmaster (USA), Donna Nassar (US
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Germany), John Jacobs (aka H.Y.P.E.
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Vol. 2, No. 3 (November 1982). News
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No. 12466 (1995). Photocopy and Rub
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No. 16568 (1997). Computer Print an
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Schizophreniatrics, Morealism, Sarc
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Germany), Salvatore de Rosa (Italy)
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Vol. 4, No. 42 (December 20, 1987).
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Subtle Journal of Raw Coinage, The.
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I am also looking forward to sharin
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No. 11 (nod.). Color and Black & Wh
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No. 1984.7 (1984). Photocopy. 11 3/
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communication could be the transfer
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ulletin. After that, the rubberstam
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No. 96-06 (June 1996). Computer Pri
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No. 6 (Fall 1996). Photocopy and Ru
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(July 11, 1992). Photocopy and Rubb
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No. 6 (June 1993). Photocopy and Mi
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Macadam (Argentina), Svjetlana Mimi
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(Uruguay), A. d. Eker (Holland), Ru
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Vol. 3, No. 3 (January 1983). Photo
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Vol. 2, No. 3 (Fall-Winter 1981). P
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Tourism Review. Hans Rudi Fricker,
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No. 38 (December 1993). Photocopy.
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No. 48 (January 1995). Photocopy. 8
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Dr. Surearts (USA), Dan Landrum (US
Page 529 and 530:
TV. Terence McMahon, Editor. The Fa
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No. 9 (August-September). Newsprint
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Vol. 2, No. 6 (November 1979). Offs
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Vol. 5, No. 4 (September 1982). Off
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sense of direction. the occasion of
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stamp production services provided
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(Belgium), Shozo Shimamoto (Japan),
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Washington, D. C.; Mark Bloch (USA)
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(No. 23) (Winter 1996-1997). Offset
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own ad on the front or back cover t
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changing some time this year but I
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with Utopian leanings or concerns.
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Version 90. Alexandra Fisher, David
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Cosey Fanni Tutti (England), Opal L
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to the Editors," in which Ken Fried
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is so much bigger and looser now-th
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Menghi, Ivana Martínez Vollaró, N
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No. 2 ([1986]). Offset. 111/4"x8 1/
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"Ladies & Gentleman: I don't have t
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anarchists, so they don't act very
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Workarea Art Ambient. Ponte Romano,
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mind to new frontiers, when it does
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Xero-Post. Sheldon Polsky, Editor.
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No. 3 (September 29, 1989). Compute
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through, and their opinions about t
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letters, essays, commentaries, cart
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strike and then sit on their hands!
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No. 0 (December 31, 1992). Computer
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