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Mail Art Periodicals - MoMA

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(today, April 13, 1999, the letter took 15 days to get her but still arrived!!!!!) which<br />

he wrote on the 5th day of the bombardments in Yugoslavia on Sunday 28th<br />

March 1999. He asks me to copy and pass on the letter because it also contains<br />

a OPEN LETTER in it. You are encouraged to copy this magazine that I made<br />

for him. The magazine itself contains information that originates from Yugoslavia.<br />

Also e-mail messages I received from Andrej Tisma in Novi Sad are included.<br />

We hear a lot about the war in Yugoslavia from our own media. It only felt right to<br />

spread these informations from our mail art friend(s) inside Yugoslavia to all of<br />

you to hear what they have to say."<br />

CLWN WR. Bob Herman, Editor. New York, New York. 1998-<br />

2000.<br />

No. 38 (1988). Photocopy. 11"x8 1/2". (10 pages). Visual poetry.<br />

Contributions by Roy Arenella (USA), John M. Bennett (USA), A. F. Caldiero<br />

(USA), Christopher Myers (USA) and Spenser Selby (USA).<br />

No. 39 ( 2000). Photocopy. 11"x8 1/2". (16 pages). Visual poetry.<br />

contributions by American artists Roy Arenella, John M. Bennett, A. F. Caldiero,<br />

David Cole, Richard Kostelanetz, Jim Leftwich, Spencer Selby and Robert. von<br />

L. "CLWN WR 39 is dedicated to the memory of David Cole who passed away<br />

earlier this year. David's piece in this issue was drawn on a napkin while he and<br />

Robert Erickson and I were having a conversation and snack at the Metropolitan<br />

Museum of <strong>Art</strong>. He will be missed."<br />

"Collaboration By." Keiichi Nakamura, Editor. Tokyo, Japan.<br />

1996-2001.<br />

Series of collaborative visual poetry booklets. Japanese <strong>Mail</strong> <strong>Art</strong>ist Keiichi<br />

Nakamura sends out pages of graphics to fellow <strong>Mail</strong> <strong>Art</strong>ists, asking them to<br />

"add to and return". Upon return receipt, the pages are photocopied and made<br />

into booklets. Numbering system is somewhat suspect, as "Vol. 1" is used<br />

throughout the series. Titles are given each booklet, but together they form an<br />

outstanding series of collaborative works. I have given the series the name,<br />

"Collaboration By," as this phrase appears on many of the booklets. Three<br />

booklets appear to have been produced before the series began, but have been<br />

included because of their similarity to the series, and to give a historic<br />

perspective to Nakamura's project.<br />

(n.d). Photocopy. 8 1/4"x5 3/4". (8 pages). "Long Life." Collaboration by<br />

Walt Evans (USA), Keiichi Nakamura (Japan), Barry Edgar Pilcher (Ireland),<br />

Yarita Misako (Japan)."

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