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Mail Art Periodicals - MoMA

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Vol. 2, No. 2 (January 1984). Offset. 10 3/4"x8 1/4". 23 pages.<br />

Review of the "<strong>Mail</strong> Etc., <strong>Art</strong>" catalog issued jointly by the University of Colorado,<br />

The Tyler School of <strong>Art</strong>, and Florida State University." Special "Dialogue" section<br />

features "<strong>Mail</strong> <strong>Art</strong>ists on <strong>Mail</strong> <strong>Art</strong>." included are articles by Robert C. Morgan,<br />

"Stamp <strong>Art</strong> is not (Necessarily) <strong>Mail</strong> <strong>Art</strong>," and Chuck Welch on "Injury by Jury."<br />

Kihm Winship (USA) corresponds and submits an article found in the "Chicago<br />

Tribune." <strong>Art</strong>icle on Printed Matter bookstore, New York, New York.<br />

Vol. 2, No. 3 (April 1984). Offset. 10 3/4"x8 1/4". 31 pages.<br />

"International <strong>Mail</strong> <strong>Art</strong> Exhibit at Franklin Furnace in New York," by Franklinstein.<br />

"Interview with Matthew Hogan, Curator/Archivist for Franklin Furnace," by<br />

Franklinstein. "<strong>Mail</strong> <strong>Art</strong> Events." <strong>Art</strong>ists Talk on <strong>Art</strong> <strong>Mail</strong> <strong>Art</strong> Series discussed by<br />

Franklinstein in "The Global network." Melody Hope Stein contributes, "Return to<br />

Ray Johnson." Letter to the editor by Cracker Jack Kid (USA), and the article, "It<br />

ain't (Necessarily) So, Mr. Morgan: A <strong>Mail</strong> <strong>Art</strong> Rebuttal."<br />

Vol. 2, No. 4 (July 1984). Offset. 10 3/4"x8 1/4". 31 pages. "<strong>Mail</strong> <strong>Art</strong><br />

Dialogue" by Franklinstein, is "a response to the recent 'mail art' exhibition held<br />

at the Franklin Furnace in Soho, New York City, and ensuing panel discussions<br />

held at the 22 Wooster Street Gallery this spring." "Franklinstein's Guide to Being<br />

in on the Rules for Joining the International Rubber Stamp and <strong>Mail</strong> <strong>Art</strong> Network<br />

and/or Displaying <strong>Mail</strong>, Postal or Correspondence <strong>Art</strong>." Jape Iros (aka Epistolary<br />

Stud Farm) (USA) contributes 16 points in the text "A Cosmic Haha to the<br />

Franklin Furnace Brouhaha." "<strong>Mail</strong> <strong>Art</strong> Listings."<br />

Vol. 3, No. 1 (October 1984). Offset. 10 3/4"x8 1/4". 39 pages. "<strong>Mail</strong><br />

<strong>Art</strong> Events." Review by Franklinstein of the book, "Correspondence <strong>Art</strong>: Source<br />

Book for the Network of International Post <strong>Art</strong> Activity," co-edited by Michael<br />

Crane and Mary Stofflet. "The Handsome Johnson <strong>Mail</strong> <strong>Art</strong> Grant Token." "From<br />

the Stamp Pad," highlights the special "Posthype" issue on the Franklin Furnace<br />

<strong>Mail</strong> <strong>Art</strong> controversy, edited by John P. Jacobs (USA).<br />

Vol. 3, No. 2 (January 1985). Offset. 10 3/4"x8 1/4". 39 pages. "<strong>Mail</strong><br />

<strong>Art</strong> Listings." "Stampart #5: A Non-Review," by Melody Hope Stein. "This is not a<br />

magazine in the usual sense-it is a collective piece of art which could be<br />

considered an 'artist book.'"<br />

Vol. 3, No. 3 (April 1985). Offset. 10 3/4"x8 1/4". 39 pages. "From the<br />

Stamp Pad" remarks on Bill Gaglione (USA), who designed the back cove. "The<br />

rubber stamp museum is a privately owned archive of rubber stamp art,<br />

maintained by William Gaglione of Abracadada rubber stamp<br />

company...William's archive has attracted the notice of artists worldwide, who<br />

participate in the mailart network or use stamps in the production of their<br />

artwork." Melody Hope Stein contributes an article on found stamps, "Finders<br />

Keepers." "<strong>Art</strong>ists today use stamps they find either as they find them or<br />

somewhat altered...mail artist Steve Random, in addition to carving his own

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