Mail Art Periodicals - MoMA

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Sincronia," by Julio Plaza. Contributions by Ryosuke Cohen (Japan), Anna Banana (Canada), Daniel Daligand (France), Opal and Ellen Nations (USA), Salvatore de Rosa (Italy), Mauricio Nanucci (Italy), Pat Fish (USA), et al. Vol. 3, No. 20 (May 1989). Offset. 12 1/2"x8 1/2". (8 pages). Contributions by Luc Fierens (Belgium), Leonhard Frank Duch (Brazil), Ruth Wolf-Rehfield (East Germany), Vittore Baroni (Italy), Antonio Gómez (Spain), et al. Vol. 3, No. 21 (June/July 1989). Offset. 12 1/2"x8 1/2". (8 pages)."Pioneers of Mail Art in Brazil." by Falves Silva. Contributions by Ray Johnson (USA), John Held, Jr. (USA), Serge Segay and Ry Nikonova (Russia), Harley Francis (USA), Ryosuke Cohen (Japan), Michael Bidner (Canada), et al. Abastor. Casagrande-Napolin Fabio, Editor. Mogliano Veneto (TV), Italy. 1995. Vol. 2, No 8 (September 1995). Photocopy. 16 1/2"x11 3/4". (2 pages). Editorial. Texts by the editor, Alberto Rizzi (Italy), Rinaldo Branchesi (Italy). Contributions by Cristiano Pallara (Italy) and Igor Bärtolech (Yugoslavia). Mail Art news and graphics. Vol. 2, No. 9 (October 1995). Photocopy. 11 3/4"x8 1/4". 4 pages. Editorial. "Scoperta Banda di Falsari della Mail-Art!," by the editor. Additional texts. Contributions by K. Frank Jensen (Denmark), Baudhuin Simon (Belgium), et al. About Drawing (O Rysunku). Andrzej Wielgosz, Editor. Gallery Rysunku, Poznan, Poland. (1977). No. 8 (1977). Photocopy with rubber stamp. 8"x5 3/4". 10 pages. Visual poetry by the editor. Handmade paper cover. No. 12 (n.d.). Photocopy with rubber stamp. (34 pages). "On all the identical surfaces are drawings constructed from lines of identical number and qualities. The drawings differ among themselves in organization and their semantic value." Constructivist cover. Abraham. Malcolm Reid, Editor. Québec, Canada. 1996. Special Malfesta Issue (1996). Mixed Medium (Wallpaper, Styrephone Cup, Drawing, Painting and Collage). 12"x9 1/2". (46 pages). Collaboration with participants of Mail Art Congress in Quebec, including Giovanni Strada (Italy), Emilio Morandi (Italy), Anna Banana (Canada), Monty Cantsin (Canada), Marcel Stüssi (Switzerland) and John Held, Jr. (USA). Issued jointly with Réparation de Poésie magazine, edited by Jean-Claude Gagnon (Canada). Handwritten text by Carlo Pittore (USA) runs throughout, declaring on one page, "Mail art networking
is a harbinger of the future tendencies of global cultural interaction. Networking is not about art, but about the structure and aesthetics of communication." Absurdistiche Liga. Rainer Golchert, Editor. Darmstadt, Germany. (1992). (1992). Photocopy. 4 1/4"x3". (8 pages). Visual poetry by the editor, incorporating notice of the "Decentralized Worldwide Networker Congress 1992." Ack's Wacks. Al Ackerman, Editor. Feh! Press, New York, New York. (1991-1994). (October 1991). Photocopy. 8 1/2"x 5 1/2". (4 pages). "A Column of Intellectual Hari-Kari!" (1994). Photocopy. 8 1/2"x5 1/2". (4 pages). Promotes the forthcoming, The Blaster Al Ackerman Omnibus. Promises a chapter regarding, "the history of the strange little publications known as 'tacky little pamphlets'," of which this is one. Acts of the Shelflife. Miekal And and Liz Was, Editors. Xexoxial Editions, Madison, Wisconsin. 1986. Number 1 (1986). Photocopy and collage. 8 1/2"x7". (60 pages). "Visual/Verbal Networking" assembling. "After 8 years in the incubator this magazine has finally appeared as an assembling." Contributions by Miekal And (USA), Jonathan Brannen (USA) (USA), David Cole (USA), Crag Hill (USA), Jürgen O. Olbrich (West Germany, Warren Ong (USA), Harry Polkinhorn (USA), Bern Porter (USA), Chuck Stake (Canada), Carol Stetser (USA), Elizabeth Was (USA), et al.." Includes postcard announcement. Ad Astral! (Stewart Home, Editor). Raido AAA, London, England. 1996. Issue 2 (March 23, 1996). Photocopy. 11 3/4" x 8 1/4". (4 pages). "It is part of our plan that our enemies fail to grasp the seriousness of our programme for community based space travel until it is too late." One of a series of periodicals by Home based on conspiracy theory. Short text by William S. Burroughs (USA). Add and Pass. (Various editors and locations). 1982-2001. 23 examples. "Add and Pass Booklets" are a unique mail art tradition in the spirit of the Surrealist's "Exquisite Corpse" and Ray Johnson's instruction to correspondents to add to the work and pass on to either a known or unknown third party. Typically, the booklet is issued by a mail artist, who instructs the receiver to add to the work and pass on to yet another correspondent. Included
Page 1: Mail Art Periodicals: An Annotated
Page 5 and 6: Alice's Zine of Dreams. Alice Borea
Page 7 and 8: No. 17 (March 1998). Photocopy. 8 1
Page 9 and 10: Anti-Isolation. Miekal And and Liz
Page 11 and 12: No. 6 (October 1994). Photocopy. 8
Page 13 and 14: displaying one-f-a-kind books, but
Page 15 and 16: Art Brigade. Ben Davis, Editor. Ama
Page 17 and 18: Vol. 2, No. 2/3 (1977). Newsprint.
Page 19 and 20: (October 19, 1980). Photocopy. 8 1/
Page 21 and 22: No. 11 (August 1980). Photocopy wit
Page 23 and 24: No. 34 (October 1982). Photocopy an
Page 25 and 26: No. 59 (January/June 1989). Photoco
Page 27 and 28: Artist Call. Michael Schwartz, Edit
Page 29 and 30: Congress. Michael Hernandez de Luna
Page 31 and 32: connected with others across the co
Page 33 and 34: Atalaya. Christer Brunström, Edito
Page 35 and 36: No. 22 (March 10, 1978?). Offset. 1
Page 37 and 38: No. 59 (October 20, 1983). Offset.
Page 39 and 40: project and exhibition notices. "Wh
Page 41 and 42: No. 98 (February 10, 1989). Photoco
Page 43 and 44: No. 116 (July 24, 1992). Offset. 23
Page 45 and 46: No. 141 (January 31, 1997). Offset.
Page 47 and 48: April 10, 1987. Mixed media. 6 1/2"
Page 49 and 50: No. 9 (June 1973). Photocopy. 14"x8
Page 51 and 52: comprehensive catalog and album of
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Bibliography." This issue: "Artist
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No. 26 (November 1994). Photocopy.
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Birdada. Bird (aka Chis Burnett), E
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people who make gather this kind of
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Vol. 1, No. 2 (1986). Photocopy. 8
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network are at all alike. Neuron in
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No. 63 (June 22, 1987). Gocco Print
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No. 114 (December 30, 1988). Gocco
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No. 203 (January 27, 1991). Gocco P
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No. 281 (July 20, 1993). Gocco Prin
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No. 350 (November 20, 1995). Gocco
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No. 511 (September 10, 2001). Gocco
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Cage: Anti-Embargo Magazine. Alexan
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No. 14 (1996). Photocopy. 8 1/2"x5
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No. 6 (February 1991). Photocopy. 1
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No. 116 (February 1990). Offset. 5
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No. 9 (February 20, 1989). Mixed Me
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R. Fricker (Switzerland). "Postal-A
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(n.d.). Photocopy. 8 1/4"x5 3/4". (
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Vol. 1 (June 1999). Photocopy. 8 1/
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participants. "Each contributor, or
Page 95 and 96:
Vol. 1, No. 5 (September 1989). Pho
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(September 1992). Photocopy. 8 1/2"
Page 99 and 100:
CVS (Copyright Violation Squad) Bul
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(May 22, 1995). Photocopy with Rubb
Page 103 and 104:
(January 1987). Photocopy, Rubber S
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Contributors Issue (Summer 1988). P
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No. 45 (February 1983). Offset. 8 1
Page 109 and 110:
(USA), Bugpost (USA), Mike Dyar (US
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No. 030 (November 19, 1989). Photoc
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(Poland), Géza Perneczky (Germany)
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No. 14 (March 1982). Photocopy. 5 1
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No. 2 (March 1986). Newsprint. 16 1
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No. 1 (April 1989). Offset. 8 1/2"x
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11x30: A Publication of the Toledo
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Eraser Carver's Quarterly. Mick Mat
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No. 0 (1999). Offset. 8 1/4"x4". 53
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Decentralized Networker Congress Po
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No. 32 (October 1989). Newsprint. 1
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No. 54 (December 1994). Newsprint.
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No. 21 (July/August 1994). Photocop
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TV Issue (April 1982). Newsprint. 9
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Bride./It too has piquant personali
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Fluxus Bucks. Ex-Posto-Facto (Julie
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No. 4 ([1985]). Photocopy. 5 1/2"x4
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E. M. Plunkett (USA), Carol Law (US
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Vol. 1, No. 2 (Full Moon in May 199
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events." Websites section added. "L
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No. 1 (March 1990). Photocopy. 8 1/
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It is a collection of original work
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Issue a (1971). Offset and Mixed Me
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No. 4 (Summer 1997). Photocopy. 11"
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Humboldt Da-Jest, The. Indian Ralph
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No. 6 (August 1990). Photocopy. 11"
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(March 1992). Photocopy and Rubber
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Inquirer: A Folio of Art and Ideas.
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No. 52 (1991). Offset. 13 1/2"x8 3/
Page 167 and 168:
No. 74 (1999). Offset. 13 1/2"x8 3/
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No. 6 (1993). Photocopy. 11"x8 1/2"
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(USA), Minoy (USA), Tyler Hoare (US
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Vol. 16, No. 2 (December 1997). Pho
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No. 1 (May 2000). Photocopy and Mix
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KFR-(Kentucky Fried Royalty) Indiba
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Kryptogame. Hanna Bremer and Jack M
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No. 3 (1981). Photocopy. 11"x8 1/2"
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Nouvelle Série, No. 6 (April 1988)
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No. 3 (December 1989). Photocopy. 8
Page 187 and 188:
No. 7 ([1985]). Mixed media. 11 3/4
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György Galantai (Hungary), David J
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in news section include Pips (Germa
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Pat Tavenner (USA), Musicmaster (US
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No. 18 (Winter 1986/1987). Offset a
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No. 7 (February 1994). Photocopy. 1
Page 199 and 200:
Live from the Stagger Cafe. Luke Mc
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"Seventh Stranger's Exhibition in O
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No. 7 (1994). Photocopy. 11 3/4"x8
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Love Letters. Sheba, Editor. Exotic
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Mail Art exhibition, "No Nukes in M
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No. 14 (n.d.). Photocopy. 5 1/2"x3
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TAM Publication 950076 (1995). Phot
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of, "The Light of the He-Art," from
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TAM Publication 960147 (March 1997)
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(Belgium) conducted by Ruud Janssen
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No. 109 (February 12, 1991). Photoc
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No. 22-24 (1989). Photocopy and Mix
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No. 25 (April, 14, 1986). Photocopy
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No. 0 (June 1981). Photocopy and Mi
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No. 58 (August 1992). Photocopy and
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No. 80 (October 1994). Photocopy an
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No. 93 (February 1996). Photocopy a
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(Italy), buZ blurr (USA), Guy Bleus
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Kid (USA), Eberhard Janke (Germany)
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No. 132 (January 2001). Photocopy a
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Musicmaster (USA), Mark Bloch (USA)
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submissions will be clear and conci
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Banquet (The Beasts at the Feast)."
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No. 7 ([1989]). Offset. 9 1/2"x8 1/
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including Géza Perneczky (Germany)
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(May 4 thru 10, 1988). Photocopy. 8
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(Germany). "Dreamtime Village" even
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Vol. 9, No. 2/3 (March/April 1996).
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RUBBER STAMP ALBUM and had been ord
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Vol. 2, No. 2 (January 1984). Offse
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Vol. 8, No. 4 (Summer 1990). Offset
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that is wide in its acceptance of m
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is the need for mail-Art shows. At
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listings compiled by Honoria (USA).
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No. 1 (July 1993). Photocopy. 16 1/
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Netshaker. Crackerjack Kid (aka Chu
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Vol. 1, No. 3 (August 16, 1994). Co
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Hamann (West Germany), Graciela Mar
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display and disseminate the product
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Gerlovans (USA). Carlo Pittore (USA
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do some research about what the oth
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TAM-970158 (January 1997). Photocop
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(October 1993). Photocopy. 8 1/2"x5
Page 285 and 286:
Tisma (Yugoslavia), Toward the New
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Breeder" we say goodbye to Stu Horn
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O. Ghislain Belmans, Johan Sanctoru
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Occasional, Tuesday-Art News. Georg
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Vol. 27, No. 3 (Issue 37) (Summer 1
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Todorovic (Yugoslavia); Shozo Shima
Page 297 and 298:
No. 24 ([1987]). Photocopy. 8 1/4"x
Page 299 and 300:
(USA), Shozo Shimamoto (Japan), Ryo
Page 301 and 302:
Ruth and Marvin Sackner (USA), Seie
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Strada (Italy), Peter W. Kaufmann (
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No. 72 (1992). Photocopy. 8 1/4"x5
Page 307 and 308:
very dear guest here last days of O
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No. 93 (1997). Photocopy. 8 1/4"x5
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years!...then Austro-Ungarian (empi
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about extraordinary TIME of CHANGE
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Network: A Mail Art Anthology." "I
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No. 38.2 (May 1998). Photocopy. 8 1
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No. 44.1B (January 2000). Photocopy
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"Shadowland and Rubberwork," by Don
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force things. Zen, y'know. & beside
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Other Times: An Alternative Mail Ar
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No. 12 1/2 (September 1995). Photoc
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No. 21 (July 1996). Photocopy. 8 1/
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No. 29 (May/June 1997). Photocopy.
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No. 6 ([1984]). Photocopy. 8 1/2"x5
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No. 21 (November 14, 1987). Photoco
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Parallelogramme. Tanya Mars, Editor
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Pelo+Pelo-. Emilio Morandi, Editor.
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"'PhotoStatic Magazine' is a bimont
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No. 20 (October 1986). Photocopy. 8
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others doing the same thing. It's c
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and continuing mail Art. "Mail Revi
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No. 40 (December 1989). Photocopy.
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correspondence. After writing close
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and political awareness (and a cook
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PMTTD's Standard Catalogue Update.
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Vol. 1, No. 2 (July 1993). Photocop
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No. 1-A (January 1992). Photocopy a
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Hora") text from Montevideo, Urugua
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(October 1995). Color Photocopy. 8
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Princess Debbie (USA), John Held, J
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No. 17 (June 1991). Photocopy. 5 3/
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No. 33 (September-October 1994). Ph
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No. 5 (April [1995]). Photocopy and
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No. 19 (August 1996). Photocopy. 8
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proud history of pranks, games, fal
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No. 16 ([July] 1987). Photocopy. 11
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Germany), Louise Krasniewicz (USA),
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No. 13 (September 1998). Photocopy,
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Joel Rossman, Bill Gaglione, Carlo
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Joyce Glasner (Canada), Luc Fierens
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Ram Art Review. L. Zjawin Francke,
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"SPECIAL DOUBLE ISSUE! Music Mail A
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participants of the Congress includ
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profiteering..." Letters from Rudi
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No. 1 (Winter Solstice 1994). Offse
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overnight in the underground channe
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No. 4 (December 1991). Photocopy. 3
Page 401 and 402:
No. 0," by Florian Cramer (Germany)
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designs on rollers, postage cancell
Page 405 and 406:
Vol. 2, No. 7 (July 1979). Offset a
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so if you haven't had a go yet then
Page 409 and 410:
Vol. 4, No. 1 (November 1988). Phot
Page 411 and 412:
Issue 0 (February 1989). Color Offs
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Vol. 2, Issue 8 (June 1982). Newspr
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Vol. 5, Issue 21 (October 1985). Ne
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(USA). "'Book as Art' was a famous
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Vol. 10, Issue 46 (July/August 1989
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numerous Europeans. Serendipitous o
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Vol. 15, Issue 75 (May/June 1994).
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Vol. 17, Issue 88 (July/August 1996
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and Angela Netmail, Germany). "Thei
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Schmidt (West Germany), Rolf Staeck
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No. 6 ([1989]). Photocopy and Mixed
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Cohen (USA), Fluxlist (Internet) an
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mail-art, news-letters, leaflets an
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drawings, paintings and so on as (w
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No. 61 (1995). Photocopy. 17"x11".
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Sick Roof: A Journal of Humorous, P
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was international, planetary art. n
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Slugfest, Ltd. Michael T. Nowak, Ed
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R. Fricker (Switzerland), Emilio Mo
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(August 1992). Photocopy. 11"x8 1/2
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No. 5 ([1990]. Offset. 11"x8 1/2".
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No. 7 ([1985]). Offset. 11 3/4"x8 1
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of a reasonable price. once this ha
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Espinosa (Mexico), Shozo Shimamoto
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called MAIL-ART like today, but the
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is Not Fine Art It's the Artist Who
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No. 2 (1989). Photocopy. 8 1/2"x5 1
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statements about mail art. Not only
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compute-file. Now I decided to prin
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Soppalco, Il (The Balcony): Home Ar
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Exhibition," by Ken Friedman. "'Int
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documented participation in 1,068 M
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No. 1 (1982). Mixed Media. (9 pages
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Musicmaster (USA), Donna Nassar (US
Page 479 and 480:
Germany), John Jacobs (aka H.Y.P.E.
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Vol. 2, No. 3 (November 1982). News
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No. 12466 (1995). Photocopy and Rub
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No. 16568 (1997). Computer Print an
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Schizophreniatrics, Morealism, Sarc
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Germany), Salvatore de Rosa (Italy)
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Vol. 4, No. 42 (December 20, 1987).
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Subtle Journal of Raw Coinage, The.
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I am also looking forward to sharin
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No. 11 (nod.). Color and Black & Wh
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No. 1984.7 (1984). Photocopy. 11 3/
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communication could be the transfer
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ulletin. After that, the rubberstam
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No. 96-06 (June 1996). Computer Pri
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No. 6 (Fall 1996). Photocopy and Ru
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(July 11, 1992). Photocopy and Rubb
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No. 6 (June 1993). Photocopy and Mi
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Macadam (Argentina), Svjetlana Mimi
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(Uruguay), A. d. Eker (Holland), Ru
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Vol. 3, No. 3 (January 1983). Photo
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Vol. 2, No. 3 (Fall-Winter 1981). P
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Tourism Review. Hans Rudi Fricker,
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No. 38 (December 1993). Photocopy.
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No. 48 (January 1995). Photocopy. 8
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Dr. Surearts (USA), Dan Landrum (US
Page 529 and 530:
TV. Terence McMahon, Editor. The Fa
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No. 9 (August-September). Newsprint
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Vol. 2, No. 6 (November 1979). Offs
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Vol. 5, No. 4 (September 1982). Off
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sense of direction. the occasion of
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stamp production services provided
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(Belgium), Shozo Shimamoto (Japan),
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Washington, D. C.; Mark Bloch (USA)
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(No. 23) (Winter 1996-1997). Offset
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own ad on the front or back cover t
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changing some time this year but I
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with Utopian leanings or concerns.
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Version 90. Alexandra Fisher, David
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Cosey Fanni Tutti (England), Opal L
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to the Editors," in which Ken Fried
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is so much bigger and looser now-th
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Menghi, Ivana Martínez Vollaró, N
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No. 2 ([1986]). Offset. 111/4"x8 1/
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"Ladies & Gentleman: I don't have t
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anarchists, so they don't act very
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Workarea Art Ambient. Ponte Romano,
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mind to new frontiers, when it does
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Xero-Post. Sheldon Polsky, Editor.
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No. 3 (September 29, 1989). Compute
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through, and their opinions about t
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letters, essays, commentaries, cart
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strike and then sit on their hands!
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No. 0 (December 31, 1992). Computer
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