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essary being ultimately imposes all the conditions for the existence<br />

of the entire space-time universe.<br />

Does the appearance of mind require explanation in terms of<br />

intelligent will, or not? If it does require such explanation at<br />

all, the question of whether the number of minds is ten or ten<br />

billion, is irrelevant to the validity of the teleological conclusion.<br />

After all, suppose God had created ten times---or a million<br />

times, if you like---the number of minds that have<br />

appeared. Russell could always say that God was in<strong>com</strong>petent<br />

since He could have created a still larger number, an infinite<br />

number of actually existing minds being inconceivable. It<br />

would seem, then, that either no explanation of a teleological<br />

nature is required, or else the question of the number of minds<br />

thus to be explained is irrelevant: and since the former position<br />

is already discredited, the latter must be allowed to stand.<br />

Again, how, in any case, does Russell know how many<br />

minds the universe has produced? There may be uncounted orders<br />

of rational beings beside those which have appeared on our<br />

terrestrial ball. If the naturalist can speak of the experienced<br />

world as but a tiny fragment of the whole, the teleologist can do<br />

the same and suggest the possibility that the minds present in<br />

this fragment are likewise dwarfed in number by the total production<br />

of self-conscious beings [[331]] in the whole universe.<br />

At least, there seems to be no way of denying such a possibility.<br />

Finally, it may be pointed out that intrinsic value is not a<br />

function of quantity at all. Is a musician, for example, more<br />

<strong>com</strong>petent because he <strong>com</strong>poses ten symphonies instead of<br />

one? The point is not decided in this way at all, but rather by a<br />

consideration of whether, in such symphonies as he has written,<br />

something of great aesthetic worth has been achieved. Shall I<br />

impugn a Beethoven or a Brahms on the ground that each might<br />

have written more musical classics? If it be said that a musician<br />

who <strong>com</strong>poses ten symphonies of aesthetic worth is more <strong>com</strong>petent<br />

than one who <strong>com</strong>poses two, this may be true: but it is

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