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B. P. Lathi, Zhi Ding - Modern Digital and Analog Communication Systems-Oxford University Press (2009)

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246 ANGLE MODULATION AND DEMODULATION

Figure 5,21

FM modulation

and

demodulation:

(a) original

message;

(b) recovered

signal.

0.5

0

-0.5

Message signal

-1

--0.04 --0.03 --0.02 --0.01 0 0.01 0.02 0.03 0.04

t (sec)

Demodulated FM signal

3

i!

0.5

o----------------------

--0.04 -0.03 --0.02 --0.01 0 0.01 0.02 0.03 0.04

t (sec)

Upon applying the rectifier for envelope detection, we see that the message signal follows

closely to the envelope variation of the rectifier output.

Finally, the rectifier output signal is passed through a low-pass filter with bandwidth

100 Hz. We used the finite impulse response low-pass filter of order 80 this time because of

the tighter filter constraint in this example. The FM detector output is then compared with the

original message signal in Fig. 5.21.

The FM demodulation results clearly show some noticeable distortions. First, the higher

order low-pass filter has a much longer response time and delay. Second, the distortion during

the negative half of the message is more severe because the rectifier generates very few

cycles of the half-sinusoid. This happens because when the message signal is negative, the

instantaneous frequency of the FM signal is low. Because we used a carrier frequency of only

300 Hz, the effect of low instantaneous frequency is much more pronounced. If a practical

carrier frequency of 100 MHz were applied, this kind of distortion would be completely

negligible.

REFERENCES

1. J. Carson, '"Notes on the Theory of Modulation," Proc. IRE, vol. 10, pp. 57-64, Feb. 1922.

2. J. Carson, '"Reduction of Atmospheric Disturbances," Proc. IRE, vol. 16, July 1928.

3. E. H. Armstrong, "A Method of Reducing Disturbances in Radio Signaling by a System of Frequency

Modulation," Proc. IRE, vol. 24, pp. 689-740, May 1936.

4. "A Revolution in Radio," Fortune, vol. 20, p. 116, Oct. 1939.

5. L. Lessing, Man of High Fidelity: Edwin Howard Armstrong, Lippincott, Philadelphia, 1956.

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