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Journal of Italian Translation - Brooklyn College - Academic Home ...

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42<br />

<strong>Journal</strong> <strong>of</strong> <strong>Italian</strong> <strong>Translation</strong><br />

“Una rosa rossa” by Stefano Benni<br />

Translated by Blossom S. Kirschenbaum<br />

Blossom S. Kirschenbaum’s doctorate is from Brown University;<br />

she wrote her dissertation on the Rome Prize in Literature (1976).<br />

She taught at MIT, RISD, U.Mass. (both Boston and North<br />

Dartmouth), URI-Providence, and Clark, then settled at Brown’s<br />

Department <strong>of</strong> Comparative Literature. Now she collaborates with<br />

<strong>Italian</strong> Studies. A member <strong>of</strong> PEN’s New York Center, the Modern<br />

Language Association, and the American <strong>Italian</strong> Historical Association,<br />

Dr. Kirschenbaum has translated novels, stories, and a volume<br />

<strong>of</strong> verse from the romanesco <strong>of</strong> Trilussa. Her essay on Ginevra<br />

Bompiani appeared as Afterword to Sergio Parussa’s translation <strong>of</strong><br />

L’orso maggiore (The Great Bear, Italica, 2000). She has entries in such<br />

sourcebooks as Encyclopedia <strong>of</strong> Continental Women Writers and The<br />

<strong>Italian</strong> American Experience: An Encyclopedia. Essays have appeared<br />

in Voices in <strong>Italian</strong> Americana, <strong>Italian</strong> Americana, MELUS, and other<br />

journals; two published articles about Fernanda Pivano were followed<br />

by a translation <strong>of</strong> Pivano’s “Once There Was Beirut” in <strong>Journal</strong><br />

<strong>of</strong> <strong>Italian</strong> <strong>Translation</strong> (Fall 2006). She came to her “autore numero<br />

uno” when Stefano Pesce, visiting from Bologna with parents and<br />

sisters, sat on her couch reading Bar Sport (1976). Since he would<br />

not part with the book, she bought her own copy—and kept buying<br />

and reading as new work followed. Her version <strong>of</strong> Benni’s<br />

“Sigismondo e Vittorina,” from Bar Sport Duemila, appeared in<br />

Chelsea 66 ( (1999). She has read aloud to an <strong>Italian</strong> friend the<br />

Feltrinelli edition <strong>of</strong> Benni’s Margherita Dolcevita and, to two young<br />

girls, Anthony Shugaar’s English version for Europa Editions. She<br />

looks forward to welcoming Benni to Brown University.<br />

Stefano Benni’s satirical fiction has been translated into over<br />

thirty national and regional languages including the Scandinavian,<br />

Germanic, Romance, Slavic, and Arabic; also Finnish, Turkish, Greek,<br />

Japanese—this even though his work abounds in verbal pyrotechnics,<br />

neologisms, topical jokes, puns, and slang, for he is a poet,<br />

blending fantasy, pop culture, literary borrowings, and tomorrow’s<br />

headlines. Born 12 August 1947, he grew up in the countryside<br />

around Bologna, the city with which he is most closely associated<br />

despite sometime hints <strong>of</strong> disenchantment. He began his career as<br />

a journalist and still contributes to newspapers. Volumes <strong>of</strong> poetry

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