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The Babylonian World - Historia Antigua

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CHAPTER TWENTY-ONE<br />

WOMEN AND GENDER<br />

IN BABYLONIA<br />

<br />

Laura D. Steele<br />

In the Old <strong>Babylonian</strong> version of the Epic of Gilgamesh, Siduri the barmaid<br />

encourages the hero to return to his household and to enjoy the good things in<br />

life:<br />

You, Gilgamesh, let your stomach be full;<br />

Day and night enjoy yourself.<br />

Each day, sustain happiness;<br />

Day and night dance and play.<br />

Let your clothes be immaculate;<br />

Let your head be washed, may you bathe in water.<br />

Consider the child who clutches your hand;<br />

Let your wife enjoy herself in your lap.<br />

(Gilg. Me. iii, 6–14; Tigay 1982: 168; Dalley 1998: 150)<br />

Thus are wives introduced as the domestic pleasure par excellence. <strong>The</strong> next line of the<br />

text is broken, but it likely reads “For this is the work [of women]” (Tigay 1982:<br />

168 n. 17). If so, the passage explicitly defines the ideal life of a woman as well as<br />

that of a man, and the wife (marhitum) becomes the crux of the daily life extolled by<br />

Siduri (Abusch 1993: 4). <strong>The</strong> broken line 14 refers most immediately to the sexual<br />

task of procreation adduced by lines 12–13 (Assante 1998: n. 15), but the “work of<br />

women” is implied throughout the passage: someone must launder clothes, prepare<br />

food, heat water, and bear children so that Gilgamesh might live up to the male<br />

ideal (Harris 1990). Ultimately, the androcentric language of this passage spares<br />

Gilgamesh from the labors associated with the “good life.” 1<br />

Other such glimpses of what <strong>Babylonian</strong>s might have considered to be the ideal<br />

domestic life are rare. Lines 64–65 of a Late <strong>Babylonian</strong> hymn to Gula describe the<br />

lifecycle of a typical free woman: “I am daughter, I am bride, I am spouse, I, indeed,<br />

manage the household” (Lambert 1967; translation in Foster 1993: 496; cited in Stol<br />

1995a). Lest we think of Gula as a quotidian household goddess, she goes on to claim<br />

prowess as a physician (ll. 79–87, 146, 177–187), as a warrior (l. 101), and as a<br />

diviner (ll. 182–184). Omen apodoses of all periods also give a sense of some women’s<br />

299

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