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Between Two Worlds Kafadar.pdf

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societies imbued with the ethos of democracy? Medieval societies likewise upheld<br />

values that could turn against one another but could also be balanced, at least<br />

temporarily or among certain segments of the population, through the enforcement<br />

of some authoritative resolution, complicated negotiations between different<br />

interests, some consensus on priorities, or similar means. Even flit may have<br />

been a major force in the ideological matrix of medieval western Asian and<br />

eastern European frontier regions, the "championing of one's faith" could never<br />

function as the sole concern of historical actors in that stage or as a<br />

single-minded zeal.<br />

This is as true for non-Muslims as it is for Muslims. In fact, significant<br />

parallels can be found in the nature of the concerns and code of behavior<br />

displayed by the warriors of the two sides, as evidenced in, for instance, the<br />

Byzantine legend of Digenis Akritas, the borderland warrior, which allows us a<br />

glimpse into the frontier ethos of the "other side." One very important reason<br />

for such parallels is, as many scholars have pointed out, the fact that the<br />

sociocultural formations on both sides developed their traditions during many<br />

centuries of dose contact and intensive exchange, which does not preclude the<br />

role of violence.[60] The role of shifting boundaries, loyalties, and identifies<br />

should also be underlined here. At any given moment, some of the populace on<br />

either side of the frontier, warriors and others, would have been recent<br />

arrivals — converts, slaves, or recently subjugated people — who were steeped in<br />

the cultural traditions of the other side but were now in a position to<br />

contribute, voluntarily or forcibly, to this one. Given all this, it is not<br />

surprising that a student of Byzantine cultural life finds in her inspiring<br />

study of the Digenis Akritas legend a "measure of understanding" intensified by<br />

"the long existence of the frontier zone .... [T]he frontier Byzantine differed<br />

from the rest. For, as has already been observed by other scholars, the<br />

Byzantine-Arab [or Byzantine-Turkish] frontier regions were different in<br />

character from the territories behind them, developing specific cultural,<br />

social, economic traits."[61]<br />

Like the Muslim gazi epics, the tale of the Byzantine frontier lord presents a<br />

dualistic universe of "us" and "them" defined in religious terms. However, the<br />

line between the two warring worlds is more re-<br />

― 82 ―<br />

markable for the ease with which one can cross it than for its rigidity. And<br />

Digenis Akritas is certainly not ashamed that his father was once a Muslim, who,<br />

like the Trebizondine princess in the story of Kan Turali, switched sides not<br />

out of piety but love, and that his grandparents were Paulician heretics.[62]<br />

Indeed, the very name of the hero, Digenis (<strong>Two</strong>-Blooded), is a constant reminder<br />

of his background, just like the names of Artuhi and Efromiya in the<br />

Danismendname> . Rather than suppressing the inclusivism of the political<br />

communities they glorify, both the Christian and the Muslim holy warrior epics<br />

thus underline the possibility of inclusion and the fluidity of identities in<br />

those frontier conditions.<br />

The motif of the protagonist's mixed origins in these rich texts can certainly<br />

not be reduced to a "sign" of ethnic mixture. The ambiguity of the hero's<br />

74

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