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Cox, George - Aryan Mythology Vol 2.pdf

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THE STAUEOS AXD THE RING. 115<br />

which adhered still more strictly to the first idea the emblem CHAP.<br />

became the stauros or cross of Osiris, and a new source of .<br />

mythology was thus laid open. To the Egyptian the cross<br />

thus became the symbol of immortality, and the god himself<br />

was crucified to the tree which denoted his fructifying<br />

power. 1 Rising from a crescent, the modified form of the<br />

Yoni, the cross set forth the marriage of Ouranos and Gaia,<br />

of Vishnu and Sacti, of heaven and earth. But this cross<br />

was itself a new symbol of the sun, and in the so-called<br />

Assyrian representations of the moon-goddess the sun is exhibited<br />

in human form standing on the crescent. More commonly<br />

the plain stauros was joined with an oval ring, was<br />

worn as an amulet, and was reproduced by the Christians<br />

of Egypt as a sacred mark inserted in their inscriptions.<br />

In this form, or in that of a ring inclosing a cross of four<br />

spokes, this emblem is found everywhere. It is peculiar<br />

neither to Egyptians nor Assyrians, neither to Greeks,<br />

Latins, Gauls, Germans, or Hindus; and no attempt to ex-<br />

plain its original employment b} r any one of these nations is<br />

admissible, unless it explains or seeks to explain them for<br />

all. We recognise the male symbol in the trident of Posei-<br />

don or Proteus, and in the fylfot or hammer of Thor, which,<br />

assumes the form of a cross pattee in the various legends<br />

which turn on the rings of Freya, Holda, Venus, or Aphro-<br />

dite. In each of these stories the ring is distinctly connected<br />

with the goddess who represents the female power<br />

in nature, or tells its own tale of sensuous passion. In one<br />

of the latest of these stories a newly married youth at Rome<br />

places his wedding ring on a statue of Venus, and finds to<br />

his dismay not only that he cannot dislodge it from her<br />

stony finger, but that the goddess herself claims to stand to<br />

him in the relation of Aphrodite to Adonis. 2 As we might<br />

(vesica piscis) being seen pendant from magic ring to be on their guard against<br />

the pastoral or shepherd's staff.—Jamie- the allurements of the beings whom he<br />

son, Sacred and Legendary Art, p. 417. was about to raise by his incantations.<br />

1 See Appendix C. These beings are beautiful damsels, one<br />

2 This story is given by Fordun, of whom, singling out a youth, holds<br />

Matthew of Westminster, Eoger of out to him a ring of gold, which tho<br />

Wendover, and Vincent of Beauvais. youth touches, thus placing himself in<br />

Mr. Gould cites from Csesarius Heister- her power. Curious Myths, i. 225.<br />

bachensis a tale, in which a necromancer See also Scott, Border Minstrelsy, introwarns<br />

some youths placed within a duction to ballad of Tamlane.<br />

I 2<br />

ijl__

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