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Cox, George - Aryan Mythology Vol 2.pdf

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ZlO MYTHOLOGY OF THE ARYAN NATIONS.<br />

BOOK he has kindled a fire from which rises a dense smoke and<br />

. ,_—, vapour, and the instantaneous effect, as of the lightning, is<br />

the discoverj- of a way into the depths of the earth. In the<br />

tale of Ahmed and the Peri Banou, the Schamir or Sassa-<br />

fras is again an arrow which, when shot by the hand of the<br />

prince, travels so far as to become invisible, as the light-<br />

nings shine from the east and give light to the uttermost<br />

west. Following its course, he comes to a great mountain,<br />

and finds the arrow just where an opening in the rocks shows<br />

him a door by which he descends into a palace of unim-<br />

aginable splendour. Here he is greeted by the queen of this<br />

magnificent domain, who calls him by his name, and having<br />

convinced him of her knowledge of all his actions by recount-<br />

ing incidents of his past life, offers herself to him as his bride.<br />

With her he dwells in happiness and luxury, until, driven<br />

by a yearning to see his home and his father once more, he<br />

beseeches the benignant being to suffer him to go, and at<br />

length obtains his wish after promising, like true Thomas<br />

in the myth of Ercildoune, that he will soon return. This<br />

beautiful Peri with her vast treasures and her marvellous<br />

wisdom is but a reflection of the wise Kirke and Medeia, or<br />

of the more tender Kalypso, who woos the brave Odysseus<br />

in her glistening cave, until she is compelled to let the man<br />

of many sorrows go on his way to his wife Penelope. She is,<br />

in short, the Venus of the Horselberg or Ercildoune (the hill<br />

of Ursula and her eleven thousand Virgins), for the names<br />

are the same, and the prince Ahmed is Tanhauser, or Thomas<br />

the Rhymer, wooed and won by the Elfland queen.<br />

The greedy It is obvious that for the name of the flower which is to<br />

open the cave or the treasure-house might be substituted<br />

any magical formula, while the lightning flash might be<br />

represented by the lighting of a miraculous taper, the ex-<br />

tinguishing of which is followed by a loud crashing noise.<br />

With these modifications, the myth at once assumes the<br />

form of the Spanish legend of the Moor's Legacy, as related<br />

by Washington Irving. In this delightful tale we have all<br />

the usual incidents or features—the buried treasures—the<br />

incantation which has e such virtue that the strongest bolts<br />

and bars, nay, the adamantine rock itself, will yield before

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