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Cox, George - Aryan Mythology Vol 2.pdf

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276<br />

BOOK<br />

II.<br />

The fleets<br />

of Alkinoos.<br />

MYTHOLOGY OF THE ARYAN NATIONS.<br />

the golden doors, and steps of silver. Nay, who has not<br />

watched the varying* forms and half convinced himself that<br />

the unsubstantial figures before him are the shapes of men<br />

and beasts who people that shadowy kingdom ? Who has<br />

not seen there the dogs of gold and silver who guard the<br />

house of Alkinoos and on whom old age and death can<br />

never lay a finger—the golden youths standing around the<br />

inmost shrine with torches in their hands, whose light never<br />

dies out—the busy maidens plying their golden distaffs as<br />

their fingers run along the filmy threads spread on the bare<br />

ground of the unfading ether ? Who does not understand<br />

the poet at once when he says that their marvellous skill<br />

came from Athene, the goddess of the dawn ? And who does<br />

not see that in the gardens of this beautiful palace must<br />

bloom trees laden always with golden fruits, that here the<br />

soft west wind brings new blossoms before the old have<br />

ripened, that here fountains send their crystal streams to<br />

freshen the meadows which laugh beneath the radiant heaven?<br />

It is certainly possible that in this description the poet may<br />

have introduced some features in the art or civilization of<br />

his own day; but the magnificent imagination even of a<br />

Spanish beggar has never dreamed of a home so splendid as<br />

that of the Scherian chieftain, and assuredly golden statues<br />

and doors, silver stairs and brazen walls formed no part of<br />

the possessions of any king of the east or the west from the<br />

days of the Homeric poets to our own. In truth, there is<br />

nothing of the earth in this exquisite picture. In the Phaiakian<br />

land sorrow and trouble are things unknown. The<br />

house of Alkinoos is the house of feasting, where the dancers<br />

are never weary, and the harp is never silent.<br />

But the poet carries us to the true Phaiakian domain,<br />

when he makes Alkinoos say that though his people are not<br />

good boxers or wrestlers, none can outrun them on land or<br />

and we may well suppose that<br />

rival their skill on shipboard ;<br />

some consciousness of the meaning of his tale must have<br />

been present to the mind of the bard as he recounted the<br />

wonders of the Phaiakian ships. These mysterious vessels<br />

have neither helmsmen nor rudders, rigging nor tackling<br />

but they know the thoughts and the minds of men. There

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